Quotes about nothing
page 44

“It might be argued that civilization is nothing else, that is to say: the tendency of personal authority to decline towards zero.”

Nick Land (1962) British philosopher

"A Republic, If You Can Keep It" https://web.archive.org/web/20140327090001/http://www.thatsmags.com/shanghai/articles/12321 (2013) (original emphasis)

Robert Benchley photo
Malala Yousafzai photo
Alastair Reynolds photo

“Your honoured letter regarding suppression of the Jats has arrived. Allah is merciful, and it is hoped that he will crush the enemy. You should rest assured… You should forge unity with Musa Khan and other Muslim groups, and put to use this friendship and unity for facing the enemies. I hope for sure that on account of this unity among Muslims and their nobility, victory will be achieved.
The reason for the rise of enemies and the fall of Muslims is nothing except that, led by their lower nature, Muslims have shared their (Muslims’) concerns with Hindus. It is obvious that Hindus will not tolerate the suppression of non-Muslims. Being farsighted and practising patience are praiseworthy things, but not to the extent that non-Muslims take possession of Muslim cities, and go on occupying one (such) city every day… This is no time for farsightedness and patience. This is the time for putting trust in Allah, for manifesting the might of the sword, and for arousing the Muslim sense of honour. If you will do that, it is possible that winds of favour will start blowing. Whatever this recluse knows is this that war with the Jats is a magic spell which appears fearful at first but which, if you depend fully on the power of Allah and draw His attention towards this (war), will turn out to be no more than a mere show. Let me hope that you will keep me informed of developments and the faring of your arms…”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Taj Muhammad Khan Baluch Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 150-51.
From his letters

Franklin D. Roosevelt photo

“It was a great pleasure to make a movie again. Nothing is better; perhaps revolution, but there you have to succeed and be right, dangers which never attach themselves to making movies, and dreaming.”

Abraham Polonsky (1910–1999) American politician

as quoted in The New Biographical Dictionary of Film, David Thomson, page 689, Alfred A. Knopf, New York, 2003, ISBN 0-375-41128-3.

“An author frequently chooses solemn or overwhelming subjects to write about; he is so impressed at writing about Life and Death that he does not notice that he is saying nothing of the slightest importance about either.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Ten Books," The Southern Review (Autumn 1935) [p. 9]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Kim Jong-il photo

“Nothing is impossible for a man with a strong will. The possible is in store only for a man who loves the future. There is no word "impossible" in the Korean language.”

Kim Jong-il (1941–2011) General Secretary of the Workers' Party of Korea

"Unification of the fatherland is an act of supreme patriotism" (1970s), quoted in Kim Jong Il Handbook (2011) by International Business Publications USA

Marcel Duchamp photo

“Now, if you [his sister, Suzanne Duchamp ] have been up to my place, you will have seen, in the studio, [his former studio in France, probably in Paris] a 'Bicycle Wheel' and a 'Bottle Rack'. [both art-works became later famous ready-mades of Duchamp] – I bought this as a ready-made sculpture [sculpture tout faite]. And I h have a plan concerning this so-called bottle rack. Listen to this. Here in N. Y., I have bought various objects in the same taste and I treat them as 'ready-mades'. You know enough English to understand the meaning of 'ready-made' [tour fait] that I give these objects. – I sign them and think of an inscription for them in English. I'll give you a few examples. I have, for example, a large snow shovel on which I have inscribed at the bottom: In advance of the broken arm, French translation: 'En avance dus bras cassé' – (Don't tear your hair out) trying to understand this in the Romantic or impressionist or Cubist sense – it has nothing to do with all that. Another 'readymade' is called: Emergency in favour of twice possible French translation: Danger \Crise \en favour de 2 fois. This long preamble just to say: Take this bottle rack for yourself. I'm making it a 'readymade' remotely. You are to inscribe it at the bottom and on the inside of the bottom circle, in small letters painted with a brush in oil, silver white colour, with an inscription which I will give you herewith, and then sign it, in the same handwriting, as follows: [after] Marcel Duchamp.”

Marcel Duchamp (1887–1968) French painter and sculptor

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

Brian W. Aldiss photo

“The Badlands were extensive. Ancient bomb craters and soil erosion joined hands here; man’s talent for war, coupled with his inability to manage forested land, had produced thousands of square miles of temperate purgatory, where nothing moved but dust.”

Brian W. Aldiss (1925–2017) British science fiction author

“Who Can Replace a Man?” p. 19 (originally published in Infinity Science Fiction, June 1958)
Short fiction, Who Can Replace a Man? (1965)

Michel Foucault photo
Alvin C. York photo
Orson Scott Card photo
Richard Pipes photo
Don Paterson photo
Robert Jordan photo

“A cat for a hat, or a hat for a cat. But nothing for nothing.”

Robert Jordan (1948–2007) American writer

Taren Ferry saying
(15 October 1994)

Marty Feldman photo
Russell L. Ackoff photo
John Galsworthy photo

“Is not the training of an artist a training in the due relation of one thing with another, and in the faculty of expressing that relation clearly; and, even more, a training in the faculty of disengaging from self the very essence of self — and passing that essence into other selves by so delicate means that none shall see how it is done, yet be insensibly unified? Is not the artist, of all men, foe and nullifier of partisanship and parochialism, of distortions and extravagance, the discoverer of that jack-o'-lantern — Truth; for, if Truth be not Spiritual Proportion I know not what it is. Truth it seems to me — is no absolute thing, but always relative, the essential symmetry in the varying relationships of life; and the most perfect truth is but the concrete expression of the most penetrating vision. Life seen throughout as a countless show of the finest works of Art; Life shaped, and purged of the irrelevant, the gross, and the extravagant; Life, as it were, spiritually selected — that is Truth; a thing as multiple, and changing, as subtle, and strange, as Life itself, and as little to be bound by dogma. Truth admits but the one rule: No deficiency, and no excess! Disobedient to that rule — nothing attains full vitality. And secretly fettered by that rule is Art, whose business is the creation of vital things.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Jeff Flake photo
Charles Babbage photo
William Morris photo

“Nothing should be made by man's labour which is not worth making; or which must be made by labour degrading to the makers.”

William Morris (1834–1896) author, designer, and craftsman

Art and Socialism (1884)

Helena Petrovna Blavatsky photo
John Knox photo
Bill Downs photo
Godfrey Higgins photo
Lyndall Urwick photo
Letitia Elizabeth Landon photo
Naomi Klein photo
Indro Montanelli photo
Archibald Primrose, 5th Earl of Rosebery photo
Leopold Stokowski photo

“I understand you are doing "The Sorcerer's Apprentice." I would love to do that for you. I will do it for nothing.”

Leopold Stokowski (1882–1977) British conductor

During a chance meeting in a restaurant with Walt Disney. Stokowski's influence expanded the project and the idea eventually evolved into the landmark animation feature film Fantasia (1940), for which Stokowski had suggested the title, as one which indicates "a musical composition without a strict form"; quoted in Serious Business: The Art and Commerce of Animation in America from Betty Boop to Toy Story (2000) by Stefan Kanfer
Unsourced variant: I would like to conduct that for you.

Elie Wiesel photo
Montesquieu photo
Robert Burton photo
Karen Handel photo

“There has definitely been a significant bias from the local media like nothing like I have ever experienced, but I intend to have the last laugh when I win tomorrow.”

Karen Handel (1962) American politician

Karen Handel: ‘I Intend to Have the Last Laugh When I Win’ http://www.breitbart.com/big-government/2017/06/19/exclusive-karen-handel-intend-last-laugh-win/ (June 19, 2017)

Will Cuppy photo

“[Footnote] At the age of twelve Nero had shown a lively interest in the arts, particularly music, painting, sculpture, and poetry. Why was nothing done about this?”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Nero

Henry James photo

“Though there are some disagreeable things in Venice there is nothing so disagreeable as the visitors.”

Henry James (1843–1916) American novelist, short story author, and literary critic

"Venice," The Century Magazine, vol. XXV (November 1882), reprinted in Portraits of Places (1883) and later in Italian Hours http://www.gutenberg.org/dirs/etext04/8ihou10.txt (1909), ch. I: Venice, pt. II.

Greg Egan photo
J. R. D. Tata photo
Julius Malema photo

“One of the things that we can learn [from] the Cubans is that they are highly politically conscientized. …they understand what constitute progress and what constitute the enemy. And they have come to appreciate that they are in the situation they are because of the choice they have made, of not wanting to follow what the big brother America says they must do. And they know that if it was not [for the] illegal embargo imposed on them, they were actually going to be a much much more better country. Look at them, they have succeeded, the better education, better healthcare, the illiteracy levels are extreme low, under difficult circumstances. [The] quality of education, the quality of primary healthcare [of some country's without embargoes] is nothing compared to a country [Cuba] which is suffering from a serious economic embargo. So we can learn from the Cubans through their determination, through their appreciation that they are a unique nation, and have chosen their path, and they will lead by their conviction. [Interviewer Bryce-Pease asks Malema about Cuba's socialist-democratic model, lack of human rights, lack of freedom of association or freedom of speech among the opposition, and whether South Africa should take those as lessons. ] Malema: …if they think that their model works for them I am not the one to impose on them what should be the type of political systems in Cuba. They are the ones who can chose which direction they want to take. [Bryce-Pease: Do you see a model like Cuba existing in South Africa? ] When we can do actually much better, our democratic system is intact, it is working […] but there are a lot of things to learn from Cuba [for instance] inculcating the history of the revolution in our education system, so that everybody else is conscientized… Of course there will be some few elements who are not happy. … [Castro] is bound to commit mistakes but generally we are more than happy with the type of work he has done for the Cubans and for the Africans as well, having contributed to the decolonization of Africa and the defeat of apartheid in southern Africa…”

Julius Malema (1981) South African political activist

In Cuba, after paying his respects at Fidel Castro's funeral, Julius Malema in Cuba for Castro's funeral https://www.youtube.com/watch?v=vQy8ALs-aIo, SABC News (5 December 2016)

Aimee Mann photo

“Tell me why I feel so bad, honey
Fighting left me plenty of money
But didn't keep the promise of memory lapses
Like a building that's been slated for blasting
I'm the proof that nothing is lasting
Counting to eleven as it collapses”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Video" · Video https://www.youtube.com/watch?v=ACPG9_01srI
Song lyrics, The Forgotten Arm (2005)

Irvine Welsh photo
John Pratt photo
Richard Feynman photo
Edward O. Wilson photo

“The mosquito is an automaton. It can afford to be nothing else.”

On Human Nature (1978), Ch.3 Development

Theo de Raadt photo
Margaret Atwood photo
Earl Warren photo

“I always turn to the sports section first. The sports section records people's accomplishments; the front page nothing but man's failures.”

Earl Warren (1891–1974) United States federal judge

As quoted in Sports Illustrated (22 July 1968)
Variants:
I always turn to the sports page first, which records people's accomplishments. The front page has nothing but man's failures.
As quoted in Best Sports Stories : 1975 (1976) by Irving T. Marsh
I always turn to the sports pages first, which records people's accomplishments. The front page has nothing but man's failures.
As quoted in The Norton Book of Sports (1992) by George Plimpton, p. 470
1960s

Joseph Addison photo

“There is nothing more requisite in business than dispatch.”

Joseph Addison (1672–1719) politician, writer and playwright

Act V, sc. 1.
The Drummer (1716)

Richard Rodríguez photo
Keeanga-Yamahtta Taylor photo
Sam Harris photo
William Morris photo
William Penn photo
André Malraux photo
Neamat Imam photo

“This day says nothing different to me than to you.”

The Black Coat (2013)

David Dixon Porter photo

“There was a time not long ago when Vicksburg could have been easily captured, but it is now a second Gibraltar, and the navy alone could do nothing toward capturing it.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 122

S. S. Rajamouli photo

“Without my family I’m nothing, they kept me in the right place, I believe that I’m the luckiest person in the country when I’m with them.”

S. S. Rajamouli (1973) Indian film director

The suspense element isn’t 'Baahubali 2's USP, says Rajamouli http://www.thehindu.com/entertainment/movies/ss-rajamouli-interview-without-my-family-im-nothing/article18251500.ece (27 April 2017), The Hindu. Retrieved 8 September 2017.

Mr. T photo

“Where's the meat? This sandwich is full of weeds! I ain't eatin' nothing I don't understand!”

Mr. T (1952) American actor and retired professional wrestler

Quotes from acting

Margot Asquith photo

“You can do something with talent, but nothing with genius….”

Margot Asquith (1864–1945) Anglo-Scottish socialite, author and wit

Quoted in Jack Fishman's My Darling Clementine, the biography of Winston Churchill's wife. (p. 131).

Anton Mauve photo

“. never in my life I have seen such a truly sad thing [an atmosphere at Wolfheze ]. A mother heartbroken about the loss of her only child is nothing compared to this. A broad streak or strip in front of you, which becomes blacker and blacker towards the horizon. a mysterious ticking and hissing of rain drops which keep hanging halfway the heather plant on each twig and sprout..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..zoo iets waar droevigs [een atmosfeer bij nl:Wolfheze ] heb ik nimmer gezien. Een diepbedroefde moeder over het verlies van haar eenige kind is er niets bij. Een breede streep of strook vóór u, welke naar de horizon toe langer hoe zwarter wordt. een geheimzinnig getik en gesis van regendroppels welke halverwege de hei plant aan elk takje en uitspreitseltje blijft hangen..
In a letter of Anton Mauve to Willem Maris, 1860's; as cited in Anton Mauve, (exhibition catalog of Teylers Museum, Haarlem / Laren, Singer), ed. De Bodt en Plomp, 2009, p. 33
1860's

Haruki Murakami photo
Suzanne Collins photo
Damian Pettigrew photo
Camille Paglia photo

“Lacan is a tyrant who must be driven from our shores. Narrowly trained English professors who know nothing of art history or popular culture think they can just wade in with Lacan and trash everything in sight.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 213

Tanith Lee photo
W. H. Auden photo

“Among the many symbols used to frighten and manipulate the populace of the democratic states, few have been more important than “terror” and “terrorism.” These terms have generally been confined to the use of violence by individuals and marginal groups. Official violence, which is far more extensive both in scale and destructiveness, is placed in a different category altogether. The usage has nothing to do with justice, causal sequence, or numbers abused. Whatever the actual sequence of cause and effect, official violence is described as responsive or provoked (“retaliation,” “protective reaction,” etc.), not the active and initiating source of abuse. Similarly, the massive long-term violence inherent in the oppressive social structures that U. S. power has supported is typically disregarded. The numbers tormented and killed by official violence – wholesale as opposed to retail terror – during recent decades have exceeded those of unofficial terrorists by a factor running into the thousands. But this is not “terror,” although one terminological exception may be noted: while Argentinian “security forces” only retaliate and engage in “police action,” violence carried out by unfriendly states (Cuba, Cambodia) may be designated “terroristic.””

Edward S. Herman (1925–2017) American journalist

The status of proper usage is settled not merely by the official or unofficial status of the perpetrators but also by their political affiliations.
Source: The Washington Connection and Third World Fascism, with Noam Chomsky, 1979, p. 6.

Mumia Abu-Jamal photo

“Once again, my family and I find ourselves being assaulted by the obscenity that is Mumia Abu-Jamal. On Sunday October 5th, my husband's killer will once again air his voice from what masquerades as a prison, and spew his thoughts and ideas at another college commencement. Mumia Abu-Jamal will be heard and honored as a victim and a hero by a pack of adolescent sycophants at Goddard College in Vermont. Despite the fact that 33 years ago, he loaded his gun with special high-velocity ammunition designed to kill in the most devastating fashion, then used that gun to rip my husband's freedom from him--today, Mumia Abu-Jamal will be lauded as a freedom fighter. Undoubtedly the administrators at Goddard who first accepted, then enthusiastically supported Abu-Jamal as their speaker will be moved by his "important message" when, if one distills that message to its basic meaning, it amounts to nothing more than the same worn out hatred for this country and everyone in law enforcement that Mumia Abu-Jamal has harbored his entire life. Many at Goddard College have said that this is a matter of Abu-Jamal's First Amendment right to speak and be heard. What a convenient way to dodge their responsibility to take a moral position on this situation. This is not a matter of First Amendment rights -- it's a matter of right and wrong. Across the country, people have been voicing their disgust with the wrong that the college is about to commit by allowing a convicted cop-killer to speak to them. Is this the message to be heard? How could they allow him to speak when Danny no longer has a voice? It is my opinion that all murderers should forfeit their right to free speech when they take the life of an innocent person. I have repeatedly seen college administrators deny conservative and religious speakers access to their campuses when even the tiniest minority feel their message is in some way offensive. What could be more offensive than having a person who violently took the life of another imparting his "unique perspective" on your students? Let's be honest. The instructors, administrators and graduates at Goddard College embrace having this killer as their commencement speaker not despite the fact that he brutally murdered a cop, but because he brutally murdered a cop. Otherwise, like so many other speakers that have been denied access to college campuses across the country, Goddard's administration would have lived up to their moral responsibility and pulled the plug on this travesty long ago. Shame on Goddard College and all associated with that school for choosing to honor an arrogant remorseless killer as their commencement speaker. Unfortunately, this is something that I am certain they will be proud of for the rest of their lives.”

Mumia Abu-Jamal (1954) Prisoner, Journalist, Broadcaster, Author, Activist

Statement http://6abc.com/news/mumia-abu-jamal-speech-met-with-vigil-for-slain-officer/337357/ by Maureen Faulkner, widow of Daniel Faulkner, upon Abu-Jamal's delivering the Commencement Address at Goddard College in 2014
About

George Holmes Howison photo
Henry Brougham, 1st Baron Brougham and Vaux photo

“I'm not a criminal. I did nothing wrong. I was helping my kids. We desperately need medical marijuana in this country..”

Brownie Mary (1922–1999) American medical cannabis activist

Herscher, E. (1992, August 5). "'Brownie Mary' Is Cheered During Testimony at City Hall". San Francisco Chronicle, p. A1.

Alice Cooper photo

“Nobody and nothing beats The Simpsons. Even after all this time, it's still the best satire since Monty Python.”

Alice Cooper (1948) American rock singer, songwriter and musician

Interview with Nick Harper in The Guardian (28 November 2003).

Dejan Stojanovic photo

“Nothing is part of everything.”

"While the Sign Sleeps," p. 17
The Sign and Its Children (2000), Sequence: “The Sign and Nothing”

Seneca the Younger photo

“Remember, however, before all else, to strip things of all that disturbs and confuses, and to see what each is at bottom; you will then comprehend that they contain nothing fearful except the actual fear.”
Illud autem ante omnia memento, demere rebus tumultum ac videre quid in quaque re sit: scies nihil esse in istis terribile nisi ipsum timorem.

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Alternate translation: You will understand that there is nothing dreadful in this except fear itself. (translator unknown).
Source: Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Line 12

Julian of Norwich photo
William Gibson photo

“They sat around accessing media all day and talking about it, and nothing ever seemed to get done.”

Source: All Tomorrow's Parties‎ (2003), Ch. 7 : Sharehouse, p. 33

Lloyd Kenyon, 1st Baron Kenyon photo
Clay Aiken photo

“I think there is a predisposition among Christians that Hollywood is anti-Jesus or anti-Christianity. I was warned I'd have to fight to maintain the freedom to express my beliefs. It's an unfair stereotype, and so far that's been the farthest from the truth. While everyone I work with may not share my beliefs, I have been surrounded by nothing but support.”

Clay Aiken (1978) singer-songwriter, actor, record producer

—Clay Aiken - Today's Christian Magazine
On Christianity
Source: Today's Christian, November/December 2005 http://www.christianitytoday.com/tc/2005/006/7.19.html retrieved April 16, 2006

Wilkie Collins photo

“I have noticed that the Christianity of a certain class of respectable people begins when they open their prayer-books at eleven o'clock on Sunday morning, and ends when they shut them up again at one o'clock on Sunday afternoon. Nothing so astonishes and insults Christians of this sort as reminding them of their Christianity on a week-day.”

Armadale - Vol. II [Collier, 1886] ( p. 130 https://books.google.com/books?id=v7sBAAAAQAAJ&pg=PA130)
Also in Literature and Religion in Mid-Victorian England: From Dickens to Eliot by Carolyn Oulton [Springer, 2002, ISBN 0-230-50464-7] ( p. 136 https://books.google.com/books?id=abuADAAAQBAJ&pg=PA136)

Vanna Bonta photo

“When confidence in the power to create is obscured, greed sets in, for greed is nothing but the loss of confidence in one’s own ability to create.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

State of the Art (2000)

Camille Paglia photo
George Steiner photo

“Nothing in a language is less translatable than its modes of understatement.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. III (p. 104).

John Dryden photo

“If we ask what it is he [ George Orwell] stands for, … the answer is: the virtue of not being a genius, of fronting the world with nothing more than one’s simple, direct, undeceived intelligence, and a respect for the powers one does have. … He communicates to us the sense that what he has done any one of us could do. Or could do if we but made up our mind to do it, if we but surrendered a little of the cant that comforts us, if for a few weeks we paid no attention to the little group with which we habitually exchange opinions, if we took our chance of being wrong or inadequate, if we looked at things simply and directly, having in mind only our intention of finding out what they really are, not the prestige of our great intellectual act of looking at them. He liberates us. He tells us that we can understand our political and social life merely by looking around us; he frees us from the need for the inside dope. He implies that our job is not to be intellectual, certainly not to be intellectual in this fashion or that, but merely to be intelligent according to our own lights—he restores the old sense of the democracy of the mind, releasing us from the belief that the mind can work only in a technical, professional way and that it must work competitively. He has the effect of making us believe that we may become full members of the society of thinking men. That is why he is a figure for us.”

Lionel Trilling (1905–1975) American academic

“George Orwell and the politics of truth,” The Opposing Self (1950), pp. 156-158
The Opposing Self (1950)

Christopher Hitchens photo
Pete Yorn photo
Stendhal photo

“Jean Jacques Rousseau," he answered, "is nothing but a fool in my eyes when he takes it upon himself to criticise society; he did not understand it, and approached it with the heart of an upstart flunkey…. For all his preaching a Republic and the overthrow of monarchical titles, the upstart is mad with joy if a Duke alters the course of his after-dinner stroll to accompany one of his friends.”

J.-J. Rousseau, répondit-il, n'est à mes yeux qu'un sot, lorsqu'il s'avise de juger le grand monde; il ne le comprenait pas, et y portait le cœur d'un laquais parvenu... Tout en prêchant la république et le renversement des dignités monarchiques, ce parvenu est ivre de bonheur, si un duc change la direction de sa promenade après dîner, pour accompagner un de ses amis.
Vol. II, ch. VIII
Le Rouge et le Noir (The Red and the Black) (1830)

John C. Calhoun photo