Quotes about pitching
page 2

“Nolan Ryan is simply a flame-thrower. They call him The Express. Get it? Ryan's Express. Harmon Killebrew says if he ever gets hit by Ryan's express, he'll have the pitcher arrested for manslaughter. Oakland slugger Reggie Jackson says Ryan is the only pitcher he's afraid of, down-deep-in-the-guts afraid of. "If a pitch ever gets away from him, he will kill someone." Nolan Ryan pitches for the California Angels, in Anaheim, which you also wouldn't confuse with New York. Thus, few people really know what an exciting young man this is, perhaps the most exciting single performer in baseball today. Yes, I've heard of Hank Aaron. For years I beat the drums, by myself, for Roberto Clemente. I like the cool gall of Vida Blue, the hot moxie of Pete Rose. They all excite me. But not down deep in the guts, the way this kid does. He excites me. He frightens me. He puts me on that double-pronged fork of attraction and revulsion. When you watch Nolan Ryan rear and throw that screaming blur of white toward the plate, you don't know whether to watch or cover your eyes. Will he strike out the hitter, or will he strike him dead?”

Arnold Hano (1922) American writer

From "Nolan Ryan: The Untouchable," in Baseball Stars of 1973 (March 1973), edited by Ray Robinson, p. 92
Sports-related

People, Angels, Way, Dead

“Last year when I hurt my shoulder, I couldn't hit high pitches, but they kept throwing me low and away, and I could hit that pitch without much pain. "Look, he gets three hits, but he says he's in pain," they say, but they don't know that I can't go for the high pitch, and I'm not about to tell them!”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Speaking with the San Juan Star in September 1970, as quoted in Clemente! (1973) by Kal Wagenheim, p. 178
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

Pain, Hurt

“It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style, is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes… It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it, out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive.”

William Hazlitt (1778–1830) English writer

"On Familiar Style" (1821) Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

People, Intelligence, Decision

“The first article in the foregoing quotation brings to my recollection the extraordinary performances of a professed fire-eater, whose name was Powel, well known in different parts of the kingdom about forty years ago. Among other wonderful feats, I saw him do the following: He ate the burning coals from the fire; he put a large bunch of matches lighted into his mouth, and blew the smoke of the sulphur through his nostrils; he carried a red-hot heater round the room in his teeth; and broiled a piece of beef-steak upon his tongue. To perform this, he lighted a piece of charcoal, which he put into his mouth beneath his tongue, the beef was laid upon the top; and one of the spectators blew upon the charcoal, to prevent the heat decreasing, till the meat was sufficiently broiled. By way of conclusion, he made a composition of pitch, brimstone, and other compustibles, to which he added several pieces of lead; the whole was melted in an iron ladle, and then set on fire; this he called his soup; and, taking it out of the ladle with a spoon of the same metal, he ate it in its state of liquefaction, and blazing furiously, without appearing to sustain the least injury.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 237
The Sports and Pastimes of the People of England (1801), Public entertainment

Way, Light, Appearance, Parting

“We had two masters of the spoken word in South Africa, General Smuts and his lieutenant J. H. Hofmeyr, whose life I wrote. Smuts spoke in a high-pitched voice, not the kind of voice that one would expect from a famous soldier, but he too could hold an audience in the hollow of his hand, partly because he was Smuts, partly because he could say nothing trite or shallow, partly because he knew how to speak to ordinary men and women.”

Alan Paton (1903–1988) South African writer and activist

Alan Paton on Smuts's oratory, in Paton's final essay, A Literary Remembrance, published posthumously in TIME, 25 April 1988, p. 106.

Life, Women, Men

“The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-rays of short-circuited sexual energy. His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol. His bones, beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated with a film of silicone. Sandstorms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal, expanding…The anger was expanding, relentless, exponential, riding out behind the betaphenethylamine rush like a carrier wave, a seismic fluid, rich and corrosive.”

William Gibson book Neuromancer

Neuromancer (1984)

Light, Rage, Perfection, Training

“Somebody will ask those of us who compose with the aid of computers: 'So you make all these decisions for the computer or the electronic medium but wouldn't you like to have a performer who makes certain other decisions?' Many composers don't mind collaborating with the performer with regards to decisions of tempo, or rhythm, or dynamics, or timbre, but ask them if they would allow the performer to make decisions with regard to pitch and the answer will be 'Pitches you don't change.' Some of us feel the same way in regard to the other musical aspects that are traditionally considered secondary, but which we consider fundamental. As for the future of electronic music, it seems quite obvious to me that its unique resources guarantee its use, because it has shifted the boundaries of music away from the limitations of the acoustical instrument, of the performer's coordinating capabilities, to the almost infinite limitations of the electronic instrument. The new limitations are the human ones of perception.”

Milton Babbitt (1916–2011) American composer

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Music, Way, Feeling, Quotes

“The Dodger right-hander is set and here's his pitch to Jack Clark. Swing and a long one into left field! Adios, goodbye, and maybe that's a winner! A three-run homer by Clark and the Cardinals lead by the score of 7 to 5 and they may go to the World Series on THAT one, folks!”

Jack Buck (1924–2002) American sportscaster

Calling Jack Clark's 9th inning three-run home run off Niedenfuer in Game 6 of the 1985 National League Championship Series to give the Cardinals the lead and the National League Pennant.
1980s

World

“At the 9th Division headquarters at El Guettar, Tunisia, enemy planes bombed and strafed incessantly, so that the security normally associated with a headquarters in the rear was missing. Although officers and men alike dug deep, even in foxholes they could get little sleep. One day a small convoy of vehicles arrived, sirens alive, Patton standing in the lead vehicle. While the division commander, Major General Manton Eddy, rushed to greet him, the staff pondered what fault Patton would find this time. "Manton, Goddamn it," Patton shouted in his high-pitched voice, "I want you to get these staff officers out front and get them shot at!" Having been bombarded day and night by enemy planes, having had no sleep for days, a young personnel officer went berserk and had to be evacuated for medical treatment.”

William Westmoreland book A Soldier Reports

Source: A Soldier Reports (1976), p. 21.

Men, Sleep, Time, Night

“Before the payoff game in a World Series with the Dodgers in Brooklyn, Casey Stengel said in the clubhouse, "Well, this is it. Now who do you want to pitch?" The 40 guys in the clubhouse shouted "Raschi!" so loud the Dodgers must have heard it across the way. That's what we Yankees thought of Raschi. What did Raschi have? He had a slider and a curve that wasn't too good, but what made him so rough was a fast ball that got them out. Funny thing about him was that he couldn't relieve as good as Toots Shor. The guy was built to finish what he started.”

Yogi Berra (1925–2015) American baseball player, manager, coach

As quoted in "Raschi Was Best Hurler: Yogi" https://news.google.com/newspapers?id=2rEfAAAAIBAJ&sjid=PdcEAAAAIBAJ&pg=1965%2C6170607 by Harry Grayson, in The Cape Girardeau Southeast Missourian (Thursday, March 17, 1960), p. 3B.

World, Way, Guy, Game

“I hope it is clear…that the ways in which pitches represent pitch classes, and the ways pitch classes abstract pitch, must be examined in order to describe any kind of musical sense or progression, and that if one steps back into abstracted considerations derived without respect to such concerns, an understanding of the qualities of musical uniqueness will continue to be suppressed in favor of generalizations, which at best evoke a vague sense of what a piece may be doing, perhaps in common with some other pieces, but not what one piece is doing, all by itself.”

Paul Lansky (1944) American composer

Lansky, Paul (1975). Pitch-Class Consciousness, Perspectives of New Music XIII/2 (Spring-Summer).

Hope, Music, Way, Understanding

“Once in a night as black as pitch
Isabel met a wicked old witch.
the witch's face was cross and wrinkled,
The witch's gums with teeth were sprinkled.
Ho, ho, Isabel! the old witch crowed,
I'll turn you into an ugly toad!”

Ogden Nash (1902–1971) American poet

"Adventures of Isabel" http://www.poemhunter.com/poem/adventures-of-isabel/

Night

“If your journal consists of the best moments of your life and reading, then rereading it will be like walking a high mountain trail that goes from peak to peak without the intervening descent into the trough of routine. Just reading such a journal of high points will tighten your strings and raise your pitch.”

Robert D. Richardson (1934) American historian

Source: First We Read, Then We Write: Emerson on the Creative Process (2009), p. 19

Life, Mountain, Reading

“VeggieTales is something that, on paper, makes no sense at all. It is a series of children’s videos where limbless, talking vegetables act out Bible stories. Try raising money with that pitch.”

Phil Vischer (1966) American puppeter

Source: The Philosophical Implications of Talking Vegetables (2005), p. 1

Money, Children, Sense

“Failure is not a disgrace. It’s just a pitch that you missed, and you’d better get ready for the next one… My son and I are Americans, we prepare for glory by failing until we don’t.”

Craig Ferguson book American on Purpose

American on Purpose (2009)

Failure

“With your recent interview in Pitch, you become the first person I've heard of (or from) that has figured me out.”

Timothy McVeigh (1968–2001) American army soldier, security guard, terrorist

Letter http://juniperhills.net/mcveigh419.pdf to David Woodard (April 19, 2001) 2000s

Personality

“Our game today was produced by Ken Edmunson, directed by Bucky Guntz; Mike Weisman is the executive producer of NBC Sports, coordinating producer of baseball, Harry Coyle. The 1-1 pitch…He hits it to deep left field, LOOK OUT! DO YOU BELIEVE IT! IT'S GONE!!”

Bob Costas (1952) American sportscaster

Calling Sandberg's second game-tying home run against Sutter in the 10th inning. The Cubs went on to win 12-11 in the 11th inning. June 23, 1984.

Game, Sport

“I find, Andrew Keen's, his whole pitch, I think he was just pure and simple looking for an angle, to create some controversy and sell a book, I don't think there's any substance whatever to his rants.”

Tim O'Reilly (1954) Irish computer programmer

The Truth According to the Wikipedia- IJsbrand van Veelen

Books, Thinking

“Rule of thumb: The more trimmings an insurance plan has and the harder someone is pitching it, the faster you should run.”

Andrew Tobias (1947) American journalist

Source: The Invisible Bankers, Everything The Insurance Industry Never Wanted You To Know (1982), Chapter 16, How To Buy Insurance, p. 296.

“Let them sit in Australia and talk about their pitches. Tell them not to waste their time about Indian tracks. Come and play here. After a 103 Test matches, I deserve a voice and I will have that voice for the betterment of cricket. And there some terrific reactions. For example, Ravi Shastri just said the popular view 'Go back home and worry about your own pitches. Non-Indian commenting on the conditions in India and I reckon probably 80 percent said 'mind your business and go back to Australia and worry about your own country' which is fair enough. But 20 percent of the people that understand the game and have a great passion for the game, a comment like mine whether they like or not is from the base of loving this sport, from the base of loving conditions and also experiencing diverse conditions across the world.”

Matthew Hayden (1971) Australian cricketer

Quoted on Sports.ndtv.com (December 5, 2015), "Matthew Hayden Lashes Out at Ravi Shastri, Says He has Right to Speak on Game's Betterment" http://sports.ndtv.com/india-vs-south-africa-2015-16/news/252607-matthew-hayden-lashes-out-at-ravi-shastri-says-he-has-right-to-speak-on-game-s-betterment

Love, People, World, Home

“Now the pitch, and it's lined foul into the seats, down the third base line, 1 ball, 1 strike, and I'll tell you what's going on. The crowd is chanting "U-S-A!" and the reason for that is that there are reports circulating, I'm not sure if they yet been confirmed by the White House, that Osama bin Laden is dead. How that's happened, we don't know, but this crowd now knows it.”

Howie Rose (1954) American sports announcer

Announcing the death of Osama bin Laden.
2011

Housing, Dead

“I’d lived far too long, and with every day that passed the odds kept growing against my lasting much longer. Although they didn’t put it quite that way when giving the sales pitch, my insurance company’s attitude is reflected in the size of the premiums involved.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 7 (pp. 147-148)

Way

“Here in the body pent,
Absent from Him I roam,
Yet nightly pitch my moving tent
A day's march nearer home.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

At Home in Heaven.
Bartlett's Familiar Quotations, 10th ed. (1919).

Home

“So we went to see Babe Ruth pitch the last game of the 1933 season. The Senators had already clinched the pennant, the Giants had clinched in the other league, so this was just a nothing game. I thought maybe he’d make an appearance, pitch an inning or two or three – he pitched a complete game. He hadn’t pitched a complete game since 1930, and then he pitched a complete game. And before that he had pitched two four-inning stints for the Yankees, so he pitched four times. So he pitched a complete game, he gave up twelve hits, it was not a great pitching performance, but the Yankees won, 7-5. He didn’t strike out a soul. Years later I saw him on Broadway. I went up to him and said, “Hi, Babe.” He said, “Hi, kid.” That’s the way he treated everybody. I said, “You know, I saw you pitch your last game at the Stadium.” This was maybe eight years later or so. I said, “How come you didn’t strike out anybody?” And he said, “I wanted those other eight guys to earn their money!””

Arnold Hano (1922) American writer

And that was Ruth. As quoted in "Bronx Banter Interview: Arnold Hano, Part I" http://www.bronxbanterblog.com/2009/09/25/bronx-banter-interview-arnold-hano/ Sports-related

Money, Way, Guy, Soul

“Batting coaches are just as important as pitching coaches. Lefty O'Doul gave me good advice when he said: "Don't ever let them change you." I also asked for help from Cobb, Foxx and Hornsby.”

Ted Williams (1918–2002) American professional baseball player

As quoted in "Here's the Pitch" by Frank Finch, in The Los Angeles Times (June 5, 1958), p. C2

Change, Help

“Jack was on top of the sow, stabbing downward with his knife. Roger found a lodgment for his point and began to push till he was leaning his whole weight. The spear moved forward inch by inch and the terrified squealing became a high-pitched scream. Then Jack found the throat and the hot blood spouted over his hands. The sow collapsed under them and they were heavy and fulfilled upon her. The butterflies still danced, preoccupied in the center of the clearing.”

William Golding book Lord of the Flies

Source: Lord of the Flies (1954), Ch. 8: Gift for the Darkness

Dance

“I am tired of playing in a shadow Everything I do they compare to Paul Waner. I am not Paul Waner's shadow. I try not to let it bother me, but I get tired of the things some people say. They call me a showboat because I make basket catches. They don't call Willie Mays a showboat, do they? They say I'm a hypochondriac, too. When I have trouble with my back, they say it's in my mind. In Houston last year, right before the end of the season, I was still in the race for the batting title and Murtaugh told me to do everything possible to win it. One time I was being intentionally walked and I swung at one of the pitches. Then I wasn't a team player any more. People said I was out for myself.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Roberto's Not Happy; Clemente in Waner's Shadow" https://www.newspapers.com/newspage/15674492/ by Sandy Padwe (NEA), in The Indiana Gazette (July 2, 1964), p. 16 Baseball-related, <big><big>1960s</big></big>, <big>1964</big>

People, Time, Season

“The most important characteristic of documentary classification is that it is concerned with subjects, not just entities of taxonomic classification. What is the nature of the specific subjects - the themes on which books, parts of books, articles or parts of articles are written? A study of book titles alone would suggest that literary subjects have simple names like 'War, Religion', 'Boats', 'Musica; pitch', 'Colour', 'Acridines', 'Wild flowers', and so on. But the study of articles on the documentation level reveals that such titles are simple in appearance only. Such a literary subject is in reality a complex aggregate of specific subjects, eahc which is the main theme discussed from one particular aspect.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Classification and indexing in science (1958), Chapter 1: The need for classification, p. 8; Partly cited in Nigerian Library and Information Science Review (1987). Vol 5-8. p. 44.

War, Books, Religion, Flowers

“The late Mr. [Carl] Sandburg was a public performer of the first rank ("Ker-oh-seen!" he crooned in one of the first TV pitches for the jet-engine — ole banjo on his knee, white hair mussed by the jet-stream), a poet of the second rank (who can ever forget that feline-footed fog?) and a biographer of awesome badness.”

Gore Vidal (1925–2012) American writer

"First Note on Abraham Lincoln"
1990s, United States - Essays 1952-1992 (1992)

Forgetting

“Show me a guy who can't pitch inside and I'll show you a loser.”

Sandy Koufax (1935) American baseball player

Source: As quoted in "One Hard Way to Make a Living" https://www.newyorker.com/magazine/1981/05/04/one-hard-way-to-make-a-living by Roger Angell, in The New Yorker (May 4, 1981), p. 96; reprinted in Late Innings (1982) by Roger Angell, p. 358

Guy

“He was the nicest, and the only talented person I saw in all Berlin, except perhaps old Fuerstenberg … and Kurt Singer. And he was a Jew; and so was Fuerstenberg. And my dear Melchior is a Jew too. Yet if I lived there, I felt I might turn anti-Semite. For the poor Prussian is too slow and heavy on his legs for the other kind of Jews, the ones who are not imps but serving devils, with small horns, pitch forks, and oily tails. It is not agreeable to see civilization so under the ugly thumbs of its impure Jews who have all the money and the power and brains. I vote rather for the plump hausfraus and thick fingered Wandering Birds. But I am not sure that I wouldn’t even rather be mixed up with Lloyd George than with the German political Jews.”

John Maynard Keynes (1883–1946) British economist

Notes after a meeting with Albert Einstein in 1926, The Collected Writings of John Maynard Keynes, Vol. 10, p. 383

Money, Bird, Personality

“Pitching is the art of instilling fear.”

Sandy Koufax (1935) American baseball player

As quoted in Involvements : One Journalist's Place in the World (1984) by Colman McCarthy, p. 243

Fear, Art

“He's going! The pitch is high, the throw is … safe! He stole it! The throw got by the shortstop and Brock has done it! They would've thrown him out, but the shortstop couldn't handle the bad throw and this is it, folks. Brock has now stolen 893!”

Jack Buck (1924–2002) American sportscaster

Calling Lou Brock's career record breaking 893rd stolen base in 1977.
1970s

“In my view there can be no affirmative action without segregation-nor any end to the segregation if our names must be kept on separate lists. I'd like to propose instead a simple scenario: a fair job market where employment is commensurate with ability regardless of gender, racial or ethnic background. I make a pitch, they like my story, I get the job. Why not?”

Migdia Chinea Varela (1947) American actress, screenwriter, and TV personality

"My life as a 'Two-Fer' ", Newsweek, 26 December 1988, p. 25

“During the afternoon it rained only in this stadium - our kitman saw it. There must be a micro-climate here. The pitch was like a swimming pool.”

José Mourinho (1963) Portuguese association football player and manager

http://news.bbc.co.uk/sport2/hi/football/teams/c/chelsea/4392444.stm
Chelsea FC

“I never heard a thrown ball make that sound before. The ball seemed to accelerate as it came close; an accelerating, impossibly fast pitch that made the noises of hornets and snakes.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Chapter 1, The Trolley Car That Ran By Ebbets Field, p. 55

“I do play with minor knocks at times. I'm not saying I'm a Braveheart compared to others, but I do just get on with it. And I do a lot of extra work, not so much gym work, I won't go in and pump iron, but I do like to do as much as I can on the training pitch. I'll practise my finishing, my passing, my dribbling and my sprints. Maybe that all contributes to that bit of luck I have staying fit. It's something my old man (his father, Frank Sr, formerly of West Ham and England) has instilled in me since I was a kid. Now, if I don't do that bit extra, I don't go into a game feeling I've prepared right.”

Frank Lampard (1978) English association football player

http://www.timesonline.co.uk/article/0,,283-377996,00.html

Feeling, Game, Time, Training

“The Iron never lies to you. You can walk outside and listen to all kinds of talk, get told that you're a god or a total bastard. The Iron will always kick you the real deal. The Iron is the great reference point, the all-knowing perspective giver. Always there like a beacon in the pitch black. I have found the Iron to be my greatest friend. It never freaks out on me, never runs. Friends may come and go. But two hundred pounds is always two hundred pounds.”

Henry Rollins (1961) American singer-songwriter

IRON, article in Details Magazine, January 1993

God

“I don't feel like I want to get in front of a camera any more. I like getting, you know, just being a slob behind a camera and watching other people look good. You know, I might not hurry back. I might go and go somewhere no-one can find me. You know where that is? You know where the place is no-one can find you? I was thinking of pitching my tent right next to the weapons of mass destruction. Then no-one would find me.”

Mel Gibson (1956) American actor, film director, producer and screenwriter

Primetime interview with Diane Sawyer, February 2004. http://sixtyminutes.ninemsn.com.au/sixtyminutes/stories/2004_02_22/story_1034.asp

People, Feeling, Thinking

“Hayden marches down the pitch towards Collymore, bat raised, as if he's just returned from the theatre to find him rifling through his wife.”

Ben Dirs journalist

West Indies v Australia, 2007-27-03, BBC http://news.bbc.co.uk/sport1/hi/cricket/6496463.stm,

“I never had any training. I never had a guy say to me, "Do it this way, do it that way." When I was growing up, I was the last guy to get picked for every team that I was on. If they needed a pitcher, I pitched. If there was a catcher needed, I caught. First baseman, shortstop, whatever position they needed, that's what I played. I felt I was the best all-around athlete on that particular team. Most of them couldn't do that, everybody wanted to play a position. It didn't matter what position I played. I just had fun and enjoyed it.”

Willie Mays (1931) Baseball player

Academy of Achievement Interview (1996)

Way, Guy, Training

“In all climes we pitch out tents,
Cronies of the elements,
With the secret lords of birth
Intimate and free.”

Richard Hovey (1864–1900) American writer

The Wander-lovers.

Secret, Birth

“Yeah, just recently Ted Lilly was pitching in the first inning against the Pittsburgh Pirates, and he slipped twice on two bunt plays. Anyways, Lou [Piniella] came out to check on him and asked him if he had his metal spikes on and he did. Lou then said well do you have any other cleats in the locker room and Ted said, "Skip, your zippers down." Lou was really embarrassed about that. He turns to do something about it, but then realized that he was on national TV and realized he couldn't do anything. That was a very awkward, but funny story.”

Michael Barrett (1976) baseball catcher and manager

“when a class of men is publicly depressed and harassed (as under Muslim rule)… it merely contents itself with dragging on an animal existence. The Hindus could not be expected to produce the utmost of what they were capable… Amidst such social conditions, the human hand and the human mind cannot achieve their best; the human soul cannot soar to its highest pitch.”

Jadunath Sarkar (1870–1958) Indian historian

Sarkar, A Short History of Aurangzeb, p.153. quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3

Men, Soul, Animals

“If…[Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partitionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.”

George Perle (1915–2009) American composer

Page 98
See: Common practice period, Twelve-tone technique
The Listening Composer

Music

“When he walks in, whether you are batting in the middle or sitting in the pavilion and a wicket has fallen, he brings calm to the whole dressing room. I, personally, get a feeling of calm and solidity, not because Laxman will always score but because you know that he will never let you down in terms of effort: you know that he is there and he will pull his weight. There is no higher compliment. You know he has the requisite quality, and that he can read situations well. He has turned up in every circumstance: bad pitches, good pitches, when setting a total or after the opposition has piled up a big score.”

V. V. S. Laxman (1974) former Indian cricketer

Rahul Dravid in a column after Laxman had played his 100th Test.
Source: http://cricket.yahoo.com/photos/if-you-get-laxman-it-s-a-miracle-slideshow/england-and-india-nets-session-photo-1345279931.html

Feeling, Effort, Reading, Personality

“While parents are naturally in a leadership role, strong families strive to share decision-making. They resolve differences by respecting other viewpoints and accepting compromise solutions. One family decided to spend money on a son's music lessons rather than replace worn carpeting. The compromise was to pitch in and clean the carpet. In another family, everyone but the youngest daughter loved to ski. They rented a vacation condo with plenty of activities for the daughter, and the skiers accepted an hour's drive to the slopes.”

Joyce Brothers (1927–2013) Joyce Brothers

10 Keys to a Strong Family (2002)

Love, Money, Family, Music

“Men are always more inclined to pitch their estimate of the enemy's strength too high than too low, such is human nature.”

Carl von Clausewitz book On War

On War (1832), Book 1

Men, Nature

“The management science approach to organizational decision making is the analog to the rational approach by individual managers. Management science came into being during World War II. At that time, mathematical and statistical techniques were applied to urgent, large-scale military problems that were beyond the ability of individual decision makers. Mathematicians, physicists, and operations researchers used systems analysis to develop artillery trajectories, antisubmarine strategies, and bombing strategies such as salvoing (discharging multiple shells simultaneously). Consider the problem of a battleship trying to sink an enemy ship several miles away. The calculation for aiming the battleship's guns should consider distance, wind speed, shell size, speed and direction of both ships, pitch and roll of the firing ship, and curvature of the earth. Methods for performing such calculations using trial and error and intuition are not accurate, take far too long, and may never achieve success.
This is where management science came in. Analysts were able to identify the relevant variables involved in aiming a ship's guns and could model them with the use of mathematical equations. Distance, speed, pitch, roll, shell size, and so on could be calculated and entered into the equations. The answer was immediate, and the guns could begin firing. Factors such as pitch and roll were soon measured mechanically and fed directly into the targeting mechanism. Today, the human element is completely removed from the targeting process. Radar picks up the target, and the entire sequence is computed automatically.”

Richard L. Daft (1964) American sociologist

Source: Organization Theory and Design, 2007-2010, p. 500

War, World, Error, Mathematics

“As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations… for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship… (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness. It is the same in the cases of Mondrian, Kandinsky and the Cubists: abstraction and figuration have a common frontier in their work that is so tenuous that we often do not know which side we are on. It is this ambiguity that imports a rare poetic charm to their paintings. Artists like Klee, Miro and Dubuffet have also pitched their tents on this borderline and constantly travel from one side tot the other.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), pp. 43/44: (1962)

Friendship, Secret, Travel, Feeling

“McGraw was an improviser, a teacher. He brought much to the game that keeps baseball fresh and suspenseful today—the hit-and-run play, the steal, the squeeze play, the uses of the bunt and the defenses against it. He helped turn the game into a thing of fluid beauty, infielders charging the plate or roaming far from their bases, outfielders moving with each pitch, racing in for base hits before them, backing each other in the outfield, entering the infield itself on rundown plays. Yet when the game changed radically, with the introduction of the livelier baseball, McGraw naturally shifted to a power emphasis, founding his team about such men as George Kelly, Bill Terry, Mel Ott. He knew, too, that the old pitching style of permitting a man to hit a deadened ball because it would then be caught in the big fields had to be changed, and his staffs led the league year after year in strikeouts, in earned-runs.”

Arnold Hano (1922) American writer

Hano, Arnold (1967). Greatest Giants of Them All. New York, NY: G.P. Putnam's Sons. pp. 248–249.
Sports-related

Men, Beauty, Game, Nature

“To all men it is evident that the social interests of one hundred and fifty Millions of us depend on the mysterious industry there carried on; and likewise that the dissatisfaction with it is great, universal, and continually increasing in intensity,—in fact, mounting, we might say, to the pitch of settled despair.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Downing Street (April 1, 1850)

Men, Universe, Dependency, Despair

“He takes off his cap. He mops his brow. He looks in and gets the sign. He starts the windup. Here's the pitch and it's … A STRIKE CALLED! A NO-HITTER FOR GIBSON! Simmons roars to the mound, embraces Gibson who is engulfed by his teammates as the Cardinals win the game, 11–0!”

Jack Buck (1924–2002) American sportscaster

Calling the final out of Bob Gibson's 1971 no-hitter. Gibson struck out Willie Stargell to secure the only no-hitter of his legendary career.
1970s

Game

“I set myself high standards on the pitch and know I have not always lived up to them this season”

Rio Ferdinand (1978) English association football player

Rio Ferdinand on standardshttp://www.dailytimes.com.pk/default.asp?page=story_6-10-2005_pg10_5]

Season

“I've seen three wolves successfully take on a seven-hundred- to eight-hundred-pound bear and remain in control throughout just by waiting until it was pitch dark for the final assault. Being nocturnal animals, the wolves could still see clearly, but the bear, which is fundamentally a daytime creature, was at a disadvantage.”

Shaun Ellis (1977) American football player, defensive end

The Man who lives with Wolves (2010)

Waiting, Animals

“I liked the pitch, I liked the referee, I did not like Paul Scholes' tackles.”

Arsène Wenger (1949) French footballer and manager

Manchester United 2-0 Arsenal (12 March 2011) http://uk.eurosport.yahoo.com/13032011/58/fa-cup-wenger-slams-scholes-tackles.html Interviews

“Willingham, waiting in the batters box, Wagner ready, the 1–0 pitch, swing and fly ball to left, Floyd under it, he's there, put it in the books, The New York Mets have won the 2006 National League Eastern Division Championship and the party is under way.”

Howie Rose (1954) American sports announcer

Calling the 2006 National League East Clincher.
2006

Books, Way, Waiting, Flying

“Above the pitch, out of tune, and off the hinges.”

Francois Rabelais book Gargantua and Pantagruel

Source: Gargantua and Pantagruel (1532–1564), Fourth Book (1548, 1552), Chapter 19.

“Snatch them baldheaded, slap their teeth out. Little starved faces four feet from the screen, you’d speak to them in a loud, commanding voice, get not even a twitch. Use of the preemptive splint, not everyone knows about it. The world reminds us of its power, again and again and again. Going along minding your own business, and suddenly an act of God, right there in front of you. Great falls of snow and bursting birds. Getting guilty, letting it all slide. Sown here and there like little…petunias, one planted in Old Lyme, one in Fairbanks, one in Tempe. Alleged that he slept with her while she was asleep, I can see it, under certain circumstances. You may wink, but not at another person. You may wink only at pigeons. You may pound in your tent pegs, pitch your tent, gather wood for the fire, form the hush puppies. They seek to return? Back to the nest? The warm arms? The ineffable smells? Not on your tintype. Well, I think that’s a little harsh. Think that’s a little harsh do you? Yes, harsh. Harsh. Well that’s a sketch, that is, that’s a tin-plated sketch— They write and telephone. Short of cash? Give us a call, all inquiries handled with the utmost confidentiality. They call constantly, they’re calling still, saying williwaw, williwaw”

Donald Barthelme book Sixty Stories

“Aria”.
Sixty Stories (1981)

God, World, Business, Bird

“Blass, if you pitch me inside, I will hit forty-three home runs a year, thirty-seven of them off you!”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Circa 1970, '71 or '72, responding to the novel approach facetiously suggested by teammate Steve Blass, were he ever to be traded from the Pirates; as quoted in "A Teammate Remembers Roberto Clemente” by Steve Blass, as told to Phil Musick, in Sport (April 1973); reproduced in Clemente! https://books.google.com/books?id=n-4qAwAAQBAJ&pg=PT60 (1973) by Kal Wagenheim, p. 158 Baseball-related, <big><big>1970s</big></big>

Home

“I do not care about home runs. The pitch is always away from me and it is foolish to try to pull this pitch for a home run. The pitcher does not wish it so, and I don't try. I am not foolish. Only in Philadelphia I think maybe I will try for the home run, but I do not think so even in L. A. I make the hits which the pitcher cannot stop, and that is better than striking out and will drive out the pitcher, too.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted by Les Biederman—who, not coincidentally, notes both Clemente's successful suppression of "the home run urge" and his ability to "hit for distance with the best" (the former earning the "unqualified praise of George Sisler")—in The Sporting News (June 1, 1960), p. 7
Baseball-related, <big><big>1960s</big></big>, <big>1960</big>

Home, Thinking

“They say I used to scare pitchers just by strolling to the plate but those guys always had a remedy for me. Whenever they were afraid I'd knock one out of the park, they'd walk me and their worries would be over. But once Cobb got on base then their worries really began. He would upset not only the pitcher or catcher, but the infield as well by going from first to third on a sacrifice bunt, scoring from second on an infield out, taking two bases on an outfield fly and making delayed steals. Fans still talk about the home run I hit in the 1932 World Series off Charley Root of the Cubs after I pointed to the rightfield stands. Well, I once remember Cobb beating out four bunts down the third base line in one game against Billy Bradley, a wonderful third baseman for Cleveland. That was after Cobb warned Bradley he would bunt to him every time he got up. Another time Cobb warned Lou Criger, a great catcher with Boston, that he would steal second, third and home on him first chance he got. Well, the first time up Cobb walked and on three pitches stole second, third and home against the dumbfounded Criger.”

Babe Ruth (1895–1948) American baseball player

As quoted in "Ruth Considers Ty Cobb As Greatest of Players" https://www.newspapers.com/newspage/55058790/

World, Guy, Home, Game

“If religion doesn't make people good, why do people think that it does? Simple: Because religion teaches that it makes people good. It’s part of its sales pitch. But it's also quite possibly untrue.”

Steve Stewart-Williams (1971)

Source: Darwin, God and the Meaning of Life: How Evolutionary Theory Undermines Everything You Think You Know (2010), p. 290

People, Religion, Thinking, Parting

“By the time of his Fourth String Quartet, inversional symmetry had become as fundamental a premise of Bartók's harmonic language as it is of the twelve-tone music of Schoenberg, Berg, and Webern. Neither he nor they ever realized that this connection establishes a profound affinity between them in spite of the stylistic features that so obviously distinguish his music from theirs…Nowhere does he [Bartók] recognize the communality of his harmonic language with that of the twelve-tone composers that is implied in their shared premise of the harmonic equivalence of inversionally symmetrical pitch-class relations.”

George Perle (1915–2009) American composer

Pages 46-47
The Listening Composer

Music, Communication, Time

“No worst, there is none. Pitched past pitch of grief,
More pangs will, schooled at forepangs, wilder wring.”

Gerard Manley Hopkins (1844–1889) English poet

" No Worst, There Is None http://www.bartleby.com/122/41.html", lines 1-2 Wessex Poems and Other Verses (1918)

School, Past

“Dangers are sum like a kold bath, very dangerous while you stand stripped on the bank, but often not only harmless, but invigorating, if you pitch into them.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

“I grew up with the colors of war -- the red colors of fire and blood, the brown tones of earth as it explodes in our faces and the piercing silver of an exploded missile, so bright that nothing can protect your eyes from it. I grew up with the sounds of war -- the staccato sounds of gunfire, the wrenching booms of explosions, ominous drones of jets flying overhead and the wailing warning sounds of sirens. These are the sounds you would expect, but they are also the sounds of dissonant concerts of a flock of birds screeching in the night, the high-pitched honest cries of children and the thunderous, unbearable silence. "War," a friend of mine said, "is not about sound at all. It is actually about silence, the silence of humanity."”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

War, Children, Color, Bird

“We have propounded our beliefs in various ways, and according to various doctrines. Often we have aroused the passions of men to murder and war. This was perfectly proper, since it brought the problems of morality and religion to their highest and most exquisite pitch, and gave many complicated matters for us theologians to talk about.
We argued always, and we published our various dissenting opinions. But we argued like lawyers in a court, and nobody in his right mind listens to a lawyer. Those were the days of our pride, and we never noticed that men had ceased to pay attention to us.”

Robert Sheckley book Journey Beyond Tomorrow

Source: Journey Beyond Tomorrow (1962), Chapter 6 “Joenes and the Three Truck Drivers” (p. 50)

Men, War, Religion, Way

“Lopat was the cutest of the gang, the easiest to catch because he had almost perfect control of every pitch at different speeds. He made batters impatient. They couldn't wait for what looked so easy to hit and they'd swing at his motion.”

Yogi Berra (1925–2015) American baseball player, manager, coach

As quoted in "Raschi Was Best Hurler: Yogi" https://news.google.com/newspapers?id=2rEfAAAAIBAJ&sjid=PdcEAAAAIBAJ&pg=1965%2C6170607.

Waiting, Speed, Perfection

“I'm a bit of a wandering gypsy on the pitch. A midfielder constantly on the lookout for an unspoilt corner where I can move freely just for a moment…A space where I can continue to profess my creed: take the ball, give it to a team-mate, team-mate scores. It's called an assist, and it's my way of spreading happiness.”

Andrea Pirlo (1979) Italian footballer

Ibid [p. 111].

Way, Happiness

“Whereas the conception of space and time as a four-dimensional manifold has been very fruitful for mathematical physicists, its effect in the field of epistemology has been only to confuse the issue. Calling time the fourth dimension gives it an air of mystery. One might think that time can now be conceived as a kind of space and try in vain to add visually a fourth dimension to the three dimensions of space. It is essential to guard against such a misunderstanding of mathematical concepts. If we add time to space as a fourth dimension it does not lose any of its peculiar character as time. …Musical tones can be ordered according to volume and pitch and are thus brought into a two dimensional manifold. Similarly colors can be determined by the three basic colors red, green and blue… Such an ordering does not change either tones or colors; it is merely a mathematical expression of something that we have known and visualized for a long time. Our schematization of time as a fourth dimension therefore does not imply any changes in the conception of time. …the space of visualization is only one of many possible forms that add content to the conceptual frame. We would therefore not call the representation of the tone manifold by a plane the visual representation of the two dimensional tone manifold.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Music, Color, Mathematics, Thinking

“I stepped inside. It was almost pitch dark, smelling of old underwear and the sleep of a sick body. A feeble light came from a crack in the window covered by a slice of sacking. Before I could stop him, Sammy had bolted the door…Vapors spilled from our mouths in the cold air. "Let her in, Sammy," I said. "What the hell."”

John Fante book Ask the Dust

Ask the Dust (1939)

Hell, Sleep, Light

“You could not predict what would happen in a single instance, a single throw of the dice, a single pitch in the seventh inning, a single toss of the coin. But you could predict three out of five, four out of ten, seven out of sixteen, and to that extent chance governed everyone, all the time. Just as surely as two equals two.”

Michael Crichton book Odds On

Odds On (1966)

Chance, Time

“Make no mistake about that. The old boy was the greatest player I ever saw or hope to see. When I was pitching I had fair success against all the other great hitters, but Cobb was one guy I never could get out. I had a reputation for being a slugger and I guess I could hit 'em pretty far at that, but that guy Cobb could do everything--better than any player I ever saw. Old Georgia Peach was a great hitter, a spectacular fielder, a wonderfui thrower and oh boy, how he could run.”

Babe Ruth (1895–1948) American baseball player

As quoted in "Ruth Considers Ty Cobb As Greatest of Players" https://www.newspapers.com/newspage/55058790/ by Joe Reichler (AP), in The Ironwood Daily Globe (August 24, 1945), p. 10

Hope, Guy, Boy, Success

“I don't say that the Milwaukee Brewers are nothing, but I think the offense of the Cincinnati Reds (is) better. There's no making mistakes when pitching against Cincinnati. When you make a mistake against them, you pay for it. When you make a mistake against Milwaukee, sometimes they miss it and that's good.”

Carlos Zambrano (1981) Venezuelan baseball pitcher

Jenkins, Chris, Chi Cubs 6, Milwaukee 3 http://sports.yahoo.com/mlb/recap?gid=270407108, Yahoo! Sports, Retrieved on June 15, 2007 2007

Thinking

“Brother Matthias had the right idea about training a baseball club. He made every boy on the team play every position in the game, including the bench. A kid might pitch a game one day and find himself behind the bat the next or perhaps out in the sun-field. You see Brother Matthias' idea was to fit a boy to jump in in any emergency and make good. So whatever I have at the bat or on the mound or in the outfield or even on the bases, I owe directly to Brother Matthias.”

Babe Ruth (1895–1948) American baseball player

On the mentoring he received from Brother Matthias Boutlier, Prefect of Discipline at St. Mary's Industrial School for Boys, in "Ruth, As a Kid, Learns to Play in Any Position" http://archives.chicagotribune.com/1920/08/09/page/15/ by Ruth, as told to Westbrook Pegler (uncredited), in The Chicago Tribune (August 9, 1920), p. 15; reprinted as "We Did Everything," https://books.google.com/books?id=SAAlxi-0EZYC&pg=PA6&dq=%22Brother+Matthias+had+the+right+idea%22&hl=en&sa=X&ved=0ahUKEwjv7_zWgLnQAhUJ7yYKHZQFA_EQ6AEIGjAB#v=onepage&q=%22Brother%20Matthias%20had%20the%20right%20idea%22&f=false in Playing the Game: My Early Years in Baseball (2011), p. 6

Game, Boy, Idea, Sun

“In spring I stopped eating the bodies of living things. Nonetheless, the other day I ate several slices of tuna sashimi as a form of magic to “undertake” my “communication” with “society.” I also stirred a cup of chawanmushi with a spoon. If the fish, while being eaten, had stood behind me and watched, what would he have thought? “I gave up my only life and this person is eating my body as if it were something distasteful.” “He’s eating me in anger.” “He’s eating me out of desperation.” “He’s thinking of me and, while quietly savoring my fat with his tongue, praying, ‘Fish, you will come with me as my companion some day, won’t you?’” “Damn! He’s eating my body!” Well, different fish would have had different thoughts. … Suppose I were the fish, and suppose that not only I were being eaten but my father were being eaten, my mother were being eaten, and my sister were also being eaten. And suppose I were behind the people eating us, watching. “Oh, look, that man has torn apart my sibling with chopsticks. Talking to the person next to him, he swallowed her, thinking nothing of it. Just a few minutes ago her body was lying there, cold. Now she must be disintegrating in a pitch-dark place under the influence of mysterious enzymes. Our entire family have given up our precious lives that we value, we’ve sacrificed them, but we haven’t won a thimbleful of pity from these people.””

Kenji Miyazawa (1896–1933) Japanese poet and author of children's literature

I must have been once a fish that was eaten. Letter to Hosaka (May 1918); as quoted in Miyazawa Kenji: Selections, edited by Hiroaki Sato (University of California Press, 2007), pp. 12 https://books.google.it/books?id=D7IwDwAAQBAJ&pg=PA12-13.

Life, People, Family, Spring

“Interpretation is as improvisation as improvising from silence is. It is just a different way of looking at it. When you improvise form interpretation you have certain dramatic ideas, you have a certain structure. But you know that everything that is in that is relative and flexible. Even pitch can be a matter of interpretation. Rhythm is relative.”

Hilary Hahn (1979) American violinist

Why Violinist Hilary Hahn Will Never Just Stick to the Classical Repertoire (2012)

Way, Idea, Silence

“A methodical people," pulsed the voice of Kesa Khan. "They call themselves civilized because they can build tall castles and pitch their tents with geometric precision, but from here you can see the reality. Ants build in the same way. Are they civilized?”

David Gemmell book Waylander II: In the Realm of the Wolf

Source: Drenai series, Waylander II: In the Realm of the Wolf, Ch. 13

People, Way, Reality

“Upon thy so sore loss
Shall shine the traffic of Jacob’s ladder
Pitched betwixt Heaven and Charing Cross.”

Francis Thompson (1859–1907) British poet

St. 5. The Kingdom of God http://www.bartleby.com/236/245.html (1913)

Loss

“I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't care about stylish notation, that makes melodies that have pitch and rhythm, that doesn't know anything about zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.”

Beth Anderson (1950) American neo-romantic composer

Variant quotes:
I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't know anything about Zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.
Beauty is Revolution (1980)
Source: Jane Weiner LePage (1983) Women composers, conductors, and musicians of the twentieth century: selected biographies. p. 14

Beauty, Change, Parting

“Contour refers to the pattern of musical pitch in a melody—the sequence of ups or downs that the melody takes—regardless of the size of the interval.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Music

“I find myself both as man and as myself something more determined and distinctive, at pitch, more distinctive and higher pitched than anything else I see.”

Gerard Manley Hopkins (1844–1889) English poet

Comments on the Spiritual Exercises of St. Ignatius Loyola

“Let me then ask your next question: Well, why is this a leak investigation that doesn't result in a charge? I've been trying to think about how to explain this, so let me try. I know baseball analogies are the fad these days. Let me try something.If you saw a baseball game and you saw a pitcher wind up and throw a fastball and hit a batter right smack in the head, and it really, really hurt them, you'd want to know why the pitcher did that. And you'd wonder whether or not the person just reared back and decided, "I've got bad blood with this batter. He hit two home runs off me. I'm just going to hit him in the head as hard as I can."You also might wonder whether or not the pitcher just let go of the ball or his foot slipped, and he had no idea to throw the ball anywhere near the batter's head. And there's lots of shades of gray in between.You might learn that you wanted to hit the batter in the back and it hit him in the head because he moved. You might want to throw it under his chin, but it ended up hitting him on the head.And what you'd want to do is have as much information as you could. You'd want to know: What happened in the dugout? Was this guy complaining about the person he threw at? Did he talk to anyone else? What was he thinking? How does he react? All those things you'd want to know.And then you'd make a decision as to whether this person should be banned from baseball, whether they should be suspended, whether you should do nothing at all and just say, "Hey, the person threw a bad pitch. Get over it."In this case, it's a lot more serious than baseball. And the damage wasn't to one person. It wasn't just Valerie Wilson. It was done to all of us.And as you sit back, you want to learn: Why was this information going out? Why were people taking this information about Valerie Wilson and giving it to reporters? Why did Mr. Libby say what he did? Why did he tell Judith Miller three times? Why did he tell the press secretary on Monday? Why did he tell Mr. Cooper? And was this something where he intended to cause whatever damage was caused?Or did they intend to do something else and where are the shades of gray?And what we have when someone charges obstruction of justice, the umpire gets sand thrown in his eyes. He's trying to figure what happened and somebody blocked their view.”

Patrick Fitzgerald (1960) American lawyer

Fitzgerald News Conference from the Washington Post (October 28, 2005)

People, Justice, Guy, Home

“When the blessed canopy had been fixed about a mile from the gate of Arangal, the tents around the fort were pitched together so closely that the head of a needle could not go between them' Orders were issued that every man should erect behind his own tent a kathgar, that is wooden defence. The trees were cut with axes and felled, notwithstanding their groans; and the Hindus, who worship trees, could not at that time come to the rescue of their idols, so that every cursed tree which was in that capital of idolatry was cut down to the roots'….
'During the attack, the catapults were busily plied on both sides' 'Praise be to God for his exaltation of the religion of Muhammad. It is not to be doubted that stones are worshipped by Gabrs,74 but as the stones did no service to them, they only bore to heaven the futility of that worship, and at the same time prostrated their devotees upon earth”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 81-83
Quotes from The History of India as told by its own Historians

God, Religion, Tree, Time

“I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.”

George Perle (1915–2009) American composer

Page 67
See: Allen Forte
The Listening Composer

“Brock takes the lead, Ruthven checks him. He is … GOING! The pitch is a strike, the throw … he is there! HE DID IT! 105 for Lou Brock!”

Jack Buck (1924–2002) American sportscaster

Calling Lou Brock's single season record-breaking 105th stolen base of the 1974 season.
1970s

“Guessing what the pitcher is going to throw is 80 percent of being a successful hitter. The other 20 percent is just execution. The mental aspects of hitting were especially important to me. I was strictly a guess hitter, which meant I had to have a thorough knowledge of every pitcher I came up against and develop a strategy for hitting him. My method was to identify the pitches a certain pitcher had and eliminate all but one or two and then wait for them. One advantage I had was quick wrists. Another advantage—and one that all good hitters have—was my eyesight. Sometimes I could read the pitcher's grip on the ball before he ever released it and be able to tell what pitch he was throwing. I never worried about the fastball. They couldn't throw it past me, none of them.”

Hank Aaron (1934) Retired American baseball player

From I Had a Hammer (1990) by Aaron, with Lonnie Wheeler; as reproduced in Hank Aaron https://books.google.com/books?id=tcPC-qgM8McC&pg=PA48&lpg=PA48&dq=%22Guessing+what+the+pitcher+is+going+to+throw+is+80+percent+of+being+a+successful+hitter.+The+other+20+percent+is+just+execution.%22&source=bl&ots=QZ81enT7WV&sig=NL9G0fGgcTJGfc6oVOYvuzBV2sI&hl=en&sa=X&ved=0ahUKEwjQu9DFxcjVAhUEwYMKHdamDmsQ6AEIOzAE#v=onepage&q=%22Guessing%20what%20the%20pitcher%20is%20going%20to%20throw%20is%2080%20percent%20of%20being%20a%20successful%20hitter.%20The%20other%2020%20percent%20is%20just%20execution.%22&f=false (2007) by Jamie Poolos, p. 48

Knowledge, Waiting, Reading, Success

“In the year A. D. 1202, when Qulb-ud-Din captured Kalinjar, after the temples had been convened into mosques, and the very name of idolatry was annihilated, fifty thousand men came under the collar of slavery and the plain became black as pitch with Hindus.”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Dr. Murray Titus quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

Men

“When he quit, he grew cotton down South, tinkered in real estate, owned an auto dealership, and made enough money so that once he tried to buy the Giants, and on other occasions tried to buy into the Dodgers and other clubs. Nothing ever came of it. He kept a hand in baseball, though. In 1955 he became president of the Sally League, and then there was the time he showed up for an old-timers' game at Yankee Stadium, Terry now over fifty years old, gray and more hunched than ever. It was surely an odd place to find this man who never got any fun out of baseball, as they say, but there he was, and at least he would go through the paces. He came to bat just once, and the pitch was inside, shoulder high. Terry, who held his bat at his shoulder, a motionless man at the plate, let loose his short, sweet stroke, and the ball was a blur, drilled on a long, high line into the upper deck of the Stadium, for a home run. Reporters never said whether Terry gave a little joyous leap or whether he clapped his hands or even smiled. But you know pride was like blood pounding through him.”

Arnold Hano (1922) American writer

On Bill Terry's appearance at the New York Yankees' 1954 Old-Timers' Game https://news.google.com/newspapers?id=m6wnAAAAIBAJ&sjid=jeYDAAAAIBAJ&pg=5763%2C5919284&dq=terrry-loses-lined-stands, from Greatest Giants of Them All (1967), pp. 143-144 Sports-related

Money, Smile, Home, Game

“A real atheist, needless to say, will disregard what the dervishes think it expedient to say about the "New Testament" when they make their pitch to the ignorant. He will read the myths for himself and objectively consider and appraise them as a whole, including the social gospel that is, indeed, the most important and operative part of them. And he will shudder at the Judaic malevolence that inspires them, the vicious hatred of culture and civilization. They were designed to create a foul and squalid world in which every instinctive value of our race is negated and aborted--a world in which the natural ties of family and property have been severed, leaving only rootless and helpless individuals, isolated and lost in the terrible loneliness of crowds--a world without history, without philosophy, without science, without reason--a world without beauty of any kind, without art, without literature, without culture--a world without real love, the love that unites men and women, and without even the Aryan's instinctive feeling for the beauty of women and physical health.”

Revilo P. Oliver (1908–1994) American philologist

"The Bear in the Bush", Liberty Bell (September 1990)
1990s

Love, Women, Men, Health

“Hasan Nizami writes that after the suppression of a Hindu revolt at Kol (Aligarh) in 1193 AD, Aibak raised “three bastions as high as heaven with their heads, and their carcases became food for beasts of prey. The tract was freed from idols and idol-worship and the foundations of infidelism were destroyed.” In 1194 AD Aibak destroyed 27 Hindu temples at Delhi and built the Quwwat-ul-Islãm mosque with their debris. According to Nizami, Aibak “adorned it with the stones and gold obtained from the temples which had been demolished by elephants”. In 1195 AD the Mher tribe of Ajmer rose in revolt, and the Chaulukyas of Gujarat came to their assistance. Aibak had to invite re-inforcements from Ghazni before he could meet the challenge. In 1196 AD he advanced against Anahilwar Patan, the capital of Gujarat. Nizami writes that after Raja Karan was defeated and forced to flee, “fifty thousand infidels were despatched to hell by the sword” and “more than twenty thousand slaves, and cattle beyond all calculation fell into the hands of the victors”. The city was sacked, its temples demolished, and its palaces plundered. On his return to Ajmer, Aibak destroyed the Sanskrit College of Visaladeva, and laid the foundations of a mosque which came to be known as ADhãî Din kã JhoMpaDã. Conquest of Kalinjar in 1202 AD was Aibak’s crowning achievement. Nizami concludes: “The temples were converted into mosques… Fifty thousand men came under the collar of slavery and the plain became black as pitch with Hindus.””

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Hasan Nizami, quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 6

Men, Food, Hell

“I've got a fair few kilometres under my belt, but it's the short distances that wear me out. They're tests of your mental stamina, rather than your speed. For Neil Armstrong, it was walking on the surface of the moon and, in my case, the ultra-green pitch of the Olympiastadion.”

Andrea Pirlo (1979) Italian footballer

On the 2006 World Cup Final
Ibid [pp. 31-32]

Speed

“A better job is always done when two pitch in and work as one.”

Henry Schriver (1914–2011) American politician

Cows, Kids, and Co-ops

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

Children, People, Color, Shoe

“Somebody say once that I like to goof off; that I'm lazy because I don't play winter ball and make a habit of reporting late to spring training. What these fellows don't know is that I have no time for winter ball. When I return home to Puerto Rico after the baseball season, I open my camp right away. It is a camp for boys, where they can come and learn how to play baseball. They come from all ages and get a lot of help. Cepeda spends some time with me. He teaches how to play first base. José Santiago shows them how to pitch. 'Chito' Rios, he comes from Mayagüez and gives base running instruction. Even Frank Lane has been there and talked to my kids. Jim Brown has been there, and Tommy Nobis, to talk football, although most of our kids have little interest in football. But they like to hear these fellows. Bill Russell has been there; so have Oscar Robertson and all the Harlem Globetrotters. The boys love it, and I really believe it has meant a lot in the development of some fine young men for later life.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "All-Star Case of Roberto Clemente"
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

Love, Life, Men, Age

“On the last Sunday in September in smoggy Los Angeles, announcer Vin Scully riffed through some notes as Willie McCovey came to bat for the last time that season before the Chavez Ravine folks. "Let's see," said Scully, "no home runs since September 11…. Well, it's been a long season. McCovey's got to be tired. Big as he is, he's probably worn out." So Scully was looking down at his papers when he heard the familiar crack. Worn-out Willie had just driven the ball over the right field fence, over the bullpen, and into Glendale. Scully did not see the pitch McCovey hit. It had been a palm ball lobbed up by Pete Mikkelson, the kind of pitch that floats up like a dead flounder, and usually goes about as far as dead flounders fly when you hit one. If you hit one. This one traveled a couple of miles or more, and Willie McCovey had home run number 45, to break his tie with Hank Aaron and win for McCovey his second consecutive National League home-run title.”

Arnold Hano (1922) American writer

From "Willie McCovey: Now No. 1 Willie," in Baseball Stars of 1970 (March 1970), edited by Ray Robinson, p. 19
Sports-related

Angels, Travel, Home, Time