Quotes about produce
page 8

“That is a complete waste of your time and the government's money. You are a native speaker of English; in ten minutes you can produce more illustrations of any point in English grammar than you will find in many millions of words of random text.”

Lees's response when informed that Nelson Francis had received a grant to produce the Brown Corpus.
Biber, D., and E. Finegan. 1991. "On the exploitation of computerized corpora in variation studies." In K. Aijmer and B. Altenberg (eds.), English corpus linguistics: Studies in honour of Jan Svartvik, 204-220. London: Longman.

Joseph Goebbels photo

“The political bourgeoisie is about to leave the stage of history. In its place advance the oppressed producers of the head and hand, the forces of Labor (Arbeitertum), to being their historical mission.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

“Warum sind wir Sozialisten,” Der Angriff editorial, July 16, 1928, reprinted in Der Angriff, Munich 1935, p. 223. David Schoenbaum, Hitler's Social Revolution: Class and Status in Nazi Germany, 1933-1939, W.W. Norton & Company (1997) p. 25
As quoted in "Erkenntnis und Propaganda," Signale der neuen Zeit. 25 ausgewählte Reden von Dr. Joseph Goebbels (Munich: Zentralverlag der NSDAP., 1934), pp. 28-52
The Pharus Hall was a meeting hall the Nazis often used in Berlin.
1920s

Calvin Coolidge photo

“Hindu society has produced many communalists. Admitted. But it has also produced men like Mahatma Gandhi who went on a fast unto death to save the Muslims of Bihar from large-scale butchery. It has produced men like Pandit Jawaharlal Nehru who had the Bihari Hindus bombed from the air when they did not respond to the Mahatma’s call. These have not been isolated men in Hindu society, as Rafi Ahmad Kidwai and M. C. Chagla have been in Muslim society. The Mahatma was a leader whom the whole Hindu society honoured. Pandit Nehru has been kept as Prime Minister over all these years by a majority vote of the same Hindu society. “Now let me give you a sample of the leadership which Muslim society has produced so far, and in an ample measure. The foremost that comes to my mind is Liaqat Ali Khan, the first Prime Minister of Pakistan. Immediately after partition, there was a shooting in Sheikhupura in which many Hindus who were waiting for repatriation in a camp, were shot down. There was a great commotion in India, and Pandit Nehru had to take up the matter in his next weekly meeting with Liaqat Ali in Lahore. The Prime Minister of Pakistan had brought the Deputy Commissioner of Sheikhupura with him. The officer explained that the Hindus had broken out of the camp at night in the midst of a curfew, and the police had to open fire. Pandit Nehru asked as to why the Hindus had broken out of the camp. The officer told him that some miscreants had set the camp on fire. Pandit Nehru protested to Liaqat Ali that this was an amazing explanation. Liaqat Ali replied without batting an eye that they had to maintain law and order. This exemplifies the quality of leadership which Muslim society has produced so far. This…”

Hamid Dalwai (1932–1977) Indian social reformer, thinker and writer

From a speech by Hamid Dalwai. Quoted from Goel, S. R. (1994). Defence of Hindu society.

David Gross photo
Pauline Kael photo
Alan Charles Kors photo
Howard S. Becker photo
Norman Borlaug photo
Theo van Doesburg photo
David Hume photo
Arthur James Balfour photo
Robert T. Bakker photo

“The word (classical) carries the implication that the works of art and literature produced in Graeco-Roman antiquity possess an absolute value, that they form the standard by which all others are to be judged.”

Jasper Griffin (1937–2019) Public Orator and Professor of Classical Literature

The Oxford History of the Classical World (with John Boardman and Oswyn Murray, Oxford: Oxford University Press, 1986) p. 3

Nisargadatta Maharaj photo
Jean-Baptiste Say photo

“The difficulty lies, not in finding a producer, but in finding a consumer.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book III, On Consumption, Chapter IV, p. 399 (See also:Say's Law, Michał Kalecki, John Maynard Keynes)

Richard Arkwright photo

“Mr. Arkwright, after many years intense and painful application, invented, about the year 1768, his present method of spinning cotton, but upon very different principles from any invention that had gone before it. He was himself a native of Lancashire; but having so recently witnessed the ungenerous treatment of poor Hargrave, by the people of that county, he retired to Nottingham, and obtained a patent in the year 1769, for making cotton, flax, and wool into yarn. But, after some experience, finding that the common method of preparing the materials for spinning (which is essentially necessary to the perfection of good yarn) was very imperfect, tedious, and expensive, he turned his thoughts towards the construction of engines for that purpose; and, in the pursuit, spent several years of intense study and labour, and at last produced an invention for carding and preparing the materials, founded in some measure on the principles of his first machine. These inventions, united, completed his great original plan. But his last machines being very complicated, and containing some things materially different in their construction, and some others materially different in their use, from the inventions for which his first patent was obtained, be procured a patent for these also in December, 1775.”

Richard Arkwright (1732–1792) textile entrepreneur; developer of the cotton mill

Source: The Case of Mr. Richard Arkwright and Co., 1781, p. 23

Maurice Strong photo

“Our concepts of ballot-box democracy may need to be modified to produce strong governments capable of making difficult decisions.”

Maurice Strong (1929–2015) Canadian businessman

Source: "Facing Down Armageddon: Environment at a Crossroads," essay by Maurice Strong in World Policy Journal, Summer, 2009 "Successful management of today's traumatic processes of change will not be easy to achieve. Our concepts of ballot-box democracy may need to be modified to produce strong governments capable of making difficult decisions, particularly in terms of safeguarding the global environment that this transition will require and whose results are often not immediately apparent."

Warren Buffett photo
Julian (emperor) photo
Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Clive Staples Lewis photo

“By definition, a pair of inherently unmeasurable, non-stationary systems, are coupled to produce an inherently measurable stationary system.”

Gordon Pask (1928–1996) British psychologist

Source: An Approach to Cybernetics (1961), p. 98.

James Weldon Johnson photo
Camille Paglia photo
Christopher Hitchens photo
V. P. Singh photo
Ivo Pogorelić photo
Richard Dawkins photo

“Just because science so far has failed to explain something, such as consciousness, to say it follows that the facile, pathetic explanations which religion has produced somehow by default must win the argument is really quite ridiculous.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Steve Paulson, "The flying spaghetti monster" http://www.salon.com/books/int/2006/10/13/dawkins/index3.html (), Salon.com

Paul Signac photo

“Of the three primary colors, the three binary ones are formed. If you add to one of these the primary tone that is its opposite, it cancels it out. This means that you produce the required half-tone. Therefore, adding black is not adding a half-tone, it is soiling the tone whose true half-tone resides in this opposite me have just described. Hence the green shadows found in red. The heads of the two little peasants. The yellow one had purple shadows; the redder and more sanguine one had green ones.”

Paul Signac (1863–1935) French painter

Quoted by Maria Buszek, online - note 19 http://mariabuszek.com/mariabuszek/kcai/Expressionism/Readings/SignacDelaNeo.pdf
The notebook where this sentence appears was only published, in facsimile, in 1913 by J. Guiffrey. Signac therefore must have consulted it at the Conde Museum, in Chantilly. This Moroccan travel document was bought at the Delacroix sale by the painter Dauzats for the Duc of Aumale.
From Delacroix to Neo-Impressionism, 1899

Roger Manganelli photo
Luke Haines photo
John Ruskin photo

“All violent feelings have the same effect. They produce in us a falseness in all our impressions of external things, which I would generally characterize as the "Pathetic Fallacy."”

Volume III, part IV, chapter XII (1856).
Modern Painters (1843-1860)
Variant: All violent feelings have the same effect. They produce in us a falseness in all our impressions of external things, which I would generally characterize as the pathetic fallacy.

Thomas Merton photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Frederic G. Kenyon photo
Brigham Young photo
Edward Grey, 1st Viscount Grey of Fallodon photo
Mandell Creighton photo
David Brewster photo
Edwin Abbott Abbott photo

“On the whole we get on pretty smoothly in our domestic relations, except in the lower strata of the Military Classes. There the want of tact and discretion on the part of the husbands produces at times indescribable disasters. Relying too much on the offensive weapons of their acute angles instead of the defensive organs of good sense and seasonable simulation, these reckless creatures too often neglect the prescribed construction of the women's apartments, or irritate their wives by ill-advised expressions out of doors, which they refuse immediately to retract. Moreover a blunt and stolid regard for literal truth indisposes them to make those lavish promises by which the more judicious Circle can in a moment pacify his consort. The result is massacre; not, however, without its advantages, as it eliminates the more brutal and troublesome of the Isosceles; and by many of our Circles the destructiveness of the Thinner Sex is regarded as one among many providential arrangements for suppressing redundant population, and nipping Revolution in the bud.

Yet even in our best regulated and most approximately Circular families I cannot say that the ideal of family life is so high as with you in Spaceland. There is peace, in so far as the absence of slaughter may be called by that name, but there is necessarily little harmony of tastes or pursuits; and the cautious wisdom of the Circles has ensured safety at the cost of domestic comfort.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 4. Concerning the Women

Arun Shourie photo

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Colin Wilson photo
Arnold J. Toynbee photo
Mark Ames photo
Michael Moorcock photo
Will Eisner photo
Jeremy Corbyn photo
Clay Shirky photo
William Edward Hartpole Lecky photo
Eugène Delacroix photo

“They say that truth is naked. I cannot admit this for any but abstract truths; in the arts, all truths are produced by methods which show the hand of the artist.”

Eugène Delacroix (1798–1863) French painter

12 October 1859 (p. 388)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Bellamy Young photo

“It is known that the mathematics prescribed for the high school [Gymnasien] is essentially Euclidean, while it is modern mathematics, the theory of functions and the infinitesimal calculus, which has secured for us an insight into the mechanism and laws of nature. Euclidean mathematics is indeed, a prerequisite for the theory of functions, but just as one, though he has learned the inflections of Latin nouns and verbs, will not thereby be enabled to read a Latin author much less to appreciate the beauties of a Horace, so Euclidean mathematics, that is the mathematics of the high school, is unable to unlock nature and her laws. Euclidean mathematics assumes the completeness and invariability of mathematical forms; these forms it describes with appropriate accuracy and enumerates their inherent and related properties with perfect clearness, order, and completeness, that is, Euclidean mathematics operates on forms after the manner that anatomy operates on the dead body and its members.
On the other hand, the mathematics of variable magnitudes—function theory or analysis—considers mathematical forms in their genesis. By writing the equation of the parabola, we express its law of generation, the law according to which the variable point moves. The path, produced before the eyes of the 113 student by a point moving in accordance to this law, is the parabola.
If, then, Euclidean mathematics treats space and number forms after the manner in which anatomy treats the dead body, modern mathematics deals, as it were, with the living body, with growing and changing forms, and thus furnishes an insight, not only into nature as she is and appears, but also into nature as she generates and creates,—reveals her transition steps and in so doing creates a mind for and understanding of the laws of becoming. Thus modern mathematics bears the same relation to Euclidean mathematics that physiology or biology … bears to anatomy. But it is exactly in this respect that our view of nature is so far above that of the ancients; that we no longer look on nature as a quiescent complete whole, which compels admiration by its sublimity and wealth of forms, but that we conceive of her as a vigorous growing organism, unfolding according to definite, as delicate as far-reaching, laws; that we are able to lay hold of the permanent amidst the transitory, of law amidst fleeting phenomena, and to be able to give these their simplest and truest expression through the mathematical formulas”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 37.

William H. Gass photo
Camille Paglia photo
Robert A. Heinlein photo

“Jealousy is a disease; love is a healthy condition. The immature mind often confuses one for the other, or assumes the greater the love, the greater the jealousy. In fact they are almost incompatible; both at once produce unbearable turmoil.”

"Jubal Harshaw" in the first edition (1961); this is another line not in the "Uncut" edition of 1991 based on his original manuscripts, because this was one of the lines that Heinlein added, rather than trimmed down, during the editing process of the first edition.
Stranger in a Strange Land (1961; 1991)

Daniel Dennett photo
Tim Flannery photo
Pierre Trudeau photo

“The state has an active role to play in ensuring that there is equilibrium between the constituent parts of the economy, the consumers and the producers.”

Pierre Trudeau (1919–2000) 15th Prime Minister of Canada

Part 3, 1974 - 1979 Victory And Defeat, p. 189
Memoirs (1993)

Thomas Jefferson photo

“That we are overdone with banking institutions which have banished the precious metals and substituted a more fluctuating and unsafe medium, that these have withdrawn capital from useful improvements and employments to nourish idleness, that the wars of the world have swollen our commerce beyond the wholesome limits of exchanging our own productions for our own wants, and that, for the emolument of a small proportion of our society who prefer these demoralizing pursuits to labors useful to the whole, the peace of the whole is endangered and all our present difficulties produced, are evils more easily to be deplored than remedied.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Abbe Salimankis (1810) ME 12:379 The Writings of Thomas Jefferson "Memorial Edition" (20 Vols., 1903-04) edited by Andrew A. Lipscomb and Albert Ellery Bergh, Vol. 12, p. 379; also quoted at "Thomas Jefferson on Politics & Government: Money & Banking" at University of Virginia http://etext.virginia.edu/jefferson/quotations/jeff1325.htm
Posthumous publications, On financial matters

Carol J. Adams photo
Colin Wilson photo
Jean Froissart photo
Shashi Tharoor photo
Fidel Castro photo

“Soon, I'll be like all the others. The time will come for all of us, but the ideas of the Cuban Communists will remain as proof on this planet that if they are worked at with fervor and dignity, they can produce the material and cultural goods that human beings need, and we need to fight without a truce to obtain them.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

Speech after Raul was re-elected as head of the Communist party http://www.cbsnews.com/news/fidel-castro-gives-speech-saying-hes-nearing-the-end-of-his-life/

Glyn Daniel photo
Mo Yan photo
Jacques Bertin photo

“[Bertin's 'color' refers to] the repertoire of colored sensations which can be produced at equal value.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 61, as cited in: Jörg von Engelhardt (2002). The Language of Graphics: : A Framework for the Analysis of Syntax and Meaning in Maps, Charts and Diagrams. p. 27

Kapila photo

“Kapila's arguments are listed [by Dr. Ambedkar], and the last one introduces yet another fundamental concept of Buddhism: suffering (dukkha). It is brought in from an unusual angle: 'Kapila argued that the process of development of the unevolved is through the activities of three constituents of which it is made up, Sattva, Rajas and Tamas. These are called three Gunas. [Sattva is] light in nature, which reveals, which causes pleasure to men; [Rajas is] what impels and moves, what produces activity; [Tamas is] what is heavy and puts under restraint, what produces the state of indifference or inactivity (') When the three Gunas are in perfect balance, none overpowering the other, the universe appears static (achetan) and ceases to evolve. When the three Gunas are not in balance, one overpowers the other, the universe becomes dynamic (sachetan) and evolution begins. Asked why the Gunas become unbalanced, the answer which Kapila gave was that this disturbance in the balance of the three Gunas was due to the presence of Dukkha (suffering).”

Kapila Vedic sage, of the Samkhya school of Hindu philosophy

Buddhism is quite close to the Samkhya-Yoga viewpoint: to Samkhya for its philosophical framework, to Yoga for its methods of meditation.
Quoted in Elst, Koenraad (2002). Who is a Hindu?: Hindu revivalist views of Animism, Buddhism, Sikhism, and other offshoots of Hinduism. ISBN 978-8185990743, with quote from Ambedkar: The Buddha and his Dhamma, 1:5:2.

Calvin Coolidge photo
John Byrne photo

“Imagine, 24 pages of superhero adventures produced by the same writer and artist every month!! How did they do it?”

John Byrne (1950) American author and artist of comic books

What? By being professional about it? But that's too much like work!
2008
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=26500&PN=1&totPosts=7
Monthly comics and creator's ability to keep on schedule

Adolf Hitler photo
Thomas Carlyle photo

“Yes, truly, it is a great thing for a Nation that it get an articulate voice; that it produce a man who will speak forth melodiously what the heart of it means!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Peter Beckford photo
W. Edwards Deming photo

“Secondly, the student is trained to accept historical mis-statements on the authority of the book. If education is a pre- paration for adult life, he learns first to accept without question, and later to make his own contribution to the creation of historical fallacies, and still later to perpetuate what he has learnt. In this way, ignorant authors are leading innocent students to hysterical conclusions. The process of the writers' mind provides excellent material for a manual on logical fallacies. Thirdly, the student is told nothing about the relationship between evidence and truth. The truth is what the book ordains and the teacher repeats. No source is cited. No proof is offered. No argument is presented. The authors play a dangerous game of winks and nods and faints and gestures with evidence. The art is taught well through precept and example. The student grows into a young man eager to deal in assumptions but inapt in handling inquiries. Those who become historians produce narratives patterned on the textbooks on which they were brought up. Fourthly, the student is compelled to face a galling situation in his later years when he comes to realize that what he had learnt at school and college was not the truth. Imagine a graduate of one of our best colleges at the start of his studies in history in a university in Europe. Every lecture he attends and every book he reads drive him mad with exasperation, anger and frustration. He makes several grim discoveries. Most of the "facts", interpretations and theories on which he had been fostered in Pakistan now turn out to have been a fata morgana, an extravaganza of fantasies and reveries, myths and visions, whims and utopias, chimeras and fantasies.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

William A. Dembski photo
Charles Lyell photo
Antonio Negri photo
Sören Kierkegaard photo
Andrei Tarkovsky photo
José Martí photo
David Brin photo

“Anyone who loves nature, as I do, cries out at the havoc being spread by humans, all over the globe. The pressures of city life can be appalling, as are the moral ambiguities that plague us, both at home and via yammering media. The temptation to seek uncomplicated certainty sends some rushing off to ashrams and crystal therapy, while many dive into the shelter of fundamentalism, and other folk yearn for better, “simpler” times. Certain popular writers urgently prescribe returning to ancient, nobler ways.
Ancient, nobler ways. It is a lovely image... and pretty much a lie. John Perlin, in his book A Forest Journey, tells how each prior culture, from tribal to pastoral to urban, wreaked calamities upon its own people and environment. I have been to Easter Island and seen the desert its native peoples wrought there. The greater harm we do today is due to our vast power and numbers, not something intrinsically vile about modern humankind.
Technology produces more food and comfort and lets fewer babies die. “Returning to older ways” would restore some balance all right, but entail a holocaust of untold proportion, followed by resumption of a kind of grinding misery never experienced by those who now wistfully toss off medieval fantasies and neolithic romances. A way of life that was nasty, brutish, and nearly always catastrophic for women.
That is not to say the pastoral image doesn’t offer hope. By extolling nature and a lifestyle closer to the Earth, some writers may be helping to create the very sort of wisdom they imagine to have existed in the past. Someday, truly idyllic pastoral cultures may be deliberately designed with the goal of providing placid and just happiness for all, while retaining enough technology to keep existence decent.
But to get there the path lies forward, not by diving into a dark, dank, miserable past. There is but one path to the gracious, ecologically sound, serene pastoralism sought by so many. That route passes, ironically, through successful consummation of this, our first and last chance, our scientific age.”

Afterword (p. 563)
Glory Season (1993)

Warren Farrell photo
Catherine the Great photo
Verghese Kurien photo

“Industrial age companies created sharp distinctions between two groups of employees. The intellectual elite—managers and engineers—used their analytical skills to design products and processes, select and manage customers, and supervise day-to-day operations. The second group was composed of the people who actually produced the products and delivered the services. This direct labor work force was a principal factor of production for industrial age companies, but used only their physical capabilities, not their minds. They performed tasks and processes under direct supervision of white-collar engineers and managers. At the end of the twentieth century, automation and productivity have reduced the percentage of people in the organization who perform traditional work functions, while competitive demands have increased the number of people performing analytic functions: engineering, marketing, management, and administration. Even individuals still involved in direct production and service delivery are valued for their suggestions on how to improve quality, reduce costs, and decrease cycle times…
Now all employees must contribute value by what they know and by the information they can provide. Investing in, managing, and exploiting the knowledge of every employee have become critical to the success of information age companies”

David P. Norton (1941) American business theorist, business executive and management consultant

Source: The Balanced Scorecard, 1996, p. 5-6

Thomas Jefferson photo