Quotes about note
page 10

Jesse Helms photo

“It is interesting to note that the Nobel Peace Prize won't be awarded this year. When one recalls that Martin Luther King got the prize last year, it may be just as well that the committee decided not to award one this year. Perhaps it was too difficult to choose between Stokely Carmichael and Ho Chi Minh.”

Jesse Helms (1921–2008) American politician

Television commentary (1966) quoted in The New York Times http://www.nytimes.com/1994/11/27/weekinreview/word-for-word-jesse-helms-north-carolinian-has-enemies-but-no-one-calls-him.html (1994)
1960s

Vernon L. Smith photo
Henry George photo
James Beattie photo
Arthur Green photo
Martin Luther King, Jr. photo
Chris Hedges photo
The Mother photo

“It is in accordance with the impression that the plate ought to be painted; it gives you an impact, you translate the impact, and it is this which is truly artistic. It is like this that modern art began. And note that he was right. His plates were not round, but he was right in principle.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

As quoted in "Paris (1897-1904)", and in The Mother on Art http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=/_staticcontent/sriaurobindoashram/-02%20the%20mother/the%20mother%20as%20an%20artist/-05%20mother%20on%20art.htm

Andreas Karlstadt photo
Amir Taheri photo

“As some of us noted before Saddam Hussein’s 2003 fall, banning the Ba’ath as such was a mistake – for, in a sense, the Ba’ath had also been a victim of Saddam’s savage rule. The Ba’ath, modeled on European fascist parties, was never a democratic movement. Yet, before Saddam turned it into an empty shell to be filled with his personality cult, it had been a genuine political movement, representing a significant segment of Iraqi opinion. It had started as a predominantly Shiite party seeking to downplay sectarianism by promoting pan-Arab ideas. Saddam turned it into a sectarian party, first dominated by the Arab Sunni minority and eventually by his Tikriti clan. The wisest course would’ve been to let those Ba’athists who had been purged, imprisoned and exiled under Saddam to reclaim their party and rebuild it with full respect for Iraq’s new democratic and pluralist political system. Those Ba’athists who committed crimes were known to all and could’ve been blacklisted and tried as individuals. The blanket ban suddenly transformed some 1.4 million civil servants, including tens of thousands of teachers and medical doctors and some half a million military personnel, into pariahs simply because they’d been nominal Ba’ath members. Yet most had joined simply to protect their careers under a brutal regime.”

Amir Taheri (1942) Iranian journalist

"Iraq: Reconciling with the Ba'ath" http://nypost.com/2008/01/16/iraq-reconciling-with-the-baath/, New York Post (January 16, 2008).
New York Post

Thomas S. Monson photo

“Several years ago my dear wife went to the hospital. She left a note behind for the children: "Dear children, do not let Daddy touch the microwave"—followed by a comma, "or the stove, or the dishwasher, or the dryer."”

Thomas S. Monson (1927–2018) president of the Church of Jesus Christ of Latter-Day Saints

I'm embarrassed to add any more to that list.
Abundantly Blessed, Sunday Afternoon Session of the 178th Annual General Conference http://lds.org/conference/talk/display/0,5232,23-1-851-38,00.html.

Maddox photo
John Tyndall photo
Neal Stephenson photo
Chick Corea photo
James Branch Cabell photo
Roger Shepard photo
Ioannis Metaxas photo

“The Italian Government has repeatedly noted that, during the course of the present war, the Greek Government has adopted and maintained a position which goes not only against the smooth and peaceful… Alors, c'est la guerre.”

Ioannis Metaxas (1871–1941) Greek politician

Ioannis Metaxas, quoted in: Ángelos Terzákis (1990) The Greek Epic: 1940 - 1941. p. 36.
His response to the Italian ultimatum given by Ambassador Emanuele Grazzi, 28 October 1940. Greece entered the WWII.

“… please note that Obama admits he was lying when he said he never heard Rev. Wright utter these “fierce criticisms.” Are we supposed to just glide right past that?”

Charles Foster Johnson (1953) American musician

March 14, 2008 http://littlegreenfootballs.com/article/29321_Obama-_Rev_Wright_is_An_Occasionally_Fierce_Critic_of_American_Domestic_and_Foreign_Policy&only

Samuel Bowles photo
John Byrne photo
Warren Farrell photo
George W. Bush photo
Paulo Coelho photo
Hans Reichenbach photo
Leo Tolstoy photo
Art Spiegelman photo

“A manifesto, a diary, a crumpled suicide note, and a still relevant love letter.”

Art Spiegelman (1948) cartoonist from the United States

On his work Breakdowns : A Portrait of the Artist as a Young %@?*! (1978; 2008) as quoted in "Art Spiegelman on ‘Breakdowns’ Redux and the Dark Side of Tina Fey" by Rebecca Milzoff in New York magazine (8 October 2008) http://nymag.com/daily/entertainment/2008/10/art_spiegelman_on_breakdowns_r.html.

John Knox photo
Letitia Elizabeth Landon photo
Theodore L. Cuyler photo

“God does not give us ready money. He issues promissory notes, and then pays them when faith presents them at the throne. Each one of us has a check-book.”

Theodore L. Cuyler (1822–1909) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 239.

Al Gore photo
Scott Lynch photo

“Refusal noted and cordially declined.”

Source: The Republic of Thieves (2013), Chapter 1 “Things Get Worse” section 6 (p. 43)

Oliver Wendell Holmes photo

“Nobody talks much that doesn't say unwise things, — things he did not mean to say; as no person plays much without striking a false note sometimes.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Source: The Professor at the Breakfast Table (1859), Ch. I.

Clive Barker photo

“She told him she made a rule of never marrying bankers. The next day he sent flowers, and a note saying that he’d relinquished his profession.”

Clive Barker (1952) author, film director and visual artist

Part Eleven “The Dream Season”, Chapter ii “Representations”, Section 2 (p. 479)
(1987), BOOK THREE: OUT OF THE EMPTY QUARTER

Bob Seger photo
James Thomson (B.V.) photo
Phil Collins photo

“I wouldn't blow my head off. I'd overdose or do something that didn't hurt. But I wouldn't do that to the children. A comedian who committed suicide in the Sixties left a note saying, 'Too many things went wrong too often.”

Phil Collins (1951) English musician, songwriter and actor

I often think about that.
On his suicidal thoughts in recent years — "Exclusive: Phil Collins Admits Suicidal Thoughts" http://www.rollingstone.com/music/news/exclusive-phil-collins-admits-suicidal-thoughts-20101109, Rolling Stone (9 November 2010)

Hariprasad Chaurasia photo
Charlotte Perkins Gilman photo

“For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887.
I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.
Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power.
Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html

Gro Harlem Brundtland photo
Max Beckmann photo
Clarence Thomas photo
P. W. Botha photo

“It should be noted that refugees are crossing the border from southern Angola to South-West Africa – not the other way round. There is no aggression from our side.”

P. W. Botha (1916–2006) South African prime minister

As Minister of Defence, denying shelling of southern Angola by the SADF, 9 November 1976, as cited in PW Botha in his own words, Pieter-Dirk Uys, 1987, p. 63

Robert Burns photo

“Chords that vibrate sweetest pleasure
Thrill the deepest notes of woe.”

Robert Burns (1759–1796) Scottish poet and lyricist

Sensibility How Charming, st. 4
Johnson's The Scots Musical Museum (1787-1796)

Ryan Adams photo
Richard Holbrooke photo
Ulysses S. Grant photo
Will Eisner photo

“International Jews.
In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.
Graves: This was written by Winston Churchill, a highly regarded M. P. in England…so, I need hardly remind you that it will take strong evidence to prove the “Protocols” ‘’’a fake!’’’
Raslovlev: At an old bookshop I got a copy of “The Dialogue in Hell between Machiavelli and Montesquieu,” by Maurice Joly, 1864.
I examined what I had. It was obvious that the “Protocols of Zion” was copied from it.
Graves: How did you get this?
Raslovlev: I bought this book from a friend, formerly of the Okhrana, our secret agents in France. They ordered the plagiarism!
When the Bolsheviks came in, we left with what we could take out with us.
How much is it worth to you, or your paper, Mr. Graves?
Graves: Hmm…can’t say yet! …Is Geneva really the place of publication??
Raslovlev: I do know that the “Protocols of Zion: was intended to prove to the Tsar that the Revolt in Russia was a Jewish Plot…it was written by an Okhrana agent…a plagiarist, Mathieu Golovinski!
When it was first published in Russia round 1902, its publisher, Dr. Nilus, claimed it to be notes stolen from an 1897 Zionist congress by French agents!
Graves: But that congress was convened by Theodore Herzl to promote a Jewish state. It was not a secret meeting…Dr. Nilus’s claim is a lie!
Raslovlev: Yes, it is indeed! Let me show you…we will compare the “Protocols” with Joly’s Book.
Raslovlev: Set them side by side Graves, and you will see obvious plagiarism of Joly’s “dialogue!”
Graves: I see…be patient while I go through it…yes! Yes! Yes!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73

Chuck Palahniuk photo

“No detail is too minor to note.”

Lullaby (2002)

Amber Benson photo
John Flavel photo
Charlie Daniels photo
Mahasi Sayadaw photo

“Every time one notes an object well it gives rise to delight. As a result of this, practice becomes enjoyable.”

Mahasi Sayadaw (1904–1982) Burmese Buddhist philosopher

Source: Manual of Insight (1945), p. 68

Cyrano de Bergerac photo
Emil Nolde photo

“.. colors are my notes for fashioning sounds and chords with and against one another.”

Emil Nolde (1867–1956) German artist

as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
3 short quotes in which Nolde expresses the evocative power of color, which became with his garden and flower paintings from 1906-07 the chief medium of his art.
undated quotes

Eduard Hanslick photo

“Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

Eduard Hanslick, quoted by Wolfgang Sandberger (1996) in the liner notes to the Juilliard String Quartet's Intimate Letters. Sony Classical SK 66840.

Edith Wharton photo

“Yes, I noted that there were hardly any or no women in certain high level positions. But as time passed, I, along with others, did attain, and with pride for managing to do so, a series of positions in the ladder.”

Henriette Avram (1919–2006) American computer programmer and system analyst. She developed the MARC formatting used in libraries

Source: They Won! And did it ALA’s Way, 1997, p.75-76

Charles Bell photo
Margaret Mead photo
Revilo P. Oliver photo

“In the first four centuries A. D. the world was full of Gnostics peddling special revelations, and, of course, Christ was only one of the Saviors: others were Baruch, Gamaliel, Tat (= the Egyptian god Toth), Seth (Egyptian god), Balaam, Ezechiel, Adam (whose books had just been discovered), Moses, Enoch, Marsanes, Nicotheus, Phosilampes, Mithra, Zoroaster, Zervan, et al., et al. In the early centuries of our era, the Near East was a Bedlam filled with the insane ravings of fakirs peddling their Saviors and their forged Gospels, and at this distance it is impossible to tell the difference between madmen, hallucinés who got visions of god from eating the sacred mushroom, Amanita muscaria, and shysters fleecing the yokels with mystic gabble. One cannot read much of the gibberish without feeling queasy and dizzy, but for a quick survey of the stuff that our holy men want to sweep under the rug, see Jean Doresse, Les livres secrets des Gnostiques d'Égypte, Paris, 1959, which surveys the books found at Chenoboskion a few years before. The one significant thing is that the peddlers of all forms of Gnosticism (including Christian cults before the Third Century) were almost all Jews. If you will look in your Scientific American for January 1973, pp. 80-87, you will note that the author has to admit that "it becomes increasingly evident that much of Gnosticism is probably of Jewish origin." He is naturally cautious, wary of offending God's Peculiar People. Although I admit that one cannot identify the race of some of the more prominent Salvation-hucksters, I think it significant that those whom one can identify racially always turn out to be Jews, and I would delete "much of" and "probably" in the author's statement.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Elias Canetti photo

“You keep taking note of whatever confirms your ideas—better to write down what refutes and weakens them!”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 60
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

M.I.A. photo

“I'm not sure, but music now should be like sonic massage. You want to really feel it, internally. The police [sic] use sound cannons at public protests that explode people’s insides with a single note – human beings have to come up with the opposite of that.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Quote http://www.nme.com/photos/in-her-own-words-mias-20-sharpest-quotes/172930/16/4#10 from interview with NME (2010)
Sourced quotes

Arthur Schopenhauer photo

“If from the wilderness the righteous and honest John were actually to come who, clothed in skins and living on locusts and untouched by all the terrible mischief, were meanwhile to apply himself with a pure heart and in all seriousness to the investigation of truth and to offer the fruits thereof, what kind of reception would he have to expect from those businessmen of the chair, who are hired for State purposes and with wife and family have to live on philosophy, and whose watchword is, therefore, Primum vivere, deinde philosophari [first live and then philosophize]? These men have accordingly taken possession of the market and have already seen to it that here nothing is of value except what they allow; consequently merit exists only in so far as they and their mediocrity are pleased to acknowledge it. They thus have on a leading rein the attention of that small public, such as it is, that is concerned with philosophy. For on matters that do not promise, like the productions of poetry, amusement and entertainment but only instruction, and financially unprofitable instruction at that, that public will certainly not waste its time, effort, and energy, without first being thoroughly assured that such efforts will be richly rewarded. Now by virtue of its inherited belief that whoever lives by a business knows all about it, this public expects an assurance from the professional men who from professor’s chairs and in compendiums, journals, and literary periodicals, confidently behave as if they were the real masters of the subject. Accordingly, the public allows them to sample and select whatever is worth noting and what can be ignored. My poor John from the wilderness, how will you fare if, as is to be expected, what you bring is not drafted in accordance with the tacit convention of the gentlemen of the lucrative philosophy? They will regard you as one who has not entered in the spirit of the game and thus threatens to spoil the fun for all of them; consequently, they will regard you as their common enemy and antagonist. Now even if what you bring were the greatest masterpiece of the human mind, it could never find favor in their eyes. For it would not be drawn up ad normam conventionis [according to the current pattern]; and so it would not be such as to enable them to make it the subject of their lectures from the chair in order to make a living from it. It never occurs to a professor of philosophy to examine a new system that appears to see whether it is true; but he at once tests it merely to see whether it can be brought into harmony with the doctrines of the established religion, with government plans, and with the prevailing views of the times.”

Sämtliche Werke, Bd. 5, pp. 160-161, E. Payne, trans. (1974) Vol. 1, pp. 148-149
Parerga and Paralipomena (1851), On Philosophy in the Universities

John McLaughlin photo
Arun Shourie photo
Letitia Elizabeth Landon photo

“Is there some nameless boding sent,
Like a noiseless voice from the tomb?—
A spirit note from the other world,
To warn of death and doom?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Wreck from The London Literary Gazette (10th September 1825) - under the pen name Iole
The Vow of the Peacock (1835)

William James photo

“Truth lives, in fact, for the most part on a credit system. Our thoughts and beliefs 'pass,' so long as nothing challenges them, just as bank-notes pass so long as nobody refuses them.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture VI, Pragmatism's Conception of Truth
1900s, Pragmatism: A New Name for Some Old Ways of Thinking (1907)

Don DeLillo photo

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

Artur Schnabel photo

“Applause is a receipt, not a note of demand.”

Artur Schnabel (1882–1951) Austrian pianist

Saturday Review of Literature September 29, 1951.
Explaining why he never played encores.

Antony Flew photo
John D. Carmack photo

“Note to self: Pasty-skinned programmers ought not stand in the Mojave desert for multiple hours.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in John Carmack's .plan file http://www.bluesnews.com/cgi-bin/finger.pl?id=1&time=20000515035055 (2000-05-15)

Will Eisner photo
H. G. Wells photo
Bono photo

“Me, I'm in love with this country called America. I'm a huge fan of America, I'm one of those annoying fans, you know the ones that read the CD notes and follow you into bathrooms and ask you all kinds of annoying questions about why you didn't live up to that…
I'm that kind of fan. I read the Declaration of Independence and I've read the Constitution of the United States, and they are some liner notes, dude.”

Bono (1960) Irish rock musician, singer of U2

PENN Address (2004)
Context: It's not everywhere in fashion these days, Americanism. Not very big in Europe, truth be told. No less on Ivy League college campuses. But it all depends on your definition of Americanism.
Me, I'm in love with this country called America. I'm a huge fan of America, I'm one of those annoying fans, you know the ones that read the CD notes and follow you into bathrooms and ask you all kinds of annoying questions about why you didn't live up to that...
I'm that kind of fan. I read the Declaration of Independence and I've read the Constitution of the United States, and they are some liner notes, dude. As I said yesterday I made my pilgrimage to Independence Hall, and I love America because America is not just a country, it's an idea.

“It should be noted that people in the free market rarely bear false witness; integrity is the rule.”

Leonard E. Read (1898–1983) American academic

The Coming Aristocracy https://fee.org/resources/the-coming-aristocracy-2/
Context: It should be noted that people in the free market rarely bear false witness; integrity is the rule. The morning mile, phone calls, planes the airlines buy, autos by the millions - no one could list the instances - are as represented. We have daily, eloquent, enormous testimony that the Ten Commandments can be and are observed by fallible human beings. Contemporary politics is the most glaring of all exceptions.

Albert Hofmann photo

“Here the notes in my laboratory journal cease. I was able to write the last words only with great effort. By now it was already clear to me that LSD had been the cause of the remarkable experience of the previous Friday, for the altered perceptions were of the same type as before, only much more intense.”

Albert Hofmann (1906–2008) Swiss chemist

Describing his first deliberate ingestion of LSD on the 19th of April 1943, in Ch. 1 : How LSD Originated http://www.psychedelic-library.org/child1.htm
LSD : My Problem Child (1980)
Context: 4/19/43 16:20: 0.5 cc of 1/2 promil aqueous solution of diethylamide tartrate orally = 0.25 mg tartrate. Taken diluted with about 10 cc water. Tasteless.
17:00: Beginning dizziness, feeling of anxiety, visual distortions, symptoms of paralysis, desire to laugh.
Supplement of 4/21: Home by bicycle. From 18:00- ca.20:00 most severe crisis. (See special report.)
Here the notes in my laboratory journal cease. I was able to write the last words only with great effort. By now it was already clear to me that LSD had been the cause of the remarkable experience of the previous Friday, for the altered perceptions were of the same type as before, only much more intense. I had to struggle to speak intelligibly. I asked my laboratory assistant, who was informed of the self-experiment, to escort me home. We went by bicycle, no automobile being available because of wartime restrictions on their use. On the way home, my condition began to assume threatening forms. Everything in my field of vision wavered and was distorted as if seen in a curved mirror. I also had the sensation of being unable to move from the spot. Nevertheless, my assistant later told me that we had traveled very rapidly. Finally, we arrived at home safe and sound, and I was just barely capable of asking my companion to summon our family doctor and request milk from the neighbors.
In spite of my delirious, bewildered condition, I had brief periods of clear and effective thinking — and chose milk as a nonspecific antidote for poisoning.

Sarvepalli Radhakrishnan photo

“Among the thoughtful men of every creed and country there is a note of spiritual wistfulness and expectancy.
If we leave aside the fanatics with whom no argument is possible, the leaders of every historical civilization to-day are convinced that mankind in all its extent and history is a single organism, worshipful in its growing majesty and capable of a capable of a progress upon which none dare set any bounds.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Kalki : or The Future of Civilization (1929)
Context: While the triumph of mechanical inventions provides a common basis for the civilization of the future, the break-down of traditional systems of thought, belief, and practice is the necessary preparation for the building of a spiritual unity. The leaven is at work among all the peoples, especially among the youth who are unwilling to be mere clay in the hands of others, be they ever so old or wise. There is a quickened consciousness, a sense of something in adequate and unsatisfactory in the ideas and conceptions we have held and the groping after new values. Dissolution is in the air. The old forms of faith are tottering. Among the thoughtful men of every creed and country there is a note of spiritual wistfulness and expectancy.
If we leave aside the fanatics with whom no argument is possible, the leaders of every historical civilization to-day are convinced that mankind in all its extent and history is a single organism, worshipful in its growing majesty and capable of a capable of a progress upon which none dare set any bounds. Dante proclaimed: "There is not one goal for this civilization and one for that, but for the civilization of all mankind there is a single goal." If there is a single goal for all civilization, it does not mean that all shall speak a common tongue or profess a common creed, or that all shall live under a single government, or all shall follow an unchanging pattern in customs and manners.

Robert Hunter (author) photo

“Individualism is certainly not a dominant note in the teachings of Jesus.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 75
Context: Individualism is certainly not a dominant note in the teachings of Jesus.... He was seeking the kingdom of God on earth, not merely the salvation of isolated souls each struggling alone for individual perfection.

Edward Young photo

“The bell strikes one. We take no note of time
But from its loss.”

Source: Night-Thoughts (1742–1745), Night I, Line 55.

“The culture as a whole is losing its individual notes, its diversity. And this is… it's not only sad. It's devastating.”

John Leonard (1939–2008) American critic, writer, and commentator

Interview with Bill Moyers http://www.pbs.org/now/transcript/transcript_leonard.html, Now, PBS (28 November 2003)
Context: The culture as a whole is losing its individual notes, its diversity. And this is… it's not only sad. It's devastating. It's devastating because routine language means routine thought. And it means unquestioning thought. It means if I can't — if new words cannot occur to me and new image does not occur to me, then what I'm doing is I'm simply repeating what I've heard.
And what we hear from an overpowering cultural force and the forces of homogenization, what we hear is sell, sell, buy, buy. That's it. That is the function.

Samuel Johnson photo

“A man sometimes starts up a patriot, only by disseminating discontent, and propagating reports of secret influence, of dangerous counsels, of violated rights, and encroaching usurpation. This practice is no certain note of patriotism. To instigate the populace with rage beyond the provocation, is to suspend publick happiness, if not to destroy it. He is no lover of his country, that unnecessarily disturbs its peace.”

Samuel Johnson (1709–1784) English writer

The Patriot (1774)
Context: A man sometimes starts up a patriot, only by disseminating discontent, and propagating reports of secret influence, of dangerous counsels, of violated rights, and encroaching usurpation. This practice is no certain note of patriotism. To instigate the populace with rage beyond the provocation, is to suspend publick happiness, if not to destroy it. He is no lover of his country, that unnecessarily disturbs its peace. Few errours and few faults of government, can justify an appeal to the rabble; who ought not to judge of what they cannot understand, and whose opinions are not propagated by reason, but caught by contagion. The fallaciousness of this note of patriotism is particularly apparent, when the clamour continues after the evil is past.

Henry Adams photo

“Among all the imagery of these three door-ways, there is no hint of fear, punishment or damnation, and this is the note of the whole time. Before 1200, the Church seems not to have felt the need of appealing habitually to terror; the promise of hope and happiness was enough.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)
Context: First comes the central door-way, and above it is the glory of Christ, as the church at Chartres understood Christ in the year 1150; for the glories of Christ were many, and the Chartres Christ is one. Whatever Christ may have been at other churches, here, on this portal, he offers himself to his flock as the herald of salvation alone. Among all the imagery of these three door-ways, there is no hint of fear, punishment or damnation, and this is the note of the whole time. Before 1200, the Church seems not to have felt the need of appealing habitually to terror; the promise of hope and happiness was enough.

“There might be one little thing that makes all the difference, one note or one word. The fine-tuning is all important, and you've got to stay there until you get it right … That's why it can take years.”

Enya (1961) Irish singer, songwriter, and musician

The Times Magazine interview (2005)
Context: There might be one little thing that makes all the difference, one note or one word. The fine-tuning is all important, and you've got to stay there until you get it right... That's why it can take years.

John Dryden photo

“From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

St. 1.
A Song for St. Cecilia's Day http://www.englishverse.com/poems/a_song_for_st_cecilias_day_1687 (1687)
Context: From harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

Edwin Abbott Abbott photo

“Such a life, with all vision limited to a Point, and all motion to a Straight Line, seemed to me inexpressibly dreary; and I was surprised to note the vivacity and cheerfulness of the King.”

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 13. How I had a Vision of Lineland
Context: Describing myself as a stranger I besought the King to give me some account of his dominions. But I had the greatest possible difficulty in obtaining any information on points that really interested me; for the Monarch could not refrain from constantly assuming that whatever was familiar to him must also be known to me and that I was simulating ignorance in jest. However, by persevering questions I elicited the following facts:It seemed that this poor ignorant Monarch — as he called himself — was persuaded that the Straight Line which he called his Kingdom, and in which he passed his existence, constituted the whole of the world, and indeed the whole of Space. Not being able either to move or to see, save in his Straight Line, he had no conception of anything out of it. Though he had heard my voice when I first addressed him, the sounds had come to him in a manner so contrary to his experience that he had made no answer, "seeing no man", as he expressed it, "and hearing a voice as it were from my own intestines." Until the moment when I placed my mouth in his World, he had neither seen me, nor heard anything except confused sounds beating against — what I called his side, but what he called his INSIDE or STOMACH; nor had he even now the least conception of the region from which I had come. Outside his World, or Line, all was a blank to him; nay, not even a blank, for a blank implies Space; say, rather, all was non-existent.His subjects — of whom the small Lines were men and the Points Women — were all alike confined in motion and eye-sight to that single Straight Line, which was their World. It need scarcely be added that the whole of their horizon was limited to a Point; nor could any one ever see anything but a Point. Man, woman, child, thing — each was a Point to the eye of a Linelander. Only by the sound of the voice could sex or age be distinguished. Moreover, as each individual occupied the whole of the narrow path, so to speak, which constituted his Universe, and no one could move to the right or left to make way for passers by, it followed that no Linelander could ever pass another. Once neighbours, always neighbours. Neighbourhood with them was like marriage with us. Neighbours remained neighbours till death did them part.Such a life, with all vision limited to a Point, and all motion to a Straight Line, seemed to me inexpressibly dreary; and I was surprised to note the vivacity and cheerfulness of the King.