Quotes about outfit

A collection of quotes on the topic of outfit, other, doing, use.

Quotes about outfit

Joachim Peiper photo
Kathy Griffin photo

“Never insult the style of Elliot Rodger. I’m the most stylish person in the world. Just look at my profile pic. That’s just one of my fabulous outfits. The sweater I’m wearing in the picture is $500 from Neiman Marcus.”

Elliot Rodger (1991–2014) American spree killer

As quoted in Nicky Woolf, "'PUAhate' and 'ForeverAlone': inside Elliot Rodger's online life", The Guardian (May 30, 2014)
Bodybuilding.com, PUAhate and ForeverAlone posts

Cassandra Clare photo
Al Capone photo
Louis-ferdinand Céline photo
Maureen Johnson photo

“You could wear the same outfit every single day and no guy - who isn't gay - will notice.”

Maureen Johnson (1973) writer from the USA

Source: Suite Scarlett

Janet Evanovich photo
Richelle Mead photo
Candace Bushnell photo
Nicholas Sparks photo
Jenny Han photo

“Hatori: "You won't get very far if you try to threaten me in THAT outfit."

Yuki: "Thank you. So much.”

Natsuki Takaya (1973) Manga artist

Source: Fruits Basket, Vol. 2

James Patterson photo

“Max, if you survive your final test, can you steal me one of those magic outfits for me?"
I'll try to get one for each of us. Hey! 'If'?”

James Patterson (1947) American author

Source: Saving the World and Other Extreme Sports

Sara Shepard photo
Suzanne Collins photo
John Boyne photo

“It reminds me of how grandmother always had the right costume for me to wear. You wear the right outfit and you feel like the person you're pretending to be.”

John Boyne (1971) Irish novelist, author of children's and youth fiction

Source: The Boy in the Striped Pajamas

Joss Whedon photo

“I leave the world in terrible turmoil. I come back, same turmoil. Nothing at all different. Well, outfits are a little different…”

Joss Whedon (1964) American director, writer, and producer for television and film

Source: Astonishing X-Men, Volume 1: Gifted

James Russell Lowell photo

“The capacity of indignation makes an essential part of the outfit of every honest man.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

On a Certain Condescension in Foreigners (1869)

William H. Rehnquist photo

“The considered professional judgment of the Air Force is that the traditional outfitting of personnel in standardized uniforms encourages the subordination of personal preferences and identities in favor of the overall group mission.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

Goldman v. Weinberger, 475 U.S. 503 (1986) (majority opinion); the ruling upheld the military's prohibition of a Jewish officer from wearing a yarmulke indoors while in uniform.
Judicial opinions

Doris Lessing photo
Fred Astaire photo
Eva Gabor photo

“What's the use of having a gorgeous outfit if you are not happy?”

Eva Gabor (1919–1995) Hungarian actress and businesswoman

The Joan Rivers Show (June 25, 1990)

Robert A. Heinlein photo
Dhyan Chand photo
Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

Amir Taheri photo
Douglas Coupland photo
Alison Lohman photo

“I wore a blue spandex outfit and a gold belt. It was goofy and off-the-wall, but I love doing things like that.”

Alison Lohman (1979) American actress

On her role in Kraa! the Sea Monster.
Interview in USA Today, 7 Oct 2002

Ernest Hemingway photo
M.I.A. photo
Martin Amis photo
David Shuster photo

“Extremely surprised and impressed by the 'naked cowboy's' mayoral run. That guy knows the issues… despite his outfit or lack thereof.”

David Shuster (1967) American television journalist

10:30 PM - 22 Jul 09 http://twitter.com/DavidShuster/status/2784657909
On Twitter

Tré Cool photo

“Rock and roll outfits, commence!”

Tré Cool (1972) Drummer, punk rock musician

Bullet in a Bible (2005) (backstage in England).

Dan Patrick photo

“Not many guys can get away with an outfit like that, but he can.”

Dan Patrick (1956) American sportscaster

Catch Phrases

Lucy Lawless photo

“I'm gonna walk off wearing the outfit and I'm going to drive home in it.”

Lucy Lawless (1968) New Zealand actress

Describing what she will do with her Xena costume after the last day of filming — reported in Raymond A. Edel and Virginia Rohan (February 8, 2001) "People", The Record, p. A2.

Thomas Carlyle photo

“At bottom, it is the Poet's first gift, as it is all men's, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents, — perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation, all manner of hope. The crabbed old Schoolmaster used to ask, when they brought him a new pupil, 'But are ye sure he's not a dunce?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he's.
1840s, Heroes and Hero-Worship (1840), The Hero as Poet

“Damn, what a sorry-looking outfit. You boys don't look so crazy to me.”

Source: One Flew Over the Cuckoo's Nest (1962), Ch. 1

Jeremy Clarkson photo
Koenraad Elst photo
Charles Stross photo
Morarji Desai photo
Ron English photo

“There is no outfit that can make me fit in.”

Ron English (1959) American artist

Ron English's Fauxlosophy (2016)

Brigitte Lin photo

“There were no agents, no companies and as actors we had to do everything by ourselves. I would do my own make-up, prepare my own outfits from home and bring them to set the next day.”

Brigitte Lin (1954) Taiwanese actress

On her filmmaking environment within the emerging Taiwanese cinema industry in "Brigitte Lin, a timeless national treasure" in Taipei Times (15 May 2018) https://www.taipeitimes.com/News/feat/archives/2018/05/15/2003693091

Max Barry photo