Quotes about modernity
page 13

Paul Klee photo

“Music, for me, is a love bewitched. / Fame as a painter? / Writer, modern poet? Bad joke. / So I have no calling, and loaf.”

Paul Klee (1879–1940) German Swiss painter

Quote (1899), # 67, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

John Kenneth Galbraith photo

“Hitler also anticipated modern economic policy... by recognizing that a rapid approach to full employment was only possible if it was combined with wage and price controls. That a nation oppressed by economic fear would respond to Hitler as Americans did to F. D. R. is not surprising.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

As quoted in Adolf Hitler: The Definitive Biography (1991), by John Toland, also quoted in "Repatriation — The Dark Side of World War II (1995) by Jacob G. Hornberger http://www.fff.org/freedom/0795a.asp

Vladimir Lenin photo

“Under the old type of capitalism, when free competition prevailed, the export of goods was the most typical feature. Under modern capitalism, when monopolies prevail, the exporter of capital has become the typical feature.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Source: Imperialism, The Highest Stage of Capitalism (1917), Chapter Four, "The Export of Capital"

E. B. White photo
Otto Pfleiderer photo

“Here is the basis of the modern critical biblical science, which treats the documents of Christianity and Judaism according to the same principles of historical investigation which are valid in all other historical domains, particularly in that of the history of the ethnic religions.
The attempt has been crowned with brilliant success. Everywhere, where formerly miracles and oracles, the activity of supernatural persons, and the appearance on the scene of supernatural beings were thought to be discerned, there shows itself now a constant succession of events that are natural, i. e. in accord with the universal laws of human experience. The prophets appear no longer as media of supernatural oracles, but as men whose works and words are perfectly explicable from the character regarded in connection with the conditions of their age and environment. They stand, indeed, in a certain respect above their contemporaries, so far as they contest the modes of thought and action of the latter, and hold before them higher ideals of purer piety and morality; yet these ideals were not communicated to them from without by supernatural revelation, but sprang from their own spirit as products of an especially powerful and happy religious-moral nature, which, under the influence of historical relations, had been so developed that they saw clearly what was perverted in the mode of thought of others, and gave to the better a potent expression.”

Otto Pfleiderer (1839–1908) German Protestant theologian

Source: Evolution and Theology (1900), pp. 10-11.

Henry Jacob Bigelow photo
Francis Crick photo

“The ultimate aim of the modern movement in biology is in fact to explain all biology in terms of physics and chemistry.”

Francis Crick (1916–2004) British molecular biologist, biophysicist, neuroscientist; co-discoverer of the structure of DNA

Seattle: University of Washington Press, 1966, p. 10.
Of Molecules and Men (1966)

Martin Amis photo
John Dewey photo
Stanley Baldwin photo

“I often wonder if all the people in this country realise the inevitable changes that are coming over the industrial system in England…owing to the peculiar circumstances of my own life, I have seen a great deal of this evolution taking place before my own eyes. I worked for many years in an industrial business, and had under me a large number, or what was then a large number, of men…I was probably working under a system that was already passing. I doubt if its like could have been found in any of the big modern industrial towns of this country, even at that time. It was a place where I knew, and had known from childhood, every man on the ground, a place where I was able to talk with the men not only about the troubles in the works, but troubles at home where strikes and lock-outs were unknown. It was a place where the fathers and grandfathers of the men then working there had worked, and where their sons went automatically into the business. It was also a place where nobody ever "got the sack," and where we had a natural sympathy for those who were less concerned in efficiency than is this generation, and where a number of old gentlemen used to spend their days sitting on the handle of a wheelbarrow, smoking their pipes. Oddly enough, it was not an inefficient community. It was the last survivor of that type of works, and ultimately became swallowed up in one of those great combinations towards which the industries of to-day are tending.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1925/mar/06/industrial-peace in the House of Commons (6 March 1925).
1925

Asger Jorn photo
P. D. Ouspensky photo
Frank Wilczek photo
David Cameron photo
Thomas Szasz photo
J. William Fulbright photo
Oswald Mosley photo
Derren Brown photo
Andrei Tarkovsky photo
Niall Ferguson photo
Aubrey Beardsley photo
Ravi Zacharias photo

“In his book Modern Times, the historian Paul Johnson referred to Hitler, Stalin, and Mussolini as the three devils of the twentieth century. Interestingly, Nietzshean dogma influenced each of them.”

Ravi Zacharias (1946) Indian philosopher

[The Real Face of Atheism, 2004, 9780801065118, 3293056M, http://books.google.com/books?id=0SD0mYaYz3sC&pg=PA25&dq=%22in+his+book+Modern+Times%22, 25]
2000s

Lyndon B. Johnson photo

“Tonight Vietnam must hold the center of our attention, but across the world problems and opportunities crowd in on the American Nation. I will discuss them fully in the months to come, and I will follow the five continuing lines of policy that America has followed under its last four Presidents. The first principle is strength. Tonight I can tell you that we are strong enough to keep all of our commitments. We will need expenditures of $58.3 billion for the next fiscal year to maintain this necessary defense might. While special Vietnam expenditures for the next fiscal year are estimated to increase by $5.8 billion, I can tell you that all the other expenditures put together in the entire federal budget will rise this coming year by only $0.6 billion. This is true because of the stringent cost-conscious economy program inaugurated in the Defense Department, and followed by the other departments of government. A second principle of policy is the effort to control, and to reduce, and to ultimately eliminate the modern engines of destruction. We will vigorously pursue existing proposals—and seek new ones—to control arms and to stop the spread of nuclear weapons. A third major principle of our foreign policy is to help build those associations of nations which reflect the opportunities and the necessities of the modern world. By strengthening the common defense, by stimulating world commerce, by meeting new hopes, these associations serve the cause of a flourishing world. We will take new steps this year to help strengthen the Alliance for Progress, the unity of Europe, the community of the Atlantic, the regional organizations of developing continents, and that supreme association—the United Nations. We will work to strengthen economic cooperation, to reduce barriers to trade, and to improve international finance.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Aung San Suu Kyi photo
Peter Sloterdijk photo

“The historical importance of the Carracci is extraordinary; the history of the whole of modern ‘church art’ begins with them.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art', Volume II. Renaissance, Mannerism, Baroque, 1999, Chapter 9. The Baroque of the Catholic Courts

John D. Carmack photo
Farah Pahlavi photo

“I have always been fascinated with the arts. When I was in Iran in that position I was constantly concerned with promoting our Iranian traditional art but, at the same time, with introducing contemporary and modern art.”

Farah Pahlavi (1938) Empress of Iran

Former queen of Iran on assembling Tehran's art collection http://www.guardian.co.uk/world/2012/aug/01/queen-iran-art-collection, The Guardian, (August 1, 2012).
Interviews

Everett Dean Martin photo
George Eliot photo
Vladimir Lenin photo
Ken Ham photo

“Creation is the only viable model of historical science confirmed by observational science in today's modern scientific era.”

Ken Ham (1951) Australian young Earth creationist

"Bill Nye Debates Ken Ham" (February 4, 2014)

Honoré de Balzac photo

“It is certain that during the sixteenth century, and the years that preceded and followed it, poisoning was brought to a perfection unknown to modern chemistry, as history itself will prove. Italy, the cradle of modern science, was, at this period, the inventor and mistress of these secrets, many of which are now lost.”

Honoré de Balzac (1799–1850) French writer

Il est certain que pendant le seizième siècle, dans les années qui le précédèrent et le suivirent, l'empoisonnement était arrivé à une perfection inconnue à la chimie moderne et que l'histoire a constatée. L'Italie, berceau des sciences modernes, fut, à cette époque, inventrice et maîtresse de ces secrets dont plusieurs se perdirent.
Source: About Catherine de' Medici (1842), Part II: The Ruggieri's Secret, Ch. II: Schemes Against Schemes.

“The parallel existence and mutual interaction of "state" and "market" in the modern world create "political economy"; without both state and market there could be no political economy.”

Robert Gilpin (1930–2018) Political scientist

Source: The Political Economy of International Relations (1987), Chapter One, Nature of Political Economy, p. 8

“The modern sensibility attempts to drain the contents of experience; these Greek poets strive to state the fact so poignantly that it becomes an ever-flowing spring — as Sappho says, "More real than real, more gold than gold."”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

The Greek Anthology (p. 59)
Classics Revisited (1968)

Ihara Saikaku photo
Carl Friedrich Gauss photo

“The problem of distinguishing prime numbers from composite numbers and of resolving the latter into their prime factors is known to be one of the most important and useful in arithmetic. It has engaged the industry and wisdom of ancient and modern geometers to such an extent that it would be superfluous to discuss the problem at length. … Further, the dignity of the science itself seems to require that every possible means be explored for the solution of a problem so elegant and so celebrated.”

Problema, numeros primos a compositis dignoscendi, hosque in factores suos primos resolvendi, ad gravissima ac utilissima totius arithmeticae pertinere, et geometrarum tum veterum tum recentiorum industriam ac sagacitatem occupavisse, tam notum est, ut de hac re copiose loqui superfluum foret. … [P]raetereaque scientiae dignitas requirere videtur, ut omnia subsidia ad solutionem problematis tam elegantis ac celebris sedulo excolantur.
Disquisitiones Arithmeticae (1801): Article 329

Noam Chomsky photo
Stanley Baldwin photo

“In the Protestant doctrine of the infinite value of the individual soul, on the one hand, and in the assembling together of the brethren in the church congregation, on the other, you have the seed-bed of modern democracy.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

The John Clifford Lecture at Coventry (14 July 1930), published in This Torch of Freedom (1935), p. 38.
1930

Freeman Dyson photo
Philip Stanhope, 4th Earl of Chesterfield photo

“Speak of the moderns without contempt, and of the ancients without idolatry.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

22 February 1748
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)

Thomas Carlyle photo
Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Robert G. Ingersoll photo
Arnold Schoenberg photo

“My music is not modern, it is merely badly played”

Arnold Schoenberg (1874–1951) Austrian-American composer

Genette, Gérard. 1997. Immanence and Transcendence, translated by G. M. Goshgarian. p. 102
Undated

Erik Naggum photo
Muhammad bin Qasim photo
Colin Wilson photo
Rebecca West photo
Lyndon B. Johnson photo

“I will propose a Highway Safety Act of 1966 to seek an end to this mounting tragedy. We must also act to prevent the deception of the American consumer—requiring all packages to state clearly and truthfully their contents—all interest and credit charges to be fully revealed—and keeping harmful drugs and cosmetics away from our stores. It is the genius of our Constitution that under its shelter of enduring institutions and rooted principles there is ample room for the rich fertility of American political invention. We must change to master change. I propose to take steps to modernize and streamline the executive branch, to modernize the relations between city and state and nation. A new Department of Transportation is needed to bring together our transportation activities. The present structure—35 government agencies, spending $5 billion yearly—makes it almost impossible to serve either the growing demands of this great nation or the needs of the industry, or the right of the taxpayer to full efficiency and real frugality. I will propose in addition a program to construct and to flight-test a new supersonic transport airplane that will fly three times the speed of sound—in excess of 2,000 miles per hour. I propose to examine our federal system-the relation between city, state, nation, and the citizens themselves. We need a commission of the most distinguished scholars and men of public affairs to do this job. I will ask them to move on to develop a creative federalism to best use the wonderful diversity of our institutions and our people to solve the problems and to fulfill the dreams of the American people. As the process of election becomes more complex and more costly, we must make it possible for those without personal wealth to enter public life without being obligated to a few large contributors. Therefore, I will submit legislation to revise the present unrealistic restriction on contributions—to prohibit the endless proliferation of committees, bringing local and state committees under the act—to attach strong teeth and severe penalties to the requirement of full disclosure of contributions—and to broaden the participation of the people, through added tax incentives, to stimulate small contributions to the party and to the candidate of their choice.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Arthur Koestler photo
Robert Hunter (author) photo

“It is especially easy in our time to forget others, largely because of the conditions in modern society.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 22

William Howard Taft photo
Martin Luther King, Jr. photo

“It is one of the great ironies of our modern 'civilized' era that in most of the places where you don't feel the need to carry a firearm for self defense you can legally do so if you choose. But in most of places where you do indeed justifiably feel the immediate need to carry a gun, they are banned.”

James Wesley Rawles (1960) Survivalist-fiction author and blogger

http://www.survivalblog.com/2006/10/the_memsahibs_quote_of_the_day_4.html
How to Survive the End of the World as We Know It, Plume, New York (2009)

Hassan Nasrallah photo

“It is our pride that the Great Satan (U. S.) and the head of despotism, corruption and arrogance in modern times considers us as an enemy that should be listed in the terrorism list.”

Hassan Nasrallah (1960) Secretary General of Hezbollah

United Press International. November 4, 2001
Quote, 2001
Source: Camera: Hassan Nasrallah: In His Own Words http://www.camera.org/index.asp?x_context=7&x_issue=11&x_article=1158.

Mordehai Milgrom photo
Joel Fuhrman photo
Neal Stephenson photo
Rousas John Rushdoony photo
Abhay Bang photo

“You won’t find solutions to rural India’s health issues in modern facilities that are far removed. Effective strategies will emerge only when you work with the people.”

Abhay Bang (2010) " Dr. Abhay Bang: Research with the People http://forbesindia.com/article/ideas-to-change-the-world/dr-abhay-bang-research-with-the-people/13742/1" on forbesindia.com, June 2, 2010.

Jacoba van Heemskerck photo

“Once again I talked with some painters, but the modern artists [in The Netherlands ] write more than they paint. If you write about art in such a way and you want to paint always with a fixed plan, then you will lose completely the deep, glorious and spontaneous art. You always have to create the new from the very deep, inside.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder einige Maler gesprochen, aber die Modernen [in Nederland] schreiben mehr als sie malen. Wenn man so über Kunst schreibt und immer so mit einem festen Plan malen will, dan verliert man ganz und gar die tiefe, herrliche, spontane Kunst. Man muss so ganz tief heraus immer Neuses schaffen.
in a letter to Herwarth Walden, 23 July 1915; the 'Sturm'-Archive, Berlin
very probably Jacoba is refering here to the Dutch Stijl-artists, as Piet Mondrian and Theo v. Doesburg
1910's

Michel Foucault photo

“The classical concept of 'physical entity', be it particle, wave, field or system, has become a problematic concept since the advent of relativity theory and quantum mechanics. The recent developments in modern quantum mechanics, with the performance of delicate and precise experiments involving single quantum entities, manifesting explicit non-local behavior for these entities, brings essential new information about the nature of the concept of entity.”

Diederik Aerts (1953) Belgian theoretical physicist

Aerts, D. (1998). " The entity and modern physics: the creation-discovery view of reality. http://www.vub.ac.be/CLEA/aerts/publications/1998EntModPhys.pdf" In E. Castellani (Ed.), Interpreting Bodies: Classical and Quantum Objects in Modern Physics (pp. 223-257). Princeton: Princeton University Press.

R. G. Collingwood photo
Michelangelo Antonioni photo
Bill Engvall photo
Evelyn Waugh photo
Margaret Atwood photo
Richard von Mises photo

“Apart from this older generation, there is scarcely a modern mathematician who still adheres without reservation to the classical theory of probability. The majority have more or less accepted the frequency definition.”

Richard von Mises (1883–1953) Austrian physicist and mathematician

Third Lecture, Critical Discussion of the Foundations of Probability, p. 81
Probability, Statistics And Truth - Second Revised English Edition - (1957)

Allan Kaprow photo
Arthur Rimbaud photo

“One must be absolutely modern.”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet

Il faut être absolument moderne.
Une Saison en Enfer http://www.mag4.net/Rimbaud/poesies/Season.html (A Season in Hell) (1873)

W. Richard Scott photo
Robert Menzies photo
Franklin D. Roosevelt photo
Robert A. Dahl photo
Rousas John Rushdoony photo
Morarji Desai photo

“The vegetarian movement is an ancient movement and is not quite a modern one.”

Morarji Desai (1896–1995) Former Indian Finance Minister, Freedom Fighters, Former prime minister

19th World Vegetarian Congress 1967

Henry Hazlitt photo
Charles Lindbergh photo
Herbert Read photo
Roberto Mangabeira Unger photo
Leon R. Kass photo
Ilana Mercer photo

“Like it or not, the modern marvel that was South Africa—with its space program and skyscrapers—was not the handiwork of the black nationalist movement now dismantling it; but the creation of those persecuted, pale, patriarchal Protestants.”

Ilana Mercer South African writer

"Erasing The Afrikaner Nation," http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=58 WorldNetDaily.com, November 23, 2007.
2000s, 2007

William Burges photo

“Allowing, therefore, the great usefulness of the Government Schools, the Exhibitions, and the Museums both public and private, the question now arises as to what are the impediments to our future progress. The principal ones appear to me to be three.
# A want of a distinctive architecture, which is fatal to art generally.
# The want of a good costume, which is fatal to colour; and
# The want of a sufficient teaching of the figure, which is fatal to art in detail.
It will perhaps be as well to take these one by one.
The most fatal impediment of the three is undeniably the want of a distinctive architecture in the nineteenth century. Architecture is commonly called the mother of all the other arts, and these latter are all more or less affected by it in their details. In almost every age of the world except our own only one style of architecture has been in use, and consequently only one set of details. The designer had accordingly to master, 1. the figure, and the great principles of ornament; 2. those details of the architecture then practised which were necessary to his trade; and 3. the technical processes. Now what is the case in the present day? If we take a walk in the streets of London we may see at least half-a-dozen sorts of architecture, all with different details; and if we go to a museum we shall find specimens of the furniture, jewellery, &c., of these said different styles all beautifully classed and labelled. The student, instead of confining himself to one style as in former times, is expected to be master of all these said half-dozen, which is just as reasonable as asking him to write half-a-dozen poems in half-a-dozen languages, carefully preserving the idiomatic peculiarities of each. This we all know to be an impossibility, and the end is that our student, instead of thoroughly applying the principles of ornament to one style, is so bewildered by having the half-dozen on his hands, that he ends by knowing none of them as he ought to do. This is the case in almost every trade; and until the question of style gets gets settled, it is utterly hopeless to think about any great improvement in modern art.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 8-9; Partly cited in: Journal of the Royal Society of Arts. Vol. 99. 1951. p. 520