Quotes about monument
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“When a man is dead, they put money in his coffin, erect monuments to his memory, and celebrate the anniversary of his birthday in set speeches. Would they take any notice of him if he were living? No!”

William Hazlitt (1778–1830) English writer

"On Living to One's-Self" Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Money, Birthday, Memory, Dead

“Eschew the monumental. Shun the Epic. All the guys who can paint great big pictures can paint great small ones.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (5–6 January 1932); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Guy, Painting

“I sacrificed to the mania of the age, which is to overload things. My modeling is there, the eloquence of the gesture also. The rest would only spoil the essential things. It is a stroke of genius. I am going to write to the under-secretary of state that my monument is ready.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 309

Age

“Islamic literary sources provide far more extensive evidence of temple destruction by the Muslim invaders of India in medieval times. They also cover a larger area, from Sinkiang and Transoxiana in the North to Tamil Nadu in the South, and from the Seistan province of present-day Iran in the West to Assam in the East. As we wade through this evidence, we can visualise how this vast area, which was for long the cradle of Hindu culture, came to be literally littered with the ruins of temples and monasteries belonging to all schools of Sanãtana Dharma-Bauddha, Jaina, Šaiva, Šãkta, VaishNava and the rest. Archaeological explorations and excavations in modern times have proved unmistakably that most of the mosques, mazãrs, ziãrats and dargãhs which were built in this area in medieval times, stood on the sites of and were made from the materials of deliberately demolished Hindu monuments.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

School, Time

“We mourned with you then in brotherhood,
And I'll weep with you now for those whose names
Burn on your monuments like altar flames.”

Donald Davidson (1893–1968) American poet, essayist, critic and author

Late Answer: A Civil War Seminar

“Even the death of Friends will inspire us as much as their lives. They will leave consolation to the mourners, as the rich leave money to defray the expenses of their funerals, and their memories will be incrusted over with sublime and pleasing thoughts, as monuments of other men are overgrown with moss; for our Friends have no place in the graveyard.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Wednesday

Death, Men, Money, Memory

“This exchange – mainly in the form of letters [between the brothers van Gogh] – was not only about painting and art, but covered everything to do with one's existence and the philosophical or religious colouring, in a word: for the reader of the letters written by Vincent to his brother a total of human behaviour is revealed that of the dual being of van Gogh. This is how my first wish and then obsession was started, to build a monument for the two van Gogh brothers.”

Ossip Zadkine (1890–1967) French sculptor

Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69

Art, Painting

“There is an elegant memorial in Washington to Jefferson, but none to Hamilton. However, if you seek Hamilton's monument, look around. You are living in it. We honor Jefferson, but live in Hamilton's country, a mighty industrial nation with a strong central government.”

George Will (1941) American newspaper columnist, journalist, and author

Restoration: Congress, Term Limits and the Recovery of Deliberative Democracy, Simon & Schuster (c. 1992), Chapter 2, p. 167 : ISBN 0029347130
1990s

Strong, Memory, Country

“The monumental pomp of age
Was with this goodly personage;
A stature undepressed in size,
Unbent, which rather seemed to rise
In open victory o'er the weight
Of seventy years, to loftier height.”

William Wordsworth (1770–1850) English Romantic poet

The White Doe of Rylstone, canto iii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Age, Victory

“As to my body and burial, I do leave it to the disposition and discretion of my executor, hereafter named, but with this special charge, that it be done as privately as may be, without any state, acknowledging myself to be unworthy of the least outward regard in this world, and unworthy of any remembrance, that hath been so great a sinner, and I do further charge and desire that no monument be made for me, but at the utmost a plain stone with this inscription only — Vermis sum.”

William Lenthall (1591–1662) English politician, died 1662

I am a worm.
Last will, as quoted in History of Burford (1891) by William John Monk, p. 131.

World

“His indefatigable exertions in the detection and correction of the great abuses then existing in the management of the York Lunatic asylum, and the formation of another and very extensive establishment for the care and protection of pauper lunatics at Wakefield, will be monuments of his humble spirit and perseverance and philanthropy.”

Godfrey Higgins (1772–1833) British archaeologist

Obituary of Godfrey Higgins, Doncaster Gazette, 16 August 1833.
About

Perseverance

“The most incurably frustrated—and, therefore, the most vehement—among the permanent misfits are those with an unfulfilled craving for creative work. Both those who try to write, paint, compose, etcetera, and fail decisively, and those who after tasting the elation of creativeness feel a drying up of the creative flow within and know that never again will they produce aught worthwhile, are alike in the grip of a desperate passion. Neither fame nor power nor riches nor even monumental achievements in other fields can still their hunger. Even the wholehearted dedication to a holy cause does not always cure them. Their unappeased hunger persists, and they are likely to become the most violent extremists in the service of their holy cause.”

Eric Hoffer book The True Believer

Section 37, Ch.6 Misfits
The True Believer (1951), Part Two: The Potential Converts

Hunger, Feeling, Decision, Passion

“.. a demand which will never be fulfilled as long as artists use individualistic means. 'Unity can only result from disciplining the means, for it is this discipline which produces more generalized means'. The objectification of the means will lead towards elementary, monumental plastic expression. It would be ridiculous to maintain that none of this relates to creative activity. If that were true, art would not be subject to logical discipline.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's text 'Towards elementary plastic expression', as cited in Material zur elementaren Gestaltung, G-1, July 1923; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 141
1920 – 1926

Art

“Thus man passes away; his name perishes from record and recollection; his history is as a tale that is told, and his very monument becomes a ruin.”

Washington Irving book The Sketch Book of Geoffrey Crayon, Gent.

"Westminster Abbey".
The Sketch Book of Geoffrey Crayon (1819–1820)

History

“Gary: Beryl Willard is extremely competent. Beryl Willard has been extremely competent, man and boy, for forty years. In addition to her extreme competence, she has contrived, with uncanny skill, to sustain a spotless reputation for being the most paralysing, epoch-making, monumental, world-shattering, God-awful bore that ever drew breath…I will explain one thing further - it is this. No prayer, no bribe, no threat, no power, human or divine, would induce me to go to Africa with Beryl Willard. I wouldn't go as far as Wimbledon with Beryl Willard.
Liz: What he's trying to say is that he doesn't care for Beryl Willard.”

Noel Coward Present Laughter

Present Laughter (1939)

God, World, Boy

“And the wind shall say: "Here were decent godless people:
Their only monument the asphalt road
And a thousand lost golf balls."”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

People

“Yet the whole structure of the common law is an obvious denial of this theory; it stands as a monument slowly raised, like a coral reef, from the minute accretions of past individuals, of whom each built upon the relics which his predecessors left, and in his turn left a foundation upon which his successors might work.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

Book Review, 35 Harv. L. Rev. 479, 479 (1922) (reviewing Benjamin N. Cardozo's The Nature of the Judicial Process).
Extra-judicial writings

Law, Past

“I do not wish to neutralize the horror I feel at the destruction of Buddhist monuments with the thought that my national leaders did the same thing a decade ago. But I do believe that if this act sparks in us the desire to fight intolerance of all kinds, then surely the Buddha will not have lived and taught in vain.”

Anand Patwardhan (1950) Indian film director

Destruction of Buddhist monuments in Afghanistan and the Babri Masjid http://www.pucl.org/reports/National/2001/buddhist.htm (2001)

Feeling, Fight

“Euclid's work will live long after all the text books of the present day are superseded and forgotten. It is one of the noblest monuments of antiquity; no mathematician worthy of the name can afford not to know Euclid, the real Euclid as distinct from any revised or rewritten versions which will serve for schoolboys or engineers. And, to know Euclid, it is necessary to know his language, and, so far as it can be traced, the history of the "elements" which he collected in his immortal work.”

Thomas Little Heath (1861–1940) British civil servant and academic

The Thirteen Books of Euclid's Elements (1908)

Books, History

“My huge monument to the bombing of Rotterdam [in 1940, by the German aircraft], for instance, was the third and final version of this figure. Once the model had been accepted in principle and the scale agreed on, I began working on a new version of it, conceiving it to a great extent in terms of the effects of the changes of lighting in which such a monument would been seen in the open air.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960 the name of the monument is ( 'Destroyed City', 1953 https://upload.wikimedia.org/wikipedia/commons/4/47/Zadkine_%27s_verwoeste_stad..jpg), in Dutch language: in Dutch: 'De verwoeste Stad'] Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 155

Light, Change

“I propose to create an heroic, monumental style of composition simple enough to inspire all people, completely free from fads, artificial mannerisms and false sophistications, direct, forceful, sincere, always original but never unnatural. Music must be freed from decadence and stagnation. There has been too much emphasis on small things while the great truths have been overlooked. The superficial must be dispensed with. Music must become virile to express big things. It is not my purpose to supply a few pseudo intellectual musicians and critics with more food for brilliant argumentation, but rather to inspire all mankind with new heroism and spiritual nobility. This may appear to be sentimental and impossible to some, but it must be remembered that Palestrina, Handel, and Beethoven would not consider it either sentimental or impossible. In fact, the worthiest creative art has been motivated consciously or unconsciously by the desire for the regeneration of mankind.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness, 1940 Guggenheim Application http://www.hovhaness.com/hovhaness-biography.html

People, Truth, Food, Art

“Are you going to be just kind of a walking monument to a job, or are you going to have some kind of really significant inner life of your own? Because the external things — the job, the house, the this, the that — do not really fill the place inside.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"Robertson Davies: Beyond the Visible World".
Conversations with Robertson Davies (1989)

Life, Housing

“Down there it's still Summer, I suppose, whereas our sun [in Switzerland] is already gilding the mountains and the larches are turning yellow, but the colours are wonderful, like old, dark red satin. Down here in the valley the huts stand out in the strongest Paris blue against the yellow fields. Here one really learns the values of the individual colours for the first time. And the harsh, monumental lines of the mountains.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 13 October 1918; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 223-224
1916 - 1919

Mountain, Learning, Time, Sun

“A Sonnet is a moment's monument,—
Memorial from the Soul's eternity
To one dead deathless hour.”

Dante Gabriel Rossetti The House of Life

Introductory Sonnet.
The House of Life (1870—1881)

Soul, Memory, Dead

“Aurangzeb's purpose in building those three mosques was the same intentionally offensive political purpose that moved the Russians to build their Orthodox cathedral in the city-centre at Warsaw. Those mosques were intended to signify that an Islamic government was reigning supreme, even over Hinduism's holiest of holy places. I must say that Aurangzeb had a veritable genius for picking out provocative sites. Aurangzeb and Philip II of Spain are a pair. They are incarnations of the gloomily fanatical vein in the Christian - Muslim - Jewish family of religions. Aurangzeb - poor wretched misguided bad man - spent a lifetime of hard labour in raising massive monuments to his own discredit. Perhaps the Poles were really kinder in destroying the Russians' self-discrediting monument in Warsaw than you have been in sparing Aurangzeb's mosques.”

Arnold J. Toynbee (1889–1975) British historian, author of A Study of History

Arnold J. Toynbee in 'One World and India' (New Delhi, 1960) pp. 59-60

Family, Religion

“The more immobile Egyptian statues are, the more it seems as if they would move.... immobility of the body does not mean immobility of the flesh; in my model for the monument to Cézanne the whole figure is quiet, but there are several movements in the torso.”

Aristide Maillol (1861–1944) sculptor from France

Source: Conversations with Judith Cladel (1939–1944), pp. 407 – 408

“She stood and turned around and of course there was nothing there. But she could see him standing there, his hands jammed deep into his pockets, that easy, crooked grin on his pleasant-rather-than-handsome face, leaning lanky and at ease against a monument or one of the stone gateposts or maybe just a tree gone red with fall's dying fire.”

Stephen King book The Dead Zone

The Dead Zone (1979)

Tree

“Calcutta, for me, was a particular idea of the modern city, and I found it in many forms, works, and genres. … by ‘modernity’ I have in mind something that was never new. True modernity was born with the aura of inherited decay and life. … if you look at paintings and photographs, and see old films of the city, you notice that these walls and buildings were never new – that Calcutta was born to look more or less as I saw it as a child. I’m not referring here to an air of timelessness; the patina that gave to Calcutta’s alleys, doorways, and houses their continuity and disposition is very different from the eternity that defines mausoleums and monuments. It’s this quality I’m trying to get at when I speak of modernity. … modernity in the nineteenth century is indistinguishable from nature; perhaps it is nature – in some ways, the culvert, which has emerged from the rock, seems more of its place than the mountain itself.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

citation needed
On Modernity

Life, Way, Mountain, Idea

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Life, God, War, Health

“The monument would consist of a Mosque for the worship of the terrorists' monkey-god.”

Mark Williams American conservative activist, radio talk show host and author

Discussing the proposed construction of a Muslim community center a couple blocks from the former site of the World Trade Center on May 20, 2010. (Muslims do not worship a monkey god, they believe Allah is the god portrayed in the Hebrew Bible.)
Source: http://www.nydailynews.com/ny_local/2010/05/19/2010-05-19_tea_party_leader_mark_williams_says_muslims_worship_a_monkey_god_blasts_ground_z.html#ixzz0oSztJ4jD

God

“I'm king of the dead—and I make my throne
On a monument slab of marble cold;
And my scepter of rule is the spade I hold:
Come they from cottage or come they from hall,
Mankind are my subjects, all, all, all!
Let them loiter in pleasure or toilfully spin—
I gather them in, I gather them in!”

Park Benjamin, Sr. (1809–1864) American journalist

The Old Sexton, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Pleasure, Dead

“What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o'er the white death — bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?”

Percy Bysshe Shelley Adonaïs

St. XXXV
Adonais (1821)

Death, Heart, Dead

“What we really need the poet's and orator's I help to keep alive in us is not, then, the common and gregarious courage which Robert Shaw showed when he marched with you, men of the Seventh Regiment. It is that more lonely courage which he showed when he dropped his warm commission in the glorious Second to head your dubious fortunes, negroes of the Fifty-fourth. That lonely kind of courage (civic courage as we call it in times of peace) is the kind of valor to which the monuments of nations should most of all be reared.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Robert Gould Shaw: Oration upon the Unveiling of the Shaw Monument http://www.holycross.edu/departments/english/sluria/wjspeech.htm (31 May 1897) 1910s, Memories and Studies (1911)

Men, Peace, Courage, Time

“I have dedicated this book to the Soviet soldier. It is with his blood and sweat that the victory over the powerful enemy was gained. He knew how to face mortal danger, he displayed a supreme valour and heroism. There is no limit to the greatness of his exploit in the name of his Motherland. The Soviet soldier deserves that grateful humanity should erect him a monument to stand in the ages to come. Brilliant examples were set by officers of all ranks- from junior lieutenants to marshals- ardent patriots of their country, experienced and fearless organizers of the multi-million strong armed forces in military actions. Those who make a difference between the Soviet soldier and officer make a bad mistake, for equal in origin, way of thinking and acting, they are equally loyal to, and are true sons of, their Motherland.”

Georgy Zhukov (1896–1974) Marshal of the Soviet Union

p. 691

Books, Age, Way, Thinking

“Suppose we took a thousand negatives and made a gigantic montage: a myriad-faceted picture containing the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.”

Berenice Abbott (1898–1991) American photographer

Popular Photography, February 1940.

Sadness, Past, Future

“No one hit the ball harder than Frank Howard. He was the strongest I ever saw. I saw him hit a line drive off Whitey Ford at the stadium that Whitey actually jumped for, it was hit that low. It ended up hitting the speakers behind the monuments in dead center. I told Whitey later that it was lucky he didn't catch it because it would have drug him to death.”

Mickey Mantle (1931–1995) Professional baseball player

As quoted in "IT'S OUTTA HEEERRE!!!: A New Generation of Sluggers Invites Tape-Measure Comparisons" http://articles.latimes.com/1986-07-21/sports/sp-26487_1_home-run.

Death, Dead

“Among the names of those who have led the great advance of the industrial arts during the past thirty years, that of Frederick Winslow Taylor will hold an increasingly high place. Others have led in electrical development, in the steel industry, in industrial chemistry, in railroad equipment, in the textile arts, and in many other fields, but he has been the creator of a new science, which underlies and will benefit all of these others by greatly increasing their efficiency and augmenting their productivity. In addition, he has literally forged a new tool for the metal trades, which has doubled, or even trebled, the productive capacity of nearly all metal-cutting machines. Either achievement would entitle him to high rank among the notable men of his day; — the two combined give him an assured place among the world's leaders in the industrial arts.
Others without number have been organizers of industry and commerce, each working out, with greater or less success, the solution of his own problems, but none perceiving that many of these problems involved common factors and thus implied the opportunity and the need of an organized science. Mr. Taylor was the first to grasp this fact and to perceive that in this field, as in the physical sciences, the Baconian system could be applied, that a practical science could be created by following the three principles of that system, viz.: the correct and complete observation oi facts, the intelligent and unbiased analysis of such facts, and the formulating of laws by deduction from the results so reached. Not only did he comprehend this fundamental conception and apply it; he also grasped the significance and possibilities of the problem so fully that his codification of the fundamental principles of the system he founded is practically complete and will be a lasting monument to its founder.”

Henry R. Towne (1844–1924) American engineer

Henry R. Towne, in: Frank Barkley Copley, Frederick W. Taylor, father of scientific management https://archive.org/stream/frederickwtaylor01copl, 1923. p. xii.

Men, World, Law, Art

“The whole history of lamentation, and mourning, and woe, from the beginning of the world—the funeral ceremonies in which the living symbolize the intensity of their grief—the monuments they rear to tell the world for centuries to come of the calamity they have suffered from the stroke of death—are enduring attestations that it is not so much in the removal of one sentient and living being off the earth, as in the change—the calamitous change to the survivors—that death is truly the King of Terrors.”

Robert Chambers (publisher, born 1802) (1802–1871) Scottish publisher and writer

Source: Sanitary Economy (1850), p. 13

Death, World, History, Suffering

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Life, Beauty, Color, Way

“Earlier Versions. Luther was not the first, but by far the greatest translator of the German Bible, and is as inseparably connected with it as Jerome is with the Latin Vulgate. He threw the older translation into the shade and out of use, and has not been surpassed or even equaled by a successor. There are more accurate versions for scholars (as those of De Wette and Weizsäcker), but none that can rival Luther's for popular authority and use.
The civilization of the barbarians in the dark ages began with the introduction of Christianity, and the translation of such portions of the Scriptures as were needed in public worship.
The Gothic Bishop Wulfila or Wölflein (i. e., Little Wolf) in the fourth century translated nearly the whole Bible from the Greek into the Gothic dialect. It is the earliest monument of Teutonic literature, and the basis of comparative Teutonic philology.”

Philip Schaff (1819–1893) American Calvinist theologian

Ulfilas's Gothic translation

Age, Literature, Wolf

“I did not call him "Fritz." To me he remained always "Professor Hayek," despite his own graciousness in treating me as a peer. I shall not attempt to evaluate Professor Hayek's monumental contribution to our understanding of the events of this turbulent century, to the influence of his ideas on these events themselves or even to the development of economic theory in a strictly scientific sense.”

James M. Buchanan (1919–2013) American economist

"I did not call him “Fritz”: Personal recollections of Professor F. A. v. Hayek." Constitutional Political Economy 3.2 (1992): 129-135.

Idea, Understanding, Sense

“I was introduced to the great philosophical systems of the past to which the Western universities have given their blessing, arranging and classifying them with the delicate care lavished on museum pieces. When once these systems were so handled, it was natural that they should be regarded as monuments of human intellection. And monuments, because they mark achievements at their particular point in history, soon become conservative in the impression which they make on posterity. I was introduced to Plato, Aristotle, Descartes, Kant, Hegel, Schopenhauer, Nietzsche, Marx and other immortals, to whom I should like to refer as the university philosophers. But these titans were expounded in such a way that a student from a colony could easily find his breast agitated by Conflicting attitudes. These attitudes can have effects which spread out over a whole society, should such a student finally pursue a political life. A colonial student does not by origin belong to the intellectual history in which the university philosophers are such impressive landmarks. The colonial student can be so seduced by these attempts to give a philosophical account of the universe, that surrenders his whole personality to them. When he does this, he loses sight of the fundamental social fact that he is a colonial subject. In this way, he omits to draw from his education and from the concern displayed by the great philosophers for human problems, anything which he might relate to the very real problem of colonial domination, which, as it happens, conditions the immediate life of every colonized African. With single-minded devotion, the colonial student meanders through the intricacies of the philosophical systems. And yet these systems did aim at providing a philosophical account ofthe world in the circumstances and conditions of their time. For even philosophical systems are facts of history. By the time, however, that they come to be accepted in the universities for exposition, they have lost the vital power which they had at their first statement, they have shed their dynamism and polemic reference. This is a result of the academic treatment which they are given. The academic treatment is the result of an attitude to philosophical systems as though there was nothing to them hut statements standing in logical relation to one another. This defective approach to scholarship was suffered hy different categories of colonial student. Many of them had heen handpicked and, so to say, carried certificates ofworthiness with them. These were considered fit to become enlightened servants of the colonial administration. The process by which this category of student became fit usually started at an early age, for not infrequently they had lost contact early in life with their traditional background. By reason of their lack of contact with their own roots, they became prone to accept some theory of universalism, provided it was expressed in vague, mellifluous terms. Armed with their universalism, they carried away from their university courses an attitude entirely at variance with the concrete reality of their people and their struggle. When they came across doctrines of a combative nature, like those of Marxism, they reduced them to arid abstractions, to common-room subtleties. In this way, through the good graces oftheir colonialist patrons, these students, now competent in the art of forming not a concrete environmental view of social political problems, but an abstract, 'liberal' outlook, began to fulfil the hopes and expectations oftheir guides and guardians.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

Source: Consciencism (1964), Introduction, pp. 2-4.

Life, People, Age, World

“As I flew over the Shahyad monument, I saw that one corner was completely dark. A moment later I realized this black mass was a mass of Iranian women, women who had achieved one of the highest levels of emancipation in the Middle East. Here they were in the mournful black chador their grandmother had worn. My god, I thought, is this how it ends?”

Ashraf Pahlavi (1919–2016) Iranian royal

In a memoir, Faces in a Mirror, p. 205 (1981)

Women, God

“Why are we seeing George Bush on TV every two hours for nine or ten days at a time, like some kind of mutated Mr. Rogers clone? Something is dangerously wrong in any country where a monumentally-failed backwoods politician can scare our national TV networks so totally that they will give him anything he wants.”

Hunter S. Thompson (1937–2005) American journalist and author

"The Bush League" (9 September 2003)
2000s

Time, Country

“The monument outlasting bronze was promised well by bards of old.”

Francis Turner Palgrave (1824–1897) English poet and critic

The Ancient And Modern Muses

“The outstanding personalities of Euclid and Archimedes demand chapters to themselves. Euclid, the author of the incomparable Elements, wrote on almost all the other branches of mathematics known in his day. Archimedes's work, all original and set forth in treatises which are models of scientific exposition, perfect in form and style, was even wider in its range of subjects. The imperishable and unique monuments of the genius of these two men must be detached from their surroundings and seen as a whole if we would appreciate to the full the pre-eminent place which they occupy, and will hold for all time, in the history of science.”

Thomas Little Heath (1861–1940) British civil servant and academic

Preface p. viii
A History of Greek Mathematics (1921) Vol. 1. From Thales to Euclid

Men, History, Mathematics, Science

“Street design up to the time of the Regency will be found to be loyal, in principle, to what had been developed in Bath. The two most important names in English planning during the period are those of Robert Adam and George Dance II, whose careers will be dealt with in the chapters which follow. Both of them recognized the principle of the monumentally treated block of ordinary houses, with centre and wings emphasized, as the proper solution of the urban street problem.”

John Summerson (1904–1992) British architectural historian

Architecture in Britain, 1530–1830

Problem, Time, Dance, Housing

“At the apogee of the state's evolution, architecture was monumental, and the ruling class were exalted as a pseudospecies. The sacred rites of statehood became the central focus of religion.”

Edward O. Wilson book On Human Nature

On Human Nature (1978), Ch.4 Emergence

Religion

“The expense of a monument is superfluous; my memory will endure if my actions deserve it.”
Impensa monumenti supervacua est; memoria nostri durabit, si vita meruimus.

Pliny the Younger (61–113) Roman writer

Letter 19, 6; quoting Frontinus.
Letters, Book IX

Memory

“Abraham Lincoln was self-educated. His curriculum included Shakespeare, the Bible, Euclid and the Declaration of Independence, the monuments to the freedom of the human soul, the possession not of western man, but of a humanity compounded of all colors and every condition. In Independence Hall on February 22, 1861, Lincoln asked what it was, above all else, that went forth to the world on July 4, 1776. It was not, he said, the mere matter of the separation of the colonies from the motherland, but something in that Declaration giving hope to the world for all future time. The declaration gave promise that in due time the weights would be lifted from the shoulders of all men, and that all would have an equal chance. These are the principles upon which the Republican Party must stand, in 1996 no less than in 1860.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

1990s, The Party of Lincoln vs. The Party of Bureaucrats (1996)

Men, World, Education, Hope

“Sad to see the history and culture of our great country being ripped apart with the removal of our beautiful statues and monuments. You can't change history, but you can learn from it. Robert E Lee, Stonewall Jackson - who's next, Washington, Jefferson? So foolish!”

Donald J. Trump (1946) 45th President of the United States of America

Tweets by @realDonaldTrump https://twitter.com/realDonaldTrump/status/898169407213645824 (17 August 2017) 2010s, 2017, August

Sadness, Beauty, History, Learning

“I am not so much angry as trying to find my own voice in the world, to find enough courage to speak up in the first place, then to go forth and use it, which both are monumental tasks and require more confidence than you'd think.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, SPEAKING UP

World, Confidence, Courage, Thinking

“One problem the museum has always had in the eyes of some cadets is its worship of General Mark Clark. One whole room of the museum is dedicated to the propagation of Clark's exploits through two wars. The room itself is dark, an inner sanctum lit with tabernacle lights, and smoking with a kind of mystical incense which seems to compliment the godly aura of the man himself… Statues of Clark, pictures of Clark, letters from Clark, letters to Clark, speeches by Clark, and a seemingly endless amount of Clark memorabilia helps make the museum a monument to his career. If any pictures were available of Clark walking on water or changing wine into water, they would be dutifully placed in the museum by people who suffer guilt feelings that The Citadel has never produced an international figure of its own.”

Pat Conroy book The Boo

Source: The Boo (1970), p. 95

War, People, Feeling, Problem

“What interests me is the transformation, not the monument. I don't construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is the moment when things can start again.”

Anselm Kiefer (1945) German painter and sculptor

Quoted in Huffington Post http://www.huffingtonpost.com/joshua-schwartz/in-the-beginning-there-was-not_b_1703387.html

Feeling

“As I get older the urge to write gets less and less; I've pretty much spewed out everything I have to say, none of which has been particularly monumental; nothing that will stand the test of time. Good writing like wine has to age well, and my stuff has been momentarily adequate.”

Rod Serling (1924–1975) American screenwriter

Rod Serling: American Masters.
Other

Age, Wine, Time

“It isn't necessary to make things large to make them monumental; a head by Giacometti one inch high would be able to vitalize this whole space.”

Hans Hofmann (1880–1966) American artist

As quoted in Can Painting be Taught by Dorothy Seckler, Art News No. 50 (March 1951), p. 64
1950s

“They are their own monuments, as is this quietly thrilling sentence.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 9, Last Sentences, p. 130

“Beneath are deposited the remains of Lieut-Colonel Valentine Blacker, Companion of the Bath, of the Light Cavalry on the establishment of Fort Saint George. During ten years, Quarter Master General of the Madras Army, and subsequently Surveyor General of India. Obit. iv. February MDCCCXXVI. Aet. xl. Lieutenant-Colonel Blacker was an Officer distinguished alike for professional ability, for public zeal, for private worth, and for manliness of character. In testimony thereof his friends and comrades have caused this monument to be erected to his memory.”

Valentine Blacker (1778–1826) British colonial administrator

Gravestone.
About

Light, Memory

“The boast of the modern Indian that he is of the same race as his English ruler, is entirely without basis in fact, and the little dark native lives amid the monuments of a departed grandeur, professing the religion and speaking the tongue of his long forgotten Nordic conquerors, without the slightest claim to blood kinship.”

Madison Grant book The Passing of the Great Race

Page 64.
The Passing of the Great Race (1916)

Religion

“The absence of a monument can, in its own way, be something of a monument also.”

Roger Zelazny book This Immortal

Source: This Immortal (1965), p. 60

Way

“We see human heroism broken into units and say, this unit did little – might as well not have been. But in this way we might break up a great army into units; in this way we might break the sunlight into fragments, and think that this and the other might be cheaply parted with. Let us rather raise a monument to the soldiers whose brave hearts only kept the ranks unbroken and met death – a monument to the faithful who were not famous, and who are precious as the continuity of the sunbeams is precious, though some of them fall unseen and on barrenness.”

George Eliot book Felix Holt, the Radical

Source: Felix Holt, the Radical (1866), Chapter 16 (at page 158)

Death, Faith, Way, Thinking

““It would take an entire nation a thousand years to build something this vast. No monument so huge can be a good thing.”
“I don’t understand.”
“Only a very great evil could remain so single of purpose, so uncaring of cost, as to create something so ultimately useless.””

Glen Cook book She Is the Darkness

Source: She Is the Darkness (1997), Chapter 103 (p. 650)

Understanding, Evil

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Thomas Frank book What's the Matter with Kansas?

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

Money, War, People, World

“The supremacy of the verbal over the monumental has something about it of the supremacy of life over death.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 200

Life, Death

“The slow-rising central horror of "Watergate" is not that it might grind down to the reluctant impeachment of a vengeful thug of a president whose entire political career has been a monument to the same kind of cheap shots and treachery he finally got nailed for, but that we might somehow fail to learn something from it.”

Hunter S. Thompson (1937–2005) American journalist and author

Rolling Stone (2 August 1973)
1970s

Learning

“That it was actual and serious in France as in the Senate Chamber at Washington, proved itself at once by forcing Adams to buy an automobile, which was a supreme demonstration because this was the form of force which Adams most abominated. He had set aside the summer for study of the Virgin, not as a sentiment but as a motive power, which had left monuments widely scattered and not easily reached. The automobile alone could unite them in any reasonable sequence, and although the force of the automobile, for the purposes of a commercial traveller, seemed to have no relation whatever to the force that inspired a Gothic cathedral, the Virgin in the twelfth century would have guided and controlled both bag-man and architect, as she controlled the seeker of history.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Travel, History, Motivation, Study

“As a Macedonian [Philip] was looked down upon by the more refined Athenians, but they shared the same Hellenistic culture. How deep this went is evident in aesthetically the least spectacular, but politically the most explosive, of the finds in Vergina. In the Great Tumulus above Philip's tombs, which was raised by the invading Galatians in 274 BC, the archaeologists found fragments of no fewer than seventy-five funeral monuments, or stelai. The names on these were entirely Greek, save two which appeared to be Hellenised versions of Thracian and Phoenician names. The implication is that Philip's Macedonia was thoroughly Hellenised, an outpost of classical Greek culture.”

Robert Fox

The Inner Sea: The Mediterranean and its People, (Sinclair-Stevenson, London, 1991) pp. 229-230

Appearance

“There towers to the sky a monument of four million pairs of human fetters taken from the arms of slaves, and I read on its little headstone this, 'Sacred to the memory of Human Slavery'. For forty years of its infamous life the Democratic Party taught that it was divine; God's institution. They defended it, they stood around it, they followed it to its grave as a mourner. But here it lies, dead by the hand of Abraham Lincoln; dead by the power of the Republican Party, dead by the justice of Almighty God. Don't camp there, young man. That is no place in which to put your young life. Come out, and come over into this camp of liberty, of order, of law, of justice, of freedom, of all that is glorious under these night stars.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1870s, An Appeal to Young Men (1879)

Life, God, Justice, Law

“The tide of undecipherable signatures of mutinous adolescents which has washed over and bitten into the facades of monuments and the surface of public vehicles in the city where I live: graffiti as an assertion of disrespect, yes, but most of all simply an assertion… the powerless saying: I'm here, too.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"The Pleasure of the Image" (1985) from Writers on Artists edited by Daniel Halpern (1988), p. 98, North Point Press ISBN 0-86547-340-4

“Mathematics is an ancient discipline. For as long as we can reliably reach into the past, we find its development intimately connected with the development of the whole of our civilization. For as long as we have a record of man's curiosity and his quest for understanding, we find mathematics cultivated and cherished, practiced and taught. Throughout the ages it has stood as an ultimate in rational thought and as a monument to man's desire to probe the workings of his own mind.”

Mark Kac (1914–1984) Polish-American mathematician

Postscript, p. 150.
Enigmas Of Chance (1985)

Age, Mathematics, Understanding, Past

“The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall; nations perish; civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and yet live on, still young, still as fresh as the day they were written, still telling men’s hearts of the hearts of men centuries dead.

And even the books that do not last long, penetrate their own times at least, sailing farther than Ulysses even dreamed of, like ships on the seas. It is the author’s part to call into being their cargoes and passengers,—living thoughts and rich bales of study and jeweled ideas. And as for the publishers, it is they who build the fleet, plan the voyage, and sail on, facing wreck, till they find every possible harbor that will value their burden.”

Clarence Day (1874–1935) American writer

The Story of the Yale University Press Told by a Friend (1920), pp. 7–8.

Men, Books, World, Dreams

“Writers don’t so much write about their own lives as create them, Barthes said; it’s an oddly modern idea. Bengalis, similarly, had to make their own history. They did it in houses, tenements, and in neighbourhoods connected by stifling alleys that are no wider than a small room … And this is why I feel, even now, that the most revealing places in Calcutta are not the museums or the great monuments … but the houses and lanes in which people live.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Calcutta: Two Years in The City (2013)

People, Feeling, History, Idea

“God does have this self-serving habit of putting all blame for His own mistakes on other people, doesn't He? He picks someone arbitrarily, unbidden, right out of the blue so to speak, and levies upon them tasks of monumental difficulty for which we don't always measure up in every particular, then charges US for HIS error in selecting imperfectly. He tends to forget that we are no more infallible than He is.”

Joseph Heller book God Knows

God Knows (1984)

God, People, Error, Forgetting

“In our day and generation let us seek to raise and improve the moral sentiment, so that we may look, not for a degraded, but for an elevated and improved future…. And then, when honored and decrepit age shall lean against the base of this monument, and troops of ingenuous youth shall be gathered round it, and when the one shall speak to the other of its objects, the purposes of its construction, and the great and glorious events with which it is connected, there shall rise from every youthful breast the ejaculation, "Thank God, I — I also — am an American!"”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Source: On the Completion of the Bunker Hill Monument (1843), p. 107

God, Youth, Age, Future

“At the end of the Washington Monument rally in September, 1976, I was admitted to the second entering class at Unification Theological Seminary. During the next two years, I took a long prayer walk every evening. I asked God what He wanted me to do with my life, and the answer came not only through my prayers, but also through Father's many talks to us, and through my studies. Father encouraged us to set our sights high and accomplish great things. He also spoke out against the evils in the world; among them, he frequently criticized Darwin's theory that living things originated without God's purposeful, creative activity. My studies included modern theologians who took Darwinism for granted and thus saw no room for God's involvement in nature or history; in the process, they re-interpreted the fall, the incarnation, and even God as products of human imagination. Father's words, my studies, and my prayers convinced me that I should devote my life to destroying Darwinism, just as many of my fellow Unificationists had already devoted their lives to destroying Marxism. When Father chose me (along with about a dozen other seminary graduates) to enter a Ph. D. program in 1978, I welcomed the opportunity to prepare myself for battle.”

Jonathan Wells (1942) American intelligent design advocate

Darwinism: Why I Went for a Second Ph.D. http://www.tparents.org/library/unification/talks/wells/DARWIN.htm

Life, God, World, Imagination

“Art is created in a state of delirium. Anyting else is the restoration of monuments. Collectors are artist that do not have a home. they have to make one for themselves.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 226 (2003)

Art, Home

“Architects and engineers are among the most fortunate of men since they build their own monuments with public consent, public approval and often public money.”

John Prebble (1915–2001) British writer

John Prebble, in Disaster at Dundee http://books.google.co.in/books?id=WSxIAAAAMAAJ, 1956. p. 16.

Men, Money

“I thought his lack of curiosity must be monumental, but I was wrong. It turned out that he had some queer notions about the morality of the whole process, ideas he had gotten from some weirdly aberrant religion in his childhood. I had heard of the cult, as you can hardly avoid it if you know any history. It had said little about ethics, being more interested in arbitrary regulations.”

John Varley book The Barbie Murders

"Picnic on Nearside", in Peter Crowther ed. Tales in Space, p. 286

Religion, History, Idea, Childhood

“If I had taken the smooth road already paved by someone else, my career wouldn't have been so challenging and exciting, and because I walked on this untouched path, the joy or victory was also monumental.”

Prito Reza (1984) Photographer

Victory, Joy

“Well, it's the only picture I ever wanted to own ['Three Bathers' of Cézanne ]. It's a Cézanne and the joy of my life. I saw it about a year ago in an exhibition and I was stunned by it. I didn’t sleep for two or three nights trying to decide whether to... To me it is marvelous. Monumental... It's not perfect, it’s a sketch. But then I don't like absolute perfection. I believe one should make a struggle towards something one can't do rather than do the thing that comes easily. Perhaps another reason is why I fell for it is that the type of woman he portrays is the same kind as I like. Each of the figures I could turn in into a piece of sculpture, very simple. Not young girls but that wide, broad, mature woman. Matronly.”

Henry Moore (1898–1986) English artist

1955 - 1970

Life, Girl, Sleep, Joy

“Those who do monumental work don't need monuments.”

Baba Amte (1914–2008) Indian freedom fighter, social worker

After 50 years what democracy is this?

“Legenda Aurea. To think that there's no Catholic edition of this most Catholic book!… Richard Benz sees it as epic and myth of the Middle Ages, exact parallel to the Gothic cathedrals. Sunk into oblivion with the epoch, rediscovered through the history of art, in the countless painters inspired by the Legend. Wonderful, costly and beautiful - but belonging utterly to the past, monument, museum: venerable, interesting, imposing - tout à fait passé.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59

Books, Age, Beauty, Art

“The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow.”

Percy Bysshe Shelley Adonaïs

St. XXX
Adonais (1821)

“This occasion is dedicated to freedom. The people of Baltimore, and of Maryland, are gathered here in that spirit. Because Americans cherish that sentiment they cherish the name of Lafayette. On the anniversary of his birth, we are gathered about his statue in this proud city which we know he loved, almost in the shadow of the stately monument reared to his great friend Washington, to rededicate ourselves to the inspiring memory of a true son of world freedom.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ordered Liberty and World Peace (1924)

Love, People, World, Birth

“On the Indian front, [the Hindutva movement] should spearhead the revival, rejuvenation and resurgence of Hinduism, which includes not only religious, spiritual and cultural practices springing from Vedic or Sanskritic sources, but from all other Indian sources independently of these: the practices of the Andaman islanders and the (pre-Christian) Nagas are as Hindu in the territorial sense, and Sanâtana in the spiritual sense, as classical Sanskritic Hinduism. (…) A true Hindutvavadi should feel a pang of pain, and a desire to take positive action, not only when he hears that the percentage of Hindus in the Indian population is falling due to a coordination of various factors, or that Hindus are being discriminated against in almost every respect, but also when he hears that the Andamanese races and languages are becoming extinct; that vast tracts of forests, millions of years old, are being wiped out forever; that ancient and mediaeval Hindu architectural monuments are being vandalised, looted or fatally neglected; that priceless ancient documents are being destroyed or left to rot and decay; that innumerable forms of arts and handicrafts, architectural styles, plant and animal species, musical forms and musical instruments, etc. are becoming extinct; that our sacred rivers and environment are being irreversibly polluted and destroyed…”

Shrikant Talageri (1958) Indian author

Talageri in S.R. Goel (ed.): Time for Stock-Taking, p.227-228.

Pain, Art, Music, Feeling

“No monument should stand over my grave, only an apple-tree, in memory of the three apples; the two of Eve and Paris, which made hell out of earth, and that of I. Newton, which elevated the earth again into the circle of heavenly bodies.”

Farkas Bolyai (1775–1856) Hungarian mathematician

As quoted by Florian Cajori, A History of Mathematics (1893) p. 303, citing Franz Schmidt, "Aus dem Leben zweier ungarischer Mathematiker Johann und Wolfgang Bolyai von Bolya," Grunert's Archiv, 48:2, 1868.

Hell, Tree, Memory

“In October 1945 I returned from America, where I had stayed during the war. I arrived in Le Havre, full of ruins, a carcass of a city. It took one night to reach Paris on a train with no windows. That night I got the idea for the monument. I sketched it on paper and forgot about it, until I visited Rotterdam for the first time in 1947. I saw a city without a heart. I saw a crater in the body of a city. And I remembered that night, the sketches. I made a small terracotta model and sent it to an exhibition of French art in Germany.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine from interview in 'Het Vrije Volk', (Dutch newspaper), 4 July 1950; as cited in 'Unveiling of the Dutch City https://www.wederopbouwrotterdam.nl/en/tijdlijn/unveiling-of-the-destroyed-city/ Ossip Zadkine explained in 1950 the genesis of his large bronze sculpture 'Destroyed City', commissioned by the city Rotterdam 1940 - 1960

War, Art, Idea, Time

“Via legislation, administrative measures and public policies with a rights-based perspective, we can reverse situations of inequity. The work is monumental, urgent and difficult because we are dealing with people who are in highly vulnerable situations. The work, however, is worth it because it brings us closer to having better democracies and better societies.”

Geovanny Vicente (1986) Political Strategist, lawyer, international consultant, columnist and university professor

[https://blogs.iadb.org/sostenibilidad/en/2016/05/18/four-natural-treasures-in-latin-america-and-the-caribbean-that-need-your-help/

People, Democracy

“For some time now it has been clear that intermedia art is trending toward that point at which all the phenomena of life on earth will constitute the artist’s palette. It is the purpose of this chapter to illuminate the direction of that trend and to cite a few pertinent examples. As with all other Paleocybernetic phenomena, the direction is simultaneously toward inner and outer space, the microcosm and the macrocosm. On the one hand, intermedia environments turn the participant inward upon himself, providing a matrix for psychic exploration, perceptual, censorial, and intellectual awareness; on the other hand technology has advanced to the point at which the whole earth itself becomes the “content” of aesthetic activity. The term “light show” must now be expanded virtually to include the aurora borealis, since hemispherical lumia displays are possible in the creation of artificial plasma clouds in space (see color plates), the launching of rockets to generate atmospherical events, or urban environmental generators such as Nicholas Schoffer’s monumental Cybernetic Light Tower, which transforms the skies of Paris into panoramic fantasias of color.”

Gene Youngblood book Expanded Cinema

Source: Expanded Cinema, 1970, p. 348; The Artist as Ecologist http://www.screeningthepast.com/2011/11/the-artist-as-ecologist/

Life, Art, Color, Light

“And the evening of the big Vanity Fair arrived... Perre Rathbone and innumerable people received me in enormous halls. The reporter shot pictures and Mrs. Beckmann [Quappi, his wife] grinned – - o-la-La.... The whole story is a monumental caprice of my situation in Germany before the Nazi's.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

IBeckmann's diary-notes, Saint Louis, 6 October 1947; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 89
1940s

People

“The fate of our times is characterized by rationalization and intellectualization and, above all, by the disenchantment of the world. Precisely the ultimate and most sublime values have retreated from public life either into the transcendental realm of mystic life or into the brotherliness of direct and personal human relations. It is not accidental that our greatest art is intimate and not monumental.”

Max Weber (1864–1920) German sociologist, philosopher, and political economist

"Science as a Vocation" (1917)

Life, Fate, World, Art

“In contrast to the old monumental art [the book] itself goes to the people, and does not stand like a cathedral in one place waiting for someone to approach…. [The book is the] monument of the future.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

c. 1930
Wikipedia: El Lissitzky, note [2]
1926 - 1941

People, Books, Art, Waiting

“It was the tragedy of modernist artists, Left or Right, that the much more effective political commitment of their own mass movements and politicians - not to mention their adversaries - rejected them. With the partial exception of Futurist-influenced Italian fascism, the new authoritarian regimes of both Right and Left preferred old-fashioned and gigantic monumental buildings and vistas in architecture, inspirational representations in both painting and sculpture, elaborate performances of the classics on stage, and ideological acceptability in literature.”

Eric Hobsbawm book The Age of Extremes

The Arts 1914-1945
The Age of Extremes (1992)

Literature, Fashion, Painting

“Attempts to juggle domestic responsibilities with artistic production have often resulted in smaller bodies of work, and often works smaller in scale, than those produced by male contemporaries. Yet art history continues to privilege prodigious output and monumental scale or conception over the selective and the intimate.”

Whitney Chadwick (1943)

Women, Art, and Society: Fourth Edition (2007) ISBN 0-500-20393-8

Art, History

“For the first time in the history of our people, and in the history of the whole American people, we join in this high worship, and march conspicuously in the line of this time-honored custom. First things are always interesting, and this is one of our first things. It is the first time that, in this form and manner, we have sought to do honor to an American great man, however deserving and illustrious. I commend the fact to notice; let it be told in every part of the republic; let men of all parties and opinions hear it; let those who despise us, not less than those who respect us, know that now and here, in the spirit of liberty, loyalty, and gratitude, let it be known everywhere, and by everybody who takes an interest in human progress and in the amelioration of the condition of mankind, that, in the presence and with the approval of the members of the American House of Representatives, reflecting the general sentiment of the country; that in the presence of that august body, the American Senate, representing the highest intelligence and the calmest judgment of the country; in the presence of the Supreme Court and Chief-Justice of the United States, to whose decisions we all patriotically bow; in the presence and under the steady eye of the honored and trusted President of the United States, with the members of his wise and patriotic Cabinet, we, the colored people, newly emancipated and rejoicing in our blood-bought freedom, near the close of the first century in the life of this republic, have now and here unveiled, set apart, and dedicated a monument of enduring granite and bronze, in every line, feature, and figure of which the men of this generation may read, and those of aftercoming generations may read, something of the exalted character and great works of Abraham Lincoln, the first martyr President of the United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Life, Men, People, Justice

“I regret I no longer have the years of youth needed to create a beautiful series of views of this place, which would in any case be rather difficult to paint due to the monuments, which require a good draughtsmanship and long stays in the city, like Ziem used to do in the past.”

Eugène Boudin (1824–1898) French painter

Quote of Boudin from Venice, c. 1893-94; as cited in 'Venice, The Grand Canal', by Anne-Marie Bergeret-Gourbin https://www.museothyssen.org/en/collection/artists/boudin-eugene/venice-grand-canal, Museo Thyssen 1880s - 1890s

Youth, Beauty, Past, Painting

“With hindsight, one can perhaps see that unachievable projects were the right monuments to an ideal. Because they were not built, they could not be destroyed.”

Robert Hughes (1938–2012) Australian critic, historian, writer

Source: The Shock of the New (1981), p. 92

“For example, Monstuart Elphinstone, a Governor of Bombay, suggested in his Minute dated 14 May 1859: “Divide et Impera was the old Roman motto, and it should be our”. Given the circumstances, it would have been foolish of any imperialist power not to follow such a policy. But for achieving this aim there was no need for them to distort Indian history. British historians had just to reiterate what the Muslim chroniclers themselves had written about the “glorious achievements” of their kings and conquerors. Their stories needed no proof: they stood confirmed by the hundreds of vandalised medieval monuments. The mistake lay with the misjudgement of our Congress-culture Government and the so-called secularist and Stalinist historians. They chose to treat history as a handmaid of politics to please the Muslim minority. They instructed their text-book writers to eschew mention of unpalatable historical facts like destruction of temples and forced conversions by Muslims in history, language and social science. But perpetration of lies has proved counter-productive. It has encouraged Muslims to ask for proof as to when Babur or Aurangzeb broke this or that temple, knowing full well that such shrines were actually vandalised and razed.”

K. S. Lal book The Legacy of Muslim Rule in India

Source: The Legacy of Muslim Rule in India (1992), Chapter 8

Books, History, Science

“The second conception of the world via the medium of matter required both a visual and a tactile perception of things. In this case the whole design process tends to emanate from the specific characteristics of the respective medium used. The leader of this movement (Tatlin) assumed.... that the intuitive and artistic mastery of materials would lead to inventions on the basis of which objects could be constructed. He believed he could prove this theory with his design for the 'Monument to the Third International' (1920), [never built]. He accomplished this task without having any special technical knowledge of construction.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Basic Premises'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

World, Knowledge