Quotes about movie
page 5

“The fans are all upset. They’re always going to be upset. Why did he do it like this? And why didn’t he do it like this? They write their own movie, and then, if you don’t do their movie, they get upset about it.”

George Lucas (1944) American film producer

On Indiana Jones and the Kingdom of the Crystal Skull, "Keys to the Kingdom" at Vanity Fair (2 January 2008) https://www.vanityfair.com/news/2008/02/indianajones200802 2000s

“I like good horror movies. They can exorcise our demons. The Texas Chainsaw Massacre doesn't want to exorcise anything. It wants to tramp crap through our imaginations and wipe its feet on our dreams. I think of filmgoers on a date, seeing this movie and then — what? I guess they'll have to laugh at it, irony being a fashionable response to the experience of being had. … Do yourself a favor. There are a lot of good movies playing right now that can make you feel a little happier, smarter, sexier, funnier, more excited — or more scared, if that's what you want. This is not one of them. Don't let it kill 98 minutes of your life.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-texas-chainsaw-massacre-2003 of The Texas Chainsaw Massacre (17 October 2003) Reviews, Zero star reviews

Life, Dreams, Feeling, Imagination

“Out of the seventy movies I’ve written some ten of them were not entirely waste product. These were Underworld, The Scoundrel, Wuthering Heights, Viva Villa, Scarface, Specter of the Rose, Actors and Sin, Roman Holiday, Spellbound, Nothing Sacred.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

Holiday

“The movies are an eruption of trash that has lamed the American mind and retarded Americans from becoming cultured people.”

Ben Hecht (1894–1964) American screenwriter

Books

People

“I'm not sure what this means and if it can be replicated, but we did something very unique and none of it was planned. There wasn't a $20 million marketing budget designed to make this; it just happened. The audience took the movie for its own and decided to make it an event, and that's pretty awesome. And by the way, there were people who liked the movie so much they were defending the film against people who were thrashing it. Completely mind-blowing. I've never had that happen, either.”

Anthony C. Ferrante American film director

'Sharknado' Director on Secrets, Sequels and Success of the Social Media Sensation http://www.hollywoodreporter.com/live-feed/sharknado-director-secrets-sequels-success-social-media-sensation-584636 (July 12, 2013)

People, Way

“Dirty Love wasn't written and directed, it was committed. Here is a film so pitiful, it doesn't rise to the level of badness. It is hopelessly incompetent… I am not certain that anyone involved has ever seen a movie, or knows what one is.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050922/REVIEWS/509220303/1023 of Dirty Love (23 September 2005) Reviews, Zero star reviews

Love

“Fred Astaire is the best singer of songs the movie world ever knew. His phrasing has individual sophistication that is utterly charming. Presumably the runner-up would be Bing Crosby, a wonderful fellow, though he doesn't have the unstressed elegance of Astaire.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Oscar Levant in Levant, Oscar. The Memoirs of an Amnesiac. New York: Putnam, 1965. (M).

World

“The movie industry is run by accountants in Hollywood and it's as simple as this; everyone has a number on their computer. They can look up Jeremy Irons and see what my last five movies have made. Say you want to make a $20m picture, which is relatively cheap. If Jeremy makes $9m, the director makes $5m, then you need a leading lady, and they just go through those figures - that's how casting happens. And none of my movies has made a lot of money.”

Jeremy Irons (1948) English actor

Lipworth, Elaine, "King of all his castles"

Money

“If I began today, I would certainly remember that by becoming a movie actress one automatically becomes vulnerable in the matter of gossip.”

Irene Dunne (1898–1990) American actress

If You Want Success (Screenland Interview) (1961)

“In 1990, the MPAA introduced the NC-17 rating to provide an outlet for legitimate adult fare — non-pornographic motion pictures with content deemed too strong for the under-17 crowd. The first movie released with an NC-17 was Henry & June, whose financial failure was widely blamed on the new rating. After that, all potentially-lucrative films receiving an NC-17 made the cuts required by the MPAA to earn an R. Now, in 1995, there's Showgirls, the most significant test of the NC-17's commercial viability to date. Helmed by Paul Verhoeven (Total Recall, Basic Instinct) and written by Joe Eszterhas (Jagged Edge, Basic Instinct), this movie is going into wide release with the adult rating. Too bad it's one of the worst films of the year.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=221 of Showgirls (1995). Half-star reviews

Failure, Strong

“We thought about the movie as a global piece of work, not picture, then voices, then music.”

François-Eudes Chanfrault (1974–2016) Composer and musician

Twitchfilm.com interview (September 10, 2008)

Music

“He hit it in the entire performance [in Batman]. It's so difficult to do that in a huge movie like this and much easier to do in the tiny movies. That's why those are always the people who win Academy Awards. Heath was [amazing]; it's so unusual, and it happens really rarely even for the best actors, that you just hit this stride in a role and you're totally free.”

Maggie Gyllenhaal (1977) American actress

On The Dark Knight, 2008-07-06, Oneindia

People

“I’ve protected it [the Nirvana catalogue] from everything from Kentucky Fried Chicken commercials to movies about board games. We’ve been offered $6 million for 18 seconds of one Nirvana song and I turned it down.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On managing the Nirvana catalogue, The Sydney Morning Herald (11 August 2014)
2014–2017

Game

“Who now reads novels as a guide to life and love? Everyone wants to star in his or her own movie.”

Frederic Raphael (1931) British writer

Halliwell's Who's Who in the Movies (2001 ed.): Art. "Frederic Raphael", p. 363

Love, Life, Star, Reading

“Alienation is the most common state of the knowledgeable movie audience, and though it has the peculiar rewards of low connoisseurship, a miser’s delight in small favors, we long to be surprised out of it — not to suspension of disbelief nor to a Brechtian kind of alienation, but to pleasure, something a man can call good without self-disgust.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Pleasure, Knowledge

“One of the most extraordinary things about industrial society of the present day is its idiot lack of memory. Tabloids and movies take the place of mental processes and revolts, crimes, despairs pass off in a dribble of vague words and rubber stamp phrases without leaving a scratch on the mind of the driven instalment-paying, subway-packing mass.”

John Dos Passos (1896–1970) novelist, playwright, poet, journalist, painter

"Sacco and Vanzetti," review of Eugene Lyons's The Life and Death of Sacco and Vanzetti, Nov 1927

Memory, Despair

“Parents: If you encounter teenagers who say they liked this movie, do not let them date your children.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/resident-evil-apocalypse-2004 of Resident Evil: Apocalypse (10 September 2004) Reviews, Half-star reviews

Children, Parent

“I’m a movie star. Can I talk to my entertainment lawyer?”

Natasha Lyonne (1979) actress

Sarcastic remark to a police officer after failing a Breathalyzer test (28 August 2001), a comment The Smoking Gun named "The Most Entertaining Celebrity Arrest Report" of 2001; of this incident she later said: Listen, I’m not for everyone. Maybe those officers didn’t understand that I was kidding. … Maybe a lot of those people who wrote up those police reports thought I was being serious. They probably don’t have my same sense of humor. It’s not like they have a Petri dish of highbrow comedy over at the precinct. As quoted in "Spoonful of Sugar : Natasha Lyonne’s Sweet Comeback" by Shira Levine, in Heeb Magazine (20 January 2009) http://kittyradio.com/soapbox/gossip/46450-natasha-lyonne-interview-heeb-magazine.html

Star

“In the sixties, the recycling of pop culture — turning it into Pop art and camp — had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures — and they use them not as larger-than-life jokes but as altars.”

Pauline Kael book State of the Art

"A Bad Dream/A Masterpiece," review of The Moon in the Gutter (1983-09-19), p. 48.
State of the Art (1985)

Life, Art, Past

“A lot of people who are in the movie business don't really know much about movies, and they certainly don't know movie history. You have to even find a code when you're talking to these people—you can't use the references that you would use when talking to somebody who knows movie history. When you go in to pitch something, it depends what you invoke. You can't invoke anything really before 1980 with these people because they don't know what you're talking about. It's limiting. They get annoyed. They get offended that you are somehow trying to expose the fact that they don't know things, and make them feel inadequate. Which is of course not the point, or why you do it.”

Joe Dante (1946) film director

"Fun, Yes, But By No Means Civilized": Interview with Joe Dante (Part 2) https://mubi.com/notebook/posts/fun-yes-but-by-no-means-civilized-interview-with-joe-dante-part-2 (July 8 2009)

People, Feeling, History, Business

“The paralysis you feel right now – the impotent helplessness that washes over you as news of another mass slaughter scrolls across the television screen – isn’t real. It's a fiction created and methodically cultivated by the gun lobby, designed to assure that no laws are passed to make America safer, because those laws would cut into their profits…As my colleagues go to sleep tonight, they need to think about whether the political support of the gun industry is worth the blood that flows endlessly onto the floors of American churches, elementary schools, movie theaters, and city streets. Ask yourself – how can you claim that you respect human life while choosing fealty to weapons-makers over support for measures favored by the vast majority of your constituents?”

Chris Murphy (1973) American politician

Statement on the shootings in Sutherland Springs, TX http://www.businessinsider.com/chris-murphy-texas-church-shooting-sutherland-springs-2017-11 (November 5, 2017)

Life, School, Law, Feeling

“What did I think about this movie? As a film critic, I liked it. I liked the in-jokes and the self-aware characters. At the same time, I was aware of the incredible level of gore in this film. It is *really* violent. Is the violence defused by the ironic way the film uses it and comments on it? For me, it was. For some viewers, it will not be, and they will be horrified. Which category do you fall in? Here's an easy test: When I mentioned Fangoria, did you know what I was talking about?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/scream-1996 of Scream (20 December 1996) Reviews, Three star reviews

Way, Thinking, Time

“(Gordon Mitchell) weighed 220 pounds when he did these muscle pictures, and he went down to 160 pounds for this movie, like nothing.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

“Elvis was always over the top. It's funny that in those days people who wanted to look like Elvis would wear leather jackets and jeans, because that's what he wore in his movies. In real life, Elvis never wore denim. He thought they were work clothes. When he had to wear them, when he was driving a truck, he would do but he always loved the way black entertainers dressed. He styled himself on them, because he wanted to be flamboyant. That's why he had that gold lamé suit! He designed his jumpsuits himself. He always said, "If you're going to be a star, you should look like one."”

Tom Jones (1940) Welsh singer

On Elvis Presley.
Tom Jones on Sinatra's advice, Chuck Berry's lyrics and the style of Elvis Presley

Love, Life, People, Way

“We bomb your country, creating a humanitarian nightmare, then lock you inside. That’s a horror movie, not a foreign policy.”

Chris Murphy (1973) American politician

"Do Liberals Have an Answer to Trump on Foreign Policy?" (March 2017)

Country

“As I swim through the summer tide of vulgarity, I find that's what I'm looking for: Movies that at least feel affection for their characters. Raunchy is OK. Cruel is not.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/american-pie-1999 of American Pie (9 July 1999) Reviews, Three star reviews

Feeling, Summer

“I had left all I had including my job because I had a desire to work in the movies. I didn't have a place to stay. You know there is a limited amount of time you can spend with friends because you're barging into their house. So I spent a couple of days on Marine Drive benches in the company of some of the largest rats I have seen in my life.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Life, Time, Housing

“So OK. Let’s say you know the novel, you agree with Ayn Rand, you’re an objectivist or a libertarian, and you’ve been waiting eagerly for this movie. Man, are you going to get a letdown. It’s not enough that a movie agree with you, in however an incoherent and murky fashion. It would help if it were like, you know, entertaining?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/atlas-shrugged-2011 of Atlas Shrugged: Part I (14 April 2011) Reviews, One-star reviews

Fashion, Waiting, Help

“I want to do kiddie movies now. I'm fed up with adult movies — most of them stink. At a certain point with movies it becomes all about mathematics: this has to lead up to this, this has to lead up to that — you're always bound by some kind of formula. But since having kids and watching lots of animated cartoons and all those great old Disney films, I think they're better, they're much better. They're more fun and they take more risks.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Jessamy Calkin, "One That Got Away," http://www.johnnydeppfan.com/interviews/telegraphmag.htm The Daily Telegraph Magazine (2002-08-03)

Mathematics, Thinking, Animals

“Films like Fargo are why I love the movies.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/fargo-1996 of Fargo (8 March 1996) Reviews, Four star reviews

Love

“There are directors that make one good movie their whole life, but this movie creates a buzz around the director, then they get like forever good reviews. Till someone 20 years later says, look, to be honest I liked only the one movie of that guy. In my case it’s exactly the opposite. I get trashed for whatever I do. They don’t see any difference in what I’m doing.”

Uwe Boll (1965) German restaurateur and former filmmaker

2000s

Life, Guy

“This is a movie that comes in two parts: It knows exactly what to do with special effects, but doesn't have a clue as to how two people in love might act and talk and think.
Movies like Top Gun are hard to review because the good parts are so good and the bad parts are so relentless. The dogfights are absolutely the best since Clint Eastwood's electrifying aerial scenes in Firefox. But look out for the scenes where the people talk to one another.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/top-gun-1986 of Top Gun (16 May 1986) Reviews, Two-and-a-half star reviews

Love, People, Thinking, Parting

“You hear about people wearing fur, but you don’t think about what they’re doing to the animals to get that fur. … [It's] scarier than any scary movie that’s out there. … Just imagine if you were in that situation — put yourself in their shoes. … Animals are just like us.”

Stevie Johnson

Source: "NFL's Stevie Johnson on Fur: 'Scarier Than Any Scary Movie Out There'" https://www.youtube.com/watch?v=5OBg1rcXzKc, video interview with PETA (17 November 2014).

People, Shoe, Imagination, Thinking

“I remember that, as a kid. I never really understood how movies were made, until that movie, because it was such a technical accomplishment. Since then, you’ve seen more and more and more, for all different kids of films, about what goes into the process. If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it. That’s a great thing to put out there, especially if it is a film that has different technological aspects that are unique. There’s not a lot of that that’s been done before, so I think it’s good for people to see.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

Exclusive: Director Patrick Lussier Talks Drive Angry DVD/Blu-ray, Hallraiser and Halloween 3 http://collider.com/patrick-lussier-drive-angry-hellraiser-halloween-3/ (May 31, 2011)

People, Thinking

“To me, comedies are usually the least funny movies. Movies that are actually a comedy are usually not all that funny. To me Goodfellas and Raging Bull are two of the funniest movies I ever saw. [Vulture, 2010]
The Jackass movies are honestly some of the best movies I’ve ever seen. I laugh so hard at them. Those guys are geniuses. If they had grown up with a different group of people, they could’ve been performance artists at Bard College, and people would be writing papers about them.”

Louis C.K. (1967) American comedian and actor

http://pitchfork.com/features/interviews/7926-louis-ck/ (2010)

People, Guy, Rage

“I think that's why I gravitated toward slightly broader… ummm, more conceptual kinds of movies, Underworld and Van Helsing. That was as much as I could actually give. But you're actually more of an animated figure. It does go against the grain, as an actor.”

Kate Beckinsale (1973) English actress

On the effect the arrival of her daughter had on her acting work. Allure magazine, March 2008.

Thinking, Animals

“I don't blame Bill Maher for mocking religion. […] I can see why he took the trouble to make the movie. In one sense, it's overdue.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

[Bill Maher's Movie Mockery May Backfire, Christian Broadcasting Network, Mike Ireland, 2008-10-02, http://www.cbn.com/entertainment/screen/ANS_Religulous.aspx, 2008-12-24]

Religion, Sense

“Immortals is without doubt the best-looking awful movie you will ever see. Eiko Ishioka's costume designs alone deserve an Oscar nomination. "They weren't at all historically accurate," grumbled a woman in the elevator after the sneak preview, as if lots of documentation exists about the wardrobes of the gods. She added: "I guess that's what we deserve for using free tickets we got at a Blackhawks game."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/immortals-2011 of Immortals (9 November 2011) Reviews, One-and-a-half star reviews

God, Game

“I don't really get inspired by other peoples' movies. I get inspired by situations, by memory, by revenge.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

TV Now Interview

People, Revenge, Memory

“This movie was made by professionals. Do not attempt any of this behavior yourself.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/superbad-2007 of Superbad (17 August 2007) Reviews, Three-and-a-half star reviews

Behavior

“My movies were the kind they show in prisons and airplanes, because nobody can leave.”

Burt Reynolds (1936–2018) American actor, director and producer.

Source: Briton Hadden, ‎Henry Robinson Luce (1972). Time, Vol. 100. p. 43

“Blue Velvet contains scenes of such raw emotional energy that it's easy to understand why some critics have hailed it as a masterpiece. A film this painful and wounding has to be given special consideration. And yet those scenes of stark sexual despair are the tipoff to what's wrong with the movie. They're so strong that they deserve to be in a movie that is sincere, honest and true. But Blue Velvet surrounds them with a story that's marred by sophomoric satire and cheap shots. The director is either denying the strength of his material or trying to defuse it by pretending it's all part of a campy in-joke. … What's worse? Slapping somebody around, or standing back and finding the whole thing funny?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/blue-velvet-1986 of Blue Velvet (19 September 1986) Reviews, One-star reviews

Pain, Understanding, Strong, Parting

“I just decided to make a movie. I had no training, no film school, but I had been to a lot of movies.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

As quoted in "Wait Wait Don't Tell Me" (23 June 2007)
2009

School, Training

““Mama’s beautiful?” I asked. “Are you blind?” said my brother. “Don’t you see how men and women are always looking at our mother everywhere she goes. Our mother is more beautiful than any movie star you’ll ever see, and yet this isn’t why papa chose her. He chose her, he’s told us a thousand times, because when he first saw her, she was in line to go into the dance hall over in Carlos Malo with her brother and sister. And when a fight broke out, she didn’t get excited and enjoy it like her sister and the other women. No, she and her brother moved away, wanting no part of it, and so, by seeing this, papa knew that she was a woman of high intelligence, respect, and responsibility; a person that he could trust with his life. And trust, remember, is the foundation of all love, papa says.””

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Love, Life, Women, Men

“America's first great surrealist artists were named Walt Disney, Max Fleischer, and Tex Avery. Their artistic medium was cartoon animation, though we must remember that cartoons of this era were seen not only by children but by a mixed audience, consisting mainly of adults. These men took — quite literally — the principles of surrealism and turned them into mass entertainment. As Fleischer's scantily clad Betty Boop ran through a phantasmagoric underground landscape to the driving beat of Cab Calloway's "Minnie the Moocher," moviegoers of the Thirties saw surrealist dream-logic unfold more powerfully than in any experimental poem created in Greenwich Village. To this day the greatest moment of North American surrealism is probably Dumbo's drunken nightmare choreographed to the demonic oom-pah-pah of "Pink Elephants on Parade" from Walt Disney's 1941 movie. When the surrealist style was so quickly assimilated into mass-media comedy, what avant-garde poet could consider it sufficiently chic?”

Dana Gioia (1950) American writer

"James Tate and American Surrealism," BBC Radio 3, published in Denver Quarterly (Fall 1998)
Essays

Men, Children, Dreams, Animals

“I didn't like movies. You see, in a play you become the play, because you start in the beginning and end up at the end of the script. Movies, you do little bits and you don't know where it fits in. You just do a little bit here and a little bit there and you never see the whole thing, you can never act out the whole thing. It has no unity. I would advise anybody-a kid-instead of doing pictures, get experience! Do theater! Get theater in his blood!”

David Manners (1900–1998) Canadian-born American actor

Interview with David Manners, Scarlet Street #26 (1997)

“I started watching reality shows and being horrified at people signing up to be humiliated in front of the entire country. … I saw one show, The Amazing Race, in which people were eating spicy soup and vomiting and crying. Why would you do that? Also, I was fascinated by these actors and actresses who would sign up to be followed around by cameras in their life. You become a celebrity, not because of your work or what you do, but because you have no privacy. I've been careful to keep my life separate because it's important to me to have privacy and for my life not to be a marketing device for a movie or a TV show. It's worth more than that. I'm worth more than that.”

Lisa Kudrow (1963) American actress

Guardian interview (2006)

Life, People, Reality, Cry

“Pearl Harbor the movie, arguably, was worse than the invasion itself.”

Marc Maron (1963) Comedian

Not Sold Out (2002)

“The small triumph of "The Graduate" was to have domesticated alienation and the difficulty of communication, by making what Benjamin is alienated from a middle-class comic strip and making it absurdly evident that he has nothing to communicate — which is just what makes him an acceptable hero for the large movie audience. If he said anything or had any ideas, the audience would probably hate him.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Hate, Communication, Idea

“It's important to me that I don't get trapped in the whole teen scene because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes. So I just try to choose the scripts that have the best characters for myself, or would be the most challenging, or fun.”

Kirsten Dunst (1982) American actress

Interview in The Guardian (14 October 2000) http://film.guardian.co.uk/interview/interviewpages/0,6737,382311,00.html

Money, Feeling

“(Camille Keaton) was very nice, but I remember, when we talked to each other, she behaved like a verginella, a little virgin, you know, always avoiding sex in conversation. She did sex movies, you say?”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Sex

“It was reported that Guy Ritchie has cast his wife Madonna in a small walk-on role in his new movie, Revolver. Madonna will play the part of the woman who ruins the film.”

Tina Fey (1970) American comedian, writer, producer and actress

citation needed

Guy, Parting

“It seems like 'Hollywood' to you because you've never served. What I’ve done in my life, you see in the movies.”

Michael Grimm (1970) American politician

To Michael Allegretti, Inside City Hall, NY1, (3 September 2010). http://www.wnyc.org/story/103786-mr-incredible-goes-washington-nycs-michael-grimm/ 2010s

Life

“White people scare the crap out of me… I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord… never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, "We're going to eliminate ten thousand jobs here — have a nice day!"”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

[Stupid White Men ...and Other Excuses For the State of the Nation!, 2001, 0060392452, 49040476]
2001

People, Cars, Personality

“I thought it was so strange because I normally make these pitch-black studies of misanthropes or the occasional movie about serial killers, sowhat could the possibly see in this material for me.”

David Fincher (1962) American film director

2011 Golden Globe Award Ceremony (2011)

Study

“Japan is very much a TV-centred entertainment industry. So when you talk about big stars in Japan, generally they are people who are on television. I work mostly in movies.”

Chiaki Kuriyama (1984) Japanese actress and singer

Singapore Press' New Paper (29 October 2003)

People, Star

“Godzilla 2014 missed the mark primarily because it is not an origins story. Gojira was a monster of our own making. Similarly Gino was supposed to impose nature’s response to our meddling. But G2014 pre-existed genetic modifications and nuclear testing. We have no responsibility for him, nor the mutos either. They come from a time that never was, millions of years ago, “when the world was much more radioactive than it is today”. The story implies that mutos ‘eat radiation’. In the film, they can track it through every kind of protective shielding, and they eat nuclear devices like fruit -metallic peal and all. I guess millions of years ago, nuclear missiles grew on trees, and kaiju were common even though they’re absent from the fossil record -with only one top-secret exception. As an advocate of science education with a deep interest in paleontology, and as someone who would rather see humans held accountable for what they do to their environment, this film was very disappointing. As an atheist, it was even worse. The star of the film not only has impossible dimensions and an inexplicable power, he is also immortal. He’s been alive forever, and spends all his time sleeping. He awakens only he senses submarines or the arrival of other kaiju, because he has a mission to protect humanity. G2014 put the ‘god’ in Godzilla. The director called him a god, and some of the characters in the movie describe him as a god too. So he’s not a lizard, not a dinosaur, but one of the Lovecraftian great old ones like Cthulhu. In a video I made years ago, I too joked about Godzilla being a god. But it was still somewhat disappointing to see him depicted that way.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

God, Secret, World, Education

“The power and influence of a movie star is curious: I didn't ask for it or take it; people gave it to me. Simply because you're a movie star, people empower you with special rights and privileges.”

Marlon Brando (1924–2004) American screen and stage actor

Songs My Mother Taught Me (1994)

People, Star

“Movies make hash of the schoolmarm’s approach of how well the artist fulfilled his intentions. Whatever the original intention of the writers and director, it is usually supplanted, as the production gets under way, by the intention to make money — and the industry judges the film by how well it fulfills that intention. But if you could see the "artist’s intentions" you’d probably wish you couldn’t anyway. Nothing is so deathly to enjoyment as the relentless march of a movie to fulfill its obvious purpose. This is, indeed, almost a defining characteristic of the hack director, as distinguished from an artist.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Money, Way

“Whom could this operetta offend? Only those of us who, despite the fact that we may respond, loathe being manipulated in this way and are aware of how cheap and ready-made are the responses we are made to feel. We may become even more aware of the way we have been turned into emotional and aesthetic imbeciles when we hear ourselves humming the sickly, goody-goody songs. The dauntless, scrubbed-face heroine (Julie Andrews), in training to become a nun, is sent from the convent to serve as governess to the motherless Von Trapp children, and turns them into a happy little troupe of singers before marrying their father (Christopher Plummer). She says goodbye to the nuns and leaves them outside at the fence, as she enters the cathedral to be married. Squeezed again, and the moisture comes out of thousands--millions--of eyes and noses. Wasn't there perhaps one little Von Trapp who didn't want to sing his head off, or who screamed that he wouldn't act out little glockenspiel routines for Papa's party guests, or who got nervous and threw up if he had to get on a stage? The only thing the director, Robert Wise, couldn't smooth out was the sinister, archly decadent performance by Christopher Plummer--he of the thin, twisted smile; he seems to be in a different movie altogether.”

Pauline Kael (1919–2001) American film critic

"The Sound of Music," p. 697
5001 Nights at the Movies (1982)

Children, Smile, Way, Feeling

“They had this movie called Juno about a teenage girl who gets pregnant and it's nominated for an Oscar. That's an unusual experience for me, 'cause when a black girl gets pregnant it ain't no Oscar. It's social work and a box of condoms is what that is.”

D. L. Hughley (1963) American actor and comedian

Appearance on The Tonight Show with Jay Leno (January 17, 2008)

Girl, Box

“Rarely has a movie this expensive provided so many quotable lines.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/ghostbusters-1984 of Ghostbusters (1 January 1984) Reviews, Three-and-a-half star reviews

“The red-faced president took afternoon tea
With her majesty The Queen
And they watched old films flicker
Across the old palace movie screen
Crying, "What a shame!"
As she slipped in the rain
Poor dancing girl
Well, she won't dance again…”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"Radio America"(with Carl Barat)
Lyrics and poetry

Girl, Dance, Tea, Cry

“Translation:On reviewing the movie Avatar:"To audiences outside China, the salvage demolition and relocation is beyond their imagination, that is to say, it can only happen in outer space planets, or China.”

Han Han (1982) Chinese writer and racing driver

Imagination

“Well, I didn't ever think about Australia much. To me Australia had never been very interesting, it was just something that happened in the background. It was Neighbours and Crocodile Dundee movies and things that never really registered with me and I didn't pay any attention to it at all. I went out there in 1992, as I was invited to the Melbourne Writers Festival, and I got there and realised almost immediately that this was a really really interesting country and I knew absolutely nothing about it. As I say in the book, the thing that really struck me was that they had this prime minister who disappeared in 1967, Harold Holt and I had never heard about this. I should perhaps tell you because a lot of other people haven't either. In 1967 Harold Holt was prime minister and he was walking along a beach in Victoria just before Christmas and decided impulsively to go for a swim and dove into the water and swam about 100 feet out and vanished underneath the waves, presumably pulled under by the ferocious undertow or rips as they are called, that are a feature of so much of the Australian coastline. In any case, his body was never found. Two things about that amazed me. The first is that a country could just lose a prime minister — that struck me as a really quite special thing to do — and the second was that I had never heard of this. I could not recall ever having heard of this. I was sixteen years old in 1967. I should have known about it and I just realised that there were all these things about Australia that I had never heard about that were actually very very interesting. The more I looked into it, the more I realised that it is a fascinating place. The thing that really endeared Australia to me about Harold Holt's disappearance was not his tragic drowning, but when I learned that about a year after he disappeared the City of Melbourne, his home town, decided to commemorate him in some appropriate way and named a municipal swimming pool after him. I just thought: this is a great country.”

Bill Bryson (1951) American author

The pool was under construction before he disappeared and is located in the electorate he represented.
Interview with Stanford's Newsletter (June 2001)

People, Books, Way, Home

“A thriller is supposed to thrill you! So it's the plotting of the movie and the unveiling of the story which is important.”

Nastassja Kinski (1961) German actress

Interview with actress Nastassja Kinski http://www.indiantelevision.com/interviews/y2k3/actor/nastassja.htm, Indiantelevision.com, 23 August, 2003

“Anna’s reaction is more complex than you might imagine, and it’s at such a moment you appreciate the woman in the writer-director’s chair. Women, I suspect, are more likely than men to view sex from the over-all perspective of what we may call their lives. In a country like Saudi Arabia, whose citizens express discomfort about men and women even attending movies together, I have little doubt which gender is more concerned.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/humpday-2009 of Humpday (22 July 2009) Reviews, Three-and-a-half star reviews

Women, Men, Sex, Imagination

“My secret desire is for the whole world to eventually play games and for games to have the kind of influence that books and movies do. Games are a great place for the planet's collective subconscious to grow as we further our understanding of each other.”

Jeremy Soule (1975) American composer

Jeremy Soule Interview https://web.archive.org/web/20021026151734/http://www.stratosgroup.com/features/interviews.php?selected=200206jsbh (June 04, 2002). Attributed

Secret, Books, World, Game

“You used to be able to depend on a bad film being poorly made. No longer. The Punisher: War Zone [sic] is one of the best-made bad movies I've seen…Its only flaw is that it's disgusting.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/punisher-war-zone-2008 of Punisher: War Zone (3 December 2008) Reviews, Two star reviews

War, Dependency

“[T]he whole time I was having this conversation, I was mildy enjoying it, but it bothered me how little substance there was. I always feel this during movie and music conversations, that it's entirely constrainted to just naming things…Perhaps the greatest pain of it is how shallow it is compared to the actual experience.”

Why the lucky stiff American computer programmer

Collected PDFs (2013)

Pain, Music, Feeling, Time

“[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. … Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman_begins.html of Batman Begins (2005). Three-and-a-half star reviews

Men, Strong, Waiting

“I just felt like God picked me up in his arms [and said], 'Johnnie Ray, I love you', and kissed me. I'm very humble and grateful for this elevation to the big time. But we all have to come down, and it won't leave me with a complex if I do. I know this thing might go over like a lead balloon, but I can always go back to that movie extra deal.”

Johnnie Ray (1927–1990) American singer, actor, songwriter and composer

On his success as a singer, The Chicago Tribune http://archives.chicagotribune.com/1952/03/16/page/85/article/johnnie-ray-their-darling-cry-baby (16 March 1952)

Love, God, Kiss, Time

“Am I to take my enjoyment of a movie as a basis for an attribution to the movie (that it is intrinsically enjoyable) or for an attribution to myself (that I have a specific kind of desire relevant to movies)? The inference as to where to locate the dispositional properties responsible for the effect is made by interpreting the raw data (the enjoyment) in the context of subsidiary information from experiment-like variations of conditions.”

Harold Kelley (1921–2003) American psychologist & academic

Source: "Attribution theory in social psychology." 1967, p. 194

“I don't want to go to another roller-coaster ride of a movie. If I want that, I'll go to Magic Mountain. I'm really interested in the young directors that are doing different things in cinema. I think the movies people will hold onto are the Rushmores and the Being John Malkoviches. Those are the kind of films I want to do; that's what I'm passionate about.”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

Mean magazine http://www.fedge.net/~zdeschanel/articles/index.html (April 2001).

People, Mountain, Thinking, Passion

“I know I’m also the girl who’s Chinese family doesn’t speak Chinese, and I’ve grown up watching Western philosophy movies teaching me that I should follow my heart and that I can do and be anything I desire. It almost feels like sometimes I’m too Asian, and then other times I’m not Asian enough. I don’t know… I’m not typical. I don’t fit the box. I’m just ME… Moments like these push me to grow and become better and all I can do is be the best me I can be and trust that what’s right for me will come along.”

Nikki SooHoo (1988) American actress

My Reflection in Mulan http://nikkisoohoo.com/blog/2016/11/7/my-reflection-in-mulan (November 7, 2016)

Family, Feeling, Girl, Time

“What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.”

Pauline Kael book Hooked

"Pop Mystics," review of Pale Rider (1985-08-12), p. 17.
Hooked (1989)

“Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Ranking "the 20 best political films of the past two decades" in "The Big Picture: Roger Ebert" in MotherJones (May/June 1996) http://www.motherjones.com/arts/film/1996/05/ebert.html

“The reason the first three Star Wars movies were so terrific, and the second three sucked so bad, is actually very simple. The first three were about rebels, shooting guns and driving fast, and speaking with American accents. The second three were about politicians, discussing treaties and holding court, and speaking with British accents.”

Bill Whittle (1959) author, director, screenwriter, editor

citation needed

War, Star

“Although I am not averse to wasting a few hours playing computer games, I have never tried my hand at Doom. Judging by sales figures and testimonials, playing the game has to be an infinitely preferable experience to watching this pathetic excuse for a movie.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=928 of Doom (2005). One-star reviews

Game

“I never apologized for anything in my life. The only thing I’m sorry about is putting a curse on Roger Ebert’s colon. If a fat pig like Roger Ebert doesn’t like my movie, then I’m sorry for him.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Life

“Films like Speed belong to the genre I call Bruised Forearm Movies, because you're always grabbing the arm of the person sitting next to you. Done wrong, they seem like tired replays of old chase cliches. Done well, they're fun. Done as well as Speed, they generate a kind of manic exhilaration.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/speed-1994 of Speed (10 June 1994) Reviews, Four star reviews

Personality, Speed

“Most scripts are bad. I read a lot of them. Brick was a good script just to read. It was like, “Oh my God, these words feel so good in my mouth.” A lot of movies try to set up a world with cool sets, costumes, camera work. In Brick, the world is born from the words.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Newsweek, March 31, 2006

God, World, Feeling, Reading

“Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-break-up-2006 of The Break-Up (2 June 2006) Reviews, Two star reviews

Hell

“In Cancún, I felt like I had walked into an American teen movie.”

Emma Watson (1990) British actress and model

Interview with Derek Blasberg http://www.interviewmagazine.com/film/emma-watson/2/

“When I was at Yale, I hung a bit with the Warhol gang. I used some of his superstar types in early movies. I can't say I had any conversations with him, but I did pass him at Max's Kansas City. But I was a big fan of his movies.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 2014

“I’ve never, ever, in my entire life, been upset at a casting choice. I started taping my dad’s auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn’t just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you’re not right, you’re not right, but that’s okay.”

Bryce Dallas Howard (1981) American actress

Bryce Dallas Howard https://www.interviewmagazine.com/film/bryce-dallas-howard (February 10, 2017)

Life, People, Personality

“Heathrow the next morning looked like one of those bad science fiction movies "set in the near future" after the security forces have taken over the state. Two armored personnel carriers were parked outside the terminal. A dozen men with Rambo machine guns and bad haircuts patrolled outside. Vast lines of passengers queued to be frisked and X-rayed, carrying their shoes in one hand and their pathetic tolietries in a clear plastic bag in the other. Travel is sold as freedom, but we were free as lab rats. This is how they'll manage the next holocaust, I thought, as I shuffled forward in my stockinged feet: they'll simply issue us with air tickets and we'll do whatever we're told.”

Robert Harris book The Ghost

Source: The Ghost (2007), Ch. 3.

Men, Shoe, Travel, Freedom

“I was so lucky to have been surrounded by really great actors. Everybody in that movie was a real actor: Warren Oates, Ben Johnson, Cloris Leachman, Richard Dreyfuss, Harry Dean Stanton. It was just a wonderful, wonderful experience for me and I had so much support and so much help and so much encouragement.”

Michelle Phillips (1944) Singer, actress

On her first acting role in Dillinger (1973), The Huffington Post http://www.huffingtonpost.com/entry/chats-with-esperanza-spalding-michelle-phillips-lee_us_57b32bc0e4b0567d4f130aab (August 25, 2016)

Support, Help

“Is that a sacrilege that I praise a Holocaust movie [Schindler's List] for being entertaining? The word doesn't imply that a movie need be cheerful. In my mind, entertainment in this genre springs from characters who are brought to full life, who we care about and who are set in a powerful story. My motto: "No good movie is depressing. All bad movies are depressing."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/in-darkness-2011 of In Darkness (15 February 2012) Reviews, Two-and-a-half star reviews

Life, Spring

“You know, some people like to call me Mad Max like in the movie.
They may believe it’s an insult. But let me tell you something:
It’s true. I am mad!
I’m mad about government waste!
I’m mad about government borrowing money on the backs of future generations, to benefit big corporations!
I’M MAD THAT THE LIBERALS ARE RUNNING OUR COUNTRY’S FINANCES, AND OUR NATION’S FUTURE, INTO THE GROUND!
I’M MAD THAT THE LIBERAL GOVERNMENT SHRINKS OUR PAYCHECK WITH HIGHT TAXES AND TAKES AWAY OUR FREEDOM.
I’m mad about the federal government constantly meddling in provincial jurisdictions!
I’m mad at politicians who promise anything to get elected!
So yes, you can call me Mad Max.
I don’t mind!
I’m asking you to get mad like me and take your future into your hands.”

Maxime Bernier (1963) Canadian politician

3 October 2016 Facebook post https://www.facebook.com/hon.maximebernier/posts/10154565323228703 quoted 28 May 2018 on Toronto Sun https://torontosun.com/opinion/columnists/bonokoski-mad-maxs-dustup-over-a-liberal-mps-skin-colour-comments About

Money, People, Freedom, Future

“You know, when I first went into the movies Lionel Barrymore played my grandfather. Later he played my father, and finally he played my husband. If he had lived I'm sure I would have played his mother. That's the way it is in Hollywood. The men get younger and the women get older.”

Lillian Gish (1893–1993) American actress

As quoted in An Uncommon Scold (1989) by Abby Adams

Women, Men, Way

“In order to feel safer on his private jet, actor John Travolta has purchased a bomb-sniffing dog. Unfortunately for the actor, the dog came six movies too late.”

Tina Fey (1970) American comedian, writer, producer and actress

http://snltranscripts.jt.org/01/01dupdate.phtml

Dogs, Feeling

“At the conclusion of Hollywood disaster movies and epics, time moves backward, piecing together like a jigsaw the elements that had come apart. The Titanic resumes its journey; Russell Crowe is reunited with his murdered wife and son. It's not a happy ending; it's a convention created for the purposes of an impossible sense of uplift at the end of death and tragedy: the happy beginning. Technology makes Hades unnecessary.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

Death, Sense, Time, Happiness

“I have a popcorn problem. I can't stop. I've been known to drive by the movie theater, walk in, just buy a bag of popcorn. It's so good.”

Andrew Scheer (1979) 35th Speaker of the Canadian House of Commons and MP for Regina—Qu'Appelle

5 August 2017 interview with Midnight Sun https://www.youtube.com/watch?v=EsDGGsnXO18

Problem

“I could start this review by stating that Dumb and Dumberer lives up to its name, or by calling it stupid, moronic, and idiotic, but I believe that approach is a trap, since a movie like this might relish being the object of such bland invectives. Instead, let me try a few that can't possibly be misconstrued as twisted praise: unfunny, boring, torturous, and unwatchable. … [N]o movie could be more aptly compared to raw sewage than this film - Directed By Troy Miller.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1484 of Dumb and Dumberer (2003). Zero star reviews

Stupidity

“I had no money. My parents closed down all credit. I couldn't get any money, and they were trying to lock me up again because I'd taken some acid and told my psychiatrist about it. I just told him what the experience was like and he jumped, and at the same time he read about Andy Warhol's "pornographic" movies in Time. I was in the studio a lot, so my psychiatrist got really upset and called my parents and was gonna have me put away, so I ran away to Europe with Andy and Chuck.”

Edie Sedgwick (1943–1971) Socialite, actress, model

On being financially cut off from her parents in 1965
Edie : Girl On Fire (2006)

Money, Parent, Time, Reading

“The movie stars Michelle Pfeiffer as LouAnne Johnson… [h]er teaching methods are inventive. She bribes them with candy bars and free trips to amusement parks, and involves them in the words of that important poet, Bob Dylan (the Tambourine Man might have been a drug dealer!). Soon they're in the school library, finding connections between Bob Dylan and Dylan Thomas… [w]hat, exactly, will these disadvantaged inner-city kids accomplish by being bribed with candy bars and the "relevancy" of Bob Dylan? Can they read and write? Can they compete in the job market? An educational system that has brought them to the point we observe in the first classroom scene has already failed them so miserably that all of Miss Johnson's karate lessons are not going to be much help.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/dangerous-minds-1995 Dangerous Minds (11 August 1995) Reviews, One-and-a-half star reviews

Education, School, Star, Reading

“I think it’s important for anyone who takes cinema seriously not to limit yourself to just optimistic or happy movies. I think that’s a problem. You’ve got to be willing to let the art of cinema take you into some darker places if you’re going to make full use of it. There are some people who shouldn’t watch horror films, and I’m all right with that. It’s not about putting something evil in the world. It’s about reckoning with evil. We don’t need any more evil in the world. We need a lot more reckoning with it.”

Scott Derrickson (1966) American screenwriter and film director

Interview: Filmmaker Scott Derrickson on Horror, Faith, Chesterton and His New Movie http://www.ncregister.com/daily-news/interview-scott-derrickson (July 1, 2014)

People, World, Art, Problem

“I’m so thankful that all that stuff made it to the screen, because a lot of the time studio executives say that there’s no time, or ask why we should feel sympathy for this bad guy. I joke that I’m the romantic lead in the movie, I just happened to pick the wrong girl. Imhotep is kind of the tragic villain, I guess, and a lot of people have come up to me and said I was hating you, but then I reach a point when I was feeling sorry for you too. It's those different facets that help explain why this film is such a success”

Arnold Vosloo (1962) South African-American actor

Interview: Arnold Vosloo http://www.bbc.co.uk/films/2001/05/11/arnold_vosloo_article.shtml (May 11, 2001)

Hate, People, Guy, Feeling

“Alanis Morissette and I actually used to date. I especially liked it when we went to the movies.”

"Weird Al" Yankovic (1959) American singer-songwriter, music producer, accordionist, actor, comedian, writer, satirist, and parodist

AL TV, MTV, 1996; referring to the line "Is she perverted like me/would she go down on you in a theater" from Morissette's breakout hit You Oughta Know.

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