Quotes about movie
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“The beautiful Monique insists on joining their expedition and cannot be dissuaded; we think at first she has a nefarious motive, but no, she's probably taken a class in screenplay construction and knows that the film requires a sexy female lead. This could be the first case in cinematic history of a character voluntarily entering a movie because of the objective fact that she is required.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/around-the-world-in-80-days-2004 of Around the World in 80 Days (16 June 2004) Reviews, Three star reviews

Beauty, History, Motivation, Thinking

“Propaganda must be total. The propagandist must utilize all of the technical means at his disposal — the press, radio, TV, movies, posters, meetings, door-to-door canvassing. Modern propaganda must utilize all of these media. There is no propaganda as long as one makes use, in sporadic fashion and at random, of a newspaper article here, a poster or a radio program there, organizes a few meetings and lectures, writes a few slogans on walls: that is not propaganda.”

Jacques Ellul book Propaganda: The Formation of Men's Attitudes

Vintage, p. 9
Propaganda: The Formation of Men's Attitudes (1965)

Fashion

“I shouldn't make movies anymore. I should go to a lunatic asylum.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Said while making Fitzcarraldo
Herzog on Herzog (2002)

“I didn't like Jaya's Hazaar Chaurasi ki Ma, though I did like her performance. I felt the movie was too verbose. I thought why did they have to make a film? They could have simply written an article.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

“The audience is equally responsible for making Scary Movie 3 as the studio system is because as long as they continue to go see Fast and Furious 4, they're going to make it. You have to remember that studio heads went to NYU and stuff and film school and they wanted to make great films and were seduced by The Godfather and instead, this is the world that were in.”

Natasha Lyonne (1979) actress

Suicidegirls interview (2004)

World, School

“I can’t pretend to have worked my way up through adversity. I need the money not for food like other people, but to prove that I’m worth something. Jaws freed me to discover that a successful movie didn’t make a damn bit of difference to my life.”

Lorraine Gary (1937) American actress

Lorraine Gary Got a Big Bite of Jaws 2—but Not, She Insists, Because She's the Boss's Wife http://people.com/archive/lorraine-gary-got-a-big-bite-of-jaws-2-but-not-she-insists-because-shes-the-bosss-wife-vol-10-no-6/ (August 7, 1978)

Life, Money, People, Food

“My hope is that Casino Royale has not only re-invented James Bond, but made him relevant for the 21st century. The target audience has shifted. Although there's nothing in Casino Royale that will exclude teenagers, this 007 is aimed squarely at adults. The November release date is also perfect — the film is almost too dark and serious for the kind of lighthearted, mindless fun we associate with summer blockbusters. In recent years, I have come to each new James Bond movie with a series of ingrained expectations. For the most part, the Brosnan films met them across the board. Casino Royale defies many of them, and I couldn't be happier.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=769 of Casino Royale (2006). Three-and-a-half star reviews

Hope, Summer, Parting, Perfection

“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/pearl-harbor-2001 of Pearl Harbor (25 May 2001) Reviews, One-and-a-half star reviews

Love, Quotes

“I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on—if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.”

Tobe Hooper (1943–2017) American film director, screenwriter and producer

Tobe Hooper Interview http://www.interviewmagazine.com/film/tobe-hooper/#_ (July 14, 2014)

Music, Travel, Feeling, Thinking

“I still don't look at movies twice. It's funny, I just feel I got it the first time. With music it's different. People respond so differently to the whole issue of seeing a movie many times. I'm astonished when I talk to really good critics, who know their stuff and will see a film eight or ten or twelve times. I don't see how they can do it without hating the movie. I would.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

Hate, People, Music, Feeling

“It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. [C]uriosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1423 of Psycho (1998). One-and-a-half star reviews

Money, People, Understanding, Success

“So don't tell me the story of your life
I'd rather watch the movie
Your Hollywood smile is not enough
You're giving me the blues
So when are you going to understand
I'm not the woman to make you a man”

Anni-Frid Lyngstad (1945) Swedish female singer

That's Tough (Non-album single credited to Lyngstad, Hans Fredriksson, and Kirsty MacColl), from Shine (1984)
Lyrics, Shine (1984)

Life, Smile, Understanding

“When my son is taping for his permanent collection, he sits there and pauses his machine and when he is finished with it, he has a marvelous Clint Eastwood movie and there is no sign of a commercial. It is a brand new movie and he can put three of those on one 6-hour tape.”

Jack Valenti (1921–2007) President of the MPAA

Testimony to the US House of Representatives (1982)

“I did terrible little plays in New York that we put up ourselves. My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.”

Will Arnett (1970) Canadian actor

"The Will Arnett Interview," Television Without Pity (2005) http://www.televisionwithoutpity.com/articles/content/a1005/index-3.html 2005

“It would be very convincing to say that there’s no hope for movies — that audiences have been so corrupted by television and have become so jaded that all they want are noisy thrills and dumb jokes and images that move along in an undemanding way, so they can sit and react at the simplest motor level. And there’s plenty of evidence, such as the success of Alien. This was a haunted-house-with-gorilla picture set in outer space. It reached out, grabbed you, and squeezed your stomach; it was more gripping than entertaining, but a lot of people didn’t mind. They thought it was terrific, because at least they’d felt something: they’d been brutalized. It was like an entertainment contrived in Aldous Huxley’s Brave New World by the Professor of Feelies in the College of Emotional Engineering.”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

People, World, Hope, Way

“The interchanges I would have — of course, most of them were positive, and most people understand the movie, but there were plenty where the guys would want to put me in a headlock, or push me around a bit, or get into a little tussle with 'that tough guy from Back To The Future, because he’s not that tough after all'. Well, I’m not that tough after all, because I’m an actor; because it’s pretend! And I think that social media, the greater intimacy, maybe — I mean, part of it is false intimacy, but part of it’s real intimacy; you can go and see things about an actor, that’s kind of why I do the YouTube thing, to present, ‘this is me as a person’, that the audience, now, the pop cultural audience, is a more sophisticated audience and a more multi-faceted audience.”

Thomas F. Wilson (1959) actor, writer, musician, painter, voice-over artist, stand-up comedian, and podcaster

How Back To The Future's Thomas F Wilson Overcame His Biggest Bully: Himself http://themusic.com.au/interviews/all/2017/06/15/thomas-f-wilson-supanova-comic-con-mitch-knox/ (June 15, 2017)

People, Guy, Understanding, Thinking

“Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/freeway-1997 of Freeway (24 January 1997) Reviews, Three-and-a-half star reviews

Law, Reading

“Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)

Music

“People who are just getting "seriously interested" in film always ask a critic, "Why don’t you talk about technique and 'the visuals' more?" The answer is that American movie technique is generally more like technology and it usually isn’t very interesting.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

People

“I Am Curious (Yellow) is not merely not erotic. It is anti-erotic. Two hours of this movie will drive thoughts of sex out of your mind for weeks. See the picture and buy twin beds… I think there actually is a director in Sweden who is dull and square enough to seriously consider this an art of moviemaking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-am-curious-yellow-1969 of I Am Curious (Yellow) (23 September 1969) Reviews, One-star reviews

Art, Sex, Thinking

“Sequels and remakes are just a part of the business- it's not something that ruins that whole thing. Once in a while we see a movie that surprises us- you can say that American is contaminated with remakes and sequels, but I think that's what makes the whole machinery keep going. I'm not a fan of sequels or remakes but I think it doesn't damage.”

Andy Muschietti (1973) Argentine film director and screenwriter

Mama: Interview With Director Andrés Muschietti http://whatculture.com/film/mama-interview-with-director-andres-muschietti (June 8, 2013)

Business, Thinking, Parting

“The latest chapter of the venerable slasher film saga represents the tenth movie to use the title (although only the ninth with Myers); it's a sequel to the remake but not necessarily a remake of the sequel. It is also a complete and utter abomination. The film is so bad that it may make me rethink my stance on installment #6 (The Curse of Michael Myers) as the worst entry. That one, at least by all accounts, was severely compromised as a result of distributor interference. This one represents Rob Zombie's "vision."”

James Berardinelli (1967) American film critic

That being the case, he's blind. Review http://www.reelviews.net/php_review_template.php?identifier=1780 of Halloween II (2009). Half-star reviews

“Happy birthday, Idol. You can be assured that, as one of your movies says, "Hindi Pa Tapos Ang Laban!"”

Francis Escudero (1969) Filipino politician

Translation: The fight is not over. The Official Website of the Senate of the Philippines http://www.senate.gov.ph/press_release/2009/0820_escudero2.asp 2009, Statement: Remembering the King

Birthday, Happiness

“I started making movies when I was 20. I started playing piano when I was about 3 years old, so I'm probably a musician first. But when I'm working on a movie, as an actor, I'm an actor - 100 percent. And when I'm on tour, I'm a musician 100 percent.”

Harry Connick, Jr. (1967) American singer, conductor, pianist, actor, and composer

The Costco Connection magazine interview, February 2007 http://www.costcoconnection.com/connection/200702/?pg=30

“Arrested Development opened a lot of doors for me, and once I sort of became, I guess what you'd say "available," there was a lot of opportunity out there, and it's been nice; a lot of people have found it in their hearts to offer me movie parts.”

Will Arnett (1970) Canadian actor

"Will Arnett: The TV Squad Interview," TV Squad (August 2, 2006) http://www.tvsquad.com/2006/08/02/will-arnett-the-tv-squad-interview/ 2006

People, Heart, Parting

“I've been playing these schoolgirl roles in all my movies. Every time I went to the set, it felt like I was going to school.”

Chiaki Kuriyama (1984) Japanese actress and singer

Complex Magazine (February/March 2004)

School, Time

“Apollo is the greatest adventure of all humankind, and it needs to be recorded in every way possible for future generations in books, in movies and on television. … I’m an artist. That’s the way I care about things. Maybe 200 years from now, someone will say, "I’m glad he did that."”

Alan Bean (1932–2018) American astronaut and painter

After the moon, art is his mission (1997)

Books, Way, Future

“I don't blame the people for the fact that so many movies are bad. I think there's a corrupt, perverted, lazy and sloppy attitude that's pervasive in the movie business. The whole entertainment business is kind of crumbling around us.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Cinematcal, April 4, 2007.

People, Business, Thinking

“I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie Hoosiers. That is one of the things that attracts me to entrepreneurs.”

Mary Meeker (1959) American venture capitalist and securities analyst

Interview with Wired: "The Indomitable Mary Meeker" https://www.wired.com/2012/09/mf-mary-meeker/ (21 September 2012)

Personality

“We started shooting the film before they'd even come up with a working model of King Kong, it wasn't unusual for the wardrobe to be decided on the day before a scene was going to be shot - usually those things are worked out months in advance. We had a veteran crew, and our cameraman, Harold Wellman, had actually worked on the original 'King Kong' in 1933. It was my first movie, of course, and people would take me aside and tell me that no matter how many more movies I made, I'd never make another one like this”

Jessica Lange (1949) American actress

Jessica Lange: Woman Behind the Ape http://www.rogerebert.com/interviews/jessica-lange-woman-behind-the-ape (December 17, 1976)

People

“Anybody who knows how to make a good movie, knows that it's a collaborative undertaking. To deny that its really dangerous.”

Claire Danes (1979) American actress

"Interview: Steve Martin and Claire Danes" by Jeff Otto at IGN.com (19 October 2005)

“Why do I make movies? I'm looking for terra incognita, a land on which no filmmaker has yet set foot, a planet where no director has planted his flag of conquest, a world that exists only in fairy tales.”

Karel Zeman (1910–1989) Czech film director, artist and animator

Proč vůbec točím filmy? Hledám Zemi nikoho, ostrov, na který ještě nevstoupila noha filmařova, planetu, na které ještě žádný režisér nevztyčil vlajku objevitele, svět, který existuje jen v pohádkách. Quoted on the website of the Karel Zeman Museum in Prague (in English http://www.muzeumkarlazemana.cz/en/karel-zeman/quotes and Czech http://www.muzeumkarlazemana.cz/cz/karel-zeman/citaty).

World

“Burt and Verona are two characters rarely seen in the movies: thirtysomething, educated, healthy, self-employed, gentle, thoughtful, whimsical, not neurotic and really truly in love. Their great concern is finding the best place and way to raise their child, who is a bun still in the oven. For every character like this I’ve seen in the last 12 months, I’ve seen 20, maybe 30, mass murderers.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/away-we-go-2009 of Away We Go (10 June 2009) Reviews, Three-and-a-half star reviews

Love, Education, Way

“The most interesting character here is an animal, a sturdy-looking white and black bulldog, who appears throughout the movie, angel style, to speak the truth -- silently. In this load of mind-bendy bushwa, he's the only thing worth watching, or listening to.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2007/02/23/number_23/index.html of The Number 23 (2007)

Truth, Angels, Appearance, Animals

“Movie-making is not my favorite medium, because you’re on the set for 12 hours and you might only film for three minutes. It’s very much hurry up and wait. So, although I loved doing the film, it wasn’t quite what I expected.”

Helen Reddy (1941) Australian actress

On her experience in filming Pete's Dragon
Freeman interview (September 2012)

Love, Waiting

“In answer to the question posed by the title, I can't in all honesty say, "This movie." But that's only because there are far too many Freddy Got Fingereds and Say It Isn't Sos out there. The fact that What's the Worst That Could Happen? is better than these movies should in no way be misconstrued as even a backhanded compliment. It's like comparing stale, moldy, rancid bread with soggy, stale, moldy, rancid bread. Both are equally probable to turn one's stomach, and, if ingested, likely to require some time spent kneeling in front of a toilet bowl.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/w/whats_worst.html of What's the Worst That Could Happen? (2001). One-and-a-half star reviews

Way, Question, Time

“The Pink Panther is supposed to use humor to uplift. Instead, I departed this movie feeling depressed. Lifeless comedies can suck the energy out of a viewer, especially when they sully the image of an cinematic icon.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=810 of The Pink Panther (2006). One-star reviews

Feeling

“In movies, the balance between art and business has always been precarious, with business outweighing art, but the business was, at least, in the hands of businessmen who loved movies. As popular entertainment, movies need something of what the vulgarian moguls had — zest, a belief in their own instincts, a sentimental dedication to producing pictures that would make their country proud of their contribution, a respect for quality, and the biggest thing: a willingness to take chances. The cool managerial sharks don’t have that; neither do the academics. But the vulgarians also did more than their share of damage, and they’re gone forever anyway. They were part of a different America. They were, more often than not, men who paid only lip service to high ideals, while gouging everyone for profits. The big change in the country is reflected in the fact that people in the movie business no longer feel it necessary to talk about principles at all.”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

Love, Men, People, Art

“We do these movies in six months so there’s going to be some stuff that misses the bar in terms of looking super polished. We take what we’re doing seriously as if we’re doing one of those things. Also, we just go, “Look, we’re just going to be outlandish and crazy because that’s what these movies are.” They’re intended to be fun. However anybody wants to construe them is up to them. If they want to think that they’re bad and campy, that’s fine. What I’ve found in general though is the true fans that love these movies, they love them because they are what they are.”

Anthony C. Ferrante American film director

Interview: ‘Sharknado: The 4th Awakens’ Director Anthony C. Ferrante on ‘Star Wars’ Gags and the Next ‘Sharknado’ Sequel http://www.slashfilm.com/sharknado-director-interview/ (July 29th, 2016)

Love, Thinking

“In pursuing the wraith that was Paul Curtis, I more than ever was aware that what lives after a shooting man is what has been published of his writings. Memories of the man grow dim and not too rarely become confused […] almost but not quite capturing for me a presence that surfaced like a zither theme in a suspense movie.”

George Bird Evans (1906–1998) American writer

George Bird Evans Introduces (1990)

Memory

“This implication of the Mathematical Universe Hypothesis is pretty radical, so please pause your reading for a moment to take it in and think about it. What you’re aware of right at this moment feels not like a photo but like a movie clip. This movie isn’t reality—it exists only in your head, as part of your brain’s reality model. It contains lots of information about the actual external physical reality—as long as you aren’t dreaming or hallucinating—but still constitutes only a very heavily edited version of reality, akin to the evening news on TV, mainly featuring certain highlights of patterns nearby in space and time that your brain thinks are useful for you to be aware of.”

Max Tegmark book Our Mathematical Universe

Our Mathematical Universe: My Quest for the Ultimate Nature of Reality (2014)

Dreams, Feeling, Photo, Mathematics

“Nobody is going to Bolero for the plot anyway. They're going for the Good Parts. There are two Good Parts, not counting her naked ride on horseback, which was the only scene in the movie that had me wondering how she did it. The real future of Bolero is in home cassette rentals, where your fast forward and instant replay controls will supply the editing job the movie so desperately needs.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/bolero-1984 of Bolero (1 January 1984) Reviews, Half-star reviews

Home, Future, Parting

“Extravagant in movie terms but stingy in emotional ones, it embodies all of [director Steven] Spielberg's bad impulses and almost none of his good ones: It's a grand display of how well he knows how to work us over, and yet the desperation with which he tries to get to us is repulsive.”

Stephanie Zacharek (1963) American film critic

Review http://dir.salon.com/story/ent/movies/review/2005/06/29/war/index.html of War of the Worlds (2005)

“Little Indian, Big City is one of the worst movies ever made. I detested every moronic minute of it…if you, under any circumstances, see Little Indian, Big City, I will never let you read one of my reviews again.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/little-indian-big-city-1996 of Little Indian, Big City (22 March 1996) Reviews, Zero star reviews

Reading

“I think [the movie Light of the World] will help a lot of pastors. It should get a lot of people sold—uh, saved.”

Jack T. Chick (1924–2016) Christian comics writer

" Meet Jack Chick https://web.archive.org/web/20110423142950/http://members.cox.net/jimmyakin/x-meet-jack-chick.htm," an interview with Jimmy Akin (2004)

People, World, Thinking, Light

“p>The inherent contradictions and binds men find themselves in in trying to become less macho in their relationship with a woman were poignantly expressed in a letter written by a young man to a New York newspaper in response to an article that addressed itself to a question posed by a woman writer—whether women would be able to think of a non-macho man as sexy. The letter writer wrote:I am by nature a gentle and non-aggressive 27-year-old man who often finds women turned off sexually by my tenderness and non-macho view of the world. I have come to realize that for all their talk, a lot of women still want the hairy, sexy, war-mongering, aggressive machoman of their dreams. So after several fruitless years as a gentle poet-man, I now turn myself into a heavy machismo when I go out with a woman. It works. I open the doors, I order the food and drinks, I decide which movie or play we will see. I keep my shirt unbuttoned down past my nipples and wear a gold chain around my neck with a carved elephant tusk medallion, and if the relationship is not working out, I make the first move and tell my companion that I'm sorry but we're through.The sad thing about all this is that it works.”

Herb Goldberg (1937–2019) American psychologist

After all those years of being naturally sensitive and gentle, and now I've got to turn myself inside out just to appear sexy. It's fun and it's nice, but I do wish I could just be myself again.</blockquote>
Who Is the Victim? Who Is the Oppressor?, pp. 165–166
The New Male (1979)

Women, Men, War, World

“President Clinton has made a few feeble swipes at addressing this issue [school violence], but one can only gape at the unintentionally comic spectacle of this man chastising the gun-lobby and America's love of violent movies while he rains bombs on Yugoslavia, where at least twenty noncombatants have already died for every innocent student at Columbine High. It is like listening to a man with a crack-pipe in his hand lecture children about the evils of drugs.”

Stephen King (1947) American author

Keynote Address, Vermont Library Conference, VEMA Annual Meeting, (26 May 1999)

Love, Children, School, Evil

“One of the most influential figures in Philippine cinema, Da King touched the lives of many people even before running for the presidency in 2004. A prolific and outstanding actor who won the most best actor awards from FAMAS, he would not need his acting skills in 2004--as his genuine concern for Filipinos of all walks of life was apparent as he went around the country to campaign against a government that was as crooked and menacing as the villains he faced in his movies.”

Francis Escudero (1969) Filipino politician

2009, Statement: Remembering the King

Life, People, Country

“We watched some of the movie. It was shocking. Sex is apparently hard labor. Various persons supported crushing weights in agonizing positions for what seemed like endless blocks of time. Exhausted men grunted and toiled like movers trying to get a refrigerator into a fifth floor walk-up.”

Russell Baker (1925–2019) writer and satirst from the United States

"So This Is Depravity" (p.25)
So This Is Depravity (1980)

Men, Sex, Support, Time

“The Times Square Incident wasn't a terrorist attack, it was a Jim Carrey movie. The terrorist locked the keys to the safe house he was going to escape to in the carbomb. And I love that he locked the carbomb. "Nobody's getting my Ipod." Then he left the keys to carbomb hanging out of the tailgate of the carbomb, and built the carbomb out of fertilizer that wouldn't explode. I have been doing comedy for 25 years and I have NEVER been that funny.”

Christopher Titus (1964) actor, writer, podcaster

Neverlution (2011)

Love, Time, Housing

“I can remember seeing the movie for the first time at a revival house in L. A. and laughing with everyone else, and never imagining that I would be doing Max one day, even though by then I had already memorized the entire movie.”

Nathan Lane (1956) American actor

On his role in The Producers — reported in Amy Longsdorf (December 25, 2005) "Lane, Broderick play off each other", The Record, p. E01.

Imagination, Time, Housing

“I lost faith in the Oscars the first year I was a movie critic — the year that Bonnie and Clyde didn't win.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Playboy 20q http://www.playboy.com/magazine/20q_archive/siskel-and-ebert.html

Faith

“I have seen you in the movies,
And in those magazines at night.
I saw you on the barstool,
When you held that glass so tight.”

Neil Young (1945) Canadian singer-songwriter

Barstool Blues
Song lyrics, Zuma (1975)

Night

“I decided not to score GODZILLA VS. SPACE GODZILLA (1994) when I read the script for the film. The atmosphere was very different. However, when I read the screenplay for GODZILLA VS. DESTROYER, I discovered that it was directly related to GODZILLA - KING OF THE MONSTERS. There was even going to be footage from GODZILLA - KING OF THE MONSTERS in the movie! I felt that since I'd been involved in Godzilla's birth, it was fitting for me to be involved in his death.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

Death, Birth, Reading

“It is true that the materialistic society, the so-called culture that has evolved under the tender mercies of capitalism, has produced what seems to be the ultimate limit of this worldliness. And nowhere, except perhaps in the analogous society of pagan Rome, has there ever been such a flowering of cheap and petty and disgusting lusts and vanities as in the world of capitalism, where there is no evil that is not fostered and encouraged for the sake of making money. We live in a society whose whole policy is to excite every nerve in the human body and keep it at the highest pitch of artificial tension, to strain every human desire to the limit and to create as many new desires and synthetic passions as possible, in order to cater to them with the products of our factories and printing presses and movie studios and all the rest.”

Thomas Merton book The Seven Storey Mountain

The Seven Storey Mountain (1948)

Money, World, Flowers, Passion

“I wanted to play Rick. I was missing it. I’ve been waiting for the call from the studio since then. I love it. You get to do so much fun stuff, as an actor. You get to go to great places. They strap you into harnesses and throw you around. You have to look like you really know how to take care of business and beat people up, when you’re actually really a wimp. They’re great fun movies. There’s real appeal. Every kid or pinstripe executive in an elevator asks me, “When’s the next Mummy movie?””

Brendan Fraser (1968) Canadian American actor

I’m like, “I wanna know the same thing! Brendan Fraser Interview – The Mummy: Tomb of the Dragon Emperor http://collider.com/brendan-fraser-interview-the-mummy-tomb-of-the-dragon-emperor/ (July 31, 2008)

Love, People, Business, Waiting

“A liberal is one who says that it's all right for an 18-year-old girl to perform in a pornographic movie as long as she gets paid the minimum wage.”

Irving Kristol (1920–2009) American columnist, journalist, and writer

1970s, Two Cheers for Capitalism (1978)

Girl

“I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.”

Errol Morris (1948) American filmmaker and writer

Source: Predilections by Mark Singer http://www.errolmorris.com/content/profile/singer_predilections.html

People, Truth, Idea, Knowledge

“People here always want to grab a simple camera and a table light, get their cousin and shoot a movie. You can’t say that’s wrong, but it’s not cinema.”

Usama Mukwaya (1989) Ugandan screenwriter

Source: " camera, action: Uganda’s film scene http://www.bahighlife.com/articles/uganda-africa-s-film-capital/:Lights," at British Airways Highlife Magazine. 08 June 2015 written by Elizabeth Mcsheffrey

People, Light

“In this business one becomes a connoisseur. I can now see that [Jim] Carrey is a virtuoso, [Chris] Farley is at least hard-working, [Adam] Sandler is hopeless and Pauly Shore bypasses all categories to achieve a kind of transcendent fingernails-on-the-blackboard effect. His appeal must be limited to people whose self-esteem and social skills are so damaged that they find humor, or at least relief, in at last encountering a movie character less successful than themselves.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/jury-duty-1995 of Jury Duty (12 April 1995) Reviews, One-star reviews

People, Business, Success

“The goal was just to finish the movie and get it out in a few theaters. To think that decades later people would still be thinking and talking about it, I could have never imagined.”

Don Coscarelli (1954) American film director, producer and screenwriter

Happy birthday, Tall Man! ‘Phantasm’ turns 30 https://herocomplex.latimes.com/uncategorized/phantasm/ (October 16, 2009)

People, Imagination, Thinking

“It's the kind of movie home video was invented for: Not worth the trip to the theater, but slam it into the VCR and you get your rental's worth.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/my-cousin-vinny-1992 of My Cousin Vinny (13 March 1992) Reviews, Two-and-a-half star reviews

Home

“It's a different animal. The action movie requires much more physical dedication and focus, you have to be careful because of potential injuries and so it's very hard and you have to be cautious, while the drama taxes the emotions, and so if you're using some past experienced trauma and try to use it for a scene it might move you beyond expectations.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Interview - Wesley Snipes on Blade 2 http://www.iofilm.co.uk/feats/interviews/w/wesley_snipes.shtml, iofilm,

Past, Animals

“Either an ancient cursed Egyptian mummy has come back to life and is trying to kill the people next door, or they're watching a movie.”

Chuck Palahniuk book Lullaby

Lullaby (2002)

Life, People

“If you'd asked me as a kid how rich people became poor, I'd have said by spending all their money. That's how it happens in books and movies, because that's the colorful way to do it. But in fact the way most fortunes are lost is not through excessive expenditure, but through bad investments.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"How To Lose Time And Money", July 2010

Money, People, Books, Color

“One of the first things I did when I came on, I said, “I do not want this Kong to be a quadruped. I want him to stand upright, I want a throwback to the 1933 film where he is a biped, because he is a monster. He’s not just a big silverback gorilla, he’s a movie monster.” So I wanted to stand him upright, I wanted to make him tall, and part of that is because I wanted him to feel like this fusion between a god, a man, and a beast. I wanted to make him big enough that, if any of us stood at this table and we looked up at this thing, towered over us, how big does that thing have to be for the first thing that your brain says is, “That’s a god. I’m looking at a god.””

Jordan Vogt-Roberts (1984) American film director

Interview: Director Jordan Vogt-Roberts on Resurrecting an Icon for KONG: SKULL ISLAND http://dailydead.com/interview-director-jordan-vogt-roberts-on-resurrecting-an-icon-for-kong-skull-island/ (March 9, 2017)

God, Feeling, Parting

“I find it amoral if you're making a movie where the problem is solved with a guy standing in the back of pickup truck firing a machine at the bad guys. The morality of it is questionable because the repercussions of violence are incredibly far-reaching.”

David Fincher (1962) American film director

Fightin Words (1999)

Guy, Question, Problem

“Remember the words George Carlin said could not be said on TV? There's now a kind of movie that cannot be made without using all of them except one. Even the online trailer may startle you. It's one of those adults-only Red Band Trailers which you have to give your age in order to view. I lied about my age. Nobody under 17 would ever do that.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-sitter-2011 of The Sitter (7 December 2011) Reviews, One-star reviews

Age

“(on a line in the movie 2012) " 'The neutrinos have mutated.' Now, for the non-nerds here: neutrinos are tiny, sub-atomic, really really almost massless particles, they're released in nuclear breakdowns, like in the sun, for example. Five hundred trillion of them pass through your bodies every second. They can't mutate. Their structure is fundamental to the structure of the universe. Right? They can't just change. He might as well have gone, 'The electrons are angry'."”

Dara Ó Briain (1972) Irish comedian and television presenter

Dara Ó Briain: This is the Show (2010)

Universe, Change, Sun

“I recently published a book about movies I hated, and people have been asking me which reviews are harder to write — those about great movies, or those about terrible ones. The answer is neither. The most unreviewable movies are those belonging to the spoof genre — movies like Airplane! and The Naked Gun and all the countless spin-offs and retreads of the same basic idea… the bottom line in reviewing a movie like this is, does it work? Is it funny? Yes, it is. Not funny with the shocking impact of Airplane! which had the advantage of breaking new ground. But also not a tired wheeze like some of the lesser and later Leslie Nielsen films. To get your money's worth, you need to be familiar with the various teenage horror franchises, and if you are, Scary Movie delivers the goods.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/scary-movie-2000 of Scary Movie (7 July 2000) Reviews, Three star reviews

Money, Hate, People, Books

“Spielberg had done his best with Schindler's List, but his best left some of us wondering just how useful a contribution it was, to make a movie about how some of the Jews had survived, when the real story was about all the Jews who hadn't.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Glamourising terror', on The Baader-Meinhof Complex.
Television and radio, Radio 4: A Point of View

“If there is any test that can be applied to movies, it's that the good ones never make you feel virtuous.”

Pauline Kael book Hooked

"Ersatz," review of Stand By Me (1986-09-08), p. 197.
Hooked (1989)

Feeling

“Steven Spielberg offers me a part in Raiders of the Lost Ark… But as much as I'd like to do a movie with Spielberg, the script is as moronically shitty as so many other flicks of this ilk. At the same time, Claude Lelouch is nagging me to do his Les Uns et les Autres (Bolero). I'd be willing to do this project, but not for the shabby pittance that this rat offers me.”

Klaus Kinski (1926–1991) German actor

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 294

Time, Parting

“This is a film about — and also for — not only obsessed clerks in record stores, but the video store clerks who have seen all the movies, and the bookstore employees who have read all the books. Also for bartenders, waitresses, greengrocers in health food stores, kitchen slaves at vegetarian restaurants, the people at GNC who know all the herbs, writers for alternative weeklies, disc jockeys on college stations, salespeople in retro clothing shops, tattoo artists and those they tattoo, poets, artists, musicians, novelists, and the hip, the pierced and the lonely. They may not see themselves but they will recognize people they know.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/high-fidelity-2000 High Fidelity (31 March 2000) Reviews, Four star reviews

People, Health, Books, Food

“When I think back on Kong, that was like difficult too, because there was no reality in making that movie. There was so much that was left to my own devices and imagination. And when I had to play a scene opposite a 45-foot ape, that was bit taxing on your imagination because obviously there was nothing there, you know.”

Jessica Lange (1949) American actress

New Again: Jessica Lange http://www.interviewmagazine.com/culture/new-again-jessica-lange/#_ (June 29, 2016)

Imagination, Thinking, Reality

“I think I can pinpoint the one moment when the American style of dressing first appeared. It was in an appalling 1933 movie called Dancing Lady during an otherwise forgettable dance number. It also just happened to be Fred Astaire's first on-camera dance. But don't look at the steps. Look at the outfit: Astaire is wearing a single-breasted, soft flannel suit with two-tone spectator shoes and a turtleneck. You wish you could look that stylish! Later that year, in Flying Down to Rio, we get the full Astaire impact. The muted plaid suit is not all that striking, but Fred is wearing it with a soft button-down shirt, a pale woven tie, silk pocket square, bright horizontally striped hose and white bucks. Whoa! Now that's different. This melange of the classic and the sporty was an American innovation. As we approach the impeccable Astaire's 100th birthday on May 10, it's worth remembering that he remains the greatest exemplar of that style.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

G. Bruce Boyer in "Shall We Dress?" Forbes, May 3rd, 1999.

Shoe, Birthday, Thinking, Appearance

“I didn't just start doing this today. Not like some people that have a movie coming out, so they go visit kids in the hospital. You don't need that phony crap. All of these celebrities, they turn my stomach with their funny stuff. I've been going in the ghettos without the press, without bodyguards, talking to kids. "Get to reading, stay in school. You don't have to carry a gun." I know about peer pressure and all that, but I say, "Hey, they called me a sissy because I wouldn't join a gang. Who was calling me a sissy? Does it make me a sissy because somebody called me a sissy?" […] I'm going to fight if you touch me or hurt me or do harm to my family. But if you call me a bad name, or whatnot, I'm too smart for that. That's the message the kids need to hear coming from me. I tell them, "If I fought every time somebody called me a name, I would never get out of jail. But I'm disciplined. I'm smarter than that." So I tell them, like my mother said, "Consider the source."”

Mr. T (1952) American actor and retired professional wrestler

When you see who called you the name, then you understand why they're doing it. Then you don't have to stoop that low.

People, School, Family, Understanding

“You know who Carrot-Top should be married to in a movie? Gallagher.”

Bill Allred

Radio From Hell (May 30, 2006)

“There's no particular complex that I have about acting in a Hollywood movie if offered. Some would say there's a lot here in our industry for us to go there and suck up to them. I don't consider it sucking up. If I am offered a blink and you miss appearance in a Hollywood film starring Brando, De Niro, Pacino or Nicholson, where I just have to go and hand a suitcase to them, I would simply do it out of sheer veneration for these great and renowned artists. And yes, despite all my success and fame in our industry and nation. There's no vanity I harbour in my mind in order to do that.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Star, Appearance, Success

“Can you be happy with the movies, and the ads, and the clothes in the stores, and the doctors, and the eyes as you walk down the street all telling you there is something wrong with you? No. You cannot be happy. Because, you poor darling baby, you believe them.”

Katherine Dunn book Geek Love

Geek Love (1989)

Baby, Clothes, Happiness

“Entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.”

David Fincher (1962) American film director

The Curious Case of David Fincher (2007)

People, Lie

“"The Lucky One" is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true. You can easily imagine how many ways this story would probably go wrong in real life, but who wants to see a movie where a Marine leans over to pick up a photo and is blown up? And a mom trying to raise her son and feed lots of hungry dogs while her abusive ex-husband gets drunk and hangs around? That kind of stuff is too close to life.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review https://web.archive.org/web/20120505180249/http://rogerebert.com/apps/pbcs.dll/article?AID=/20120418/REVIEWS/120419985/1001 of The Lucky One (18 April 2012) Reviews, Two-and-a-half star reviews

Life, Books, Dogs, Way

“I am glad I got to be part of such a historic film,” she says and pauses to think. And then adds, “The movie is still popular and that’s great. It also means that for as long as people remember the film, I will also be there in their memories. That’s special. And of course, it is not just Sholay but people also remember me for Seeta Aur Geeta. When I am in the U. S., I love travelling in cabs. And there have been times when Russian cab drivers recognised me and hummed a few tunes from the movie!”

Hema Malini (1948) Indian actress, dancer and politician

Above two quotes in I can do western dance: Hema Malini, 30 December 2012, 6 December 2013, The Hindu http://www.thehindu.com/todays-paper/tp-features/tp-cinemaplus/i-can-do-western-dance-hema-malini/article4254364.ece,

Love, People, Travel, Thinking

“People often repeat the fallacy that "film is a passive medium". The statement is usually elaborated like this: "When I read a story in a book, I have to use my imagination to conjure up what the characters look like, the sound of their voices, the appearance of their surroundings, the house, the landscape. When I see a movie, those things are all nailed down for me, so I don't feel as involved." What the person is describing are the most obvious aspects of a given story, that is, its physical properties. They are, in fact, the least interesting and least important components of a story. I do not read books in order to imagine the physical appearance of things.”

Peter Chung (1961) Korean-American animator

The State of Visual Narrative In Film And Comics http://www.awn.com/mag/issue3.4/3.4pages/3.4chung.html

People, Books, Feeling, Imagination

“I think what I meant, particularly as a young actor, is that you really struggle with the sense of being undeserving of the attention. And you're right. It happens all the time, there's some new young actor who people are gonna put on the cover of magazines and will talk about, and all you did is say 15 lines in a movie. You know, it's not like you started Greenpeace or something. They don't even put the guys who started Greenpeace on the cover of a magazine… So you understand the sense of fraudulence, and it's attached to yourself, you know? And that's what I was struggling with.”

Ethan Hawke (1970) American actor and writer

The Observer http://www.guardian.co.uk/film/2002/sep/08/fiction.features (2002-09-08) 2000&ndash;2004

People, Guy, Understanding, Thinking

“I’m a big believer in creating parameters for creativity. I think parameters make people more creative. So that starts with my budgets. I only do low budget movies, and I think that makes the movies better. I think that the movies that we do are better because our budgets are lower, and it forces people to think within a box.”

Jason Blum (1969) American film producer

Exclusive Interview: Jason Blum on Insidious 2 and Blumhouse TV http://www.craveonline.com/site/621501-exclusive-interview-jason-blum-on-insidious-2-and-blumhouse-tv (December 21, 2013)

People, Thinking, Box

“Though she came from the theatre, Barbara Stanwyck seemed to have an intuitive understanding of the fluid physical movements that work best on camera; perhaps she had been an unusually "natural" actress even onstage. This was her first big hit in the movies. Under Frank Capra's direction, she plays a tough "party" girl (euphemism for call girl) who poses for a wealthy young artist (Ralph Graves); he sees in her the spirituality that she attempts to deny. The story is a museum piece of early-talkies sentimentality, but, in a way, that only emphasizes Stanwyck's remarkable modernism.”

Pauline Kael (1919–2001) American film critic

"Ladies of Leisure," p. 403
5001 Nights at the Movies (1982)

Way, Girl, Understanding, Nature

“Imagine, if you will, the dispiriting experience of listening to an awful cover of one of your favorite songs. That's how I felt sitting through Die Another Day, the 20th official outing for [James Bond]. This is a train wreck of an action film … What's missing from this movie? Any real sense that we're watching 007 rather than a generic spy in a tuxedo.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=745 of Die Another Day (2002). Two star reviews

Imagination, Sense, Training

“My father was an engineer and I intended to follow in his footsteps, but movies became my real passion. Careful planning is important in engineering, so I used that experience to focus on film preproduction. With the low budgets I had, I couldn’t afford to have the cast and crew waiting around for days on a 10-day picture while I figured out how and what to shoot.”

Roger Corman (1926) American film director and film producer

Roger Corman still the Cult Classic King http://www.thespectrum.com/story/entertainment/2016/10/17/roger-corman-still-cult-classic-king/92296836/ (October 17, 2016)

Passion, Waiting

“Movie critics have complained that the movie lacks coherent vision. The fault may not be Stone's. We know what [Alexander] did, and it continues to astonish us, but we don't know how or why he did it…Stone suggests some noble purpose for Alexander's mad, bloody tromp across Asia. He and his historical consultant shared a need to give meaning to a meaningless conquest.”

Eugene N. Borza (1935) American historian

About the film Alexander (film) http://www.maknews.com/html/borza_on_alexander.html (December 3, 2004)

Madness

“Let's just ruin all the movies about pterosaurs: they could soar like airplanes, but they couldn't hover like hummingbirds. They couldn't carry things in their feet either, they couldn't perch on tree branches like birds, they didn't look like "bird-monsters", and they didn't look like "lizard-bats". They didn't have four-fingered wings like bats; their wings were based on an elongated pinky finger. The only thing bat-like about them was the way they walked; on all fours. So what are the possibilities for fluffy pterosaurs? We know they were a very diverse and almost certainly colorful group. They looked like a wide range of things, from fluttering bats to darting falcons. Some had powerful shell-crushing jaws and some had ridiculous crests, and some were quite huge. For decades, we were told that Pteranodon was the biggest animal that ever flew, then they discovered Ornithocheirus, then Quetzalcoatlus, then Hatzegopteryx (an apex predator)… These were capable killers of even human-sized prey, with a skull larger than that of even the biggest carnosaurs.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Pterosaurs are Terrible Lizards https://www.youtube.com/watch?v=3_htQ8HJ1cA (December 3, 2013)

Color, Way, Bird, Tree

“A movie camera is like having someone you have a crush on watching you from afar— you pretend it's not there.”

Tom Stoppard (1937) British playwright

Misattributed Source: Darryl Hannah http://www.idolpleasures.com/daryl_hannah.shtml.

“The only attraction is the time. I work just 70 days a year on the show. I can still make two, three movies a year if I want to… If it were Bonanza, walking around the Ponderosa, tied up nearly all year, no-o-o chance. That's a fate worse than death.”

Brian Keith (1921–1997) actor

TVGuide.com

Death, Fate, Chance, Time

“It's high school, man. They compare it to prison in the movie.”

Eliza Dushku (1980) American actress

Eliza Dushku Interview - "The New Guy" http://movies.about.com/library/weekly/aa050202b.htm by Rebecca Murray and Fred Topel.

School

“There's good news and bad news about 2 Fast 2 Furious, the moronic follow-up to The Fast and the Furious and a contender for the worst movie of 2003. The good news is that it's better, albeit marginally, than Freddy Got Fingered.”

James Berardinelli (1967) American film critic

The bad news is that it's 15 minutes longer. Review http://www.reelviews.net/php_review_template.php?identifier=1105 of 2 Fast 2 Furious (2003). Half-star reviews

“I grew up during communism, when comics books were prohibited as capitalist decadent propaganda, western movies were censored, any book that could be in conflict with socialist ideology was prohibited and you went to jail for saying what you think. So I am allergic to any kind of censorship in the name of any ideology. The road to hell is paved with good intentions. I would like to give all the ideologues a piece of advice – If you want something to be made, do it yourself. Everyone will be happy.”

Daniel Vávra (1975) Czech entrepreneur

An interview with Daniel Vavra: GamerGate and the gaming industry https://techraptor.net/content/interview-daniel-vavra (September 12, 2014)

Books, Communication, Hell, Thinking

“The potential evidenced by [director James] Cameron in The Terminator — the ability to sustain suspense, meld action with story, and provide compelling characters despite the limitations of the actors portraying them — would be fully realized in two future features, Aliens and Terminator 2. This movie, however, is in some ways more impressive than either of those because of what the filmmaker was capable of achieving with a limited budget and without significant studio backing. The themes and ideas presented in The Terminator hold up well today, even though we have moved into the post-Cold War era and only the most nihilistic individuals could see 2029 in such bleak terms. It's a rousing science fiction story that proves an on-screen adrenaline rush need not short-circuit the brain.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1618 of The Terminator (1984). Three-and-a-half star reviews

War, Way, Idea, Science

“"I don't go to the movies, cause I first judge the making of. I watch the trailers and the making of in TV. That's enough for me.”

Julián Hernández (1960)

"Yo no voy al cine, porque primero juzgo el 'making off'.
Yo veo los 'trailers' y el 'así se hizo' en televisión. Con eso ya tengo bastante".
In an interview to Viernes de Evasión, El Correo newspaper.

“One of the reasons I became so involved in activism for primate conservation was not just from the books and movie’s I saw, but from looking into the eyes of a chimpanzee in a zoo. I’ll never forget it… it changed my life.”

Charlotte Ross (1968) American actress

"Award-Winning Animal Activist—Actress Charlotte Ross—Campaigns for Great Apes", interview with National Geographic (24 November 2013) https://blog.nationalgeographic.org/2013/11/24/award-winning-animal-activist-actress-charlotte-ross-campaigns-for-great-apes/.

Life, Books, Change, Forgetting

“I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.”

Stephanie Zacharek (1963) American film critic

Review http://salon.com/ent/movies/review/2002/05/16/attack_clones/index.html of Star Wars Episode II: Attack of the Clones (2002)

Feeling, Imagination

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Quotes about movie
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