Quotes about motion

page 8

"I Knew a Woman," ll. 22-28
Words for the Wind (1958)
Context: Let seed be grass, and grass turn into hay:
I'm martyr to a motion not my own;
What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways.)

Deeds Rather Than Words (1963)
Context: I don't believe in playing down to children, either in life or in motion pictures. I didn't treat my own youngsters like fragile flowers, and I think no parent should.
Children are people, and they should have to reach to learn about things, to understand things, just as adults have to reach if they want to grow in mental stature. Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows. Most things are good, and they are the strongest things; but there are evil things too, and you are not doing a child a favor by trying to shield him from reality. The important thing is to teach a child that good can always triumph over evil, and that is what our pictures attempt to do.

Book II, Ch. VII, pp. 124-126.
Physics

The close of his Nobel lecture: "The Statistical Interpretations of Quantum Mechanics" (11 December 1954) http://nobelprize.org/nobel_prizes/physics/laureates/1954/born-lecture.html
Context: Can we call something with which the concepts of position and motion cannot be associated in the usual way, a thing, or a particle? And if not, what is the reality which our theory has been invented to describe?
The answer to this is no longer physics, but philosophy. … Here I will only say that I am emphatically in favour of the retention of the particle idea. Naturally, it is necessary to redefine what is meant. For this, well-developed concepts are available which appear in mathematics under the name of invariants in transformations. Every object that we perceive appears in innumerable aspects. The concept of the object is the invariant of all these aspects. From this point of view, the present universally used system of concepts in which particles and waves appear simultaneously, can be completely justified. The latest research on nuclei and elementary particles has led us, however, to limits beyond which this system of concepts itself does not appear to suffice. The lesson to be learned from what I have told of the origin of quantum mechanics is that probable refinements of mathematical methods will not suffice to produce a satisfactory theory, but that somewhere in our doctrine is hidden a concept, unjustified by experience, which we must eliminate to open up the road.

On Democracy (6 October 1884)
Context: Few people take the trouble of trying to find out what democracy really is. Yet this would be a great help, for it is our lawless and uncertain thoughts, it is the indefiniteness of our impressions, that fill darkness, whether mental or physical, with spectres and hobgoblins. Democracy is nothing more than an experiment in government, more likely to succeed in a new soil, but likely to be tried in all soils, which must stand or fall on its own merits as others have done before it. For there is no trick of perpetual motion in politics any more than in mechanics.

Inaugural Address of the Great Exhibition of the Works of Industry of All Nations, London (1851).
Context: Nobody who has paid any attention to the peculiar features of our present era will doubt for a moment that we are living at a period of most wonderful transition which tends rapidly to the accomplishment that great end to which, indeed, all history points—the realization of the unity of mankind.... The distances which separated the different nations and parts of the globe are rapidly vanishing before the achievements of modern invention, and we can traverse them with incredible ease; the languages of all nations are known, and their acquirement placed within the reach of everybody; thought is communicated with the rapidity and even by the power of lightning... The knowledge acquired becomes at once the property of all of the community at large... no sooner is a discovery or invention made, than it is already improved upon and surpassed by competing efforts: the products of all quarters of the globe are placed at our disposal, and we have only to choose which is the best and the cheapest for our purposes, and the powers of production are entrusted to the stimulus of competition and capital.... Science discovers these laws of power, motion and transformation; industry applies them to raw matter which the earth yields us in abundance, but which becomes valuable only by knowledge.

1870s, Society and Solitude (1870), Quotation and Originality
Context: We cannot overstate our debt to the Past, but the moment has the supreme claim. The Past is for us; but the sole terms on which it can become ours are its subordination to the Present. Only an inventor knows how to borrow, and every man is or should be an inventor. We must not tamper with the organic motion of the soul.

Book II, Ch. I, p. 88.
Physics

Source: The Life of Poetry (1949), p. 150
Context: The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem.
At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition.
The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.

The Marshall Plan Speech (1947)
Context: An essential part of any successful action on the part of the United States is an understanding on the part of the people of America of the character of the problem and the remedies to be applied. Political passion and prejudice should have no part. With foresight, and a willingness on the part of our people to face up to the vast responsibility which history has clearly placed upon our country, the difficulties I have outlined can and will be overcome.... to my mind, it is of vast importance that our people reach some general understanding of what the complications really are, rather than react from a passion or a prejudice or an emotion of the moment. As I said more formally a moment ago, we are remote from the scene of these troubles. It is virtually impossible at this distance merely by reading, or listening, or even seeing photographs or motion pictures, to grasp at all the real significance of the situation. And yet the whole world of the future hangs on a proper judgment.

Games for Actors and non-Actors (1992)
Context: When does a session of The Theatre of the Oppressed end? Never — since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists. And it is precisely for these reasons that the Theatre of the Oppressed should be the initiator of changes the culmination of which is not the aesthetic phenomenon but real life.

Vol. 2 "On Philosophy and the Intellect" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves it to the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.

De Luce seu de Inchoatione Formarum (c. 1215-1220)
Context: One cause, in so far as it is one, is productive of only one effect. I do not rule out several efficient causes of which one is nearer and another more remote in the same order. Thus when I say simply 'animal', I do not exclude another substance or particular substance. Hence motion, in so far as it is one, is productive of only one effect. But motion is present in every body from an intrinsic principle which is called natural. Therefore an efficient cause simply proportional to the motion is present in all bodies. But nothing is present in common in every body except primitive matter and primitive form and magnitude, which necessarily follows from these two, and whatever is entailed by magnitude as such, as position and shape. But simply through magnitude a body does not receive motion, as is clear enough when Aristotle shows that everything that moves is divisible, not, therefore, simply because of magnitude or something entailed by magnitude is a body productive of motion. Nor is primitive matter productive of motion, because it is itself passive. It is therefore necessary that motion follow simply from the primitive form as from an efficient cause.

Source: Time and Again (1951), Chapter XIX (p. 99)
Context: As he looked, Sutton felt the cold hand of loneliness reach down with icy fingers to take him in its grip. For here was sheer, mad loneliness such as he had never dreamed. Here was the very negation of life and motion, here was the stark, bald beginning when there was no life, nor even thought of life. Here anything that knew or thought or moved was an alien thing, a disease, a cancer on the face of nothingness.

Mother and Child Reunion
Song lyrics, Paul Simon (1972)
Context: No I would not give you false hope
On this strange and mournful day
But the mother and child reunion
Is only a motion away,
Oh, little darling of mine
I can't for the life of me
Remember a sadder day
I know they say let it be
But it just don't work out that way...

Source: A Manual of the Steam Engine and Other Prime Movers (1859), p. 31
Context: Hypothesis Of Molecular Vortices. In thermodynamics as well as in other branches of molecular physics, the laws of phenomena have to a certain extent been anticipated, and their investigation facilitated, by the aid of hypotheses as to occult molecular structures and motions with which such phenomena are assumed to be connected. The hypothesis which has answered that purpose in the case of thermodynamics, is called that of "molecular vortices," or otherwise, the "centrifugal theory of elasticity. (On this subject, see the Edinburgh Philosophical Journal, 1849; Edinburgh Transactions, vol. xx.; and Philosophical Magazine, passim, especially for December, 1851, and November and December, 1855.)

"The Conjunction of Jupiter and Venus" in Poems (1841)
Context: I would make
Reason my guide, but she should sometimes sit
Patiently by the way-side, while I traced
The mazes of the pleasant wilderness
Around me. She should be my counsellor,
But not my tyrant. For the spirit needs
Impulses from a deeper source than hers,
And there are motions, in the mind of man,
That she must look upon with awe. I bow
Reverently to her dictates, but not less
Hold to the fair illusions of old time —
lllusions that shed brightness over life,
And glory over nature.

End of Ch. 10<!-- quoted in The Advancement of Science, and Its Burdens (1986) by p. 232 -->; the "Congregation of the Index" (the official inquisition censors) declared<!-- on 15 May 1620 --> that the last sentence of this statement was one of eleven passages which should be removed from the work, in this case because it was perceived as implying that God designed things in accord with the Copernican system, rather than that of Ptolemy.
De revolutionibus orbium coelestium (1543)
Context: The forward and backward arcs appear greater in Jupiter than in Saturn and smaller than in Mars, and on the other hand greater in Venus than in Mercury. This reversal in direction appears more frequently in Saturn than in Jupiter, and also more rarely in Mars and Venus than in Mercury. Moreover, when Saturn, Jupiter, and Mars rise at sunset, they are nearer to the earth than when they set in the evening or appear at a later hour. But Mars in particular, when it shines all night, seems to equal Jupiter in size, being distinguished only by its reddish color. Yet in the other configurations it is found barely among the stars of the second magnitude, being recognized by those who track it with assiduous observations. All these phenomena proceed from the same cause, which is the earth's motion.
Yet none of these phenomena appears in the fixed stars. This proves their immense height, which makes even the sphere of the annual motion, or its reflection, vanish from before our eyes. For, every visible object has some measure of distance beyond which it is no longer seen, as is demonstrated in optics. From Saturn, the highest of the planets, to the sphere of the fixed stars there is an additional gap of the largest size. This is shown by the twinkling lights of the stars. By this token in particular they are distinguished from the planets, for there had to be a very great difference between what moves and what does not move. So vast, without any question, is the divine handiwork of the most excellent Almighty.

"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: In Andrew Motion's book, we have the constant sense that Larkin is somehow falling short of the cloudless emotional health enjoyed by, for instance, Andrew Motion. Also the sense, as Motion invokes his like-minded contemporaries, that Larkin is being judged by a newer, cleaner, braver, saner world. … Motion is extremely irritated by Larkin's extreme irritability. He's always complaining that Larkin is always complaining.

Theoria motus corporum coelestium... (1809) Tr. Charles Henry Davis as Theory of the Motion of the Heavenly Bodies moving about the Sun in Conic Sections (1857)
Context: The perturbations which the motions of planets suffer from the influence other planets, are so small and so slow that they only become sensible after a long interval of time; within a shorter time, or even within one or several revolutions, according to circumstances, the motion would differ so little from motion exactly described, according to the laws of Kepler, in a perfect ellipse, that observations cannot show the difference. As long as this is true, it not be worth while to undertake prematurely the computation of the perturbations, but it will be sufficient to adapt to the observations what we may call an osculating conic section: but, afterwards, when the planet has been observed for a longer time, the effect of the perturbations will show itself in such a manner, that it will no longer be possible to satisfy exactly all the observations by a purely elliptic motion; then, accordingly, a complete and permanent agreement cannot be obtained, unless the perturbations are properly connected with the elliptic motion.

Source: The Story of My Life (1903), Ch. 4
Context: We walked down the path to the well-house, attracted by the fragrance of the honeysuckle with which it was covered. Some one was drawing water and my teacher placed my hand under the spout. As the cool stream gushed over one hand she spelled into the other the word water, first slowly, then rapidly. I stood still, my whole attention fixed upon the motions of her fingers. Suddenly I felt a misty consciousness as of something forgotten — a thrill of returning thought; and somehow the mystery of language was revealed to me. I knew then that "w-a-t-e-r" meant the wonderful cool something that was flowing over my hand. That living word awakened my soul, gave it light, hope, joy, set it free! There were barriers still, it is true, but barriers that could in time be swept away.
I left the well-house eager to learn. Everything had a name, and each name gave birth to a new thought. As we returned to the house every object which I touched seemed to quiver with life. That was because I saw everything with the strange, new sight that had come to me.

From a 1900, April 27, , Sixth Series, 2, 1–40 (1901).
Thermodynamics quotes
Context: The beauty and clearness of the dynamical theory, which asserts heat and light to be modes of motion, is at present obscured by two clouds. I. The first came into existence with the undulatory theory of light, and was dealt with by Fresnel and Dr. Thomas Young; it involved the question, how could the earth move through an elastic solid, such as essentially is the luminiferous ether? II. The second is the Maxwell–Boltzmann doctrine regarding the partition of energy.

Physics and Philosophy (1958)
Context: The equation of motion holds at all times, it is in this sense eternal, whereas the geometrical forms, like the orbits, are changing. Therefore, the mathematical forms that represent the elementary particles will be solutions of some eternal law of motion for matter. Actually this is a problem which has not yet been solved.<!-- p. 72

The Structure of the Universe: An Introduction to Cosmology (1949)
Context: Galileo had raised the concepts of space and time to the status of fundamental categories by directing attention to the mathematical description of motion. The midiaevel qualitative method had made these concepts relatively unimportant, but in the new mathematical philosophy the external world became a world of bodies moving in space and time. In the Timaeus Plato had expounded a theory that outside the universe, which he regarded as bounded and spherical, there was an infinite empty space. The ideas of Plato were much discussed in the middle of the seventeenth century by the Cambridge Platonists, and Newton's views were greatly influenced thereby. He regarded space as the 'sensorium of God' and hence endowed it with objective existence, although he confessed that it could not be observed. Similarly, he believed that time had an objective existence independent of the particular processes which can be used for measuring it.<!--p.46

Introduction to Kṛṣṇa, the Supreme Personality of Godhead (1970) by A. C. Bhaktivedanta Swami Prabhupada; this paraphrases some statements from An Autobiography of a Yogi (1948) by Paramahansa Yogananda
Context: From the Hindu perspective, each soul is divine. All religions are branches of one big tree. It doesn't matter what you call Him just as long as you call. Just as cinematic images appear to be real but are only combinations of light and shade, so is the universal variety a delusion. The planetary spheres, with their countless forms of life, are naught but figures in a cosmic motion picture. One's values are profoundly changed when he is finally convinced that creation is only a vast motion picture and that not in, but beyond, lies his own ultimate reality.

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 17. How the Sphere, Having in Vain Tried Words, Resorted to Deeds
Context: I groaned with horror, doubting whether I was not out of my senses; but the Stranger continued: "Surely you must now see that my explanation, and no other, suits the phenomena. What you call Solid things are really superficial; what you call Space is really nothing but a great Plane. I am in Space, and look down upon the insides of the things of which you only see the outsides. You could leave this Plane yourself, if you could but summon up the necessary volition. A slight upward or downward motion would enable you to see all that I can see.

Choruses from The Rock (1934)
Context: O perpetual revolution of configured stars,
O perpetual recurrence of determined seasons,
O world of spring and autumn, birth and dying!
The endless cycle of idea and action,
Endless invention, endless experiment,
Brings knowledge of motion, but not of stillness;
Knowledge of speech, but not of silence;
Knowledge of words, and ignorance of The Word.
All our knowledge brings us nearer to our ignorance,
All our ignorance brings us nearer to death,
But nearness to death no nearer to God.
Where is the Life we have lost in living?
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
The cycles of Heaven in twenty centuries
Brings us farther from God and nearer to the Dust.

Book II, Ch. I, pp. 93-94.
Physics

Rome, or Reason? A Reply to Cardinal Manning. Part I. The North American Review (1888)
Context: As a rule, an individual is egotistic in the proportion that he lacks intelligence. The same is true of nations and races. The barbarian is egotistic enough to suppose that an Infinite Being is constantly doing something, or failing to do something, on his account. But as man rises in the scale of civilization, as he becomes really great, he comes to the conclusion that nothing in Nature happens on his account—that he is hardly great enough to disturb the motions of the planets.

Physics and Philosophy (1958)
Context: The equation of motion holds at all times, it is in this sense eternal, whereas the geometrical forms, like the orbits, are changing. Therefore, the mathematical forms that represent the elementary particles will be solutions of some eternal law of motion for matter. Actually this is a problem which has not yet been solved.<!-- p. 72

"On the Conservation of Force" (1862), p. 280
Popular Lectures on Scientific Subjects (1881)
Context: The external work of man is of the most varied kind as regards the force or ease, the form and rapidity, of the motions used on it, and the kind of work produced. But both the arm of the blacksmith who delivers his powerful blows with the heavy hammer, and that of the violinist who produces the most delicate variations in sound, and the hand of the lacemaker who works with threads so fine that they are on the verge of the invisible, all these acquire the force which moves them in the same manner and by the same organs, namely, the muscles of the arm. An arm the muscles of which are lamed is incapable of doing any work; the moving force of the muscle must be at work in it, and these must obey the nerves, which bring to them orders from the brain. That member is then capable of the greatest variety of motions; it can compel the most varied instruments to execute the most diverse tasks.

Book III, Ch. IV, pp. 150-152.
Physics

Speech http://hansard.millbanksystems.com/commons/1834/apr/25/repeal-of-the-union-adjourned-debate in the House of Commons (25 April 1834).

More Worlds Than One: The Creed of the Philosopher and the Hope of the Christian (1856), "Religious Difficulties", p. 152-153
Context: Amid the destructive convulsions of the physical world, even pious minds may have for an instant questioned the superintending providence of God. In the midst of famine, or pestilence, or war, they may have stood horror- struck at the scene. In the triumphs of fraud, oppression, and injustice, over honesty, and liberty, and law. Faith may have wavered, and Hope despaired; but in no condition, either of the physical or the moral world, does the mind question the POWER of its Maker. The omnipotence of the Creator, and the exertion of it in every corner of space, — His care over the falling sparrow, and His guidance of the gigantic planet, are the earliest of our acquired truths, and the very first that observation and experience confirm. When Reason gives wisdom to our perceptions, omnipotence is the grand truth which they inculcate. Whatever the eye sees, or the ear hears, or the fingers touch, — every motion of our body, every function it performs, every structure in its fabric, impresses on the mind, and fixes in the heart the conviction, that the Creator is all-powerful as well as all-wise. Omnipotence, in short, is the only attribute of God which is universally appreciated, which skepticism never unsettles, and which we believe as firmly when under the influence of our corrupt passions, as when we are looking devoutly to heaven. All the other attributes of God are inferences. His omnipresence, His omniscience, His justice, mercy, and truth, are the deductions of reason, and, however true and demonstrable, they exercise little influence over the mind; but the attribute of omnipotence predominates over them all, and no mind responsive to its power will ever be disturbed by the ideas which it suggests of infinity of time, infinity of space, and infinity of life.

"On the Conservation of Force" (1862), p. 280
Popular Lectures on Scientific Subjects (1881)
Context: The external work of man is of the most varied kind as regards the force or ease, the form and rapidity, of the motions used on it, and the kind of work produced. But both the arm of the blacksmith who delivers his powerful blows with the heavy hammer, and that of the violinist who produces the most delicate variations in sound, and the hand of the lacemaker who works with threads so fine that they are on the verge of the invisible, all these acquire the force which moves them in the same manner and by the same organs, namely, the muscles of the arm. An arm the muscles of which are lamed is incapable of doing any work; the moving force of the muscle must be at work in it, and these must obey the nerves, which bring to them orders from the brain. That member is then capable of the greatest variety of motions; it can compel the most varied instruments to execute the most diverse tasks.

De Luce seu de Inchoatione Formarum (c. 1215-1220)
Context: One cause, in so far as it is one, is productive of only one effect. I do not rule out several efficient causes of which one is nearer and another more remote in the same order. Thus when I say simply 'animal', I do not exclude another substance or particular substance. Hence motion, in so far as it is one, is productive of only one effect. But motion is present in every body from an intrinsic principle which is called natural. Therefore an efficient cause simply proportional to the motion is present in all bodies. But nothing is present in common in every body except primitive matter and primitive form and magnitude, which necessarily follows from these two, and whatever is entailed by magnitude as such, as position and shape. But simply through magnitude a body does not receive motion, as is clear enough when Aristotle shows that everything that moves is divisible, not, therefore, simply because of magnitude or something entailed by magnitude is a body productive of motion. Nor is primitive matter productive of motion, because it is itself passive. It is therefore necessary that motion follow simply from the primitive form as from an efficient cause.

Notes Toward a Supreme Fiction (1942), It Must Change
Context: Like a page of music, like an upper air,
Like a momentary color, in which swans
Were seraphs, were saints, were changing essences. The west wind was the music, the motion, the force
To which the swans curveted, a will to change,
A will to make iris frettings on the blank.

Book III, lines 843–860 (tr. John Dryden)
De Rerum Natura (On the Nature of Things)

VIII. On Mind and Soul, and that the latter is immortal.
On the Gods and the Cosmos
Context: First, we must consider what soul is. It is, then, that by which the animate differs from the inanimate. The difference lies in motion, sensation, imagination, intelligence. Soul therefore, when irrational, is the life of sense and imagination; when rational, it is the life which controls sense and imagination and uses reason. The irrational soul depends on the affections of the body; it feels desire and anger irrationally. The rational soul both, with the help of reason, despises the body, and, fighting against the irrational soul, produces either virtue or vice, according as it is victorious or defeated.

"Energy and Force" (Mar 28, 1873)

"Energy and Force" (Mar 28, 1873)

"Energy and Force" (Mar 28, 1873)

Sneak Previews (p. 85)
Short fiction, The Robot Who Looked Like Me (1978)

Account of his famous dream of the benzene structure, as quoted in A Life of Magic Chemistry : Autobiographical Reflections of a Nobel Prize Winner (2001) by George A. Olah, p. 54

Kepler... in the third book of Harmonice mundi... attempted to make other... related, connections between musical harmony and mathematical proportion.
Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Source: Better-World Philosophy: A Sociological Synthesis (1899), Egoism and Altruism, pp. 98–99

Interview with Andrew Walker (10 March 2001), quoted in BBC News, 'Tony Benn: End of an era' (10 March 2001) http://news.bbc.co.uk/1/hi/uk/1209497.stm
2000s

Source: Black Skin, White Masks (1952), Chapter 2, "The Woman of Color and the White Man", p. 41

Kant's Inaugural Dissertation (1770), Section III On The Principles Of The Form Of The Sensible World

19 December 1749
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)

Source: Nonfiction, Dave Barry Turns 50 (1998), p. 142

That each of them became stationary, or was farthest North or South, when they passed over my Zenith at six of the Clock, either in the Morning or Evening. I perceived likewise, that whatever Situation the Stars were in with respect to the cardinal Points of the Ecliptick, the apparent Motion of every one tended the same Way, when they passed my Instrument about the same Hour of the Day or Night; for they all moved Southward, while they passed in the Day, and Northward in the Night; so that each was farthest North, when it came about Six of the Clock in the Evening, and farthest South when it came about Six in the Morning.
A Letter from the Reverend Mr. James Bradley Savilian Proffesor of Astronomy at Oxford, and F.R.S. to Dr. Edmund Halley, Astronom. Reg. &c. giving an Account of a New Discovered Motion of the Fix'd Stars. Philosophical Transactions (Jan 1, 1727) 1727-1728 No. 406. vol. XXXV. pp. 637-661 http://rstl.royalsocietypublishing.org/content/35/399-406/637.full.pdf+html.

The Book of Universes: Exploring the Limits of the Cosmos (2011)

Jules Bernard Luys, in Pamphlets on hypnotism (1892) http://books.google.co.in/books?ei=-2xvU7rZLIXc8AW9i4CwAQ, pp.898-99.

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.
Review http://www.reelviews.net/movies/m/minority_report.html of Minority Report (2002).
Four star reviews

From the Preface to the 1855 edition of <i>Leaves of Grass</i>

Translation by Burtt, ibid., Vol. III. p. 156
Secondary works, Joannis Kepleri Astronomi Opera Omnia (1858)

"JG Ballard: Theatre of Cruelty" interview by Jean-Paul Coillard in Disturb ezine (1998) https://www.jgballard.ca/media/1998_disturb_magazine.html

Napoleon the Little (1852), Book V, V
Napoleon the Little (1852)

1930s, Statement from Modern Painting and Sculpture (1933)

1930s, It Shall Move - On Mobile Sculptures (1932)

these directions making between them meaningful angles, and senses, together defining one big conclusion or many. Spaces, volumes, suggested by the smallest means in contrast to their mass, or even including them, juxtaposed, pierced by vectors, crossed by speeds. Nothing at all of this is fixed. Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe. It must not be just a fleeting moment but a physical bond between the varying events in life. Not extractions, but abstractions. Abstractions that are like nothing in life except in their manner of reacting.
1930s, How Can Art Be Realized? (1932)

Stanza 3
Lyrical Ballads (1798–1800), Lines written a few miles above Tintern Abbey (1798)

Stanza 2
Lyrical Ballads (1798–1800), Lines written a few miles above Tintern Abbey (1798)

Introduction to Part 4 (p. 267)
House of Suns (2008)

"Manifesto: The Mad Farmer Liberation Front" in Farming: A Hand Book (1970)
Poems

No causes, whether material, formal, efficient, or final. But there are levels on top of that, where the vocabulary changes.

Chap. 3 : The World Moves by Itself
The Big Picture (2016)

1870s, On the Hypothesis that Animals are Automata, and Its History (1874)

1870s, On the Hypothesis that Animals are Automata, and Its History (1874)

page 23 https://books.google.com/books?id=hwpKAAAAIAAJ&pg=PA23
Relativity for All, London, 1922

"Energy and Force" (Mar 28, 1873)

Source: The Beak of the Finch: A Story of Evolution in Our Time (1994), Chapter 20, The Metaphysical Crossbeak (p. 289)

Al-Fassl Fil Milal, vol 5, pp. 55.

Space, Time and Gravitation (1920)

lecture II: "The Uncertainty of Values"
The Meaning of It All (1999)

Stephen Wolfram: Fundamental Theory of Physics, Life, and the Universe (Sep 15, 2020)

Popular Quotes, Essentialism: The Disciplined Pursuit of Less, Journal Articles

Source: Book Einstein: His Life and Universe

Page 3 https://books.google.com/books?id=pQARAAAAIAAJ&pg=PA3.
Music: An Art and a Language (1920), Preliminary Considerations (Ch. I)

Source: The State of the World 2010, public lecture in New York City, USA, (July 2010)

Naked Earth: the New Geophysics (1995)

But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction between sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also that these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continuous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.
Source: Russolo. English trans. Barclay Brown (1986: 37).

"The Sententious Man," ll. 31-36
Words for the Wind (1958)

Source: Year unknown, published in 2004, How to Be Like Walt : Capturing the Magic Every Day of Your Life (2004), Ch. 1 : It All Started with a Boy, p. 16

Speaking of the Orange Revolution
Source: [2004-12-06, Янукович назначил нового руководителя своего штаба и ушел в отпуск, https://www.newsru.com/world/06dec2004/yanuk.html, NewsRU]

"Less and Less Human, O Savage Spirit"
Transport to Summer (1947)