Quotes about mine
page 10

Julian of Norwich photo
Gordon B. Hinckley photo
Van Morrison photo
Christopher Marlowe photo

“And let these tears, distilling from mine eyes,
Be proof of my grief and innocency.”

Christopher Marlowe (1564–1593) English dramatist, poet and translator

Mortimer, Act V, scene vi, line 100
Edward II (c. 1592)

Primo Levi photo
Robert Hunter photo
Dinah Craik photo
Red Skelton photo
Russell Brand photo
Harry Turtledove photo

“What will we do when they start capturing our people?" Klein asked. "They will, you know, if they haven't by now. Things go wrong." Heydrich's fingers drummed some more. He didn't worry about the laborers who'd expanded this redoubt- they'd all gone straight to the camps after they did their work. But captured fighters were indeed another story. He sighed. "Things go wrong. Ja. If they didn't, Stalin would be lurking somewhere in the Pripet Marshes, trying to keep his partisans fighting against us. We would've worked Churchill to death in a coal mine." He barked laughter. "The British did some of that for us, when they threw the bastard out of office last month. And we'd be getting ready to fight the Amis on their side of the Atlantic. But… things went wrong." "Yes, sir." After a moment, Klein ventured, "Uh, sir- you didn't answer my question." "Oh. Prisoners." Heydrich had to remind himself what his aide was talking about. "I don't know what to do, Klein, except make sure our people all have cyanide pills." "Some won't have the chance to use them. Some won't have the nerve," Klein said. Not many men had the nerve to tell Reinhard Heydrich the unvarnished truth. Heydrich kept Klein around not least because Klein was one of those men. They were useful to have. Hitler would have done better had he seen that. Heydrich recognized the truth when he heard it now; one more thing Hitler'd had trouble with.”

Harry Turtledove (1949) American novelist, short story author, essayist, historian

Source: The Man With the Iron Heart (2008), p. 56-57

Gu Hongming photo
Tulsidas photo

“Mine is no caste or cult, what care I for one or the other…
No one is of any use to me, nor am I of any use to anyone.
Don’t have a son to need, someone’s daughter to wed.
Tulsi is the slave of Rama, whoever may say whatever he likes.
Begged for food, slept in a mosque, have nothing to take and nothing
to give, call me a swindler or a saint, call me a Rajput or a Julaha.”

Tulsidas (1532–1623) Hindu poet-saint

A Muslim weaver is called a Julaha which Tusllidas preferred to be called, as he was brought up by a Muslim couple who were weavers who had picked him up and brought him up. Quoted in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 106

Robinson Jeffers photo
Jane Roberts photo

“Ruburt’s life as he knows it is not in my memory -- because I did different things when I was Ruburt. And he is not bound by that reality that was mine.”

Jane Roberts (1929–1984) American Writer

Session 728, Page 530
The “Unknown” Reality: Volume Two, (1979)

Tony Blair photo
Nathanael Greene photo
Taliesin photo
Felicia Hemans photo

“What sought they thus afar?
Bright jewels of the mine,
The wealth of seas, the spoils of war?
They sought a faith's pure shrine.”

Felicia Hemans (1793–1835) English poet

Stanza 9.
The Landing of the Pilgrim Fathers http://www.poetry-archive.com/h/landing_of_the_pilgrim_fathers.html (1826)

Ravi Shankar photo
Pat Conroy photo

“Give or take the odd anatomical discrepancy, John Berger affects me exactly like Jane Fonda - ie. any opinion of mine which I discover he shares I immediately examine to find out what's wrong with it.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Woodhouse walkies'
Essays and reviews, Glued to the Box (1983)

Letitia Elizabeth Landon photo

“The fair face painted on the dungeon air,
By the strong force of hope, distinct and sweet,
Is a good omen. Love mine, I will rest.
If my last sleep — it will be full of thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (28th March 1835)
Translations, From the German

Ben Carson photo

“Say your prayers. And I'll say mine. Because I really think it helps.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 43

Anna Quindlen photo
L. S. Lowry photo

“I've a one track mind, sir. Poverty and gloom. Never a joyous picture of mine you'll see. Always gloom. I never do a jolly picture.”

L. S. Lowry (1887–1976) British visual artist

Tynes Tees Television Interview 1968

U.G. Krishnamurti photo

“I am not anti-rational, just unrational. You may infer a rational meaning in what I say or do, but it is your doing, not mine.”

U.G. Krishnamurti (1918–2007) Indian philosopher

Source: No Way Out (2002), Ch. 1: The Unrational Philosophy of U.G. Krishnamurti

Frank Borman photo
Ernest Hemingway photo

“The faces that were young once were old as mine but everyone remembered how we were. The eyes had not changed and nobody was fat. No mouths were bitter no matter what the eyes had seen. Bitter lines around the mouth are the first sign of defeat. Nobody was defeated.”

Ernest Hemingway (1899–1961) American author and journalist

It is July 1959 and Hemingway is in Marceliano's bar in Pamplona, where he has not been since before the Spanish Civil War. In the following paragraph Hemingway mentions for contrast an unpleasant American journalist in his early twenties whose 'handsome young face already showed the traced lines of bitterness around the upper lips.'
Source: The Dangerous Summer (1985), Ch. 9

Mark Burns (televangelist) photo

“In reference to dealing with black issues and dealing with issues that plague those minority communities, Donald Trump doesn't have a racist bone in his body. I know what real racism is. And Donald Trump is so far from it. Talking to him and his wonderful wife and his children is like hanging out with some friends of mine that are black … He's just that kind of a person. He is not uneasy around you. He's very relaxed… When Donald Trump talks about 'the blacks' he's talking about the blacks, the group as a whole. He's talking about the groups… No, it doesn't bother me, because I know Donald Trump. I know who he is. I know he is not at all speaking in any derogatory sense at all. He's simply talking to that ethnic group, the blacks or the whites… Even with a sitting black President, the racial tension in this country is at an all-time high. And I believe it's led by the Democratic party and led by President Barack Obama, and obviously Secretary Clinton desires to continue that torch, which I believe will lead us more and more into economic destruction, especially for minorities in this country… I have not experienced racist tension from Donald Trump. I'm from the South. Literally right over the next county, there are active KKK groups that parade their rebel flag on a daily basis… This is in 2016. Right now, today, with a sitting black President. So I know what real racism looks like. And it is not Donald Trump… Does he want it (ex-KKK leaders endorsement)? He said, 'No, I don't want it, I don't accept it.' … He doesn't stand for any hate groups, whether it be a Christian hate group or an Islam hate group. He's already stated this. Mr. Trump has already stated that there was a technical issue in the earpiece. I'm in television; I own a TV studio. I do know how technical issues can cause you to miss out on what someone is saying.”

Mark Burns (televangelist) (1979) Christian pastor and founder of the NOW Television Network

Interview, New York Daily News, 15 May 2016 http://www.nydailynews.com/news/politics/meet-female-muslim-mexican-american-trump-supporters-article-1.2637077

Joseph Goebbels photo

“Give your goods to the poor: Christ.
Property is theft - as long as it's not mine: Marx.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Verteile Dein Gut an die Armen: Christus.
Eigentum ist Diebstahl – solange es nicht mir gehört: Marx.
Michael: a German fate in diary notes (1926)

Julian of Norwich photo
Bram Stoker photo
O. Henry photo

“Broadway — the great sluice that washes out the dust of the gold-mines of Gotham.”

O. Henry (1862–1910) American short story writer

"From Each According to His Ability"
The Voice of the City (1908)

Jacques Derrida photo
Ursula K. Le Guin photo
Simone de Beauvoir photo
Miguel de Cervantes photo

“Those two fatal words, Mine and Thine.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book II, Ch. 3.

“We all come into the world with baggage which, in the end, we have no hope of reclaiming, The main item in mine was my father.”

Robert Hughes (1938–2012) Australian critic, historian, writer

Things I Didn't Know (2006)

Pat Conroy photo
Algernon Charles Swinburne photo
Ronald Fisher photo

“No efforts of mine could avail to make the book easy reading.”

Preface, p. x.
The Genetical Theory of Natural Selection (1930)

Ringo Starr photo
Orson Welles photo

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

Malcolm Muggeridge photo
Nanak photo
Empress Dowager Cixi photo

“I have often thought that i am the most clever woman that ever lived, and others cannot compare with me…. Although I have heard much about Queen Victoria…I don't think her life was half so interesting and eventful as mine…. she had… really nothing to say about the policy of the country. Now look at me. I have 400,000,000 people dependent on my judgement.”

Empress Dowager Cixi (1835–1908) Chinese empress

As attributed in The last empress: Madame Chiang Kai-Shek and the birth of modern China, Hannah Pakula, 2009, Simon and Schuster, 391, 1439148937, 2010-06-28 http://books.google.com/books?id=4ZpVntUTZfkC&pg=PA39,
This is redacted from the account of Princess Der Ling, Two Years in the Forbidden City (1911), p. 356 http://books.google.com/books?id=KdUMAAAAIAAJ&pg=PA356

Stéphane Mallarmé photo
Richard Rodríguez photo
Alexej von Jawlensky photo

“It was very tiny, our house [ St. Prex ], and I had no room for my own, only a window, which I could call mine. But I was so gloomy and unhappy in my soul after all those dreadful experiences, that I was quite content to sit at the window and quietly collect my thoughts and feelings. I had a bit of paint but no easel, so I went into Lausanne – twenty minutes on the train – and bought a small easel from a photographer... It was highly unsuitable for painting but for more than twenty years I have painted my best work on that little easel”

Alexej von Jawlensky (1864–1941) Russian painter

in mainly small sizes
from: 'Lebenserinnerungen', 1938
This small house was in St. Prex, in Switzerland, lake Genova, where Jawlensky concentrated himself on the view around his house in the years after 1914.. ..he painted here more than 400 'Variations on a landscape theme', in St. Prex
Source: 1936 - 1941, Life Memories' (1938), p. 186

Mordechai Anielewicz photo
Matthew Hayden photo
Ian Fleming photo
Zell Miller photo
Cheryl James photo

“What's the matter with your life? Why you gotta mess with mine?”

Cheryl James (1966) American rapper and actress

"None of Your Business"

William Blake photo

“I have labour'd hard indeed, & have been borne on angel's wings. Till we meet I beg of God our Saviour to be with you & me, & yours & mine. Pray give my & my wife's love to Mrs Butts & Family, & believe me to remain.”

William Blake (1757–1827) English Romantic poet and artist

The Letters Of William Blake https://archive.org/details/lettersofwilliam002199mbp (1956), p. 90
1790s

John Desmond Bernal photo
Richard Rodríguez photo
Isaac Rosenberg photo
Marianne von Werefkin photo
Ernesto Che Guevara photo
Brian W. Aldiss photo
Matthew Arnold photo

“Calm soul of all things! make it mine
To feel, amid the city’s jar,
That there abides a peace of thine,
Man did not make, and cannot mar.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Lines Written in Kensington Gardens" (1852), st. 10

Brian Wilson photo

“Drive for a couple miles
You'll see a sign and turn left
For a couple blocks
Next is mine, you'll turn left on a little road
It's a bumpy one.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

"Busy Doin' Nothin'"
Friends (1968)

Edgar Degas photo
John Gay photo

“Give me, kind Heaven, a private station,
A mind serene for contemplation:
Title and profit I resign;
The post of honour shall be mine.”

John Gay (1685–1732) English poet and playwright

The Vulture, the Sparrow, and other Birds. Comparable to: "When vice prevails, and impious men bear sway, The post of honour is a private station", Joseph Addison, Cato, Act iv, scene 4
Fables (1727), Fables, Part the Second (1738)

Willem de Kooning photo
Ben Jonson photo
Max Beerbohm photo

“To give an accurate and exhaustive account of that period would need a far less brilliant pen than mine.”

Max Beerbohm (1872–1956) English writer

"1880" (1895) from The Works of Max Beerbohm (1896) http://www.gutenberg.org/dirs/etext99/twomb10.txt

Paul Klee photo

“I can dimly recollect Kandinsky and Weisgerber, who were fellow students of mine... Kandinsky was quiet and mixed the colours on his palette with the greatest diligence and, so it seemed to me, with a kind of studiousness, peering very closely at what he was doing.”

Paul Klee (1879–1940) German Swiss painter

Klee in a autobiographical text for Wilhelm Hausenstein, 1919; as quoted in Klee & Kandinsky, 2015 exhibition text – exposition, Lenbachhaus und Kunstbau Munich, from 21 October 2015 to 24 January 2016: on https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1916 - 1920

Matthew Arnold photo
Saint Patrick photo
Bret Easton Ellis photo
Mahmud of Ghazni photo

“The Sultan himself joined in the pursuit, and went after them as far as the fort called Bhimnagar [Nagarkot, modern Kangra], which is very strong, situated on the promontory of a lofty hill, in the midst of impassable waters. The kings of Hind, the chiefs of that country, and rich devotees, used to amass their treasures and precious jewels, and send them time after time to be presented to the large idol that they might receive a reward for their good deeds and draw near to their God. So the Sultan advanced near to this crow's fruit, ^ and this accumulation of years, which had attained such an amount that the backs of camels would not carry it, nor vessels contain it, nor writers hands record it, nor the imagination of an arithmetician conceive it. The Sultan brought his forces under the fort and surrounded it, and prepared to attack the garrison vigorously, boldly, and wisely. When the defenders saw the hills covered with the armies of plunderers, and the arrows ascending towards them like flaming sparks of fire, great fear came upon them, and, calling out for mercy, they opened the gates, and fell on the earth, like sparrows before a hawk, or rain before lightning. Thus did God grant an easy conquest of this fort to the Sultan, and bestowed on him as plunder the products of mines and seas, the ornaments of heads and breasts, to his heart's content. … After this he returned to Ghazna in triumph; and, on his arrival there, he ordered the court-yard of his palace to be covered with a carpet, on which he displayed jewels and unbored pearls and rubies, shining like sparks, or like wine congealed with ice, and emeralds like fresh sprigs of myrtle, and diamonds in size and weight like pomegranates. Then ambassadors from foreign countries, including the envoy from Tagh^n Khan, king of Turkistin, assembled to see the wealth which they had never yet even read of in books of the ancients, and which had never been accumulated by kings of Persia or of Rum, or even by Karun, who had only to express a wish and Grod granted it.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

About the capture of Bhimnagar, Tarikh Yamini (Kitabu-l Yamini) by Al Utbi, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 34-35 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes (971 CE to 1013 CE)

Joseph Strutt photo
James A. Michener photo
Edward Lucie-Smith photo
Arthur Scargill photo

“I pointed to the side of the road and then I pulled over and parked. When the guy got out of the car he was stripped to the waist. A typical young macho stud. He put his face within two inches of mine, and he was telling me what I was and what he was going to do to me. So I did the natural thing. I reached in and got a headlock on him, and I had him very firmly while he thrashed around. I felt I was doing just fine because I had stopped what was going on, but his girlfriend decided that he wasn't doing very well. So she ran and jumped on us. They both fell on top of me and my head crashed into the pavement. I landed on my left ear, got a hairline fracture and concussion.
[…]
It was like some kind of nether world. Most of the time I didn't know where I was. Like I'd wake up and find I. V. units in my arm, and I'd rip 'em out and say, "What kind of a hotel is this? You tell them I'm never coming here again."
[…]
When I came home from the hospital I was having terrible nightmares every night, sometimes to the point where I started not wanting to go to sleep. And I still have occasional migraines, dry eyes and short-term memory loss.
[…]
If I discovered anything in that strange, 10-month period of recovery, it's that music is the one thing that makes me sane.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Fischer: A Ferocious Teddy Bear" http://articles.latimes.com/1992-07-03/entertainment/ca-1426_1_teddy-bear

Letitia Elizabeth Landon photo
Shaun Ellis photo
Lyndon B. Johnson photo
Mike Scott photo
Roy Campbell (poet) photo

“Of all the clever people round me here
I most delight in Me –
Mine is the only voice I care to hear,
And mine the only face I like to see.”

Roy Campbell (poet) (1901–1957) South African poet

"Home Thoughts in Bloomsbury," lines 1-4
Adamastor (1930)

Richard Dawkins photo

“Your DNA may be destined to mingle with mine. Salutations!”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

River out of Eden (1995)

Paul Robeson photo
Curtis Mayfield photo
Heinrich Müller photo

“One should herd the entire intelligentsia into a mine and then blow it sky-high.”

Heinrich Müller (1900–1945) German police official and head of the Gestapo

Quoted in The Third Reich: A New History (2001) - Page 191

Enoch Powell photo
Samuel Beckett photo
Ben Jonson photo
Carole King photo

“Tonight you're mine completely,
You give your love so sweetly
Tonight the light of love is in your eyes,
But will you love me tomorrow?”

Carole King (1942) Nasa

Will You Love Me Tomorrow (1960), Co-written with Gerry Goffin, first recorded by The Shirelles, later by Carole King
Song lyrics, Singles

Anne Brontë photo

“At your time of life, it's love that rules the roast: at mine, it's solid, serviceable gold.”

Source: The Tenant of Wildfell Hall (1848), Ch. XX : Persistence; Mr. Maxwell to Helen

Robert A. Heinlein photo