Quotes about notebook

A collection of quotes on the topic of notebook, idea, making, thinking.

Quotes about notebook

Virginia Woolf photo
C.G. Jung photo
Lewis Carroll photo
Richard Burton photo

“To lose a passport was the least of one's worries. To lose a notebook was a catastrophe.”

The Songlines (Penguin, 1987, ISBN 0140094296, p. 160

Maira Kalman photo
Will Self photo
David Foster Wallace photo

“I have filled 3 Mead notebooks trying to figure out whether it was Them or Just Me.”

David Foster Wallace (1962–2008) American fiction writer and essayist

Source: A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

Bill Bryson photo
Ernest Hemingway photo

“You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.”

Variant: I belong to this notebook and this pencil.
Source: A Moveable Feast

Walter Benjamin photo
Laurie Halse Anderson photo
Ernest Hemingway photo
Marilyn Manson photo

“The seeds of who I am now had been planted. I wrote in my notebook one day during ethics class.”

Marilyn Manson (1969) American rock musician and actor

Source: The Long Hard Road Out of Hell

Michael Ondaatje photo
Cassandra Clare photo
Neil Young photo

“Oh tell me where the answer lies,
Is it in the notebook behind your eyes?”

Neil Young (1945) Canadian singer-songwriter

Speakin' Out
Song lyrics, Tonight's the Night (1975)

Willa Cather photo
Indro Montanelli photo
Steven Wright photo
Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

“I often find poems hand written in old abandoned notebooks.”

Dermot Healy (1947–2014) Irish writer

Penguin Group (2013) A Conversation with Dermot Healy http://www.us.penguingroup.com/static/rguides/us/long_time_no_see.html, Penguin US, accessed May 5, 2013

Bill Gates photo

“Personal computing today is a rich ecosystem encompassing massive PC-based data centers, notebook and Tablet PCs, handheld devices, and smart cell phones. It has expanded from the desktop and the data center to wherever people need it — at their desks, in a meeting, on the road or even in the air.”

Bill Gates (1955) American business magnate and philanthropist

"The PC Era Is Just Beginning" in Business Week (22 March 2005) http://www.businessweek.com/technology/content/mar2005/tc20050322_7219.htm
2000s

Jean Dubuffet photo
Joan Miró photo

“How did I think up my drawings and my ideas for painting? Well I'd come home to my Paris studio in Rue Blomet at night, I'd go to bed, and sometimes I hadn't any supper. I saw things, and I jotted them down in a notebook. I saw shapes on the ceiling..”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

from: Miro, on English Wikipedia
Miró's quote on 'automatic painting and drawing', explaining the start of his work 'Harlequin's Carnival' he made in Paris, strongly admired then by Surrealists like André Breton
1915 - 1940

Martin Amis photo
Doris Lessing photo

“The Golden Notebook for some reason surprised people but it was no more than you would hear women say in their kitchens every day in any country. … I was really astounded that some people were shocked.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

As quoted in an undated profile at the BBC World Service http://www.bbc.co.uk/worldservice/arts/features/womenwriters/lessing_being.shtml

Ray Bradbury photo
Mukesh Ambani photo
Stuart Kauffman photo
Joanna MacGregor photo
Conor Oberst photo

“And me I'm in my bedroom drawing in my notebook
Because my hand thinks I'm an artist
But my heart knows I'm a poet
It's just words they mean so little to me.”

Conor Oberst (1980) American musician

Saturday as Usual
A Collection of Songs Written and Recorded 1995-1997 (1998)

Anthony Burgess photo
Jean Dubuffet photo

“[Dubuffet marvels at the desert as a chaotic palimpsest, filled with marks and signs].. like an immense notebook of disorganization, a notebook of improvisation.... an elementary school blackboard full of scribbles..”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Dubuffet, in a letter to Jacques Berne mailed from Algeria, late 1940's; (Lettres à J.B., p. 35.); as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), pp. 247-258, p. 250
1940's

Italo Svevo photo

“He was more than willing to instruct me, and in my notebook he actually wrote in his own hand the three commandments he considered sufficient to make any firm prosper: 1. There’s no need for a man to know how to work, but if he doesn't know how to make others work, he is doomed. (2) There is only one great regret: not having acted in one's own best interest. (3) In business, theory is useful, but it can be utilized only after the deal has been made.”

Era dispostissimo ad istruirmi, ed anzi annotò di propria mano nel mio libretto tre comandamenti ch'egli riteneva bastassero per far prosperare qualunque ditta: 1. Non occorre saper lavorare, ma chi non sa far lavorare gli altri perisce. 2. Non c'è che un solo grande rimorso, quello di non aver saputo fare il proprio interesse. 3. In affari la teoria è utilissima, ma è adoperabile solo quando l'affare è stato liquidato.
Source: La coscienza di Zeno (1923), P. 52; p. 63.

Roberto Bolaño photo

“The man to watch, the man to put your money on, is not the man who wants to make "a survey" or a "more detailed study" but the man with the notebook, the man with the alternative hypotheses and the crucial experiments, the man who knows how to answer your Question of disproof and is already working on it.”

John R. Platt (1918–1992) American physicist

John R. Platt (1964). Cited in: William M. Block, M. Dale Strickland, Bret A. Collier, Markus J. Peterson (2008) Wildlife Study Design. Springer. p. 20 among other places.

Yukio Mishima photo

“Within those confining walls, teachers — a bunch of men all armed with the same information — gave the same lectures every year from the same notebooks and every year at the same point in the textbooks made the same jokes.”

Yukio Mishima (1925–1970) Japanese author

"Cigarette" ("Ta- bako") story, quoted in 三島由紀夫短編集: Seven Stories, translated by John Bester (2002), p. 110.

Shraddha Kapoor photo

“He had this nasty habit of pulling out a little notebook in the middle of a conversation and jotting down, as he said, “story ideas.” Later on, after I’d transferred to S.F. State and taken his writing course, he asked me if I wanted to read his first draft of Wake Up, Stupid! I kept it for a week and returned it to him at the next short story seminar. I only read the first paragraph. After that, I was no longer afraid of the intellectuals. I knew I could tell a better story.”

Source: Autobiography of a Brown Buffalo (1972), p. 100.
Context: Since I was about ten years younger than this crew of alcoholics, I just listened and filled their cups with cheap wine. After they’d had enough, I’d tell them of my escapades in Riverbank and in Panama where I’d worked with the Southern Baptist Convention and Jesus Christ to save the black souls of niggers, spics and Indians. I used to keep my eye on Harris when I told my stories. He had this nasty habit of pulling out a little notebook in the middle of a conversation and jotting down, as he said, “story ideas.” Later on, after I’d transferred to S. F. State and taken his writing course, he asked me if I wanted to read his first draft of Wake Up, Stupid! I kept it for a week and returned it to him at the next short story seminar. I only read the first paragraph. After that, I was no longer afraid of the intellectuals. I knew I could tell a better story.

Tracy Chevalier photo

“Usually, I take great pleasure in finding a notebook that’s going to match the subject matter. And this time, for some reason, I was in a hurry. I hadn’t found the right one, I had started my research, and I couldn’t wait for the perfect notebook. So, I just grabbed one that I had. It’s the first time though, and it felt a little sad.”

Tracy Chevalier (1962) American writer

On choosing a notebook for each novel that she writes in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

Christian Dior photo
Steven Wright photo

“About five years ago, somebody showed me some web sites that had my material all over them, and I thought that was fascinating. One reason was, I'd never seen my jokes written one right after another like that. I write on drawing paper—I don't even like lines on the paper—so I have notebooks all over the place with handwritten pieces of my act in them. So to see it go by, all typed out neatly, was like, "Wow."”

Steven Wright (1955) American actor and author

And then two or three years ago, someone showed me a site, and half of it that said I wrote it, I didn't write. Recently, I saw one, and I didn't write any of it. What's disturbing is that with a few of these jokes, I wish I had thought of them. A giant amount of them, I'm embarrassed that people think I thought of them, because some are really bad.
[The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders, Thompson, Steven, 2002, Three Rivers Press, 0609809911, September 9, 2012, http://www.avclub.com/articles/steven-wright,13796/]
Interviews

David Sedaris photo
Lorna Dee Cervantes photo

“When I first went to Mexico in 1974 and was involved in Chicano teatro—Mexican American guerilla theater—I realized that my politics and my poetry could merge; suddenly it wasn’t just for me. Before then, I didn’t share this poetry; I kept it in notebooks…”

Lorna Dee Cervantes (1954) American writer

On how her politics and poetry merged in “A Conversation with Lorna Dee Cervantes” https://www.academia.edu/4464223/A_Conversation_with_Lorna_Dee_Cervantes in World Literature Today (2010)

Natalie Goldberg photo
Natalie Goldberg photo