Quotes about pond

A collection of quotes on the topic of pond, water, likeness, doing.

Quotes about pond

Dorothy Day photo
Muhammad Ali photo

“Rivers, ponds, lakes and streams — they all have different names, but they all contain water. Just as religions do — they all contain truths”

Muhammad Ali (1942–2016) African American boxer, philanthropist and activist

Source: Muhammad Ali: His Life and Times

Conrad Aiken photo

“Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Claude Monet photo

“It took me a long time to understand my water lilies... I planted them for pleasure, and grew them without thinking of painting them.. You don't absorb a landscape in a day... And then, all of a sudden, I had the revelation of the enchantment of my pond. I took up my palette.”

Claude Monet (1840–1926) French impressionist painter

in Marc Elder, A Giverny, chez Claude Monet (1924); as quoted in: Vivian Russell (1998) Monet's Water Lilies: The Inspiration of a Floating World. p. 19
1920 - 1926

Manmohan Acharya photo
Friedrich Hölderlin photo
Robert Penn Warren photo

“History is not melodrama, even if it usually reads like that. It was real blood, not tomato catsup or the pale ectoplasm of statistics, that wet the ground at Bloody Angle and darkened the waters of Bloody Pond.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

The Legacy of the Civil War (1961), pp. 49–50
Context: We are right to see power prestige and confidence as conditioned by the Civil War. But it is a very easy step to regard the War, therefore, as a jolly piece of luck only slightly disguised, part of our divinely instituted success story, and to think, in some shadowy corner of our mind, of the dead at Gettysburg as a small price to pay for the development of a really satisfactory and cheap compact car with decent pick-up and road-holding capability. It is to our credit that we survived the War and tempered our national fiber in the processs, but human decency and the future security of our country demand that we look at the costs. What are some of the costs?
Blood is the first cost. History is not melodrama, even if it usually reads like that. It was real blood, not tomato catsup or the pale ectoplasm of statistics, that wet the ground at Bloody Angle and darkened the waters of Bloody Pond. It modifies our complacency to look at the blurred and harrowing old photographs — the body of the dead sharpshooter in the Devil's Den at Gettysburg or the tangled mass in the Bloody Lane at Antietam.

“Are you nervous about no longer being a big fish in a small pond?”

Lisi Harrison (1970) Canadian writer

Source: Alphas

Robert Jordan photo
Amy Tan photo

“… you cannot eat every tadpole and frog in the pond, but you can eat the biggest and ugliest one, and that will be enough, at least for the time being.”

Brian Tracy (1944) American motivational speaker and writer

Source: Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time

Ray Bradbury photo
Michael Palin photo
Edith Sitwell photo
Wally Lamb photo
Mindy Kaling photo
Cassandra Clare photo
Sarah Dessen photo
Haruki Murakami photo
Patti Smith photo
Anton Chekhov photo
Leigh Brackett photo
Wu Jingzi photo
Han-shan photo
Silius Italicus photo

“So, when a pebble breaks the surface of a motionless pool, in its first movements it forms tiny rings; and next, while the water glints and shimmers under the growing force, it swells the number of the circles over the rounding pond, until at last one extended circle reaches with wide-spreading compass from bank to bank.”
Sic, ubi perrupit stagnantem calculus undam, exiguos format per prima volumina gyros, mox tremulum uibrans motu gliscente liquorem multiplicat crebros sinuati gurgitis orbes, donec postremo laxatis circulus oris contingat geminas patulo curuamine ripas.

Book XIII, lines 24–29
Compare:
As on the smooth expanse of crystal lakes
The sinking stone at first a circle makes;
The trembling surface, by the motion stirred,
Spreads in a second circle, then a third;
Wide, and more wide, the floating rings advance,
Fill all the watery plain, and to the margin dance.
Alexander Pope, Temple of Fame, lines 436–441
As the small pebble stirs the peaceful lake:
The centre moved, a circle straight succeeds,
Another still, and still another spreads.
Alexander Pope, Essay on Man, Ep. IV, lines 364–367
Punica

Aldous Huxley photo
Jonathan Stroud photo
Miguna Miguna photo
Pauli Hanhiniemi photo
F. Scott Fitzgerald photo
Mikhail Bulgakov photo

“I had the pleasure of meeting that young man at the Patriarch's Ponds. He almost drove me mad myself, proving to me that I don't exist. But you do believe that it is really I?”

Book Two in 'The Extraction of the Master, P/V, here Woland addresses the Master about Ivan (alias "Homless")
The Master and Margarita (1967)

Freeman Dyson photo
Viktor Schauberger photo
Max Brooks photo
John C. Wright photo

“Ripples on a pond cannot touch a bird hovering above it.”

John C. Wright (1961) American novelist and technical writer

Source: Titans of Chaos (2007), Chapter 18, “Dream Storm” Section 14 (p. 250)

Hermann Ebbinghaus photo
Ramakrishna photo
John D. Carmack photo
Michael Swanwick photo

““You ask a question that cannot be answered without knowing the nature of the primal chaos from which being arose. Is Spiral Castle like a crystal, once shattered, forever destroyed? That is what I prefer to believe. Or is it like a still pond, whose mirrored surface may be shattered and churned, but which will inevitably restore itself as the waves die down? You may believe this if you choose. You can even believe—why not?—that the restored universe will be an improvement on the old. For me, so long as I have my vengeance I care not what comes after.”
“And us?”
“We die.” An involuntary rise in the dragon’s voice, a slight quickening of cadence, told her that she had touched upon some unclean hunger akin to but less seemly than battle-lust. “We die beyond any chance of rebirth. You and I and all we have known will cease to be. The worlds that gave us birth, the creatures that shaped us—all will be unmade. So comprehensive will be their destruction that even their pasts will die with them. It is an extinction beyond death that we court. Though the ages stretch empty and desolate into infinity and beyond, there will be none to remember us, nor any to mourn. Our joys, sorrows, struggles, will never have been.
“And even if there is a universe to come, it will know naught of us.””

Source: The Iron Dragon's Daughter (1993), Chapter 19 (pp. 340-341)

Włodzimierz Ptak photo
Aldous Huxley photo

“Music is an ocean, but the repertory is hardly even a lake; it is a pond.”

Aldous Huxley (1894–1963) English writer

Interview, Time magazine, December 1957

Jozef Israëls photo
Han-shan photo
Robert Jordan photo

“The fox often offers the duck its pond.”

Robert Jordan (1948–2007) American writer

Two Rivers saying
(15 October 1993)

Joseph Conrad photo

“Coming in from the eastward, the bright colouring of the [Nore] lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary. But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore. The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond… [The inward-bound ships] all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal. The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here and there a lonely wooden jetty where petroleum ships discharge their dangerous cargoes, and the oil-storage tanks, low and round with slightly-domed roofs, peep over the edge of the fore-shore, as it were a village of Central African huts imitated in iron. Bordered by the black and shining mud-flats, the level marsh extends for miles. Away in the far background the land rises, closing the view with a continuous wooded slope, forming in the distance an interminable rampart overgrown with bushes.”

The Nore to Hope Point
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Alicia Silverstone photo
Charles Stuart Calverley photo
Agatha Christie photo
Warren Buffett photo
Jonah Goldberg photo
Frederick Winslow Taylor photo

“You gentlemen may laugh, but that is true, all right; it sounds ridiculous, I know, but it is fact. Now if the problem were put up to any of you man to develop science of shoveling as it was put up to us, that is, to a group of men who had deliberately set out to develop the science of all kinds of all laboring work, where do you think you would begin? When you started to study the science of shoveling I make the assertion that you would be within two days – just as we were in two days –well on the way toward development of the science of shoveling. At least you would outlined in your minds those elements which required careful, scientific study in order to understand science of shoveling. I do not want to go into all of the details of shoveling, but I will give you some of the elements, one or two of the most important elements of the science of shoveling; that is, the elements that reach further and have more serious consequences than any other. Probably the most important element in the science of shoveling is this: There must be some shovel load at which a first-class shoveler will do his biggest day’s work. What is that load? To illustrate: when we went to the Bethlehem Steel Works and observed the shoveler in the yard of that company, we found that each of the good shovelers in that yard owned his own shovel; they preferred to buy their own shovels rather than to have the company furnish them. There was a larger tonnage of ore shoveled in that woks than of any other material and rice coal came next in tonnage. We would see a first-class shoveler go from shoveling rice coal with a load of 3.5 ponds to the shovel to handling ore from the Massaba Range, with 38 pounds to the shove Now, is 3.5 pounds the proper shovel load or is the 38 pounds the proper load? They cannot both be right. Under scientific management the answer to this question is not a matter of anyone’s opinion; it is a question for accurate, careful, scientific investigation.”

Frederick Winslow Taylor (1856–1915) American mechanical engineer and tennis player

Source: Testimony of Frederick W. Taylor... 1912, p. 111.

Charles Darwin photo
Jane Jacobs photo
Ze Frank photo

“Who likes the little little duckies in the pond? I do, I do, I do, a-chicka quack quack.”

Ze Frank (1972) American online performance artist

"The Show" (www.zefrank.com/theshow/)

Torquato Tasso photo

“In what a narrow circuit, among what
abandoned solitudes your fame lies bound!
Amid vast seas your island earth is shut,
though "vast" or "ocean", or what words resound
to name that sea, are idle names and fond,
for what it is: a shallow bog, a pond.”

Torquato Tasso (1544–1595) Italian poet

In che picciolo cerchio, e fra che nude
Solitudini è stretto il vostro fasto!
Lei, come isola, il mare intorno chiude;
E lui, ch'or Ocean chiamate or vasto,
Nulla eguale a tai nomi ha in sè di magno;
Ma è bassa palude, e breve stagno.
Canto XIV, stanza 10 (tr. Wickert)
Gerusalemme Liberata (1581)

W. Somerset Maugham photo
Lionel Robbins photo

“I shall always regard this aspect of my dispute with Keynes as the greatest mistake of my professional career, and the book, The Great Depression, which I subsequently wrote, partly in justification of this attitude, as something which I would willingly see be forgotten. […] Now I still think that there is much in this theory as an explanation of a possible generation of boom and crisis. But, as an explanation of what was going on in the early ’30s, I now think it was misleading. Whatever the genetic factors of the pre-1929 boom, their sequelae, in the sense of inappropriate investments fostered by wrong expectations, were completely swamped by vast deflationary forces sweeping away all those elements of constancy in the situation which otherwise might have provided a framework for an explanation in my terms. The theory was inadequate to the facts. Nor was this approach any more adequate as a guide to policy. Confronted with the freezing deflation of those days, the idea that the prime essential was the writing down of mistaken investments and the easing of capital markets by fostering the disposition to save and reducing the pressure on consumption was completely inappropriate. To treat what developed subsequently in the way which I then thought valid was as unsuitable as denying blankets and stimulants to a drunk who has fallen into an icy pond, on the ground that his original trouble was overheating.”

Lionel Robbins (1898–1984) British economist

Autobiography of an Economist (1971), p. 154.

George William Curtis photo
Gerald Durrell photo
David Mitchell photo
Bashō Matsuo photo

“The old pond:
A frog jumps in,—
The sound of the water.”

古池や
蛙飛び込む
水の音
furu ike ya
kawazu tobikomu
mizu no oto
Classical Japanese Database, Translation #64 http://carlsensei.com/classical/index.php/translation/view/64 (Translation: Reginald Horace Blyth)
At the ancient pond
the frog plunges into
the sound of water
Translation: Sam Hamill
Old pond,
leap-splash –
a frog.
Basho, On Love and Barley: Haiku of Basho, London, 1985, p. 58 (Translation: Lucien Stryk)
Breaking the silence
Of an ancient pond,
A frog jumped into water –
A deep resonance.
Matsuo Bashō, The Narrow Road to the Deep North and Other Travel Sketches, London, 1966, p. 9 (Translation: Nobuyuki Yuasa)
Individual poems

Taliesin photo
Jacob Bronowski photo
George Stephenson photo

“He's pond scum, and you can quote me on that.”

Howard Safir (1941)

Charlie Thompson, an award-winning television producer who investigated Safir for ABC's 20/20
[Russ Baker and Josh Benson, http://www.observer.com/1999/commish-bites-back-howard-safir-explains-his-life-his-critics, The Commish Bites Back: Howard Safir Explains His Life to His Critics, The New York Observer, 1999-05-16, 2007-12-20]
About

Alfred Noyes photo

“Every little glimmering pond
Claims the mighty shores beyond;
Shores no seaman ever hailed,
Seas no ship has ever sailed.”

Alfred Noyes (1880–1958) English poet

Epilogue
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
Context: p>Carol, every violet has
Heaven for a looking-glass!Every little valley lies
Under many-clouded skies;
Every little cottage stands
Girt about with boundless lands;
Every little glimmering pond
Claims the mighty shores beyond;
Shores no seaman ever hailed,
Seas no ship has ever sailed.All the shores when day is done
Fade into the setting sun,
So the story tries to teach
More than can be told in speech.</p

Dorothy Day photo

“What I want to bring out is how a pebble cast into a pond causes ripples that spread in all directions. And each one of our thoughts, words and deeds is like that.”

Dorothy Day (1897–1980) Social activist

As quoted in Women on War : Essential Voices for the Nuclear Age (1988), by Daniela Gioseffi, p. 103
Variant: A pebble cast into a pond causes ripples that spread in all directions. Each one of our thoughts, words and deeds is like that. No one has a right to sit down and feel hopeless. There's too much work to do.
As quoted in Singing the Living Tradition (1993) by the Unitarian Universalist Association, p. 560
Context: What I want to bring out is how a pebble cast into a pond causes ripples that spread in all directions. And each one of our thoughts, words and deeds is like that. Going to jail for distributing leaflets advocating war tax refusal causes a ripple of thought, of conscience among us all. And of remembrance too. …. There may be ever improving standards of living in the U. S., with every worker eventually owning his own home and driving his own car; but our modern economy is based on preparation for war. … The absolutist begins a work, others take it up and try to spread it. Our problems stem from our acceptance of this filthy, rotten system.

Josh Billings photo
Ron English photo

“Being a big fish in a small pond is great until you have to poop.”

Ron English (1959) American artist

Ron English's Fauxlosophy (2016)