Quotes about photograph
page 2

“I was looking at the photographs and I started thinking that there was a time when these weren't memories.”

Stephen Chbosky book The Perks of Being a Wallflower

Source: The Perks of Being a Wallflower

“When they asked me what I wanted to be I said I didn’t know.
"Oh, sure you know," the photographer said.
"She wants," said Jay Cee wittily, "to be everything.”

Sylvia Plath book The Bell Jar

Source: The Bell Jar

“You’ve been good to me, Inigo. But I really am like the weather. You can admire me, even love me, in your way, but I can’t love you back. To me you’re like a photograph. I can see right through you, examine you from all angles. You amuse me. But you don’t have enough depth ever to fascinate me.”

Alastair Reynolds (1966) British novelist and astronomer

Weather (p. 159)
Short fiction, Galactic North (2006)

Love, Way, Weather

“To-morrow the rediscovery of romantic love,
The photographing of ravens; all the fun under
Liberty's masterful shadow;
To-morrow the hour of the pageant-master and the musician, The beautiful roar of the chorus under the dome;
To-morrow the exchanging of tips on the breeding of terriers,
The eager election of chairmen
By the sudden forest of hands. But to-day the struggle.To-morrow for the young the poets exploding like bombs,
The walks by the lake, the weeks of perfect communion;
To-morrow the bicycle races
Through the suburbs on summer evenings. But to-day the struggle.”

W. H. Auden book Spain

Source: Spain (1937), Lines 81–92

Love, Beauty, Summer, Perfection

“With chemical film, it was possible to alter photographs, but you had to be an expert. That's not true any more. The LA Times fired a photographer at the beginning of the Iraq War for editing two shots together. Photography is crumbling. Certainly it is for the newspapers a bit now, isn't it? There will be painting again, absolutely!”

David Hockney (1937) British artist

Interview with Martin Gayford, " 'Photography is crumbling,' " http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2004/05/18/bahock18.xml The Telegraph, (18 May 2004) 2000s

War, Time, Painting

“King Kong was difficult only because of the hours we had to put in. At that time, there was no protection for actors about time or anything. We worked straight through for 22 hours once on Kong. It was really a wearying experience, because it was mechanics, really, as much as anything that we were dealing with. The technicality was transparency to transparency from the rear, and then re-photographing me in the foreground on the same level with that screen-so I couldn't really see what was happening at all! It had to be done many, many times to confirm that it was okay. So we worked for 22 hours!”

Fay Wray (1907–2004) actress

Rick McKay's Night on the Town with Fay Wray! http://www.rickmckay.com/Rick%20McKay%20-%20Fay%20Wray%20Interview.html (1998)

Time

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

Hope, Mathematics, Problem, Study

“I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the “second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 19 July 1963 - to two artist friends, Helmut and Erika Heinze
1960's

World, Family, Color, Photo

“I really haven't seen this many people in one place since they took the group photographs of all the criminals and lawbreakers in the Ronald Reagan Administration. Two-hundred and twenty-five of 'em, so far! 225 different people in the Ronald Reagan administration have either quit, been fired, arrested, indicted or convicted of either breaking the law or violating the ethics code!”

George Carlin (1937–2008) American stand-up comedian

What Am I Doing in New Jersey? (1988)

People, Law

“Mechanical reproduction emancipates the work of art from its parasitical dependence on ritual. To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility. From a photographic negative, for example, one can make any number of prints; to ask for the “authentic” print makes no sense. But the instant the criterion of authenticity ceases to be applicable to artistic production, the total function of art is reversed. Instead of being based on ritual, it begins to be based on another practice – politics.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Das Kunstwerk im Zeitalter seiner Reproduzierbarkeit The Work of Art in the Age of Mechanical Reproduction (1935)

Art, Sense, Dependency

“The immobility that the artist creates is not at all that of the photograph. A worth of art contains latent life, possibility of movement; a grimace made eternal does not represent life. One always talks of w:Donatello, but never of della Quercia. Yet della Qercia invented w:Michelangelo’s style before Michelangelo.”

Aristide Maillol (1861–1944) sculptor from France

Source: Conversations with Judith Cladel (1939–1944), p. 408

Life, Art

“We had a certain idea of our work, a respect for others, and above all, [we were determined] not to be paparazzi. For the photographer, curiosity is essential, the terrible counterpart is indiscretion, which is a lack of restraint.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 115

Idea

“No hope. And the X-ray photographs under his arm
Confirm the message. His wife stands timidly by.
The opposite brick-built house looks lofty and calm,
Its chimneys steady against the mackerel sky.”

John Betjeman (1906–1984) English poet, writer and broadcaster

"Devonshire Street W.1" line 1, from A Few Late Chrysanthemums (1954).
Poetry

Hope, Housing

“The abstracts are the opposite to work on. That process is more like walking, step by step, without an intention, until you discover where you are going. When I paint a landscape from a photograph or an image like this one, I can see the end point before I start, although in fact it always turns out slightly different than I imagined. What I have is not facility, because this really doesn't take skill. I have an eye. I couldn't make a drawing of you sitting here right now. I would love to have that ability, in the same way that I would love to play the piano. Virtuosity is a precondition for pianists, but in addition you have to be good. These are not the same thing.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Love, Way, Imagination, Drawing

“… there are tens of thousands of photographs taken here, all taken very patiently, because decay can be very slow.. Ten months for a human body… they say…”

Peter Greenaway (1942) British film director

A Zed and Two Noughts

“The Gaza sniper deserves a decoration, and the photographer a demerit.”

Avigdor Lieberman (1958) Israeli politician

In response over a video of a shooting by IDF soldiers on prostestors during the 2018 Gaza border protests. (April 10 2018) https://theintercept.com/2018/04/10/gaza-protests-palestine-israel-sniper-video/

“It took only a few days to block off the little room on the third floor back of the Piquette Avenue plant and to set up a few simple power tools and Joe Galamb's two blackboards. The blackboards were a good idea. They gave a king-sized drawing which, when all initial refinements had been made, could be photographed for two purposes: as a protection against patent suits attempting to prove prior claim to originality and as a substitute for blueprints. A little more than a year later Model T, the product of that cluttered little room, was announced to the world. But another half year passed before the first Model T was ready for what had already become a clamorous market…”

Charles E. Sorensen (1881–1968) American businessman

Source: My Forty Years with Ford, 1956, p. 97 ; As cited in: EyeWitness to History (2005)

World, Idea, Drawing

“(Performance) art is, perhaps, the first art phenomenon to clearly demonstrate that modern art has become antiquated. Modern art is based upon a single assumption. That the artwork is only what it is. It is not a picture or a metaphor for something else. It is, say, a photograph, first and only. Or, perhaps, it is a painting, first and only. This assumption still looms above us all. We automatically accept it. We fall back upon it whenever we have a problem in criticizing, accepting, or understanding a work of art.”

Gregory Battcock (1937–1980)

1984, p. 5
L’Art Corporel, 1979

Art, Understanding, Problem, Painting

“There's people outside our house; you get followed by photographers; you can't go out and have a cup of coffee with a friend without someone coming up to you”

Jack Osbourne (1985) Son of Ozzy and Sharon Osbourne

MTV.com Jack Talks About His Addiction and Recovery

People, Coffee, Housing

“Laymen learn to read photographs the way they do headlines, skipping over them quickly to get the gist of what is being said. Photographers, on the other hand, study them with the care and attention to detail one might give to a difficult scientific paper or a complicated poem.”

Howard S. Becker (1928) American sociologist

Becker (1978) in: Creative Camera No.163-174. p. 70.

Way, Study, Learning, Reading

“At the base of the plane, Styles freelance photographer is down on one knee, going handheld, still in the same Hawaiian shirt. The famously reclusive R. Vaughn Corliss is nowhere in view. Doug Llewellyn’s wardrobe furnished by Hugo Boss. The Malina blanket for the artist’s lap and thighs, however, is the last minute fix of a production oversight, retrieved from the car of an apprentice gaffer whose child is still nursing, and is not what anyone would call an appropriate color or design, and appears unbilled. There’s also some eleventh hour complication involving the ground level camera and the problem of keeping the commode’s special monitor out of its upward shot, since video capture of a camera’s own monitor causes what is known in the industry as feedback glare — the artist in such a case would see, not his own emergent Victory, but a searing and amorphous light.”

David Foster Wallace (1962–2008) American fiction writer and essayist

"The Suffering Channel", Oblivion: Stories
Short stories

Cars, Color, Problem, Light

“Black and white are the colors of photography. To me, they symbolize the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough—there has to be vision and the two together can make a good photograph. It is difficult to describe this thin line where matter ends and mind begins.”

Robert Frank (1924–2019) American photographer and filmmaker

Robert Frank, in: Nathan Lyons, Photographers on photography: a critical anthology, (1966), p. 66

People, Hope, Color, Despair

“Poetry photographs parts of life and humanity that can’t be captured visually, at least in a literal sense. It dissects the hopelessness of being alive and makes it seem to develop meaning momentarily, even if it never actually does.”

Robbie Coburn (1994) Australian writer

in 2014, Going Down Swinging

Life, Sense, Parting

“My photographs are facts which bring the right accessibility to remote, lonely or otherwise unrecognizable works. Some sculptures are seen by few people, but can be known about by many. My outdoor sculptures and walking locations are not subject to possession and ownership. I like the fact that roads and mountains are common, public land. My outdoor sculptures are places. The material and the idea are of the place; sculpture and place are one and the same. The place is as far as the eye can see from the sculpture. The place for the sculpture is found by walking.”

Richard Long (1945) artist

Richard Long & Kenneth Martin (1980) in: D. Ashton (1985), Twentieth-Century Artists on Art, p. 151
1980s

People, Mountain, Idea

“We're adding a triple sign-off for all work done on the launch pad, on flight components, and flight critical GSE. You have a technician, a responsible engineer, and then quality assurance will sign the final, record all information, and take photographs of all the work that was done, and then make sure that all information is put into our quality assurance database, which is reviewed prior to launch.”

Elon Musk (1971) South African-born American entrepreneur

Conversation: Elon Musk on Wired Science (2007)

“Photographers are the new Brahmins: we have no volition when they rule us.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

“The painter's portrait and the physicist's explanation are both rooted in reality, but they have been changed by the painter or the physicist into something more subtly imagined than the photographic appearance of things.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Part 4: "The Abacus and the Rose" (p. 103)
Science and Human Values (1956, 1965)

Imagination, Reality, Appearance, Change

“As a child, I wanted to become a scientist, a magician, a poet, an architect, an illustrator, a sculptor, an actor, a philosopher, a photographer, a playwright and an animator. So by the time I was 13 or 14, I was convinced that it would be possible to a be of all of these if I made films.”

Anand Gandhi (1980) Indian film director

"One-on-one with Ship of Theseus’ Anand Gandhi" at film army (3 September 2012) http://www.blog.filmarmy.ca/2012/09/11076/

Time, Animals

“My job as a portrait photographer is to seduce, amuse and entertain.”

Helmut Newton (1920–2004) German-Australian photographer

As quoted in Newsmakers (2002) by Laura Avery

“Northern Ireland is part of Ireland, not Britain, as can clearly be seen from aerial photographs.”

Jeremy Hardy (1961–2019) British comedian

Quoted without source in [Jeremy Hardy: Caustic comic, In Depth: Newsmakers, BBC News, http://news.bbc.co.uk/1/hi/in_depth/uk/2000/newsmakers/1913049.stm, 2008-05-16, Bob Chaundy, April 5, 2002]
Attributed

Parting

“I love computer graphics, but every system I've seen to try to turn programming into pictures has lost that syntactic element. There's something about syntax that makes it very precise for reading. I love photography. A photograph will tell a story. But words tell a story even better. Words are more versatile. You can paint a verbal picture that's much richer than you can photograph.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), To Plan or Not To Plan

Love, Reading, Painting

“When I was fourteen, I was so bloody ugly and I thought I was Kate Moss. I chased this guy named Mark Rennie, who was the hottest photographer in Portland, around, convinced him to [take pictures of me]. I had this big schnoz, I had blusher on, I'm wearing white gloves, and I [was] making new wave faces, and, like, voguing… there was a gap in my teeth, and I was 180 pounds. So if someone calls me ugly, it sort of rolls off my back because it's not about looks, it's about attitude—you get laid on attitude.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On confidence; The Opie & Anthony Show https://www.youtube.com/watch?v=nUA98nxYLXE (30 May 2013) 2006–2013

Guy

“Bangladeshi people, given our nature and surroundings, are courageous. The same can be said for our photographers. We have learned to shoot with minimal equipment, broken and archaic cameras and lens.”

Prito Reza (1984) Photographer

People, Courage, Nature, Learning

“I have rejected as idolatrous the Religion of Modern Medicine and its fundamental sacrament – vivisection. For years I have encouraged my medical students to surreptitiously photograph animal conditions in their laboratories, to keep diaries, to leak the truth to the media. This sabotage serves not only to inform the public, but also helps save the integrity – indeed, the souls – of the students. For myself, I cling to the Sabbath commandment prohibiting even animals from being worked seven days a week. Every human being whose religion is derived from the Old Testament (and Eastern religions as well) knows the laws protecting animals. Only Modern Medicine, in its arrogant idolatry, sanctions cruelty to animals as the norm.”

Robert S. Mendelsohn (1926–1988) American pediatrician

Foreword to Slaughter of the Innocent, 1982, by Hans Ruesch.

Truth, Religion, Law, Soul

“Well, and the 'X-rays' [X-Ray, 1991, black and white photograph]... I was just interested in seeing what it looks like inside my head – and the idea that they could just examine the inside of my head like a globe. And then I photographed the facades in New York. [at the end of the 19-nineties]... I did the books at the end of the nineties, and I did the facades shortly after that.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Books, Idea

“Man: [looking at a Stieglitz's photo of 'Equivalents'] Is this a photograph of water?
Stieglitz: What difference does it make of what it is a photograph?
Man: But is it a photograph of water?
Stieglitz: I tell you it does not matter.
Man: Well, then, is it a picture of the sky?
Stieglitz: It happens to be a picture of the sky. But I cannot understand why that is of any importance.”

Alfred Stieglitz (1864–1946) American photographer

w:Dorothy Norman recorded a conversation between Stieglitz and a man, looking at one of his 'Equivalents' prints
Source: 'Minor White, A Living Remembrance', Dorothy Norman, in 'Aperture', 1984, p. 9.

Photo, Understanding, Water

“When I am in India I gravitate to the poor and forgotten; in the fields I love photographing the workers who eek out a living and a little bit of food from the earth. All of this has everything to do with this area, as Western New York has many people working in the fields as migrant families.”

Manuel Rivera-Ortiz (1968) American photographer

Buffalo Rising interview (2007)

Love, People, Family, Food

“I really don’t think I was influenced by anyone. I think I will leave it up to someone else to determine who influenced me. I admired a tremendous number of photographers, but for some reason I arrived at a point of view of my own.”

Saul Leiter (1923–2013) American photographer

Saul Leiter: The Quiet Iconoclast (2009)

Thinking

“Taking a photograph is, it seems to me, a momentary revelation of an instance of the universal unity. The subject and I are one.”

John Diamond (doctor) (1934) Australian doctor

Source: Beyond the Obvious: Photography for Healing (2014), p. 77

Universe

“There are photographers who invent, others who discover. Personally, I am interested in discoveries, not for the trials or experiences but to capture life itself. I flee from the dangers of the anecdote and the picturesque, which are very easy and better than sensational, but quite as bad. To my mind, photography has the power to evoke, and must not simply document. We have to be abstract, just like nature.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 44

Life, Nature, Personality

“Soldiers now pose, thumbs up, before the atrocities they commit, and send off the pictures to their buddies and family. What is revealed by these photographs is as much the culture of shamelessness as the reigning admiration for unapologetic brutality. Ours is a society in which secrets of private life that, formerly, you would have given nearly anything to conceal, you now clamor to get on a television show to reveal.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Regarding the Torture of Others (2004)

Life, Secret, Family

“To make you cry I’ll tell you about the twelve young impure men I saw executed at Dacca at the end of the Bangladesh war. They executed them on the field of Dacca stadium, with bayonet blows to the torso or abdomen, in the presence of twenty thousand faithful who applauded in the name of God from the bleachers. They thundered "Allah akbar, Allah akbar." Yes, I know: the ancient Romans, those ancient Romans of whom my culture is so proud, entertained themselves in the Coliseum by watching the deaths of Christians fed to the lions. I know, I know: in every country of Europe the Christians, those Christians whose contribution to the History of Thought I recognize despite my atheism, entertained themselves by watching the burning of heretics. But a lot of time has passed since then, we have become a little more civilized, and even the sons of Allah ought to have figured out by now that certain things are just not done. After the twelve impure young men they killed a little boy who had thrown himself at the executioners to save his brother who had been condemned to death. They smashed his head with their combat boots. And if you don’t believe it, well, reread my report or the reports of the French and German journalists who, horrified as I was, were there with me. Or better: look at the photographs that one of them took. Anyway this isn’t even what I want to underline. It’s that, at the conclusion of the slaughter, the twenty thousand faithful (many of whom were women) left the bleachers and went down on the field. Not as a disorganized mob, no. In an orderly manner, with solemnity. They slowly formed a line and, again in the name of God, walked over the cadavers. All the while thundering Allah–akbar, Allah–akbar. They destroyed them like the Twin Towers of New York. They reduced them to a bleeding carpet of smashed bones.”

Oriana Fallaci (1929–2006) Italian writer

Rage and the Pride">

Death, Women, Men, God

“The expression of satisfaction at the acts of torture one is inflicting on helpless, trussed, naked victims is only part of the story. There is the primal satisfaction of being photographed, to which one is more inclined to respond not with a stiff, direct gaze (as in former times) but with glee. The events are in part designed to be photographed. The grin is a grin for the camera. There would be something missing if, after stacking the naked men, you couldn't take a picture of them.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Regarding the Torture of Others (2004)

Men, Time, Parting

“Probably every portrait photographer resorts to some such "dodge" for making a face lighter or other similar purpose, and he finds that the application of water-color paint in ever so thin a wash makes so much difference to the printing density that blue is commonly used as being a quick printing color, the effect of which is therefore not so great; an equally dense layer of blue and of red to any portion of a negative would print very differently, the red shutting off the light action much more powerfully than the blue.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 20

Color, Light, Water, Painting

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Music, Way, Travel, Feeling

“.. you see they hung my painting here [on her show 'Wind', 2009] I did that in the early 1990s. People never really liked them so much back then, they thought they looked more like photographs. Actually, I was doing them when I was still married to Gerhard Richter [till 1993], and it was somehow in relation to what he was doing, you know, these kind of side-to-side gestural abstracts – done like this [gestures as if pulling a squeegee over a surface from one side to the other] like paintings of the 1950s. Mine were called 'Basic Research', they were rubbings of oil paint on canvas – frottages of the floor of my studio. I did quite a few of these. [Gerhard] Richter put one up in his studio for some time... But he found it too hard and then took it out after a while.”

Isa Genzken (1948) German sculptor

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

People, Time, Painting

“Once I went professionally to an archaeological expedition--and I learnt something there. In the course of an excavation, when something comes up out of the ground, everything is cleared away very carefully all around it. You take away the loose earth, and you scrape here and there with a knife until finally your object is there, all alone, ready to be drawn and photographed with no extraneous matter confusing it. That is what I have been seeking to do--clear away the extraneous matter so that we can see the truth--the naked shining truth.”

Agatha Christie book Death on the Nile

Hercule Poirot
Death on the Nile (1937)

Truth

“Lemony Snicket: (narrating) When you are invited to dine, particularly with people you do not know very well, it always helps to have a conversational opener, a phrase which here means "an interesting sentence to say out loud in order to get people talking." Although lately it has become more and more difficult to attend dinner parties without the evening ending in gunfire or tapioca, I keep a list of good and bad conversational openers in my commonplace book in order to avoid awkward pauses at the dinner table. "Who would like to see an assortment of photographs taken while I was on vacation?" for instance, is a very poor conversational opener, because it is likely to make your fellow diners shudder instead of talk, whereas good conversational openers are sentences such as "What would drive a man to commit arson?," "Why do so many stories of true love end in tragedy and despair?," and "Madame diLustro, I believe I've discovered your true identity!," all of which are likely to provoke discussions, arguments, and accusations, thus making the dinner party much more entertaining.”

Daniel Handler book The Grim Grotto

The Grim Grotto (2004)

Love, People, Books, Help

“There is a fragrance in the air, a certain passage of a song, an old photograph falling out from the pages of a book, the sound of somebody's voice in the hall that makes your heart leap and fills your eyes with tears. Who can say when or how it will be that something easters up out of the dimness to remind us of a time before we were born and after we will die?”

Frederick Buechner (1926) Poet, novelist, short story writer, theologian

Telling the Truth (1977)

Books, Tear, Time, Heart

“The worst thing is to feel that as a photographer I'm benefiting from someone else's tragedy. This idea haunts me. It's something I have to reckon with every day, because I know that if I ever allow genuine compassion to be overtaken by personal ambition, I will have sold my soul. The only way I can justify my role is to have respect for the other person's predicament. The extent to which I do that is the extent to which I become accepted by the other and to that extent I can accept myself.”

James Nachtwey (1948) American photographer

War Photographer, documentary, 2001

Way, Feeling, Soul, Idea

“Perhaps I will have photographs taken of the still life with the round table and of the other with oranges and the [piece of] furniture behind.”

Giorgio Morandi (1890–1964) Italian painter

in his letter to the Bolognese writer Raimondi of September 11, 1919; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 102
Morandi was referring to some still life paintings he recently made, and he pressed Raimondi to lend him the monograph of Cézanne (written by Vollard and published in 1914).
1925 - 1945

Life

“Several years ago, the Foundation for Biomedical Research ran an ad campaign in support of medical experimentation on nonhuman animals. The ad featured a photograph of a group of animal rights protestors under the caption: ‘Thanks to animal research, they’ll be able to protest 20.8 years longer.’ But imagine a parallel universe in which medical research is conducted on black people, and in which an equivalent foundation employs an equivalent argument: ‘Thanks to research on black people, these white protesters will be able to protest against experimentation on black people 20.8 years longer’! Would this justify experimentation on black people? Obviously not! We would immediately reject the argument as founded on a deeply racist assumption, namely, that the costs inflicted on ‘mere’ black people are justified by the benefits produced for whites. But the original argument is founded on an equivalently speciesist assumption: that the costs inflicted on ‘mere’ animals are justified by the benefits produced for us.”

Steve Stewart-Williams (1971)

Source: Darwin, God and the Meaning of Life: How Evolutionary Theory Undermines Everything You Think You Know (2010), p. 278

People, Imagination, Support, Universe

“Many many heartfelt thanks for your letter of September 25. Though it filled me with shame and remorse, I was grateful for the Christian impulse which moved you to stretch out a hand to me in my wretchedness. You say "We become that with which we busy our mind." Too true! Alas, too true! I recall that as a boy the school chaplain said to my class, "If you tell dirty jokes you will grow to look like a dirty joke!" This is been my hapless destiny…. Would you do me a favour? Will you send me a photograph of yourself, so that I may behold a countenance suffused with Christian love, and perhaps even repent?”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

To a woman in Manitoba, who sent a letter reproaching Davies for writing "barnyard pornography" in The Rebel Angels (1981), quoted in For Your Eye Alone : Letters 1976-1995 (1999).

Love, School, Boy, Business

“I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye… Something touches me and I know I have to paint it, in the way a child knows it wants something.”

Stella Vine (1969) English artist

Eyre, Hermione. "Stars in her eyes" http://findarticles.com/p/articles/mi_qn4159/is_20070715/ai_n19372031, The Independent on Sunday (2007-07-15), retrieved from findarticles.com On Kate Moss.

Way, Painting

“I think Bigfoot is blurry, that's the problem. It's not the photographer's fault. Bigfoot is blurry, and that's extra scary to me. There's a large, out-of-focus monster roaming the countryside. Run, he's fuzzy, get out of here.”

Mitch Hedberg (1968–2005) American stand-up comedian

Strategic Grill Locations

Problem, Thinking

“I think that photography has a lot to do with sculpture – because it is three-dimensional and because it depicts reality. For example, I have always been able to relate to photography more than to painting. When I was photographing the hi-fi adverts ['Hi-Fi-Serie' (1979)] I thought to myself, everyone has one of these towers at home. It's the latest thing, the most modern equipment available. So a sculpture must be at least as modern and must stand up to it. Then I hung the pictures on the wall and put an ellipsoid on the floor and thought, the ellipsoid must be at least as good as this advert. At least as good. That's how good a modern sculpture has to be. Do you see what I mean? That was the dialogue…”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Home, Thinking, Reality, Painting

“In a war the normal codes of civilized behavior are suspended. It would be unthinkable in so-called normal life to go into someone's home where a family is grieving over the death of a loved one and spend long moments photographing them. It simply wouldn't be done. Those picture could not have been made unless I was accepted by the people I'm photographing. It's simply impossible to photograph moments such as those…without the complicity of the people I'm photographing…without the fact that the welcomed me, that they accepted me, that they wanted me to be there. They understand that a stranger who's come there with a camera to show the rest of the world what is happening to them…gives them a voice in the outside world that they otherwise wouldn't have. I try my best to approach people with respect. I want them to see that I have respect for them and the situation they're in. I want to be very open in my approach…feel open in my own heart towards them. I want them to be aware of that. People do sense it…with very few words…sometimes with no words at all.”

James Nachtwey (1948) American photographer

War Photographer, documentary, 2001

Love, Life, Death, War

“I spent a long time, my dear Suzanne, looking for your photograph - I eventually found the album in the table in the drawing room, so I can look at your comforting face from time to time. I woke up last night thinking I heard you calling me... Every day we're expecting a major offensive to break through the iron ring that surrounds us. We are counting on the provinces, because we can't just send our little [French] army of to be massacred. Those devious Prussians may well try to starve us out.”

Edouard Manet (1832–1883) French painter

Quote from Manet's letter to his wife, Suzanne Leenhof 23 Oct. 1870, a cited in The private lives of the Impressionists Sue Roe, Harpen Collins Publishers, New York 2006, p. 78
the Prussian army was encircling Paris completely in Autumn, 1870; Manet was locked up, but had sent his wife Suzanne to the county before, out of dangerous Paris
1850 - 1875

Thinking, Time, Drawing, Night

“You're about to experience chaos. [before farting in a police officer's face, while being photographed nude after his arrest]”

Hans Reiser (1963) American computer programmer, entrepreneur, and convicted murderer

Source: Wired article http://blog.wired.com/27bstroke6/2008/01/oakland-califor.html

“Fortunately for them, in the hyperlinked world it is not necessary to airbrush dissenters out of the group photograph. You can simply wait for Google's PageRank to promote the ideas the A-list find acceptable and linkworthy to the top of the page, while the websites of apostates disappear below the fold and out of history. Who needs a memory hole when the world's favourite search engine does the job so effectively?”

Bill Thompson (1960) English technology writer, born 1960

" Blog eats blog: The rise of the blogeoisie. http://www.spiked-online.com/articles/00000006DDA4.htm" by Bill Thompson, May 15, 2003.

World, History, Search, Idea

“I love irony in pictures. There's one photograph from Vietnam by Philip Jones Griffiths that shows a very large GI having his pocket picked by a tiny Vietnamese woman. It told the whole story of the clash of two cultures and how the invader could never win.”

John Pilger (1939) Australian journalist

John Pilger, This much I know http://www.guardian.co.uk/media/2005/nov/13/pressandpublishing.observermagazine, The Observer, 13 November 2005

Love

“The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian … and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music … a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Art, Music, Thinking, Dead

“In a country where feeling for art is not one of the national characteristics, it is particularly difficult to arrive at a common understanding of the term "art". There are many obstacles in the way, and some of them are imposed by the mere existence of such a body as the Royal Academy, for lacking any intuition in this matter of art, the majority of people turn to that institution for guidance, and naturally assume that any work receiving its blessing must be a work of art in the strict meaning of the word, and consequently the artistic quality of a painting is, in the popular estimation, measured in ratio to its degree of photographic realism.”

James Bolivar Manson (1879–1945) British artist

Manson, J.B. The Tate Gallery, p. 8, Thomas Nelson and Sons.

People, Art, Way, Feeling

“I never expected to play lead roles! Primarily, because I was not the conventional good looking hero, and in fact, I used to feel I’ll never look as good as Rajesh Khanna. Why the hell am I going into it? Now that we are being frank and talking our hearts out, I’d like to say that I still remember a photograph of Kaka's which came in Filmfare and I thought ‘yaar, ye aadmi kya khaata hain? Iske gaal itne lal kaise hain?”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Feeling, Hell, Heart

“The photograph reproduces objects in a different way from the painted picture, because the camera does not apprehend objects: it sees them. In 'free-hand drawing' the object is apprehended in all it parts... By tracing the outlines with the aid of a projector you can bypass and elaborate this process of apprehension. You no longer apprehend but see and make (without design) what you have not apprehended. And when you don't know what you are making, you don't know, either, what to alter or distort.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 51, note 60

Way, Parting, Drawing, Painting

“Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964; as cited on collected quotes on the website of Gerhard Richter: 'on Techniques' https://www.gerhard-richter.com/en/quotes/techniques-5 1960's

“I make installations and the final result is a video projection and the photograph. If I didn’t make video projections, then call me one thing; if I didn’t make photos, then call me another. I’m in between an installation artist, video artist and photographer. And when you work with nude bodies, you’re immediately called a pornographer or a fashion photographer.”

Spencer Tunick (1967) American photographer

Spencer Tunick in: "Interview Spencer Tunick," at coolcleveland.com, 2004.

Photo, Fashion

“If ever that silly old man comes interfering here again with his umbrella, I'll kick him downstairs and jump on his stomach in front of the photographers.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Adolf Hitler after the Munich Agreement, quoted by Sir Ivone Kirkpatrick, The Inner Circle Macmillan (1959), p. 135
About

“Every part of the photographic image carries some information that contributes to its total statement; the viewer's responsibility is to see, in the most literal way, everything that is there and respond to it”

Howard S. Becker (1928) American sociologist

Becker (1986) "Do Photographs Tell the Truth?” and “Aesthetics and Truth" as cited in: Ingolf Erler (2010) Das Buch als soziales Symbol. p. 147.

Way, Parting

“Barack Obama has been a grave disappointment to many of us, particularly with the increase in the number of drone strikes. His Administration is now strangling any country that would dare to stand up to the might of imperial America. Ireland should be an example of a small country that stands up against this international bullying. It has already got Bradley Manning, a person I salute, from inside the army. We need more of these people to tell the truth. Meanwhile Mr. Obama is off on this vulgar deathbed tourism. The one time I agreed with Mrs. Winnie Mandela was when she condemned Jacob Zuma for having his photograph taken with the poor unfortunate Nelson Mandela who was a complete zombie in the photograph and did not have a clue who it was who was molesting him by touching his hand and this horrid stuff. Let us, please, have a little [interrupted] I am asking him to appeal to the Government to offer sanctuary to Mr. Snowden. Even though this is a small country in economic difficulty, we should affirm to the world that we stand for openness, accountability, truth, honesty, decency and integrity, all of which Mr. Snowden represents.”

David Norris (1944) Irish scholar, independent Senator, and gay and civil rights activist

2 July 2013 http://www.kildarestreet.com/sendebates/?id=2013-07-02a.8&s=speaker%3A210#g52

People, Truth, World, Disappointment

“I photographed the ears. Something organic. Something from the inside out. Coming from the head. I did this ear series in New York ['Ohr' (Ear). c. 1980] and I asked people, women, on the street if I could photograph their ear. Not a single woman said no. Because I didn't ask for their face, but for something largely anonymous.... just women on the street... It only took a moment. The women always said, what, my ear? Sure! But I never offended anyone by examining them. It was just the ear. And everyone thought that was great. That was a nice experience. For me as a photographer, too. Of course, I did work with some light and hair shining in the sun... I tried to make the situation nice for the ear.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Women, People, Light, Sun

“Such photographs exist in every family. They were caught in a few seconds, the duration of the exposure, and these second have become an eternity.”

Patrick Modiano (1945) French writer

P 86
The Search Warrant (2000)

Family

“I was fascinated by Papa's studio [he was photographer]. I would help him wash, crop and press photos and afterwards sell them, when we were poor. When I was in Prepa, [following college] they would send me to help my father when he had epileptic attacks. After school I would go to his office, which was downtown, and accompany him everywhere. I would also do my homework there, and he would help me. I remember the fear that Papa's epileptic attacks make me feel. Christina and I would hide under the bed.”

Frida Kahlo (1907–1954) Mexican painter

9 September 1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My life', p. 63

Fear, School, Feeling, Photo

“Beside my own intense, multiple impressions of him, I also had to contend with his 'world image' created by the endless newspaper photographs, TV appearances, caricatures. Realizing this, I began to collect hundreds of photographs torn from newspapers and magazines and never missed an opportunity to draw him when he appeared on TV. These snapshots covered every angle, from above, below, profile, back, standing, sitting, walking, close-up, off in the distance. I particularly liked tiny shots where the features were indistinct yet unmistakable. Covering my walls with my own sketches and these photographs, I worked from canvas to canvas (the smallest 2 feet high, the largest, 11) always striving for a composite image.”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Painting a Portrait of the President', Elaine de Kooning (1964)

World, Appearance, Drawing

“The young artists of to-day understand nothing; they copy to satiety the classic ornaments and designs, and reproduce them in so cold a manner that they lose all meaning. The ancients obtained their designs from nature. They found their models in the garden, even in the vegetable garden. They drew their inspiration from its source. The cabbage-leaf, the oak-leaf, the clover, the thistle, and the brier are the motives of the Gothic capital. It is not photographic truth, but living truth, that we must seek in art.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 125

Truth, Art, Motivation, Understanding

“How do things stand, now, if the subject contains a large element of pathos?... Consider such an interesting subject as the scene taking place around the bed of a dying woman, for example; seize and render that ensemble by photography, if that is possible [photography was a very recent invention in Paris ca. 1853, a. o. by the photographer Nadar ]: it will be falsified in a thousand ways. The reason is that, according to the degree of your imagination, the subject will appear to you more or less beautiful, you will be more or less the poet in that scene in which you are an actor; you see only what is interesting, whereas the instrument puts in everything.”

Eugène Delacroix (1798–1863) French painter

In Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 233
quote circa 1853, in which Delacroix relates painting to theater from the view of the visitor / spectator
1831 - 1863

Beauty, Way, Imagination, Appearance

“As far as the surface is concerned – oil on canvas, conventionally applied – my pictures have little to do with the original photograph. They are totally painting (whatever that may mean). On the other hand, they are so like the photograph that the thing that distinguished the photograph from all other pictures remains intact.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964-65; as cited on collected quotes on the website of Gerhard Richter: on 'Photo-paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/photo-paintings-12 1960's

Painting

“The herculean task of a photographer is to capture a momentary frame as beautiful in reality, as it would be in a dream.”

Ansel Adams (1902–1984) American photographer and environmentalist

Radio interview, 1972

Beauty, Dreams, Reality

“People are a bit blind. They don’t see life. Being a photographer I see life, every inch of it. I’m obsessed with nature and animals and the earth; I find concrete things that distract me. Most people are the opposite… they find life boring, squirrels or sparrows boring, whereas I find them fascinating. It has to do with the way we live. It probably started with religion which leads some people astray. To fight over whose god is better has nothing to do with love or spirituality. Perhaps it’s guilt. We are suppressed and spend our time trying to figure out who we are. The most shocking thing I’ve learned concerns abuse, child abuse, animal abuse, abuse to every living creature. There is a world of little Hitlers out there. Slaughterhouses, vivisection and experimenting on animals for no reason is sick. Luckily younger people are becoming more aware.”

Linda McCartney (1941–1998) American photographer

Interview with Linda McCartney http://oobujoobu.tumblr.com/post/10590341050/interview-with-linda-mccartney by Karen Fox, Diamond Hard Music Entertainment, 1989.

Love, Life, God, People

“When blimp photographs are taken of giant stadia packed full of rock-concert or football fans, we get an idea of what 100,000 people look like. We all think of Hiroshima as the worst single killing of humans by humans. That was about a 75,000-capacity-coliseum-full. Each day of each year, year after year, a 75,000-capacity-stadiumfull of around-the-world humans perish from starvation or its side effects, despite an annual average 5-percent world food-production overage of the amount of food adequate for the total world's population. This daily kill of innocents dwarfs the awful Auschwitz killing.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Grunch of Giants (1983)

People, World, Food, Idea

“If you look at any great fashion photograph out of context, it will tell you just as much about what's going on in the world as a headline in The New York Times.”

Anna Wintour (1949) English editor-in-chief of American Vogue

Reported, quoted by Emma Brockes; May 27, 2006; " What lies beneath http://media.guardian.co.uk/site/story/0,,1784390,00.html"; The Guardian; retrieved March 23, 2007.

World, Fashion, Time

“I don't think I am ghoulish in saying that I would like them, and every morally responsible citizen of the world, particularly my fellow Australians of the World War II period, to refresh their memories by referring regularly to the photographic record of the Hiroshima-Nagasaki happening — the rags of human flesh, the suppurating sores, the despair of families blown apart, the disturbed minds, the bleak black gritty plains where the homes of human beings like you and I once stood. Most of all, I would like every Australian couple born since Hiroshima and Nagasaki were blasted out of existence to consult these photographic records and for ever after do all in their power to prevent the children they are creating from suffering a fate similar to that thrust upon the children of those two Japanese cities. Let us rouse ourselves and realise this is what we shall have to face.”

Patrick White (1912–1990) English-born Australian writer

Australians in a Nuclear War (1983)

Fate, War, Children, World

“One gets as much information as a witness of activity from a fleeting glance [in the photo], like a quick look, sometimes in motion, as one does staring at the subject. Because even if you remain stationary your mind wanders, and it's that kind of activity that I would like to get into the photograph – a confirmation of the fact that everything is moving.”

Robert Rauschenberg (1925–2008) American artist

1980's, I don't necessarily desire a perfect photography,' 1981

Photo

“Inferior as a mechanical printing method for ordinary photographic purposes, the gum process may for a time at least be regarded as standing apart for pictorial purposes, because the large amount of personal control which must be exercised before it can be said to show distinct advantages over other methods implies that the controlling hand must be guided by an artist that is, a man of such large instinctive artistic taste that one can hardly conceive that he would be able to produce a better result by painting, and without the use of photography at all, were he to devote the same skill and endeavour to the employment of brush or pencil, instead of photographic appliances.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing methods and their bearing on pictorial photography, p. 73

Exercises, Time, Painting, Personality

“Photographs… are the most curious indicators of reality.”

Erica Jong (1942) Novelist, poet, memoirist, critic

How to Save Your Own Life (1977)

Reality

“What is a portrait good for, unless it shows just how the subject was seen by the painter? In the old days before photography came in a sitter had a perfect right to say to the artist: "Paint me just as I am." Now if he wishes absolute fidelity he can go to the photographer and get it.”

Aubrey Beardsley (1872–1898) English illustrator and author

As quoted in Aubrey Beardsley : A Biography (1999) by Matthew Sturgis, p. 189

Painting, Perfection

“I made the photographs just like I draw... I wanted the photographs [Kelly made circa 1950 in Paris] to be enlightening to my art..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21
Source: 1981 - 2008, p. 21 : 'Kelly in conversation, summers 1985 and 1986'

Art, Drawing

““You know the answers, but just between ourselves, that sketch smells a bit. It’s sloppy.”
“I never did have any artistic talent,” Art said defensively. “I’d rather take a photograph any day.”
“You’ve taken too many photographs, maybe. As for artistic talent, I haven’t any either, but I learned to sketch. Look, Art—the rest of you guys get this, too—if you can’t sketch, you can’t see. If you really see what you’re looking at, you can put it down on paper, accurately. If you really remember what you have looked at, you can sketch it accurately from memory.”
“But the lines don’t go where I intend them to.”
“A pencil will go where you push it. It hasn’t any life of its own. The answer is practice and more practice and thinking about what you are looking at. All of you lugs want to be scientists. Well, the ability to sketch accurately is as necessary to a scientist as his slipstick. More necessary, you can get along without a slide rule.””

Robert A. Heinlein book Rocket Ship Galileo

Source: Rocket Ship Galileo (1947), Chapter 10, “The Method of Science”, p. 108

Life, Art, Guy, Thinking

“At night I wake up and think, What color will make me feel better when I soak in the bathtub for an hour? I want everyone who's dreaming of a glamorous life to know that I'd trade a good bath any day for the heels, the hair, the makeup, the tight dresses, the photographs, the small talk.”

Salma Hayek (1966) Mexican-American actress and producer

O interview (2003)

Life, Dreams, Color, Feeling

“One of my first tasks is to instill discipline into the organisation. We do not need slogan shouting. Too many 'leaders' do nothing but sit on podiums or get themselves photographed with other leaders. This must stop. The Youth Congress leaders must go back to the roots and serve the people. I want to bring back value-based politics to the youth wing.”

Sunil Dutt (1929–2005) Hindi film actor

Quoted in "Violence is not the hallmark of the Congress".
We all are one, whichever religion we belong to

People, Youth

“Advice to aspiring models: Believe in yourself. Listen to the photographers you work with, and try to be professional at all time.”

Alessandra Ambrosio (1981) Brazilian model

http://alessandraambrosio.com/
Attributed

Time

“The photographer’s gesture as the search for a viewpoint onto a scene takes place within the possibilities offered by the apparatus. The photographer moves within specific categories of space and time regarding the scene: proximity and distance, bird- and worm’s-eye views, frontal- and side-views, short or long exposures, etc. The Gestalt of space–time surrounding the scene is prefigured for the photographer by the categories of his camera. These categories are an a priori for him. He must ‘decide’ within them: he must press the trigger.”

Vilém Flusser (1920–1991) Czech philosopher and photographer

Flusser, Vilém (2012) [1980], "Towards a Theory of Techno-Imagination", Philosophy of Photography (POP) 2 (2), p. 198.

Search, Bird, Time

“A sculpture, a map, a photograph; all the forms of my work are equal and complementary. The knowledge of my actions, in whatever form, is the art. My art is the essence of my experience, not a representation of it.”

Richard Long (1945) artist

Richard Long: Books, Prints, Printed Matter. Exhib cat New York Public Library, New York 1994
1990s

Art, Knowledge

“It was very tiny, our house [ St. Prex ], and I had no room for my own, only a window, which I could call mine. But I was so gloomy and unhappy in my soul after all those dreadful experiences, that I was quite content to sit at the window and quietly collect my thoughts and feelings. I had a bit of paint but no easel, so I went into Lausanne – twenty minutes on the train – and bought a small easel from a photographer... It was highly unsuitable for painting but for more than twenty years I have painted my best work on that little easel”

Alexej von Jawlensky (1864–1941) Russian painter

in mainly small sizes
from: 'Lebenserinnerungen', 1938
This small house was in St. Prex, in Switzerland, lake Genova, where Jawlensky concentrated himself on the view around his house in the years after 1914.. ..he painted here more than 400 'Variations on a landscape theme', in St. Prex
Source: 1936 - 1941, Life Memories' (1938), p. 186

Feeling, Soul, Painting, Housing

“Forbes magazine has named Mel Gibson this year's most powerful celebrity. … Forbes' least powerful celebrity? [Miller displayed the widely circulated image from the Lynndie England photographs of a hooded Iraqi prisoner with wires attached to his outstretched arms] You're looking at him. Screw this guy. … [He's a] bad guy.”

Dennis Miller (1953) American stand-up comedian, television host, and actor

22 June 2004
Dennis Miller

Guy

“Calcutta, for me, was a particular idea of the modern city, and I found it in many forms, works, and genres. … by ‘modernity’ I have in mind something that was never new. True modernity was born with the aura of inherited decay and life. … if you look at paintings and photographs, and see old films of the city, you notice that these walls and buildings were never new – that Calcutta was born to look more or less as I saw it as a child. I’m not referring here to an air of timelessness; the patina that gave to Calcutta’s alleys, doorways, and houses their continuity and disposition is very different from the eternity that defines mausoleums and monuments. It’s this quality I’m trying to get at when I speak of modernity. … modernity in the nineteenth century is indistinguishable from nature; perhaps it is nature – in some ways, the culvert, which has emerged from the rock, seems more of its place than the mountain itself.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

citation needed
On Modernity

Life, Way, Mountain, Idea

“They're photographs by Adam Fuss. He's an artist. They are beautiful, artistic photos - more silhouettes than anything else. It's not like, "Hey, Mom and Dad are naked, come check it out!" But if I go to the bathroom and my kid walks in, I'm not going to be like, "Oh my God! Close the door!"”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

They see their parents naked all the time. We are not ashamed.
Admitting that there are nude photographs of herself and Seal hanging in their bedroom and bathroom. Quoted by Jennifer Weiner in InStyle, February 2010.

God, Beauty, Photo, Moms

“In fact, my art generally nauseated me. Often, when I wanted to set down a poem on an uncontaminated piece of paper, I′d start feeling sick and I did actually throw up in front of many drawings. I tremble all over in front of each picture-poem and before every action I would swallow a jar of pressed vine vermin. Time and again I strove for a kind of non-art, and time and again I failed, like a chimpanzee wanting to throw away a banana without peeling it. My disgust at producing art naturally atracted collectors, and ocassionaly photographers.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 238 (2002)

Art, Feeling, Nature, Time

“It‘s [Fahrenheit 9/11] the work of a moral cretin and a political idiot. And it's up to the Democratic National Committee to say, do they want to continue being photographed with this man as we go into a very important election, not just in the United States, I might add, but first Democratic elections to be held in Iraq and in Afghanistan? In a few months, we will know the outcome of all these. In all three cases, Michael Moore says that the enemy is George Bush and Saddam Hussein and Mr. Zarqawi and Mr. Bin Laden are no problem. Indeed, they are—what a wonderful way to celebrate the Fourth of July weekend, by the way. Indeed, they are the Minutemen. They‘re the staunch American revolutionaries. Does he tell this to the widows that he goes and exploits?”

Christopher Hitchens (1949–2011) British American author and journalist

"Scarborough Country on MNSBC" http://web.archive.org/web/20070911061520/http://www.msnbc.msn.com/id/5344115/, (2004-06-30): On Michael Moore 2000s, 2004

Way, Problem

“If what I see in my mind excites me, there is a good chance it will make a good photograph.”

Ansel Adams (1902–1984) American photographer and environmentalist

Sheff
David
May 1983
Playboy
http://davidsheff.com/article/ansel-adams/
Playboy Interview: Ansel Adams
226

Chance

Quotes about photograph page 2

Quotes about photograph
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