Quotes about moment

page 46

Book V, Ch. 3 dates that his Third Law of Planetary Motion occurred to him, translation by E. J. Aiton, A. M. Duncan, and J. V. Field, The Harmony of the World (1997), Vol. 209, p. 411
Variant translation: A fresh assault overcame the darkness of my reason...
As quoted in Calculus. Multivariable (2006) by Steven G. Krantz and Brian E. Blank. p. 126
Harmonices Mundi (1618)
Context: If you want the exact moment in time, it was conceived mentally on 8th March in this year one thousand six hundred and eighteen, but submitted to calculation in an unlucky way, and therefore rejected as false, and finally returning on the 15th of May and adopting a new line of attack, stormed the darkness of my mind. So strong was the support from the combination of my labour of seventeen years on the observations of Brahe and the present study, which conspired together, that at first I believed I was dreaming, and assuming my conclusion among my basic premises. But it is absolutely certain and exact that "the proportion between the periodic times of any two planets is precisely the sesquialterate proportion of their mean distances..."

Slovenia v. United States https://www.listenonrepeat.com/watch/?v=GKij589kEiI (18 June 2010).
2010s, 2010, 2010 FIFA World Cup
Context: Certainly rolling the dice now. Bob Bradley as he had to, really. Here's his son, Michael Bradley. Decent effort. Donovan, the man whose goal has given the United States at least hope. Altidore to lay it down, Bradley! Bradley, has done it! USA are level! The comeback kings, strike again! Michael Bradley, for the USA! What a moment! 'Thank you son', says Bob Bradley. And I think the whole of the United States of America, says 'thank you' too. To Michael Bradley.

Section 9 : Ethical Outlook
Founding Address (1876), Life and Destiny (1913)
Context: The frontier of the higher life is everywhere contiguous to the common life, and we can cross the border at any moment. The higher life is as real as the grosser things in which we put our trust. But our eyes must be anointed so that we may see it.
The office of the religious teacher is to be a seer, and to make others see, and thus to win them into the upward way.

Political questionnaire response (1952)
Context: I was brought up to believe that there is no virtue in conforming meekly to the dominant opinion of the moment. I was encouraged to believe that simple conformity results in stagnation for a society, and that American progress has been largely owing to the opportunity for experimentation, the leeway given initiative, and to a gusto and a freedom for chewing over odd ideas.

From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981) , p. 112
1980s
Context: When conventions are old, there's quite a good reason, it's not arbitrary. So Picasso discovered that, as it were, and I'm sure that for him that was probably almost as exciting as discovering Cubism, rediscovering conventions of ordinary appearance, one-point perspective or something. The purists think you're going backwards, but I know you'd go forward. Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same. The Renaissance is not the same as ancient Greece; the Gothic revival is not the same as Gothic. It might look like that at first, but you can tell it's not. The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be.

Improvisation for the Theater 1963), page 4

"On Death, Without Exaggeration"
Poems New and Collected (1998), The People on the Bridge (1986)
Context: There's no life
that couldn't be immortal
if only for a moment.Death
always arrives by that very moment too late.In vain it tugs at the knob
of the invisible door.
As far as you've come can't be undone.

D-503
We (1921)

Open letter to US President Donald Trump (2018)
Context: A good leader tries to embody the best qualities of his or her organization. A good leader sets the example for others to follow. A good leader always puts the welfare of others before himself or herself.
Your leadership, however, has shown little of these qualities. Through your actions, you have embarrassed us in the eyes of our children, humiliated us on the world stage and, worst of all, divided us as a nation.
If you think for a moment that your McCarthy-era tactics will suppress the voices of criticism, you are sadly mistaken.

Bk. III, ch. 8.
1830s, Sartor Resartus (1833–1834)
Context: But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME. These, as spun and woven for us from before Birth itself, to clothe our celestial ME for dwelling here, and yet to blind it, — lie all-embracing, as the universal canvas, or warp and woof, whereby all minor Illusions, in this Phantasm Existence, weave and paint themselves. In vain, while here on Earth, shall you endeavor to strip them off; you can, at best, but rend them asunder for moments, and look through.

Anarchism: Its Philosophy and Ideal (1896)
Context: Harmony thus appears as a temporary adjustment, established among all forces acting upon a given spot — a provisory adaptation; and that adjustment will only last under one condition: that of being continually modified; of representing every moment the resultant of all conflicting actions. Let but one of those forces be hampered in its action for some time and harmony disappears. Force will accumulate its effect; it must come to light, it must exercise its action, and if other forces hinder its manifestation it will not be annihilated by that, but will end by upsetting the present adjustment, by destroying harmony, in order to find a new form of equilibrium and to work to form a new adaptation. Such is the eruption of a volcano, whose imprisoned force ends by breaking the petrified lavas which hindered them to pour forth the gases, the molten lavas, and the incandescent ashes. Such, also, are the revolutions of mankind.

St. 2
The Revenge (1878)

1980s, A Dream Deferred (1989)
Context: We as Americans memorialize and honor symbols of heroic deeds done on the battlefields of war and violence. So should we honor those cosmic travelers who have given their lives for the struggle for peace and justice. We have thousands of monuments to men at war, at long last we have the opportunity to celebrate the life of a man of peace who was one of our own. This accomplishment is a moment of triumph—but not for Martin Luther King Jr., he wouldn’t have cared one way or other, his was a very self-effacing spirit.

Man in the Modern Age (1933)
Context: The 'public' is a phantom, the phantom of an opinion supposed to exist in a vast number of persons who have no effective interrelation and though the opinion is not effectively present in the units. Such an opinion is spoken of as 'public opinion,' a fiction which is appealed to by individuals and by groups as supporting their special views. It is impalpable, illusory, transient; "'tis here, 'tis there, 'tis gone"; a nullity which can nevertheless for a moment endow the multitude with power to uplift or destroy.

Ode interview (2009)
Context: A lot of the arguments about religion going on at the moment spring from a rather inept understanding of religious truth … Our notion changed during the early modern period when we became convinced that the only path to any kind of truth was reason. That works beautifully for science but doesn't work so well for the humanities. Religion is really an art form and a struggle to find value and meaning amid the ghastly tragedy of human life.

Source: The Life of Pasteur (1902), p. 163
Context: I confess frankly, however, that I am not competent on the question of our philosophical schools. Of M. Comte I have only read a few absurd passages; of M. Littré I only know the beautiful pages you were inspired to write by his rare knowledge and some of his domestic virtues. My philosophy is of the heart and not of the mind, and I give myself up, for instance, to those feelings about eternity which come naturally at the bedside of a cherished child drawing its last breath. At those supreme moments, there is something in the depths of our souls which tells us that the world may be more than a mere combination of phenomena proper to a mechanical equilibrium brought out of the chaos of the elements simply through the gradual action of the forces of matter.

Letter to Jean Nicholas Demeunier https://books.google.com/books?id=u1xgWBntGYIC&printsec=frontcover&dq=jaffa+new+birth&hl=en&sa=X&ei=5BYSVeC0EYfegwTbzoKoCw&ved=0CB4Q6AEwAA#v=onepage&q=soul%20of%20the&f=false (24 January 1786) Bergh 17:103
1780s
Context: What a stupendous, what an incomprehensible machine is man! Who can endure toil, famine, stripes, imprisonment and death itself in vindication of his own liberty, and the next moment, be deaf to all those motives whose powers supported him through his trial, and inflict on his fellow men a bondage, one hour of which is fraught with more misery than ages of that which he rose in rebellion to oppose.

Journal Entry (2 December 1856)
Context: Of the gladest moments in human life, methinks is the departure upon a distant journey to unknown lands. Shaking off with one mighty effort the fetters of habit, the leaden weight of Routine, the cloak of many Cares and the Slavery of Home, man feels once more happy. The blood flows with the fast circulation of childhood.... afresh dawns the morn of life...

Source: Way Station (1963), Ch. 25
Context: That had not been the first time nor had it been the last, but all the years of killing boiled down in essence to that single moment — not the time that came after, but that long and terrible instant when he had watched the lines of men purposefully striding up the slope to kill him.
It had been in that moment that he had realized the insanity of war, the futile gesture that in time became all but meaningless, the unreasoning rage that must be nursed long beyond the memory of the incident that had caused the rage, the sheer illogic that one man, by death or misery, might prove a right or uphold a principle.
Somewhere, he thought, on the long backtrack of history, the human race had accepted an insanity for a principle and had persisted in it until today that insanity-turned-principle stood ready to wipe out, if not the race itself, at least all of those things, both material and immaterial, that had been fashioned as symbols of humanity through many hard-won centuries.

Revolution (2014)
Context: Who does a baby think he is before he can recognize his face in a mirror, before he’s taught his name, before he’s drummed into stagnant separation, cordoned off from the infinite oneness? Love is innate. We must be taught to hate, and now we must unlearn it, as the Buddhists say; let it burn, that which needs to burn, let it burn. The class system isn’t fair on them either, poor little sods—packed off to school, weaned on privatized maternity shopped in from a northern spinster. Trying to find love in the tangle of dismantled family. No one can be happy imbibing a poisoned brew. It’s poisonous for us all. They’ll gratefully sigh when we unlock them from their opulent penitentiaries, they’ll be grateful when their fallow lords and empty chambers feed the hungry and house the poor. They know contentment cannot be enjoyed when stolen. They need the Revolution as much as we do. The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.

Address to the Society for Psychical Research (1897)
Context: The clock runs down. I lift the weight by exerting the proper amount of energy, and in this action the law of conservation of energy is strictly obeyed. But now I have the choice of either letting the weight fall free in a fraction of a second, or, constrained by the wheelwork, in twenty-four hours. I can do which I like, and whichever way I decide, no more energy is developed in the fall of the weight. I strike a match; I can use it to light a cigarette or to set fire to a house. I write a telegram; it may be simply to say I shall be late for dinner, or it may produce fluctuations on the stock exchange that will ruin thousands. In these cases the actual force required in striking the match or in writing the telegram is governed by the law or conservation of energy; but the vastly more momentous part, which determines the words I use or the material I ignite, is beyond such a law. It is probable that no expenditure of energy need be used in the determination of direction one way more than another. Intelligence and free will here come into play, and these mystic forces are outside the law of conservation of energy as understood by physicists.

1940s, Science and Religion (1941)
Context: It would not be difficult to come to an agreement as to what we understand by science. Science is the century-old endeavor to bring together by means of systematic thought the perceptible phenomena of this world into as thoroughgoing an association as possible. To put it boldly, it is the attempt at the posterior reconstruction of existence by the process of conceptualization. But when asking myself what religion is I cannot think of the answer so easily. And even after finding an answer which may satisfy me at this particular moment, I still remain convinced that I can never under any circumstances bring together, even to a slight extent, the thoughts of all those who have given this question serious consideration.

After the Battle of Midway, CINCPAC Communiqué No. 3, (6 June 1942)
Context: Through the skill and devotion to duty of their armed forces of all branches in the Midway area our citizens can now rejoice that a momentous victory is in the making.
It was on a Sunday just six months ago that the Japanese made their peace‑time attack on our fleet and army activities on Oahu. At that time they created heavy damage, it is true, but their act aroused the grim determination of our citizenry to avenge such treachery, and it raised, not lowered, the morale of our fighting men.
Pearl Harbor has now been partially avenged. Vengeance will not be complete until Japanese sea power has been reduced to impotence. We have made substantial progress in that direction. Perhaps we will be forgiven if we claim we are about midway to our objective!

Falsehood in Wartime (1928), Introduction
Context: A Government which has decided on embarking on the hazardous and terrible enterprise of war must at the outset present a one-sided case in justification of its action, and cannot afford to admit in any particular whatever the smallest degree of right or reason on the part of the people it has made up its mind to fight. Facts must be distorted, relevant circumstances concealed, and a picture presented which by its crude colouring will persuade the ignorant people that their Government is blameless, their cause is righteous, and that the indisputable wickedness of the enemy has been proved beyond question. A moment's reflection would tell any reasonable person that such obvious bias cannot possibly represent the truth. But the moment's reflection is not allowed; lies are circulated with great rapidity. The unthinking mass accept them and by their excitement sway the rest. The amount of rubbish and humbug that pass under the name of patriotism in war-time in all countries is sufficient to make decent people blush when they are subsequently disillusioned.

Source: Andre Cornelis (1886), Ch. 13
Context: Was I saved? Was I lost? All depended on the moment at which somebody might go into my stepfather's room. If my mother were to return within a few minutes of my departure; if the footman were to go upstairs with some letter, I should instantly be suspected, in spite of the declaration written by M. Termonde. I felt that my courage was exhausted. I knew that, if accused, I should not have moral strength to defend myself, for my weariness was so overwhelming that I did not suffer any longer. The only thing I had strength to do was to watch the swing of the pendulum of the timepiece on the mantelshelf, and to mark the movement of the hands. A quarter of an hour elapsed, half an hour, a whole hour.
It was an hour and a half after I had left the fatal room, when the bell at the door was rung. I heard it through the walls. A servant brought me a laconic note from my mother scribbled in pencil and hardly legible. It informed me that my stepfather had destroyed himself in an attack of severe pain. The poor woman implored me to go to her immediately. Ah, she would now never know the truth!

X magazine (1959-62)
Variant: It may be that it is the odd, the personal, the curious, the simply honest, that at this moment, when everyone looks to the extreme and flamboyant, constitutes the most interesting manifestation of the spirit of art.
Context: A situation has occurred wherein a premium is put on any work qualifying for the term "progressive"… The idea of progress in the arts; the notion that we move forward from one good thing to another in a simple progression and in a single direction... Baudelaire dealt so profoundly with this... But this can be said: if there were such a thing as a direct and simple progression from the work of one generation to the next the historical difficulty of the Progressive Artist could not exist... the popular notion of the Progressive and the New Art may not after all be the last word on a complex subject. That there may be, even to-day... such a thing as the absolutely modern. That as before it may be something unexpected, and not completely accounted for in the arrangements for encouraging the arts... For to be contemporary is not necessarily to be part of any movement, to be included in the official representations of national and international art. History shows that it may well be the opposite. It may be that it is the odd, the personal, the curious, the simply honest, that at this moment, when everyone looks to the extreme and flamboyant, constitutes the most interesting manifestation of the spirit of art... It may be necessary to be absolutely modern.

As quoted in Speech by Dr. Fidel Castro Ruz, President of the Republic of Cuba, at the mass rally called by the Cuban youths, students and workers on the occasion of the International Labor Day at the Revolution Square http://www.fidelcastro.cu/en/discursos/speech-mass-rally-called-cuban-youths-students-and-workers-revolution-square-occasion (May 1, 2000)
Context: Revolution is the sense of the historical moment; it is changing everything that must be changed; it is full equality and freedom; it is being treated and treating others like human beings; it is emancipating ourselves, by ourselves and with our very own efforts; it is challenging the dominant powerful forces within and outside of the social and national arena; it is defending the values one believes in at the cost of any sacrifice; it is modesty, selflessness, altruism, solidarity and heroism; it is fighting with audacity, intelligence and realism; it is never telling a lie or violating ethical principles; it is the profound conviction that there is no force on earth that can crush truth and ideas. Revolution is unity, it is independence, it is fighting for our dreams of justice for Cuba and the world that is the basis of our patriotism, our socialism and our internationalism.

"The Syntax of Sorcery: An Interview with Tom Robbins" (2012) http://realitysandwich.com/150587/syntax_sorcery_interview_tom_robbins/ in Reality Sandwich.
Context: Forty-odd years ago, there was a countercultural moment, a brief, shining moment, as it were, when the eyes of a generation glimpsed the Eden beneath the veil.  However fleeting was this paradise, or however harsh has been its repression, its light nonetheless inspired a rowdy cohort of artists to carry its torch into the future. Tom Robbins is one of these unruly pioneers, and his frequently bestselling novels are so saturated in an uncontainable joie de vivre that they have remained virtually required reading throughout the years and decades since their initial publication.

Cemetery World (1973)
Context: The sun was setting, throwing a fog-like dusk across the stream and trees, and there was a coolness in the air. It was time, I knew, to be getting back to camp. But I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.

Speech before Congress (3 December 1860).
Context: The course of events is so rapidly hastening forward that the emergency may soon arise when you may be called upon to decide the momentous question whether you possess the power by force of arms to compel a State to remain in the Union. I should feel myself recreant to my duty were I not to express an opinion on this important subject.
The question fairly stated is, Has the Constitution delegated to Congress the power to coerce a State into submission which is attempting to withdraw or has actually withdrawn from the Confederacy? If answered in the affirmative, it must be on the principle that the power has been conferred upon Congress to declare and to make war against a State. After much serious reflection I have arrived at the conclusion that no such power has been delegated to Congress or to any other department of the Federal Government. It is manifest upon an inspection of the Constitution that this is not among the specific and enumerated powers granted to Congress, and it is equally apparent that its exercise is not "necessary and proper for carrying into execution" any one of these powers. So far from this power having been delegated to Congress, it was expressly refused by the Convention which framed the Constitution.

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 31.
Context: I cannot look around me without being struck with the analogy observable in the works of God. I find the Bible written in the style of His other books of Creation and Providence. The pen seems in the same hand. I see it, indeed, write at times mysteriously in each of these books; thus I know that mystery in the works of God is only another name for my ignorance. The moment, therefore, that I become humble, all becomes right.

Pt. 1, 7
Social Insurance and Allied Services (1942)
Context: Any proposals for the future, while they should use to the full the experience gathered in the past, should not be restricted by consideration of sectional interests established in the obtaining of that experience. Now, when the war is abolishing landmarks of every kind, is the opportunity for using experience in a clear field. A revolutionary moment in the world’s history is a time for revolutions, not for patching.

Ch 2 : The Nature of Creativity, p. 50
The Courage to Create (1975)
Context: World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.

Essentials to Peace (1953)
Context: These opening remarks may lead you to assume that my suggestions for the advancement of world peace will rest largely on military strength. For the moment the maintenance of peace in the present hazardous world situation does depend in very large measure on military power, together with Allied cohesion. But the maintenance of large armies for an indefinite period is not a practical or a promising basis for policy. We must stand together strongly for these present years, that is, in this present situation; but we must, I repeat, we must find another solution, and that is what I wish to discuss this evening.

Source: The Ordeal of Change (1963), Ch. 12: "Concerning Individual Freedom" [In this passage "transforms the prosaic achievements of society into Promethean tasks, glorious defeats, tragic epics" is a quotation of Raymond Aron from The Opium of the Intellectuals (1957), p. xiv]
Context: In exceptional cases, like Puerto Rico and Israel, where capital and skills are available, rapid modernization is not incompatible with a considerable measure of individual freedom.
To some extent, the present dominant role of the intellectual in the modernization of backward countries also militates against the prevalence of individual freedom. Not only does the intellectual's penchant for tutoring, directing, and regulating promote a regimented social pattern, but his craving for the momentous is bound to foster an austere seriousness inhospitable to the full play of freedom. The intellectual "transforms the prosaic achievements of society into Promethean tasks, glorious defeats, tragic epics." The strained atmosphere of an eternal drama working up toward a climax and a crisis is optimal for heroes and saints but not for the autonomous individual shaping his life to the best of his ability. The chances are that should an advanced country come into the keeping of the intellectual it would begin to show many of the hectic traits which seem to us characteristic of a backward country in the throes of awakening.

Source: The Cream of the Jest (1917), Ch. 26 : "Epper Si Muove"
Context: To-day alone was real. Never was man brought into contact with reality save through the evanescent emotions and sensations of that single moment, that infinitesimal fraction of a second, which was passing now — and it was in the insignificance of this moment, precisely, that religious persons must believe. So ran the teachings of all dead and lingering faiths alike. Here was, perhaps, only another instance of mankind's abhorrence of actualities; and man's quaint dislike of facing reality was here disguised as a high moral principle. That was why all art, which strove to make the sensations of a moment soul-satisfying, was dimly felt to be irreligious. For art performed what religion only promised.

Introduction to The Annotated Alice (1960) // The Annotated Alice. The Definitive Edition (1999), by Lewis Carroll (Author, Christ Church College, Oxford), John Tenniel (Illustrated by), Martin Gardner (Editor, Introduction and notes by), page viii
Context: The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician. At the heart of things science finds only a mad, never-ending quadrille of Mock Turtle Waves and Gryphon Particles. For a moment the waves and particles dance in grotesque, inconceivably complex patterns capable of reflecting on their own absurdity.

Anarchism: Its Philosophy and Ideal (1896)
Context: It is not without a certain hesitation that I have decided to take the philosophy and ideal of Anarchy as the subject of this lecture.
Those who are persuaded that Anarchy is a collection of visions relating to the future, and an unconscious striving toward the destruction of all present civilization, are still very numerous; and to clear the ground of such prejudices of our education as maintain this view we should have, perhaps, to enter into many details which it would be difficult to embody in a single lecture. Did not the Parisian press, only two or three years ago, maintain that the whole philosophy of Anarchy consisted in destruction, and that its only argument was violence?
Nevertheless Anarchists have been spoken of so much lately, that part of the public has at last taken to reading and discussing our doctrines. Sometimes men have even given themselves trouble to reflect, and at the present moment we have at least gained a point: it is willingly admitted that Anarchists have an ideal. Their ideal is even found too beautiful, too lofty for a society not composed of superior beings.

"The Greek Section of the Kandahar Inscription" as translated by G. P. Carratelli in A Bilingual Graeco-Aramaic Edict by Aśoka: The First Greek Inscription Discovered in Afghanistan (1964) edited by G. P. Carratelli and G. Garbini, p. 32; Piyadassi is one of the titles of Ashoka, meaning Beloved of the Gods<!-- who regards everyone amiably -->, "Piety" here is a translation of the Greek εὐσέβεια, Eusebeia.
Context: Ten years (of reign) having been completed, King Piodasses (Piyadassi) made known (the doctrine of) Piety to men; and from this moment he has made men more pious, and everything thrives throughout the whole world. And the king abstains from (killing) living beings, and other men and those who (are) huntsmen and fishermen of the king have desisted from hunting. And if some (were) intemperate, they have ceased from their intemperance as was in their power; and obedient to their father and mother and to the elders, in opposition to the past also in the future, by so acting on every occasion, they will live better and more happily.

Source: The Sand Pebbles (1962), Ch. 5; speech of Lt. Collins, the commander of the San Pablo to his crew at the start of summer cruising on the Yangtze River
Context: "Tomorrow we begin our summer cruising to show the flag on Tungting lake and the Hunan rivers," he said. "At home in America, when today reaches them, it will be Flag Day. They will gather to do honor and hear speeches. For us who wear the uniform, every day is Flag Day. We pay our honor in act and feeling and we have little need of words. But on this one day it will not hurt us to grasp briefly in words the meaning of our flag. That is what I want to talk about this morning.
"Our flag is the symbol of America. I want you to grasp what America really is," Lt. Collins said, nodding for emphasis. "It is more than marks on a map. It is more than buildings and land. America is a living structure of human lives, of all the American lives that ever were and ever will be. We in San Pablo are collectively only a tiny, momentary bit of that structure. How can we, standing here, grasp the whole of America?" He made a grasping motion. "Think now of a great cable," he said, and made a circle with his arms. "The cable has no natural limiting length. It can be spun out forever. We can unlay it into ropes, and the ropes, into strands, and the strands into yarns, and none of them have any natural ending. But now let us pull a yarn apart into single fibers —" he made plucking motions with his fingers " — and each man of us can find himself. Each fiber is a tiny, flat, yellowish thing, a foot or a yard long by nature. One American life from birth to death is like a single fiber. Each one is spun into the yarn of a family and the strand of a home town and the rope of a home state. The states are spun into the great, unending, unbreakable cable that is America."
His voice deepened on the last words. He paused, to let them think about it....
"No man, not even President Coolidge, can experience the whole of America directly," Lt. Collins resumed. "We can only feel it when the strain comes on, the terrible strain of hauling our history into a stormy future. Then the cable springs taut and vibrant. It thins and groans as the water squeezes out and all the fibers press each to each in iron hardness. Even then, we know only the fibers that press against us. But there is another way to know America."
He paused for a deep breath. The ranks were very quiet.
"We can know America through our flag which is its symbol," he said quietly. "In our flag the barriers of time and space vanish. All America that ever was and ever will be lives every moment in our flag. Wherever in the world two or three of us stand together under our flag, all America is there. When we stand proudly and salute our flag, that is what we know wordlessly in the passing moment....
"Understand that our flag is not the cloth but the pattern of form and color manifested in the cloth," Lt. Collins was saying. "It could have been any pattern once, but our fathers chose that one. History has made it sacred. The honor paid it in uncounted acts of individual reverence has made it live. Every morning in American schoolrooms children present their hearts to our flag. Every morning and evening we render it our military salutes. And so the pattern lives and it can manifest itself in any number of bits of perishable cloth, but the pattern is indestructible."

p 85, describing his swim at Deception Island (2005)
21 Yaks And A Speedo (2013)
Context: I knew now that I had to stand up and start speaking about protecting our environment. From that moment on, every swim should have the aim of inspiring people to protect and preserve the world’s oceans and all that live in them.

Source: Gertrude (1910), p. 236
Context: It was no different with my own life, and with Gertrude's and that of many others. Fate was not kind, life was capricious and terrible, and there was no good or reason in nature. But there is good and reason in us, in human beings, with whom fortune plays, and we can be stronger than nature and fate, if only for a few hours. And we can draw close to one another in times of need, understand and love one another, and live to comfort each other. And sometimes, when the black depths are silent, we can do even more. We can then be gods for moments, stretch out a commanding hand and create things which were not there before and which, when they are created, continue to live without us. Out of sounds, words, and other frail and worthless things, we can construct playthings — songs and poems full of meaning, consolation and goodness, more beautiful and enduring than the grim sport of fortune and destiny. We can keep the spirit of God in our hearts and, at times, when we are full of Him, He can appear in our eyes and our words, and also talk to others who do no know or do not wish to know Him. We cannot evade life's course, but we can school ourselves to be superior to fortune and also to look unflinchingly upon the most painful things.

Power Of The Plus Factor (1987)
Context: Just a moment ago nature put on one of its most spectacular demonstrations. The widest rainbow I have ever seen stretched from the lake over a high snow-clad mountain to touch down in a deep valley in the Alps. There was about this gigantic rainbow a deep benediction of peace and hope. But as ineffable as nature is in the effect of natural beauty on the mind, it cannot match the peace of God in its healing effect on the human mind. <!-- p. 180

Comment on establishing the University of Virginia, in a letter to Thomas Cooper (7 October 1814); published in The Writings of Thomas Jefferson (1905) edited by Andrew Adgate Lipscomb and Albert Ellery Bergh, Vol VII, p. 200 http://books.google.com/books?id=jrSgJGp-B64C&pg=RA1-PA200&dq=%22A+professorship+of+theology+should+have+no+place+in+our+institution%22&ei=u65FR562EpqCpwLkk9XxBg
1810s
Context: I agree … that a professorship of Theology should have no place in our institution. But we cannot always do what is absolutely best. Those with whom we act, entertaining different views, have the power and the right of carrying them into practice. Truth advances, and error recedes step by step only; and to do to our fellow men the most good in our power, we must lead where we can, follow where we cannot, and still go with them, watching always the favorable moment for helping them to another step.

answers the ingenuous soul, with visions of the envy of surrounding flunkies dawning on him; and in very many cases decides that he will contract himself into beaverism, and with such a horse-draught of gold, emblem of a never-imagined success in beaver heroism, strike the surrounding flunkies yellow. This is our common course; this is in some sort open to every creature, what we call the beaver career; perhaps more open in England, taking in America too, than it ever was in any country before. And, truly, good consequences follow out of it: who can be blind to them? Half of a most excellent and opulent result is realized to us in this way; baleful only when it sets up (as too often now) for being the whole result.
1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Journal entry (2 March 1861), Ch. 5 : The Beginning of the War.
Lucy Larcom : Life, Letters, and Diary (1895)
Context: Eternal life and eternal death; what do these words mean? This is the question that comes up again and again. It has recently been brought up by those whom I am appointed to instruct; and the question with its answer, brings new and fearful responsibility with every return. I am more and more convinced that the idea of duration is not the one that affects us most: for here it has proved that those who are least careful about what they are in heart and life, are trying hardest to convince themselves and others that the "doctrine of eternal punishment" is not true. By making themselves believe that to be the all-important question, they draw off their own and others' attention from the really momentous one, — "Am I living the eternal life? Is it begun in me now?"
And now I see why I have questioned whether it was right in me to express my own doubts of this very doctrine. The final renovation of all souls, their restoration to life in holiness and love, is certainly a hope of mine that is not without a strong infusion of confidence; but I dare not say it is a belief; because both reason and revelation have left it in deep mystery; and the expression of any such belief does not seem to me likely to help others much; certainly not those who are indolent or indifferent regarding the true Christian life.
Then the "loss of the soul" is in plain language spoken of by our Lord as possible. What can that mean, but the loss of life in Him? the loss of ennobling aspirations, of the love of all good, of the power of seeing and seeking truth? And if this is possible to us now, by our own choice, why not forever? — since, as free beings, our choice must always be in our own power?
The truth that we must all keep before us, in order to be growing better forever, is that life is love and holiness; death, selfishness and sin; then it is a question of life and death to be grappled with in the deep places of every soul.

The Expelled (1946)

Memoirs of Aga Khan: World Enough & Time (1954)

“Relativism and the Use of Language,” pp. 124-126.
Language is Sermonic (1970)
Context: One type of critic today tends to attack language as a means of communication on this very ground — the ground that words are conventional in their meaning and are therefore falsifying. The point of the criticism is that a convention is something abstracted and, therefore, untrue, a generalized sign of the thing itself, which we use because we are unable or unwilling to render the thing in itself in its fullness. A word in this conception is nothing but a stereotype, and “stereotype” is here an expression of disparagement, because it is felt that “typing” anything that is real distorts the thing by presenting it in something less than its full individuality and concreteness. Let us suppose that I make reference to a tree standing in my yard. The term “tree” does not designate the object with any degree of particularity. It does not tell whether the tree is young or old, low or tall, an oak, pine, or maple. The term is, therefore, merely a utility symbol, which I employ in communicating because in my laziness or incompetence I cannot find a fuller and more individualizing way of expressing this tree. If I were really communicating, the argument goes, I would reject the falsifying stereotype and produce something more nearly like the picture of the tree. But if the analysis I have offered earlier is correct, these critics are beginning at the wrong end. They are assuming that individual real objects are carriers of meaning, that the meaning is found in them as redness is found in an apple, and that it ought to be expressed with the main object of fidelity to the particular. What they overlook is that meaning does not exist in this sense, that it is something that we create for purposes of cognition and communication, and that the ideal construct has the virtue of its ideality. Hence it appears that they misconceive the function of the word as conventional sign or “typifier.” For if it is true that the word conveys something less than the fullness of the thing signified, it is also true that it conveys something more. A word in this role is a generalization. the value of a generalization is that while it leaves out the specific feature that are of the individual or of the moment, it expresses features that are general to a class and may be lacking or imperfect in the single instance.

Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>As a man and woman meet and love forthwith.
Perhaps there are moments of awakening,
Extreme, fortuitous, personal, in whichWe more than awaken, sit on the edge of sleep,
As on an elevation, and behold
The academies like structures in a mist.</p

Source: Precepts and Judgments (1919), p. 211
Context: A war not only arises, but derives its nature, from the political ideas, the moral sentiments, and the international relations obtaining at the moment when it breaks out.
This amounts to saying : try and know why and with the help of what you are going to act; then you will find out how to act.

Source: The Wind in the Willows (1908), Ch. 7
Context: Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, and can re-capture nothing but a dim sense of the beauty of it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties; so Mole, after struggling with his memory for a brief space, shook his head sadly and followed the Rat.

"Irreverent Heart"
Rhymes for the Irreverent (1965)
Context: My heart is like the willow
That bends, but never breaks.
It sighs when summer jilts her,
It sings when April wakes. So you, who come a-smiling
With summer in your eyes,
Think not that your beguiling
Will take me by surprise. My heart's prepared for aching
The moment you take wing.
But not, my friend, for breaking
While there's another spring.

Gertrude (1910)
Context: If a man does not think too much, he rejoices at rising in the morning, and at eating and drinking. He finds satisfaction in them and does not want them to be otherwise. But if he ceases to take things for granted, he seeks eagerly and hopefully during the course of the day for moments of real life, the radiance of which makes him rejoice and obliterates the awareness of time and all thoughts on the meaning and purpose of everything. One can call these moments creative, because they seem to give a feeling of union with the creator, and while they last, one is sensible of everything being necessary, even what is seemingly fortuitous. It is what the mystics call union with God. Perhaps it is the excessive radiance of these moments that make everything else appear so dark. Perhaps it is the feeling of liberation, the enchanting lightness and the suspended bliss that make the rest of life seem so difficult, demanding and oppressive. I do not know. I have not travelled very far in thought and philosophy. However I do know that if there is a state of bliss and a paradise, it must be an uninterrupted sequence of such moments, and if this state of bliss can be attained through suffering and dwelling in pain, then no sorrow or pain can be so great that one should attempt to escape from it.

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Context: p>The difficultest rigor is forthwith,
On the image of what we see, to catch from that
Irrational moment its unreasoning,
As when the sun comes rising, when the sea
Clears deeply, when the moon hangs on the wall Of heaven-haven. These are not things transformed.
Yet we are shaken by them as if they were.
We reason about them with a later reason.</p

The Saviors of God (1923)

The Reactionary Temptation (2017)
Context: We are living in an era of populism and demagoguery. And yes, there’s racism and xenophobia mixed into it. But what we are also seeing, it seems to me, is the manifest return of a distinctive political and intellectual tendency with deep roots: reactionism.
Reactionism is not the same thing as conservatism. It’s far more potent a brew. Reactionary thought begins, usually, with acute despair at the present moment and a memory of a previous golden age. It then posits a moment in the past when everything went to hell and proposes to turn things back to what they once were. It is not simply a conservative preference for things as they are, with a few nudges back, but a passionate loathing of the status quo and a desire to return to the past in one emotionally cathartic revolt. If conservatives are pessimistic, reactionaries are apocalyptic. If conservatives value elites, reactionaries seethe with contempt for them. If conservatives believe in institutions, reactionaries want to blow them up. If conservatives tend to resist too radical a change, reactionaries want a revolution. Though it took some time to reveal itself, today’s Republican Party — from Newt Gingrich’s Republican Revolution to today’s Age of Trump — is not a conservative party. It is a reactionary party that is now at the peak of its political power.

"In Warsaw" (1945), trans. Czesŀaw Miŀosz, Robert Hass and Madeline Levine
Rescue (1945)
Context: How can I live in this country
Where the foot knocks against
The unburied bones of kin?
I hear voices, see smiles. I cannot
Write anything; five hands
Seize my pen and order me to write
The story of their lives and deaths.
Was I born to become
a ritual mourner?
I want to sing of festivities,
The greenwood into which Shakespeare
Often took me. Leave
To poets a moment of happiness,
Otherwise your world will perish.

1990s, The Monarchy: A Critique of Britain's Favourite Fetish
Context: The first False Issue one normally encounters is the claim that it has 'no real power'. One never quite knows what 'real' is intended to mean here, but the conventions of the False Issue lead one to guess that the word is doing duty for 'formal'. Thus is the red herring introduced. A moment later, the same speaker is telling another listener of all the good things that monarchy is a 'force' for. These good things invariably turn out to be connected to power. They are things like 'stability', 'unity', 'national cohesion', 'continuity' and other things for which powerless people would find it difficult to be a force. Edmund Wilson would have had little trouble noticing, furthermore, that all the above good things are keywords for conservative and establishment values.

Brazil v. United States http://www.listenonrepeat.com/watch/?v=r1PlC9mj-N0 (10 July 2011).
2010s, 2011, 2011 FIFA Women's World Cup
Context: Daiane, whose own goal started all the talking points today after seventy-four seconds. Seems a long, long time ago now. It was into this goal, now Brazil need her to put one in legitimately for them. Yes! Brilliant save from Solo, brilliant save! And that one is legal, and now that means, that if the United States put in the last two penalties, they will go into the semi-finals. That is a moment of magic from Hope Solo!

Source: The Dream of a Ridiculous Man (1877), IV
Context: They had no temples, but they had a real living and uninterrupted sense of oneness with the whole of the universe; they had no creed, but they had a certain knowledge that when their earthly joy had reached the limits of earthly nature, then there would come for them, for the living and for the dead, a still greater fullness of contact with the whole of the universe. They looked forward to that moment with joy, but without haste, not pining for it, but seeming to have a foretaste of it in their hearts, of which they talked to one another.

New Delhi India 1st Public Talk (14 November 1948)
1940s
Context: So, a man who is really earnest must begin with himself, he must be passively aware of all his thoughts, feelings and actions. Again, this is not a matter of time. There is no end to self-knowledge. Self-knowledge is only from moment to moment, and therefore there is a creative happiness from moment to moment.

Travis McGee series, The Scarlet Ruse (1973)
Context: Way over half the murders committed in this country are by close friends or relatives of the deceased. A gun makes a loud and satisfying noise in a moment of passion and requires no agility and very little strength. How many murders wouldn't happen, if they all had to use hammers and knives?

Ch. 1 Marchamont Nedham : The Right Constitution of a Commonwealth Examined http://press-pubs.uchicago.edu/founders/print_documents/v1ch16s15.html <!-- The Works of John Adams, Second President of the United States vol. VI (1851) p. 9 -->
1780s, A Defence of the Constitutions of Government (1787)
Context: The moment the idea is admitted into society, that property is not as sacred as the law of God, and that there is not a force of law and public justice to protect it, anarchy and tyranny commence. If "Thou shall not covet," and "Thou shall not steal," are not commandments of Heaven, they must be made inviolable precepts in every society, before it can be civilized or made free.

Letter to John Croker (8 August 1815), as quoted in The History of England from the Accession of James II (1848) by Thomas Babington Macaulay, Volume I Chapter 5 http://www.worldwideschool.org/library/books/hst/european/TheHistoryofEnglandfromtheAccessionofJamesIIVol1/chap5.html, p. 180.; and in The Waterloo Letters (1891) edited by H. T. Sibome

2010s, Democratic National Convention speech (2012)
Context: Those are the values that Barack and I and so many of you are trying to pass on to our own children. That's who we are. And standing before you four years ago, I knew that I did not want any of that to change if Barack became president. Well today, after so many struggles and triumphs and moments that have tested my husband in ways I never could have imagined, and I have seen firsthand that being president does not change who you are. No, it reveals the you are.

Press Statement issued the day before her marriage to Aristotle Onassis, NY Times (20 October 1968)
Context: We know you understand that even though people may be well known they still hold in their hearts the emotions of a simple person for the moments that are the most important of those we know on earth — birth, marriage, death. We wish our wedding to be a private moment in the little chapel among the cypresses of Skorpios.

Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: Our instinct has outrun our theory in this matter; for while we still insist upon free will and sin, we make allowance for individuals who have gone wrong, on the very ground of provocation, of temptation, of bad education, of infirm character. By and by philosophy will follow, and so at last we may hope for a true theory of morals. It is curious to watch, in the history of religious beliefs, the gradual elimination of this monster of moral evil. The first state of mankind is the unreflecting state. The nature is undeveloped, looking neither before nor after; it acts on the impulse of the moment, and is troubled with no weary retrospect, nor with any notions of a remote future which present conduct can affect; and knowing neither good nor evil, better or worse, it does simply what it desires, and is happy in it. It is the state analogous to the early childhood of each of us, and is represented in the common theory of Paradise — the state of innocence.

As quoted in Robert Frost : The Trial by Existence (1960) by Elizabeth Shepley Sergeant, p. 174
General sources
Context: It is only a moment here and a moment there that the greatest writer has. Some cognizance of the fact must be taken in your teaching.

The Saviors of God (1923)
Context: It is not you talking, but innumerable ancestors talking with your mouth. It is not you who desire, but innumerable generations of descendants longing with your heart.
Your dead do not lie in the ground. They have become birds, trees, air. You sit under their shade, you are nourished by their flesh, you inhale their breathing. They have become ideas and passions, they determine your will and your actions.
Future generations do not move far from you in an uncertain time. They live, desire, and act in your loins and your heart.
In this lightning moment when you walk the earth, your first duty, by enlarging your ego, is to live through the endless march, both visible and invisible, of your own being.

Katastroika (1988)

Eight Men (1961)

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 40
Context: The book of Genesis is a male declaration of independence from the ancient mother-cults. Its challenge to nature, so sexist to modern ears, marks one of the crucial moments in western history. Mind can never be free of matter. Only by mind imagining itself free can culture advance. The mother-cults, by reconciling man to nature, entrapped him in matter. Everything great in western civilization has come from struggling against our origins. Genesis is rigid and unjust, but it gave man hope as a man. It remade the world by male dynasty, canceling the power of mothers.

"Seventh Talk in Poona, 10 October 1948" http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=295&chid=4625&w=%22To+understand+oneself%22, J.Krishnamurti Online, JKO Serial No. 481010; Vol. V, p. 128
Posthumous publications, The Collected Works
Context: To understand oneself, one needs enormous pliability, and that pliability is denied when we specialize in devotion, in action, in knowledge. There are no paths such as devotion, as action, as knowledge, and he who follows any of these paths separately as a specialist brings about his own destruction. That is, a man who is committed to a particular path, to a particular approach, is incapable of pliability, and that which is not pliable is broken. As a tree that is not pliable breaks in the storm, so a man who has specialized breaks down in moments of crisis.

Source: The View of Life (1918), p. 5-6 part of the first essay "Life as Transcendence"
Context: Man is something that is to be overcome.
Logically considered, this, too, presents a contradiction: he who overcomes himself is admittedly the victor, but he is also the defeated. The ego succumbs to itself, when it wins; it achieves victory, when it suffers defeat. Yet the contradiction only arises when the two aspects of this unity are hardened into opposed, mutually exclusive conceptions. It is precisely the fully unified process of the moral life which overcomes and surpasses every lower state by achieving a higher one, and again transcends this latter state through one still higher. That man overcomes himself means that he reaches out beyond the bounds that the moment sets for him. There must be something at hand to be overcome, but it is only there in order to be overcome. Thus even as an ethical agent, man is the limited being that has no limit.

Part I, Ch. 6
My Mortal Enemy (1926)
Context: Now everything was in ruins. The air was still and cold like the air in a refrigerating-room. What I felt was fear; I was afraid to look or speak or move. Everything about me seemed evil. When kindness has left people, even for a few moments, we become afraid of them, as if their reason had left them. When it has left a place where we have always found it, it is like shipwreck; we drop from security into something malevolent and bottomless.

A New Model of the Universe (1932)
Context: There exist moments in life, separated by long intervals of time, but linked together by their inner content and by a certain singular sensation peculiar to them. Several such moments always recur to my mind together, and I feel then that it is these that have determined the chief trend of my life.

Lectures XIV and XV, "The Value of Saintliness"
1900s, The Varieties of Religious Experience (1902)
Context: Is dogmatic or scholastic theology less doubted in point of fact for claiming, as it does, to be in point of right undoubtable? And if not, what command over truth would this kind of theology really lose if, instead of absolute certainty, she only claimed reasonable probability for her conclusions? If we claim only reasonable probability, it will be as much as men who love the truth can ever at any given moment hope to have within their grasp. Pretty surely it will be more than we could have had, if we were unconscious of our liability to err.

XIII.
Outline of the Doctrine of Knowledge (1810)
Context: The Power is given as an Infinite; — hence that which in the World of Thought is absolutely One — that which I shall — becomes in the World of Intuition an infinite problem for my Power, which I have to solve in all Eternity.
This Infinitude, which is properly a mere indefiniteness, can have place only in Intuition, but by means in my true Essential Being, which, as the Schema of God, is as simple and unchangeable as himself. How then can this simplicity and unchangeableness be produced within the yet continuing Infinitude, which is expressly consecrated by the absolute Shall addressed to me as an Individual?
If, in the onflow of Time, the Ego, in every successive moment, had to determine itself by a particular act, through the conception of what it shall, — then in its original Unity, it was assuredly indeterminate, and only continuously determinable in an Infinite Time. But such an act of determination could only become possible in Time, in opposition to some resisting power. This resisting power, which was thus to be conquered by the act of determination, could be nothing else than the Sensuous Instinct; and hence the necessity of such a continuous self-determination in Time would be the sure proof that the Instinct was not yet thoroughly abolished; which abolition we have made a condition of entering upon the Life in God.

General sources
Source: "The Poetry of Amy Lowell" in The Christian Science Monitor (16 May 1925)

Lines written for River Song, in Forest of the Dead [4.9] (7 June 2008)
Context: When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever, for one moment, accepts it.

Preface
The Great Rehearsal (1948)
Context: The most momentous chapter in American history is the story of the making and ratifying of the Constitution of the United States. The Constitution has so long been rooted so deeply in American life — or American life rooted so deeply in it — that the drama of its origins is often overlooked. Even historical novelists, who hunt everywhere for memorable events to celebrate, have hardly touched the event without which there would have been a United States very different from the one that now exists; or might have been no United States at all.
The prevailing conceptions of those origins have varied with the times. In the early days of the Republic it was held, by devout friends of the Constitution, that its makers had received it somewhat as Moses received the Tables of the Law on Sinai. During the years of conflict which led to the Civil War the Constitution was regarded, by one party or the other, as the rule of order or the misrule of tyranny. In still later generations the Federal Convention of 1787 has been accused of evolving a scheme for the support of special economic interests, or even a conspiracy for depriving the majority of the people of their liberties. Opinion has swung back and forth, while the Constitution itself has grown into a strong yet flexible organism, generally, if now and then slowly, responsive to the national circumstances and necessities.

Falsehood in Wartime (1928), Introduction
Context: Lying, as we all know, does not take place only in war-time. Man, it has been said, is not "a veridical animal," but his habit of lying is not nearly so extraordinary as his amazing readiness to believe. It is, indeed, because of human credulity that lies flourish. But in war-time the authoritative organization of lying is not sufficiently recognized. The deception of whole peoples is not a matter which can be lightly regarded.
A useful purpose can therefore be served in the interval of so-called peace by a warning which people can examine with dispassionate calm, that the authorities in each country do, and indeed must, resort to this practice in order, first, to justify themselves by depicting the enemy as an undiluted criminal; and secondly, to inflame popular passion sufficiently to secure recruits for the continuance of the struggle. They cannot afford to tell the truth. In some cases it must be admitted that at the moment they do not know what the truth is.

Address on sentencing (1885)
Context: The Court. has done the work for me, and although at first appearance it seems to be against me, I am so confident in the idea which I have had the honor to express yesterday, that I think it is for good and not for my loss. Up to this moment, I have been considered by a certain party as insane, by another party as a criminal, by another party as a man with whom it was doubtful whether to have any intercourse. So there was hostility and there was contempt, and there was avoidance To-day, by the verdict of the Court, one of these three situations has disappeared.
I suppose that after having been condemned, I will cease to be called a fool, and for me it is a great advantage. I consider it as a great advantage. If I have a mission, I say "If " for the sake of those who doubt, but for my part it means "Since," since I have a mission, I cannot fulfil my mission as long as I am looked upon as an insane being-human being, at the moment that I begin to ascend that scale, I begin to succeed.

Commencement Address for the Berklee College of Music, at Hynes Convention Center, Boston, Massachusetts (8 May 1999) https://www.berklee.edu/commencement/past
Context: Music has given me over 40 years of extraordinary experiences. I can't say that life's pains or more tragic episodes have been diminished because of it. But it's allowed me so many moments of companionship when I've been lonely and a sublime means of communication when I wanted to touch people. It's been both my doorway of perception and the house that I live in.
I only hope that it embraces you with the same lusty life force that it graciously offered me.

St. 5
The Present Crisis (1844)
Context: Once to every man and nation comes the moment to decide,
In the strife of Truth with Falsehood, for the good or evil side;
Some great cause, God's new Messiah, offering each the bloom or blight,
Parts the goats upon the left hand, and the sheep upon the right,
And the choice goes by forever 'twixt that darkness and that light.

Ideas, p. 23
Catching the Big Fish (2006)
Context: An idea is a thought. It's a thought that holds more than you think it does when you receive it. But in that first moment there is a spark. In a comic strip, if someone gets an idea, a lightbulb goes on. It happens in an instant, just as in life.
It would be great if the entire film came all at once. But it comes, for me, in fragments. That first fragment is like the Rosetta stone. It's the piece of the puzzle that indicates the rest. It's a hopeful puzzle piece.
In Blue Velvet, it was red lips, green lawns, and the song — Bobby Vinton's version of "Blue Velvet". The next thing was an ear lying in a field. And that was it.
You fall in love with the first idea, that little tiny piece. And once you've got it, the rest will come in time.

"Anarchist's Progress" in The American Mercury (1927); § III : To Abolish Crime or to Monopolize It? http://www.mises.org/daily/2714
Context: Once, I remember, I ran across the case of a boy who had been sentenced to prison, a poor, scared little brat, who had intended something no worse than mischief, and it turned out to be a crime. The judge said he disliked to sentence the lad; it seemed the wrong thing to do; but the law left him no option. I was struck by this. The judge, then, was doing something as an official that he would not dream of doing as a man; and he could do it without any sense of responsibility, or discomfort, simply because he was acting as an official and not as a man. On this principle of action, it seemed to me that one could commit almost any kind of crime without getting into trouble with one's conscience.
Clearly, a great crime had been committed against this boy; yet nobody who had had a hand in it — the judge, the jury, the prosecutor, the complaining witness, the policemen and jailers — felt any responsibility about it, because they were not acting as men, but as officials. Clearly, too, the public did not regard them as criminals, but rather as upright and conscientious men.
The idea came to me then, vaguely but unmistakably, that if the primary intention of government was not to abolish crime but merely to monopolize crime, no better device could be found for doing it than the inculcation of precisely this frame of mind in the officials and in the public; for the effect of this was to exempt both from any allegiance to those sanctions of humanity or decency which anyone of either class, acting as an individual, would have felt himself bound to respect — nay, would have wished to respect. This idea was vague at the moment, as I say, and I did not work it out for some years, but I think I never quite lost track of it from that time.

Collected Aphorisms
Context: Most of the time man does not do what he wills, but what he has willed. Through his decisions, he always gives himself only a certain direction, in which he then moves until the next moment of reflection. We do not will continuously, we only will intermittently, piece by piece. We thus save ourselves from willing: principle of the economy of the will. But the higher man always experiences this as thoroughly immoral.

Source: Tristes Tropiques (1955), Chapter 4 : The Quest for Power, p. 43
Context: While I complain of being able to glimpse no more than the shadow of the past, I may be insensitive to reality as it is taking shape at this very moment, since I have not reached the stage of development at which I would be capable of perceiving it. A few hundred years hence, in this same place, another traveller, as despairing as myself, will mourn the disappearance of what I might have seen, but failed to see.

The Saviors of God (1923)
Context: At every moment of crisis an array of men risk their lives in the front ranks as standard-bearers of God to fight and take upon themselves the whole responsibility of the battle.
Once long ago it was the priests, the kings, the noblemen, or the burghers who created civilizations and set divinity free.
Today God is the common worker made savage by toil and rage and hunger

Chiamo principio della morte tutto il corso della vita cominciando al nostro nascimento, dal quale cominciamo a morire, e per momenti di tempo andiamo ogni giorno al nostro fine.
Della Morte, p. 529.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 275.

Source: Testimony: its Posture in the Scientific World (1859), p. 7
Context: Just suppose for a moment that every fact reported to us by others were viewed in the light of the skeptical system, as to the fallaciousness of the senses and the tendency to self-deception. Should we not from that moment be at a stand-still in all the principal movements of our lives?

Part 5: "The World of One Physicist", "But Is It Art?", p. 261
Surely You're Joking, Mr. Feynman! (1985)
Context: I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.

Song lyrics, The Kick Inside (1978)
Context: I could have been anyone.
You could have been anyone's dream.
Why did you have to choose our moment?
Why did you have to make me feel that?
Why did you make it so unreal?

1960s, Remarks at the signing of the Immigration Bill (1965)

Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s
Context: One cannot be in my position, looked to by some for guidance, without being constantly reminded of the awesomeness of its responsibility. I live with one deep concern: Am I making the right decisions? Sometimes I am uncertain, and I must look to God for guidance. There was one morning I recall, when I was in the Birmingham jail, in solitary, with not even my lawyers permitted to visit, and I was in a nightmare of despair. The very future of our movement hung in the balance, depending upon capricious turns of events over which I could have no control there, incommunicado, in an utterly dark dungeon. This was about ten days after our Birmingham demonstrations began. Over 400 of our followers had gone to jail; some had been bailed out, but we had used up all of our money for bail, and about 300 remained in jail, and I felt personally responsible. It was then that President Kennedy telephoned my wife, Coretta. After that, my jail conditions were relaxed, and the following Sunday afternoon -- it was Easter Sunday -- two S. C. L. C. attorneys were permitted to visit me. The next day, word came to me from New York that Harry Belafonte had raised $50,000 that was available immediately for bail bonds, and if more was needed, he would raise that. I cannot express what I felt, but I knew at that moment that God's presence had never left me, that He had been with me there in solitary.

Source: Steppenwolf (1927), p. 97
Context: You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke.

The Coal Question (1865)
Context: The alternatives before us are simple. Our empire and race already comprise one-fifth of the world's population, and by our plantation of new states, by our guardianship of the seas, by our penetrating commerce, by the example of our just laws and firm constitution, and above all by the dissemination of our new arts, we stimulate the progress of mankind in a degree not to be measured. If we lavishly and boldly push forward in the creation and distribution of our riches, it is hard to over-estimate the pitch of beneficial influence to which we may attain in the present. But the maintenance of such a position is physically impossible. We have to make the momentous choice between brief greatness and longer continued mediocrity.