1860s, First State of the Union Address (1869)
Classic Essays on Twentieth-Century Music, ISBN 0028645812.
Reference to the big numbers in hardware power and specifications that Microsoft and Sony had mentioned about their upcoming video game consoles
'2' refers to Nintendo having sold two billion games since the NES
On Nintendo
Source: E3 2005 Press Event
Address on 'Why a Mixed Economy?' to the Associated Chambers of Commerce and Industry of India, New Delhi, April 4, 1975.
Keynote: Excerpts from his speeches and chairman's statements to shareholders
On 16 October 2018, about the support by the American white supremacist David Duke. 'Ele soa como nós': David Duke, ex-líder da Ku Klux Klan, elogia Bolsonaro, mas critica proximidade com Israel https://www.bbc.com/portuguese/brasil-45874344. BBC Brasil (16 October 2018).
"on the Israeli atheist convention" http://www.patheos.com/blogs/reasonadvocates/2013/01/13/on-the-israeli-atheist-convention/, Patheos (January 13, 2013)
Patheos
Ancient Israel’s Faith and History: An Introduction the Bible in Context (2001)
new viruses
"Implosion" https://web.archive.org/web/20121013194328/http://www.thatsmags.com/shanghai/article/414/implosion (2011)
On Songs of Innocence and Songs of Experience
Bono: The Rolling Stone Interview (2017)
Context: These last two albums mix up the personal and the political so that you don't know which one you're talking to. That's a kind of magic trick, and realizing that of course all the problems that we find in the exterior world are just manifestations of what we, you know, what we hold inside of us, in our interior worlds. The biggest fucker, the biggest asshole, the biggest, the most sexist we can be, the most selfish, mean, cunning, all those characters you are going to see them in the mirror. And that is where the job of transformation has to start first. Is that not what experience tells us?
Environmentalism as a Religion (2003)
Context: Environmentalism needs to be absolutely based in objective and verifiable science, it needs to be rational, and it needs to be flexible. And it needs to be apolitical. To mix environmental concerns with the frantic fantasies that people have about one political party or another is to miss the cold truth — that there is very little difference between the parties, except a difference in pandering rhetoric. The effort to promote effective legislation for the environment is not helped by thinking that the Democrats will save us and the Republicans won't. Political history is more complicated than that.
“So sex equals genetic mixing.”
Source: The Red Queen (1993), Ch. 2. The Enigma
343 U.S. 325
Judicial opinions, Zorach v. Clauson (1952)
Letter to (22 August 1774), as published in The Life of John Jay (1833) by William Jay, Vol. 2, p. 345.
1770s, Letter to Lindley Murray (1774)
Context: Among the strange things of this world, nothing seems more strange than that men pursuing happiness should knowingly quit the right and take a wrong road, and frequently do what their judgments neither approve nor prefer. Yet so is the fact; and this fact points strongly to the necessity of our being healed, or restored, or regenerated by a power more energetic than any of those which properly belong to the human mind.
We perceive that a great breach has been made in the moral and physical systems by the introduction of moral and physical evil; how or why, we know not; so, however, it is, and it certainly seems proper that this breach should be closed and order restored. For this purpose only one adequate plan has ever appeared in the world, and that is the Christian dispensation. In this plan I have full faith. Man, in his present state, appears to be a degraded creature; his best gold is mixed with dross, and his best motives are very far from being pure and free from earth and impurity.
1880s, The Future of the Colored Race (1886)
Context: Races and varieties of the human family appear and disappear, but humanity remains and will remain forever. The American people will one day be truer to this idea than now, and will say with Scotia’s inspired son, "A man's a man for a’ that." When that day shall come, they will not pervert and sin against the verity of language as they now do by calling a man of mixed blood, a negro; they will tell the truth.
Walter Slezak, in What Time's the Next Swan? (1962), p. 210
Context: Papa told her about a Lohengrin performance. It was just before his first entrance. He was ready to step into the boat, which, drawn by a swan, was to take him on-stage. Somehow the stagehand on the other side got his signals mixed, started pulling, and the swan left without Papa. He quietly turned around and said: "What time's the next swan?"
That story has since become a classic in operatic lore.
Upon the Sovereign Sun (362)
Context: A very weighty argument is this — namely, that neither does the light which descends from thence, chiefly upon the world, mix itself with anything, nor admit of dirtiness or pollution, but remains entirely, and in all things that are, free from defilement, admixture, and suffering. Besides, we must pay attention to the other kinds of phenomena, both to the Intelligible, and yet more to the Sensible — whatever are connected with matter, or will manifest themselves in relation to our subject. <!-- Here, again, the Intelligible is the centre of the species that lie around the mighty Sun, through whose means the species connected with Matter are benefited, inasmuch as they would be unable either to exist, or to subsist, unless they be helped by him as regards their existence. Besides, is not he the author of the separation of Species and of the combination of Matter? He not merely allows himself to be mentally conceived, but to be an object of the sight, for the distribution of his rays over the whole world, and the unity of his light, demonstrate the creative and separating powers of his mode of action. And as there are still numerous visible benefits connected with the essence of this deity, which surround that which is intermediate between the Intelligible and the Sensible powers, let. us pass on to his final and visible conclusion. The first degree of his, contains as it were the model and the substance for a pattern to the Solar Angels who are stationed around the lowest world. After this comes that which is generative of things perceptible to Sense: of which the more refined part contains the source of heaven and the stars, whilst the inferior part superintends generation, containing from all eternity within itself the ungenerated essence of generation.
1840s, Heroes and Hero-Worship (1840), The Hero as Prophet
Context: We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, — the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish. The yellow wheat is growing there; the good Earth is silent about all the rest, — has silently turned all the rest to some benefit too, and makes no complaint about it! So everywhere in Nature! She is true and not a lie; and yet so great, and just, and motherly in her truth. She requires of a thing only that it be genuine of heart; she will protect it if so; will not, if not so. There is a soul of truth in all the things she ever gave harbor to. Alas, is not this the history of all highest Truth that comes or ever came into the world?
The Paris Review interview (1982)
Context: You know C. S. Lewis, whom I greatly admire, said there’s no such thing as creative writing. I’ve always agreed with that and always refuse to teach it when given the opportunity. He said there is, in fact, only one Creator and we mix. That’s our function, to mix the elements He has given us. See how wonderfully anonymous that leaves us? You can’t say, “I did this; this gross matrix of flesh and blood and sinews and nerves did this.” What nonsense! I’m given these things to make a pattern out of. Something gave it to me.
I’ve always loved the idea of the craftsman, the anonymous man. For instance, I’ve always wanted my books to be called the work of Anon, because Anon is my favorite literary character. If you look through an anthology of poems that go from the far past into the present time, you’ll see that all the poems signed “Anon” have a very specific flavor that is one flavor all the way through the centuries. I think, perhaps arrogantly, of myself as “Anon.” I would like to think that Mary Poppins and the other books could be called back to make that change. But I suppose it’s too late for that.
Talking about Busted Flush the Wild Cards novel, Interview on Pat's Fantasy Hotlist http://fantasyhotlist.blogspot.com/2008/12/interview-with-george-r-r-martin-and.html (December 2008)
Context: With great power comes great responsibility, Stan Lee once wrote. Spidey's credo articulates the basic premise of every superhero universe, including ours. But Lord Acton wrote that power corrupts, and absolute power corrupts absolutely. The tension between those two truths is where the drama comes in. My own heroes are the dreamers, those men and women who tried to make the world a better place than when they found it, whether in small ways or great ones. Some succeeded, some failed, most had mixed results... but it is the effort that's heroic, as I see it. Win or lose, I admire those who fight the good fight.
Interview in Telecran magazine (25 January 1970)
Context: I'm forced to mix with people of this industry and I can swear that is really difficult to meet people with her nature and her spirit. Generally, everybody is opportunistic here. Sharon had grace and charm; she knew how to make anybody's life easier. When somebody was busy, she was there in a discreet manner to serve you a drink or a coffee.
Dostoyevsky, in a letter to Katkov, the reactionary editor of The Moscow Herald, in which The Brothers Karamazov was serialized
As quoted by David Magarshack in his 1958 translation of The Brothers Karamazov
Context: The modern negationist declares himself declares himself openly in favour of the devil's advice and maintains that it is more likely to result in man's happiness than the teachings of Christ. To our foolish but terrible Russian socialism (for our youth is mixed up in it) it is a directive and, it seems, a very powerful one: the loaves of bread, the Tower of Babel (that is, the future reign of socialism) and the complete enslavement of the freedom of conscience - that is what the desperate negationist is striving to achieve. The difference is, that our socialists (and they are not only the hole-and-corner nihilists) are conscious Jesuits and liars who do not admit that their ideal is the ideal of the coercion of the human conscience and the reduction of mankind to the level of cattle. While my socialist (Ivan Karamazov) is a sincere man who frankly admits that he agrees with the views of the Grand Inquisitor and that Christianity seems to have raised man much higher than his actual position entitles him. The question I should like to put to them is, in a nutshell, this: "Do you despise or do you respect mankind, you - its future saviours?"
“After slaking it, mix your mortar”
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter V "Lime" Sec. 1
Context: With regard to lime we must be careful that it is burned from a stone which, whether soft or hard, is in any case white. Lime made of close-grained stone of the harder sort will be good in structural parts; lime of porous stone, in stucco. After slaking it, mix your mortar, if using pitsand, in the proportions of three parts of sand to one of lime; if using river or sea-sand, mix two parts of sand with one of lime. These will be the right proportions for the composition of the mixture. Further, in using river or sea-sand, the addition of a third part composed of burnt brick, pounded up and sifted, will make your mortar of a better composition to use.
Section 1 : Of The Different Species of Philosophy
An Enquiry Concerning Human Understanding (1748)
Context: Nature has pointed out a mixed kind of life as most suitable to the human race, and secretly admonished them to allow none of these biases to draw too much, so as to incapacitate them for other occupations and entertainments. Indulge your passion for science, says she, but let your science be human, and such as may have a direct reference to action and society. Abstruse thought and profound researches I prohibit, and will severely punish, by the pensive melancholy which they introduce, by the endless uncertainty in which they involve you, and by the cold reception which your pretended discoveries shall meet with, when communicated. Be a philosopher; but, amidst all your philosophy, be still a man.
“Passing through air.
You mix the stars with your arms.”
Song lyrics, Singles and rarities
Context: Passing through air.
You mix the stars with your arms.
Walking through there.
The doom of eternity balms.
Skies of grey are not today.
Donald Judd, in: American Dialog, Vol. 1-5, (1964), p. ix
1960s
Context: Any combining, mixing, adding, diluting, exploiting, vulgarizing, or popularizing of abstract art deprives art of its essence and depraves the artist's artistic consciousness. Art is free, but it is not a free-for-all. The one struggle in art is the struggle of artists against artists, of artist against artist, of the artist-as-artist within and against the artist-as- man, -animal, or -vegetable. Artists who claim their artwork comes from nature, life, reality, earth or heaven, as 'mirrors of the soul' or 'reflections of conditions' or 'instruments of the universe', who cook up 'new images of man' - figures and 'nature-in-abstraction' - pictures, are subjectively and objectively, rascals or rustics.
In the cultural scene in London
Jeet Thayil on why 'Where are you from?' is a complicated question for all of us
“Confusing ‘Character’ with ‘Temperament’”
Clearing the Ground (1986)
Context: The core in the mystery of what we call personality resides in the individual mix between character and temperament. The most successful personalities are those who achieve the best balance between the strict demands of character and the lenient tolerance of temperament. This balance is the supreme test of genuine leadership, separating the savior from the fanatic.
The human Jesus is, to my mind, the ultimate paradigm of such psychic equilibrium. He was absolutely hard on himself and absolutely tender toward others. He maintained the highest criteria of conduct for himself but was not priggish or censorious or self-righteous about those who were weaker and frailer. Most persons of strength cannot accept or tolerate weakness in others. They are blind to the virtues they do not possess themselves and are fiercely judgmental on one scale of values alone. Jesus was unique, even among religious leaders, in combining the utmost of principle with the utmost of compassion for those unable to meet his standards.
We need to understand temperament better than we do and to recognize its symbiotic relationship to character. There are some things people can do to change and some things they cannot do — character can be formed, but temperament is given. And the strong who cannot bend are just as much to be pitied as the weak who cannot stiffen.
Quotes from NatalieMerchant.com
Context: After spending nearly 20 years contracted to a major label, I have mixed feelings about their demise. These companies have profited immensely from your insatiable desire for listening and helped musicians for several decades to reach you. They grew fat and excessive. They exploited and they monopolized. They edited and censured. They’ve been rapidly losing their means of production, distribution and promotion to the internet. They have been economizing by dropping artists, cutting staff and folding into one another but they can’t keep up with the pace of disintegration. You might not have ever heard my name if Elektra Records hadn’t made me one of their artists for hire. I’m both grateful and resentful and you probably are too.
Delusion for a Dragon Slayer (1966)
Context: "Heaven is what you mix all the days of your life, but you call it dreams. You have one chance to buy your Heaven with all the intents and ethics of your life. That is why everyone considers Heaven such a lovely place. Because it is dreams, special dreams, in which you exist. What you have to do is live up to them."
"I—" started Griffin, but the wizard cut him off with a blink.
"No, listen, please, because after this, all the magic stops, and you have to do it alone.
“You create your own Heaven, and you have the opportunity to live in it, but you have to do it on your own terms, the highest terms of which you are capable. So sail this ship through the straits, navigate the shoals, find the island, overcome the foam-devil that guards the girl, win her love, and you’ve played the game on your own terms."
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV "Sand" Sec. 1
Context: In walls of masonry the first question must be with regard to the sand, in order that it may be fit to mix into mortar and have no dirt in it. The kinds of pitsand are these: black, gray, red, and carbuncular. Of these the best will be found to be that which crackles when rubbed in the hand, while that which has much dirt in it will not be sharp enough. Again: throw some sand upon a white garment and then shake it out; if the garment is not soiled and no dirt adheres to it, the sand is suitable.
The Other World (1657)
Context: You are amazed that matter can form a man when matter is all mixed up at random and so many things go into making a person. But do you not realize that before matter forms someone it has also stopped along the way to make a stone, lead, coral, a flower, or a comet because there was too much or too little of it to make a human being? No wonder, then, that an infinite amount of incessantly moving and changing matter makes up the few animals, vegetables and minerals that we see. No wonder, either, that if you throw dice a hundred times, they will all show the same numbers at some point.
This movement of matter, then, could not fail to produce something, and whatever it is will always be admired by the unthinking person who does not realize how close it came to not being made.
“Years! Years, ye shall mix with me!
Ye shall grow a part
Of the laughing Sea”
"The Dirge of the Sea" (April 1891)
Context: Years! Years, ye shall mix with me!
Ye shall grow a part
Of the laughing Sea;
Of the moaning heart
Of the glittered wave
Of the sun-gleam's dart
In the ocean-grave. Fair, cold, and faithless wert thou, my own!
For that I love
Thy heart of stone!
From the heights above
To the depths below,
Where dread things move, There is naught can show
A life so trustless! Proud be thy crown!
Ruthless, like none, save the Sea, alone!
Part 4, Section 7
A Treatise of Human Nature (1739-40), Book 1: Of the understanding
Context: I am first affrighted and confounded with that forelorn solitude, in which I am plac'd in my philosophy, and fancy myself some strange uncouth monster, who not being able to mingle and unite in society, has been expell'd all human commerce, and left utterly abandon'd and disconsolate. Fain wou'd I run into the crowd for shelter and warmth; but cannot prevail with myself to mix with such deformity. I call upon others to join me, in order to make a company apart; but no one will hearken to me. Every one keeps at a distance, and dreads that storm, which beats upon me from every side. I have expos'd myself to the enmity of all metaphysicians, logicians, mathematicians, and even theologians; and can I wonder at the insults I must suffer? I have declar'd my disapprobation of their systems; and can I be surpriz'd, if they shou'd express a hatred of mine and of my person? When I look abroad, I foresee on every side, dispute, contradiction, anger, calumny and detraction. When I turn my eye inward, I find nothing but doubt and ignorance. All the world conspires to oppose and contradict me; tho' such is my weakness, that I feel all my opinions loosen and fall of themselves, when unsupported by the approbation of others. Every step I take is with hesitation, and every new reflection makes me dread an error and absurdity in my reasoning.
For with what confidence can I venture upon such bold enterprises, when beside those numberless infirmities peculiar to myself, I find so many which are common to human nature? Can I be sure, that in leaving all established opinions I am following truth; and by what criterion shall I distinguish her, even if fortune shou'd at last guide me on her foot-steps? After the most accurate and exact of my reasonings, I can give no reason why I shou'd assent to it; and feel nothing but a strong propensity to consider objects strongly in that view, under which they appear to me. Experience is a principle, which instructs me in the several conjunctions of objects for the past. Habit is another principle, which determines me to expect the same for the future; and both of them conspiring to operate upon the imagination, make me form certain ideas in a more intense and lively manner, than others, which are not attended with the same advantages. Without this quality, by which the mind enlivens some ideas beyond others (which seemingly is so trivial, and so little founded on reason) we cou'd never assent to any argument, nor carry our view beyond those few objects, which are present to our senses. Nay, even to these objects we cou'd never attribute any existence, but what was dependent on the senses; and must comprehend them entirely in that succession of perceptions, which constitutes our self or person. Nay farther, even with relation to that succession, we cou'd only admit of those perceptions, which are immediately present to our consciousness, nor cou'd those lively images, with which the memory presents us, be ever receiv'd as true pictures of past perceptions. The memory, senses, and understanding are, therefore, all of them founded on the imagination, or the vivacity of our ideas.
Poems and Ballads (1866-89), The Triumph of Time
Context: p>The pulse of war and passion of wonder,
The heavens that murmur, the sounds that shine,
The stars that sing and the loves that thunder,
The music burning at heart like wine,
An armed archangel whose hands raise up
All senses mixed in the spirit's cup
Till flesh and spirit are molten in sunder —
These things are over, and no more mine. These were a part of the playing I heard
Once, ere my love and my heart were at strife;
Love that sings and hath wings as a bird,
Balm of the wound and heft of the knife.
Fairer than earth is the sea, and sleep
Than overwatching of eyes that weep,
Now time has done with his one sweet word,
The wine and leaven of lovely life.</p
Source: Jesus Before Christianity: The Gospel of Liberation (1976), p. 27.
Context: The remarkable thing about Jesus was that, although he came from the middle class and had no appreciable disadvantages himself, he mixed socially with the lowest of the low and identified himself with them. He became an outcast by choice. Why did Jesus do this? What would make a middle-class man talk to beggars and mix socially with the poor? What would make a prophet associate with the rabble who know nothing of the law? The answer comes across very clearly in the gospels: compassion.
Last episode of Bill Moyers Journal (30 April 2010) http://www.pbs.org/moyers/journal/04302010/transcript2.html · video http://www.pbs.org/moyers/journal/04302010/watch2.html
Context: Ed Murrow told his generation of journalists bias is okay as long as you don't try to hide it. So here, one more time, is mine: plutocracy and democracy don't mix. Plutocracy, the rule of the rich, political power controlled by the wealthy.
Plutocracy is not an American word but it's become an American phenomenon. Back in the fall of 2005, the Wall Street giant Citigroup even coined a variation on it, plutonomy, an economic system where the privileged few make sure the rich get richer with government on their side. By the next spring, Citigroup decided the time had come to publicly "bang the drum on plutonomy." … over the past 30 years the plutocrats, or plutonomists — choose your poison — have used their vastly increased wealth to capture the flag and assure the government does their bidding. … This marriage of money and politics has produced an America of gross inequality at the top and low social mobility at the bottom, with little but anxiety and dread in between, as middle class Americans feel the ground falling out from under their feet. … Like those populists of that earlier era, millions of Americans have awakened to a sobering reality: they live in a plutocracy, where they are disposable. Then, the remedy was a popular insurgency that ignited the spark of democracy. Now we have come to another parting of the ways, and once again the fate and character of our country are up for grabs. … Democracy only works when we claim it as our own.
Letter to F.W Weber (1950); as quoted in Maxfield Parrish by Coy Ludwig (1997)
Context: It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.
Wording in Ideas and Opinions: The Jewish scriptures admirably illustrate the development from the religion of fear to moral religion, a development continued in the New Testament. The religions of all civilized peoples, especially the peoples of the Orient, are primarily moral religions. The development from a religion of fear to moral religion is a great step in peoples' lives. And yet, that primitive religions are based entirely on fear and the religions of civilized peoples purely on morality is a prejudice against which we must be on our guard. The truth is that all religions are a varying blend of both types, with this differentiation: that on the higher levels of social life the religion of morality predominates.
1930s, Religion and Science (1930)
Context: It is easy to follow in the sacred writings of the Jewish people the development of the religion of fear into the moral religion, which is carried further in the New Testament. The religions of all civilized peoples, especially those of the Orient, are principally moral religions. An important advance in the life of a people is the transformation of the religion of fear into the moral religion. But one must avoid the prejudice that regards the religions of primitive peoples as pure fear religions and those of the civilized races as pure moral religions. All are mixed forms, though the moral element predominates in the higher levels of social life.
A Narrative of Some of the Lord's Dealings with George Müller Written by Himself, Fourth Part.
Fourth Part of Narrative
The Reactionary Temptation (2017)
Context: We are living in an era of populism and demagoguery. And yes, there’s racism and xenophobia mixed into it. But what we are also seeing, it seems to me, is the manifest return of a distinctive political and intellectual tendency with deep roots: reactionism.
Reactionism is not the same thing as conservatism. It’s far more potent a brew. Reactionary thought begins, usually, with acute despair at the present moment and a memory of a previous golden age. It then posits a moment in the past when everything went to hell and proposes to turn things back to what they once were. It is not simply a conservative preference for things as they are, with a few nudges back, but a passionate loathing of the status quo and a desire to return to the past in one emotionally cathartic revolt. If conservatives are pessimistic, reactionaries are apocalyptic. If conservatives value elites, reactionaries seethe with contempt for them. If conservatives believe in institutions, reactionaries want to blow them up. If conservatives tend to resist too radical a change, reactionaries want a revolution. Though it took some time to reveal itself, today’s Republican Party — from Newt Gingrich’s Republican Revolution to today’s Age of Trump — is not a conservative party. It is a reactionary party that is now at the peak of its political power.
Source: The Sand Pebbles (1962), Ch. 19; marriage ceremony of Maily and Frenchy
Context: He had a light in his gaunt face and his voice and manner were strangely solemn. The were all a bit afraid of him. … "We're mixing our lives together, Maily, and we'll never be able to unmix them again, and we'll never want to." His voice was strong but tender, and he was smiling down at here. "I take you for what you are, and all that you are, and mix you with all of me, and I don't hold back nothing. Nothing! When you're cold, and hungry, and afraid, so am I. When you're happy, so am I. I'm going to stay with you all that I can, take the very best care of you that I can, and love you every minute until I die." He took a deep, slow breath. "Now you say it"
"I will always love you and honor you and serve you, Frenchy, and stay as near to you as I can, and do everything for you, and live for you, and I won't have any life except our life together…" Tears welled out of her eyes but she smiled steadily up without blinking. "I will just love you, Frenchy, all of me there is just loving you forever."
Source: The Sand Pebbles (1962), Ch. 19; marriage ceremony of Maily and Frenchy
Context: He had a light in his gaunt face and his voice and manner were strangely solemn. The were all a bit afraid of him. … "We're mixing our lives together, Maily, and we'll never be able to unmix them again, and we'll never want to." His voice was strong but tender, and he was smiling down at here. "I take you for what you are, and all that you are, and mix you with all of me, and I don't hold back nothing. Nothing! When you're cold, and hungry, and afraid, so am I. When you're happy, so am I. I'm going to stay with you all that I can, take the very best care of you that I can, and love you every minute until I die." He took a deep, slow breath. "Now you say it"
"I will always love you and honor you and serve you, Frenchy, and stay as near to you as I can, and do everything for you, and live for you, and I won't have any life except our life together…" Tears welled out of her eyes but she smiled steadily up without blinking. "I will just love you, Frenchy, all of me there is just loving you forever."
Letter to Thomas Jefferson (23 January 1825), published in Letters: The Complete Correspondence Between Thomas Jefferson and Abigail and John Adams (UNC Press, 1988), p. 607
1820s
Context: We think ourselves possessed, or, at least, we boast that we are so, of liberty of conscience on all subjects, and of the right of free inquiry and private judgment in all cases, and yet how far are we from these exalted privileges in fact! There exists, I believe, throughout the whole Christian world, a law which makes it blasphemy to deny or doubt the divine inspiration of all the books of the Old and New Testaments, from Genesis to Revelations. In most countries of Europe it is punished by fire at the stake, or the rack, or the wheel. In England itself it is punished by boring through the tongue with a poker. In America it is not better; even in our own Massachusetts, which I believe, upon the whole, is as temperate and moderate in religious zeal as most of the States, a law was made in the latter end of the last century, repealing the cruel punishments of the former laws, but substituting fine and imprisonment upon all those blasphemers upon any book of the Old Testament or New. Now, what free inquiry, when a writer must surely encounter the risk of fine or imprisonment for adducing any argument for investigating into the divine authority of those books? Who would run the risk of translating Dupuis? But I cannot enlarge upon this subject, though I have it much at heart. I think such laws a great embarrassment, great obstructions to the improvement of the human mind. Books that cannot bear examination, certainly ought not to be established as divine inspiration by penal laws. It is true, few persons appear desirous to put such laws in execution, and it is also true that some few persons are hardy enough to venture to depart from them. But as long as they continue in force as laws, the human mind must make an awkward and clumsy progress in its investigations. I wish they were repealed. The substance and essence of Christianity, as I understand it, is eternal and unchangeable, and will bear examination forever, but it has been mixed with extraneous ingredients, which I think will not bear examination, and they ought to be separated.
Ch I : Government by Laws and Sanctions, why necessary
Political Disquisitions (1774)
Context: If there be, in any region of the universe, an order of moral agents living in society, whose reason is strong, whose passions and inclinations are moderate, and whose dispositions are turned to virtue, to such an order of happy beings, legislation, administration, and police, with the endlessly various and complicated apparatus of politics, must be in a great measure superfluous. Did reason govern mankind, there would be little occasion for any other government, either monarchical, aristocratical, democratical, or mixed. But man, whom we dignify with the honourable title of Rational, being much more frequently influenced, in his proceedings, by supposed interest, by passion, by sensual appetite, by caprice, by any thing, by nothing, than by reason; it has, in all civilized ages and countries, been found proper to frame laws and statutes fortified by sanctions, and to establish orders of men invested with authority to execute those laws, and inflict the deserved punishments upon the violators of them. By such means only has it been found possible to preserve the general peace and tranquillity. But, such is the perverse disposition of man, the most unruly of all animals, that this most useful institution has been generally debauched into an engine of oppression and tyranny over those, whom it was expresly and solely established to defend. And to such a degree has this evil prevailed, that in almost every age and country, the government has been the principal grievance of the people, as appears too dreadfully manifest, from the bloody and deformed page of history. For what is general history, but a view of the abuses of power committed by those, who have got it into their hands, to the subjugation, and destruction of the human species, to the ruin of the general peace and happiness, and turning the Almighty's fair and good world into a butchery of its inhabitants, for the gratification of the unbounded ambition of a few, who, in overthrowing the felicity of their fellow-creatures, have confounded their own?
IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos
IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos
Context: The mixed kind of myth may be seen in many instances: for example they say that in a banquet of the Gods Discord threw down a golden apple; the Goddesses contended for it, and were sent by Zeus to Paris to be judged. Paris saw Aphrodite to be beautiful and gave her the apple. Here the banquet signifies the hypercosmic powers of the Gods; that is why they are all together. The golden apple is the world, which being formed out of opposites, is naturally said to be "thrown by Discord." The different Gods bestow different gifts upon the world, and are thus said to "contend for the apple." And the soul which lives according to sense — for that is what Paris is — not seeing the other powers in the world but only beauty, declares that the apple belongs to Aphrodite.
“Acting is a mix of luck and choice. I got lucky.”
Speech in the Albert Hall, London (29 November 1910), quoted in The Times (30 November 1910), p. 9
Leader of the Opposition
Third Report, p. 172
U.S. Navy at War, 1941-1945: Official Reports to the Secretary of the Navy (1946)
In a letter from King to Admiral Harold B. Stark in November 1943, as quoted in Churchill's Anchor: Admiral of the Fleet Sir Dudley Pound (2000) by Robin Brodhurst.
1940s
Company Rules Interview https://companyrules.home.blog/2019/05/27/welcome-guest-dj-antonio-fresco/ (2019)
On choosing a story writing method in “7 QUESTIONS WITH JON PINEDA” https://hyphenmagazine.com/blog/2018/06/7-questions-jon-pineda in Hyphen Magazine (2018 Jun 7)
originally attributed in 1952 to an "Emanuel" Rabinovitch, who appears to be a fictional creation of Eustace Mullins
Misattributed
“Speech to the Reichstag Assuming New Powers” https://www.jewishvirtuallibrary.org/adolf-hitler-speech-to-the-reichstag-assuming-new-power-april-1942, (April 26, 1942)
1940s
On the character arc of Camilla in “Author Interview: Veronica Chambers questions Mexican immigrant stereotypes in ‘The Go-Between’” https://www.hypable.com/author-interview-veronica-chambers-the-go-between/ in Hypable (2017 May 9)
As quoted in Self-Motivation Through Risk Taking! : Are You Leading Or Do You Wither with Problems? (2005) by M. Nadarajan Munisamy
Pursuit of Progress (Heinemann, 1953), p. 96
1950s
Cause, Principle, and Unity (1584)
Mahatma Gandhi, The Collected Works, Volume 40. New Delhi. 1970, pp. 58-59. as quoted in Goel, S.R. History of Hindu-Christian Encounters (1996)
Posthumous publications (1950s and later)
Source: Beyond a Boundary (1963), p. 51
Source: Killing History: The False Left-Right Political Spectrum and the Battle between the ‘Free Left’ and the ‘Statist Left', (2019), pp. 194-195
Cut It Out (2004)
V. Jabotinsky, "A Letter on Autonomy", Evreiskaya zhizn, no. 6, June 1904.
Source: As translated in "Israel Among the Nations : Selection of Zionist Texts" (ed. Zvi Zohar; Jerusalem : World Zionist Organization, Organization Department, Research Section, 1966). Reprinted in L. Brenner, 51 Documents, Barricade Books, 2002, pp. 7–20.
Source: The Man Who Never Missed (1985), Chapter 15 (p. 132)
“He was a warm and friendly person who could mix with one and all on even terms.”
Full Court Reference in Memory of The Late Justice Mohammad Hidayatullah
Above two quotes by Charu Gupta a critique writing in her Essay “Portrayal of Women In Premchand’s stories: A critique”
Gilbert Burnet, in Bishop Burnet's History of His Own Time (1823), Vol. I, p. 164
About Anthony Ashley-Cooper
Idle Thoughts of an Idle Fellow (1886)
At the start of a routine about his freebasing accident. Live At The Sunset Strip (1982) [album and movie]
Autobiography (1873)
Species Conservation in Managed Habitats: The Myth of Pristine Nature (2016), p. 51
1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)
“Words on the paper mix with blood,
The extraordinary labor of ten years!”
(zh-TW) 字字看來皆是血，十年辛苦不尋常 。
Poem in the preface to Dream of the Red Chamber, present in its 1754 jiaxu manuscript (甲戌本), quoted in Zhou Ruchang's Between Noble and Humble, trans. Liangmei Bao (New York: Peter Lang, 2009), p. 181
“Words on the paper mix with blood,
The extraordinary labor of ten years!”
(zh-TW) 字字看來皆是血，十年辛苦不尋常 。
Red Inkstone, couplet in the preface to Dream of the Red Chamber, 1754 Jiaxu manuscript (甲戌本); quoted in Zhou Ruchang's Between Noble and Humble, trans. Liangmei Bao (New York: Peter Lang, 2009), p. 181.
Couplet in the preface to Dream of the Red Chamber, 1754 Jiaxu manuscript (甲戌本); the couplet is "generally considered to be written by Cao Xueqin" according to Wong Kwok-pun in Dreaming across Languages and Cultures (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014), footnote on p. 71, but Zhou Ruchang attributes it to Red Inkstone in Between Noble and Humble, trans. Liangmei Bao (New York: Peter Lang, 2009), p. 181. note: Variant translations: note: Every word [in the novel] which one looks at is a drop of blood. The ten years ' painstaking labour is no commonplace.
Source: From On The Red Chamber Dream by Shichang Wu (Clarendon Press, 1961), p. 24
Think Like an Artist (2015)
Shi Zhengli (2020) cited in " Coronavirus: Experts dismiss conspiracies blaming Wuhan Institute of Virology for outbreak https://www.newshub.co.nz/home/world/2020/01/coronavirus-experts-dismiss-conspiracies-blaming-wuhan-institute-of-virology-for-outbreak.html" on Newshub, 30 January 2020.
1940s, Speech Declaring War Against the United States (1941)
The Rock that Is Higher (1993)
Source: On her mixed heritage in a 1978 interview (as quoted in “Linda Ronstadt on New Live Album, Life With Parkinson’s and Modern Country Music” https://www.rollingstone.com/music/music-country/linda-ronstadt-interview-live-album-parkinsons-791219/ in Rolling Stone; 2019 Feb 7)
New Pathways in Science: Messenger Lectures 1934 (1947), p. 211.
Source: Mary, the Mother of Jesus: An Essay (1912), Ch. II. "Mary in the Scriptures", pp. 18, 21
Source: De Secretis Operibus Artis et Naturae et de Nullitate Magise, Ch. 11, in a reference to Bacon's knowledge of making gunpowder, as quoted by Thomas Thomson, The History of Chemistry (1830) Vol. 1, p. 36.
Source: Song lyrics, DAMN. (2017), XXX
Yôsuke Kubozuka Talk ‘Silence’, Martin Scorsese, His Reggae Career, Japan and More http://www.cutprintfilm.com/features/interviews/yosuke-kubozuka/ (March 16, 2017)
