Quotes about pitch
page 2

Roberto Clemente photo

“Last year when I hurt my shoulder, I couldn't hit high pitches, but they kept throwing me low and away, and I could hit that pitch without much pain. "Look, he gets three hits, but he says he's in pain," they say, but they don't know that I can't go for the high pitch, and I'm not about to tell them!”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Speaking with the San Juan Star in September 1970, as quoted in Clemente! (1973) by Kal Wagenheim, p. 178
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

William Hazlitt photo

“It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style, is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes… It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it, out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive.”

William Hazlitt (1778–1830) English writer

"On Familiar Style" (1821)
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Joseph Strutt photo
Alan Paton photo
William Gibson photo
Jack Buck photo

“The Dodger right-hander is set and here's his pitch to Jack Clark. Swing and a long one into left field! Adios, goodbye, and maybe that's a winner! A three-run homer by Clark and the Cardinals lead by the score of 7 to 5 and they may go to the World Series on THAT one, folks!”

Jack Buck (1924–2002) American sportscaster

Calling Jack Clark's 9th inning three-run home run off Niedenfuer in Game 6 of the 1985 National League Championship Series to give the Cardinals the lead and the National League Pennant.
1980s

William Westmoreland photo
Yogi Berra photo
Ogden Nash photo
Craig Ferguson photo
Timothy McVeigh photo

“With your recent interview in Pitch, you become the first person I've heard of (or from) that has figured me out.”

Timothy McVeigh (1968–2001) American army soldier, security guard, terrorist

Letter http://juniperhills.net/mcveigh419.pdf to David Woodard (April 19, 2001)
2000s

Bob Costas photo

“Our game today was produced by Ken Edmunson, directed by Bucky Guntz; Mike Weisman is the executive producer of NBC Sports, coordinating producer of baseball, Harry Coyle. The 1-1 pitch…He hits it to deep left field, LOOK OUT! DO YOU BELIEVE IT! IT'S GONE!!”

Bob Costas (1952) American sportscaster

Calling Sandberg's second game-tying home run against Sutter in the 10th inning. The Cubs went on to win 12-11 in the 11th inning. June 23, 1984.

Tim O'Reilly photo
Andrew Tobias photo

“Rule of thumb: The more trimmings an insurance plan has and the harder someone is pitching it, the faster you should run.”

Andrew Tobias (1947) American journalist

Source: The Invisible Bankers, Everything The Insurance Industry Never Wanted You To Know (1982), Chapter 16, How To Buy Insurance, p. 296.

Matthew Hayden photo
Howie Rose photo
James Montgomery photo

“Here in the body pent,
Absent from Him I roam,
Yet nightly pitch my moving tent
A day's march nearer home.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

At Home in Heaven.
Bartlett's Familiar Quotations, 10th ed. (1919).

Ted Williams photo

“Batting coaches are just as important as pitching coaches. Lefty O'Doul gave me good advice when he said: "Don't ever let them change you." I also asked for help from Cobb, Foxx and Hornsby.”

Ted Williams (1918–2002) American professional baseball player

As quoted in "Here's the Pitch" by Frank Finch, in The Los Angeles Times (June 5, 1958), p. C2

William Golding photo
Roberto Clemente photo
Gore Vidal photo
Sandy Koufax photo

“Show me a guy who can't pitch inside and I'll show you a loser.”

Sandy Koufax (1935) American baseball player

Source: As quoted in "One Hard Way to Make a Living" https://www.newyorker.com/magazine/1981/05/04/one-hard-way-to-make-a-living by Roger Angell, in The New Yorker (May 4, 1981), p. 96; reprinted in Late Innings (1982) by Roger Angell, p. 358

John Maynard Keynes photo
Sandy Koufax photo

“Pitching is the art of instilling fear.”

Sandy Koufax (1935) American baseball player

As quoted in Involvements : One Journalist's Place in the World (1984) by Colman McCarthy, p. 243

Jack Buck photo
Migdia Chinea Varela photo
José Mourinho photo

“During the afternoon it rained only in this stadium - our kitman saw it. There must be a micro-climate here. The pitch was like a swimming pool.”

José Mourinho (1963) Portuguese association football player and manager

http://news.bbc.co.uk/sport2/hi/football/teams/c/chelsea/4392444.stm
Chelsea FC

“I never heard a thrown ball make that sound before. The ball seemed to accelerate as it came close; an accelerating, impossibly fast pitch that made the noises of hornets and snakes.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Chapter 1, The Trolley Car That Ran By Ebbets Field, p. 55

Frank Lampard photo
Henry Rollins photo
Mel Gibson photo

“Hayden marches down the pitch towards Collymore, bat raised, as if he's just returned from the theatre to find him rifling through his wife.”

Ben Dirs journalist

West Indies v Australia, 2007-27-03, BBC http://news.bbc.co.uk/sport1/hi/cricket/6496463.stm,

Willie Mays photo
Richard Hovey photo
Jadunath Sarkar photo
V. V. S. Laxman photo
Joyce Brothers photo
Carl von Clausewitz photo
Richard L. Daft photo

“The management science approach to organizational decision making is the analog to the rational approach by individual managers. Management science came into being during World War II. At that time, mathematical and statistical techniques were applied to urgent, large-scale military problems that were beyond the ability of individual decision makers. Mathematicians, physicists, and operations researchers used systems analysis to develop artillery trajectories, antisubmarine strategies, and bombing strategies such as salvoing (discharging multiple shells simultaneously). Consider the problem of a battleship trying to sink an enemy ship several miles away. The calculation for aiming the battleship's guns should consider distance, wind speed, shell size, speed and direction of both ships, pitch and roll of the firing ship, and curvature of the earth. Methods for performing such calculations using trial and error and intuition are not accurate, take far too long, and may never achieve success.
This is where management science came in. Analysts were able to identify the relevant variables involved in aiming a ship's guns and could model them with the use of mathematical equations. Distance, speed, pitch, roll, shell size, and so on could be calculated and entered into the equations. The answer was immediate, and the guns could begin firing. Factors such as pitch and roll were soon measured mechanically and fed directly into the targeting mechanism. Today, the human element is completely removed from the targeting process. Radar picks up the target, and the entire sequence is computed automatically.”

Richard L. Daft (1964) American sociologist

Source: Organization Theory and Design, 2007-2010, p. 500

Michel Seuphor photo
Thomas Carlyle photo
Jack Buck photo

“He takes off his cap. He mops his brow. He looks in and gets the sign. He starts the windup. Here's the pitch and it's … A STRIKE CALLED! A NO-HITTER FOR GIBSON! Simmons roars to the mound, embraces Gibson who is engulfed by his teammates as the Cardinals win the game, 11–0!”

Jack Buck (1924–2002) American sportscaster

Calling the final out of Bob Gibson's 1971 no-hitter. Gibson struck out Willie Stargell to secure the only no-hitter of his legendary career.
1970s

Rio Ferdinand photo

“I set myself high standards on the pitch and know I have not always lived up to them this season”

Rio Ferdinand (1978) English association football player

Rio Ferdinand on standardshttp://www.dailytimes.com.pk/default.asp?page=story_6-10-2005_pg10_5]

Shaun Ellis photo
Arsène Wenger photo

“I liked the pitch, I liked the referee, I did not like Paul Scholes' tackles.”

Arsène Wenger (1949) French footballer and manager

Manchester United 2-0 Arsenal (12 March 2011) http://uk.eurosport.yahoo.com/13032011/58/fa-cup-wenger-slams-scholes-tackles.html
Interviews

Howie Rose photo
Francois Rabelais photo

“Above the pitch, out of tune, and off the hinges.”

Source: Gargantua and Pantagruel (1532–1564), Fourth Book (1548, 1552), Chapter 19.

Donald Barthelme photo
Roberto Clemente photo

“Blass, if you pitch me inside, I will hit forty-three home runs a year, thirty-seven of them off you!”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Circa 1970, '71 or '72, responding to the novel approach facetiously suggested by teammate Steve Blass, were he ever to be traded from the Pirates; as quoted in "A Teammate Remembers Roberto Clemente” by Steve Blass, as told to Phil Musick, in Sport (April 1973); reproduced in Clemente! https://books.google.com/books?id=n-4qAwAAQBAJ&pg=PT60 (1973) by Kal Wagenheim, p. 158
Baseball-related, <big><big>1970s</big></big>

Roberto Clemente photo

“I do not care about home runs. The pitch is always away from me and it is foolish to try to pull this pitch for a home run. The pitcher does not wish it so, and I don't try. I am not foolish. Only in Philadelphia I think maybe I will try for the home run, but I do not think so even in L. A. I make the hits which the pitcher cannot stop, and that is better than striking out and will drive out the pitcher, too.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted by Les Biederman—who, not coincidentally, notes both Clemente's successful suppression of "the home run urge" and his ability to "hit for distance with the best" (the former earning the "unqualified praise of George Sisler")—in The Sporting News (June 1, 1960), p. 7
Baseball-related, <big><big>1960s</big></big>, <big>1960</big>

Babe Ruth photo
Gerard Manley Hopkins photo

“No worst, there is none. Pitched past pitch of grief,
More pangs will, schooled at forepangs, wilder wring.”

Gerard Manley Hopkins (1844–1889) English poet

" No Worst, There Is None http://www.bartleby.com/122/41.html", lines 1-2
Wessex Poems and Other Verses (1918)

Josh Billings photo
Zainab Salbi photo
Robert Sheckley photo
Yogi Berra photo

“Lopat was the cutest of the gang, the easiest to catch because he had almost perfect control of every pitch at different speeds. He made batters impatient. They couldn't wait for what looked so easy to hit and they'd swing at his motion.”

Yogi Berra (1925–2015) American baseball player, manager, coach

As quoted in "Raschi Was Best Hurler: Yogi" https://news.google.com/newspapers?id=2rEfAAAAIBAJ&sjid=PdcEAAAAIBAJ&pg=1965%2C6170607.

Andrea Pirlo photo
Hans Reichenbach photo

“Whereas the conception of space and time as a four-dimensional manifold has been very fruitful for mathematical physicists, its effect in the field of epistemology has been only to confuse the issue. Calling time the fourth dimension gives it an air of mystery. One might think that time can now be conceived as a kind of space and try in vain to add visually a fourth dimension to the three dimensions of space. It is essential to guard against such a misunderstanding of mathematical concepts. If we add time to space as a fourth dimension it does not lose any of its peculiar character as time. …Musical tones can be ordered according to volume and pitch and are thus brought into a two dimensional manifold. Similarly colors can be determined by the three basic colors red, green and blue… Such an ordering does not change either tones or colors; it is merely a mathematical expression of something that we have known and visualized for a long time. Our schematization of time as a fourth dimension therefore does not imply any changes in the conception of time. …the space of visualization is only one of many possible forms that add content to the conceptual frame. We would therefore not call the representation of the tone manifold by a plane the visual representation of the two dimensional tone manifold.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

John Fante photo
Michael Crichton photo
Babe Ruth photo
Carlos Zambrano photo
Babe Ruth photo

“Brother Matthias had the right idea about training a baseball club. He made every boy on the team play every position in the game, including the bench. A kid might pitch a game one day and find himself behind the bat the next or perhaps out in the sun-field. You see Brother Matthias' idea was to fit a boy to jump in in any emergency and make good. So whatever I have at the bat or on the mound or in the outfield or even on the bases, I owe directly to Brother Matthias.”

Babe Ruth (1895–1948) American baseball player

On the mentoring he received from Brother Matthias Boutlier, Prefect of Discipline at St. Mary's Industrial School for Boys, in "Ruth, As a Kid, Learns to Play in Any Position" http://archives.chicagotribune.com/1920/08/09/page/15/ by Ruth, as told to Westbrook Pegler (uncredited), in The Chicago Tribune (August 9, 1920), p. 15; reprinted as "We Did Everything," https://books.google.com/books?id=SAAlxi-0EZYC&pg=PA6&dq=%22Brother+Matthias+had+the+right+idea%22&hl=en&sa=X&ved=0ahUKEwjv7_zWgLnQAhUJ7yYKHZQFA_EQ6AEIGjAB#v=onepage&q=%22Brother%20Matthias%20had%20the%20right%20idea%22&f=false in Playing the Game: My Early Years in Baseball (2011), p. 6

Kenji Miyazawa photo

“In spring I stopped eating the bodies of living things. Nonetheless, the other day I ate several slices of tuna sashimi as a form of magic to “undertake” my “communication” with “society.” I also stirred a cup of chawanmushi with a spoon. If the fish, while being eaten, had stood behind me and watched, what would he have thought? “I gave up my only life and this person is eating my body as if it were something distasteful.” “He’s eating me in anger.” “He’s eating me out of desperation.” “He’s thinking of me and, while quietly savoring my fat with his tongue, praying, ‘Fish, you will come with me as my companion some day, won’t you?’” “Damn! He’s eating my body!” Well, different fish would have had different thoughts. … Suppose I were the fish, and suppose that not only I were being eaten but my father were being eaten, my mother were being eaten, and my sister were also being eaten. And suppose I were behind the people eating us, watching. “Oh, look, that man has torn apart my sibling with chopsticks. Talking to the person next to him, he swallowed her, thinking nothing of it. Just a few minutes ago her body was lying there, cold. Now she must be disintegrating in a pitch-dark place under the influence of mysterious enzymes. Our entire family have given up our precious lives that we value, we’ve sacrificed them, but we haven’t won a thimbleful of pity from these people.””

Kenji Miyazawa (1896–1933) Japanese poet and author of children's literature

I must have been once a fish that was eaten.
Letter to Hosaka (May 1918); as quoted in Miyazawa Kenji: Selections, edited by Hiroaki Sato (University of California Press, 2007), pp. 12 https://books.google.it/books?id=D7IwDwAAQBAJ&pg=PA12-13.

Hilary Hahn photo
Francis Thompson photo

“Upon thy so sore loss
Shall shine the traffic of Jacob’s ladder
Pitched betwixt Heaven and Charing Cross.”

Francis Thompson (1859–1907) British poet

St. 5.
The Kingdom of God http://www.bartleby.com/236/245.html (1913)

“I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't care about stylish notation, that makes melodies that have pitch and rhythm, that doesn't know anything about zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.”

Beth Anderson (1950) American neo-romantic composer

Variant quotes:
I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't know anything about Zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.
Beauty is Revolution (1980)
Source: Jane Weiner LePage (1983) Women composers, conductors, and musicians of the twentieth century: selected biographies. p. 14

Daniel Levitin photo
Gerard Manley Hopkins photo

“I find myself both as man and as myself something more determined and distinctive, at pitch, more distinctive and higher pitched than anything else I see.”

Gerard Manley Hopkins (1844–1889) English poet

Comments on the Spiritual Exercises of St. Ignatius Loyola

Patrick Fitzgerald photo

“Let me then ask your next question: Well, why is this a leak investigation that doesn't result in a charge? I've been trying to think about how to explain this, so let me try. I know baseball analogies are the fad these days. Let me try something.If you saw a baseball game and you saw a pitcher wind up and throw a fastball and hit a batter right smack in the head, and it really, really hurt them, you'd want to know why the pitcher did that. And you'd wonder whether or not the person just reared back and decided, "I've got bad blood with this batter. He hit two home runs off me. I'm just going to hit him in the head as hard as I can."You also might wonder whether or not the pitcher just let go of the ball or his foot slipped, and he had no idea to throw the ball anywhere near the batter's head. And there's lots of shades of gray in between.You might learn that you wanted to hit the batter in the back and it hit him in the head because he moved. You might want to throw it under his chin, but it ended up hitting him on the head.And what you'd want to do is have as much information as you could. You'd want to know: What happened in the dugout? Was this guy complaining about the person he threw at? Did he talk to anyone else? What was he thinking? How does he react? All those things you'd want to know.And then you'd make a decision as to whether this person should be banned from baseball, whether they should be suspended, whether you should do nothing at all and just say, "Hey, the person threw a bad pitch. Get over it."In this case, it's a lot more serious than baseball. And the damage wasn't to one person. It wasn't just Valerie Wilson. It was done to all of us.And as you sit back, you want to learn: Why was this information going out? Why were people taking this information about Valerie Wilson and giving it to reporters? Why did Mr. Libby say what he did? Why did he tell Judith Miller three times? Why did he tell the press secretary on Monday? Why did he tell Mr. Cooper? And was this something where he intended to cause whatever damage was caused?Or did they intend to do something else and where are the shades of gray?And what we have when someone charges obstruction of justice, the umpire gets sand thrown in his eyes. He's trying to figure what happened and somebody blocked their view.”

Patrick Fitzgerald (1960) American lawyer

Fitzgerald News Conference from the Washington Post (October 28, 2005)

Alauddin Khalji photo
Jack Buck photo

“Brock takes the lead, Ruthven checks him. He is … GOING! The pitch is a strike, the throw … he is there! HE DID IT! 105 for Lou Brock!”

Jack Buck (1924–2002) American sportscaster

Calling Lou Brock's single season record-breaking 105th stolen base of the 1974 season.
1970s

Hank Aaron photo

“Guessing what the pitcher is going to throw is 80 percent of being a successful hitter. The other 20 percent is just execution. The mental aspects of hitting were especially important to me. I was strictly a guess hitter, which meant I had to have a thorough knowledge of every pitcher I came up against and develop a strategy for hitting him. My method was to identify the pitches a certain pitcher had and eliminate all but one or two and then wait for them. One advantage I had was quick wrists. Another advantage—and one that all good hitters have—was my eyesight. Sometimes I could read the pitcher's grip on the ball before he ever released it and be able to tell what pitch he was throwing. I never worried about the fastball. They couldn't throw it past me, none of them.”

Hank Aaron (1934) Retired American baseball player

From I Had a Hammer (1990) by Aaron, with Lonnie Wheeler; as reproduced in Hank Aaron https://books.google.com/books?id=tcPC-qgM8McC&pg=PA48&lpg=PA48&dq=%22Guessing+what+the+pitcher+is+going+to+throw+is+80+percent+of+being+a+successful+hitter.+The+other+20+percent+is+just+execution.%22&source=bl&ots=QZ81enT7WV&sig=NL9G0fGgcTJGfc6oVOYvuzBV2sI&hl=en&sa=X&ved=0ahUKEwjQu9DFxcjVAhUEwYMKHdamDmsQ6AEIOzAE#v=onepage&q=%22Guessing%20what%20the%20pitcher%20is%20going%20to%20throw%20is%2080%20percent%20of%20being%20a%20successful%20hitter.%20The%20other%2020%20percent%20is%20just%20execution.%22&f=false (2007) by Jamie Poolos, p. 48

Qutb al-Din Aibak photo
Revilo P. Oliver photo
Qutb al-Din Aibak photo

“Hasan Nizami writes that after the suppression of a Hindu revolt at Kol (Aligarh) in 1193 AD, Aibak raised “three bastions as high as heaven with their heads, and their carcases became food for beasts of prey. The tract was freed from idols and idol-worship and the foundations of infidelism were destroyed.” In 1194 AD Aibak destroyed 27 Hindu temples at Delhi and built the Quwwat-ul-Islãm mosque with their debris. According to Nizami, Aibak “adorned it with the stones and gold obtained from the temples which had been demolished by elephants”. In 1195 AD the Mher tribe of Ajmer rose in revolt, and the Chaulukyas of Gujarat came to their assistance. Aibak had to invite re-inforcements from Ghazni before he could meet the challenge. In 1196 AD he advanced against Anahilwar Patan, the capital of Gujarat. Nizami writes that after Raja Karan was defeated and forced to flee, “fifty thousand infidels were despatched to hell by the sword” and “more than twenty thousand slaves, and cattle beyond all calculation fell into the hands of the victors”. The city was sacked, its temples demolished, and its palaces plundered. On his return to Ajmer, Aibak destroyed the Sanskrit College of Visaladeva, and laid the foundations of a mosque which came to be known as ADhãî Din kã JhoMpaDã. Conquest of Kalinjar in 1202 AD was Aibak’s crowning achievement. Nizami concludes: “The temples were converted into mosques… Fifty thousand men came under the collar of slavery and the plain became black as pitch with Hindus.””

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Hasan Nizami, quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 6

Andrea Pirlo photo

“A better job is always done when two pitch in and work as one.”

Henry Schriver (1914–2011) American politician

Cows, Kids, and Co-ops

Jopie Huisman photo

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

Roberto Clemente photo
Franklin Pierce photo
Daniel Levitin photo
Gloria Estefan photo