Quotes about masterpiece

A collection of quotes on the topic of masterpiece, likeness, work, working.

Quotes about masterpiece

Claude Monet photo
John Wooden photo
Anthony Robbins photo
Leonard Cohen photo
Hammurabi photo
William Shakespeare photo

“Confusion now hath made his masterpiece.”

Source: Macbeth

George Sand photo

“Masterpieces are only lucky attempts.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

Les chefs-d'oeuvre ne sont jamais que des tentatives heureuses.
François le Champi, Introduction; Jane Minot Sedgwick (trans.) François the Waif (New York: H. M. Caldwell, 1894) p. 24

Antoine François Prévost photo
Vladimir Nabokov photo

“Human life is but a series of footnotes to a vast obscure unfinished masterpiece”

Variant: Existence is a series of footnotes to a vast, obscure, unfinished masterpiece.
Source: Lolita

Oscar Wilde photo

“Women, as some witty Frenchman once put it, inspire us with the desire to do masterpieces and always prevent us from carrying them out.”

Oscar Wilde (1854–1900) Irish writer and poet

Source: The Picture of Dorian Gray and Other Writings

Virginia Woolf photo
Vladimir Nabokov photo
Leonardo Da Vinci photo

“The smallest feline is a masterpiece.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath
Marcel Proust photo

“Everything great in the world comes from neurotics. They alone have founded our religions and composed our masterpieces.”

Tout ce que nous connaissons de grand nous vient des nerveux. Ce sont eux et non pas d'autres qui ont fondé les religions et composé les chefs-d'œuvre.
http://books.google.com/books?id=qrZEAAAAYAAJ&q=%22Tout+ce+que+nous+connaissons+de+grand+nous+vient+des+nerveux.+Ce+sont+eux+et+non+pas+d'autres+qui+ont+fond%C3%A9+les+religions%22+%22et+compos%C3%A9+les+chefs-d'%C5%93uvre%22&pg=PA272#v=onepage
Volume I
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol III: The Guermantes Way (1920)

Rob Riemen photo
H.P. Lovecraft photo
Claude Monet photo

“Once settled, I hope to produce masterpieces, because I like the countryside very much.”

Claude Monet (1840–1926) French impressionist painter

in a letter to Paul Durand-Ruel: as quoted in: Daniel Wildensteijn "Monet's Giveny" in: Monet's Years at Giverny: Beyond Impressionism http://books.google.nl/books?id=H76Nl_fNgOUC, (1978) p. 16: About the countryside in Giverny
1870 - 1890

Virginia Woolf photo
Oswald Spengler photo
Arthur Miller photo

“He wants to live on through something — and in his case, his masterpiece is his son… all of us want that, and it gets more poignant as we get more anonymous in this world.”

Arthur Miller (1915–2005) playwright from the United States

On Willy Loman in Death of a Salesman, as quoted in The New York Times (9 May 1984)

Voltaire photo

“The ancient Romans built their greatest masterpieces of architecture for wild beasts to fight in.”

Voltaire (1694–1778) French writer, historian, and philosopher

Les anciens Romains élevaient des prodiges d'architecture pour faire combattre des bêtes.
Letter addressed to "un premier commis" [name unknown] (20 June 1733), from Oeuvres Complètes de Voltaire: Correspondance [Garnier frères, Paris, 1880], vol. I, letter # 343 (p. 354)
Citas

Henri Barbusse photo

“To understand life, and love it to its depths in a living being, that is the being's task, and that his masterpiece”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face
Context: To understand life, and love it to its depths in a living being, that is the being's task, and that his masterpiece; and each of us can hardly occupy his time so greatly as with one other; we have only one true neighbor down here.

Henri Barbusse photo

“The cult of the masterpieces of art and thought is the only impulse of the soul which, by general consent, has always soared above patriotic littlenesses.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XX The Cult
Context: If, from the idea of motherland, you take away covetousness, hatred, envy and vainglory; if you take away from it the desire for predominance by violence, what is there left of it?
It is not an individual unity of laws; for just laws have no colors. It is not a solidarity of interests, for there are no material national interests — or they are not honest. It is not a unity of race; for the map of the countries is not the map of the races. What is there left?
There is left a restricted communion, deep and delightful; the affectionate and affecting attraction in the charm of a language — there is hardly more in the universe besides its languages which are foreigners — there is left a personal and delicate preference for certain forms of landscape, of monuments, of talent. And even this radiance has its limits. The cult of the masterpieces of art and thought is the only impulse of the soul which, by general consent, has always soared above patriotic littlenesses.

Henri Barbusse photo

“Already there is uneasy hesitation in these castaways' discussion of their tragedy, in the huge masterpiece of destiny that they are roughly sketching.”

Under Fire (1916), Ch. 24 - The Dawn
Context: Already there is uneasy hesitation in these castaways' discussion of their tragedy, in the huge masterpiece of destiny that they are roughly sketching. It is not only the peril and pain, the misery of the moment, whose endless beginning they see again. It is the enmity of circumstances and people against the truth, the accumulation of privilege and ignorance, of deafness and unwillingness, the taken sides, the savage conditions accepted, the immovable masses, the tangled lines.
And the dream of fumbling thought is continued in another vision, in which everlasting enemies emerge from the shadows of the past and stand forth in the stormy darkness of to-day.

Henri Barbusse photo

“Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVII
Context: Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall? Who will dare to tell everything, who will have the genius to see everything?
I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs. The more incapable of it I feel myself, the more I believe it to be possible. The sad splendour with which certain memories of mine overwhelm me, shows me that it is possible. Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.
But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work.

Tulsidas photo

“The Ramacharitamanas undoubtedly is the great poem worthy to rank among the great classical masterpieces of world literature.”

Tulsidas (1532–1623) Hindu poet-saint

Source: On Tulsidas’s epic Ramacharritamanas, P.E.Keay in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 35

John Wooden photo

“Make every day your masterpiece.”

John Wooden (1910–2010) American basketball coach

Interview on Charlie Rose https://archive.org/details/WHUT_20100614_130000_Charlie_Rose (2000)
Source: Wooden: A Lifetime of Observations and Reflections On and Off the Court

Chuck Palahniuk photo
Kakuzo Okakura photo
Sam Harris photo
Dan Brown photo
Michel De Montaigne photo

“The great and glorious masterpiece of man is to live with purpose.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman
Jean Cocteau photo

“The greatest masterpiece in literature is only a dictionary out of order.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Source: Le Potomak : Précédé d'un Prospectus 1916

Julia Child photo
Steven Pressfield photo
Arthur Schopenhauer photo
Neil deGrasse Tyson photo
Lawrence Ferlinghetti photo

“Don't bow down to critics who have not themselves written great masterpieces.”

Lawrence Ferlinghetti (1919) American artist, writer and activist

Source: City Lights Pocket Poets Anthology

John Ruskin photo

“When love and skill work together, expect a masterpiece.”

John Ruskin (1819–1900) English writer and art critic

Widely attributed on the Internet to John Ruskin; see this Google search https://www.google.com/search?num=50&q=%2B%22When+love+and+skill+work+together%2C+expect+a+masterpiece.%22+%2B%22John+Ruskin%22+-%22Charles+Reade%22&oq=%2B%22When+love+and+skill+work+together%2C+expect+a+masterpiece.%22+%2B%22John+Ruskin%22+-%22Charles+Reade%22&gs_l=serp.12...143064.148395.0.150598.2.2.0.0.0.0.108.196.1j1.2.0....0...1c.1.64.serp..0.0.0.JURsIFvRl34 for thousands of pages containing the quote AND "John Ruskin" but NOT "Charles Reade".

This is actually from Put Yourself in His Place by Charles Reade.
Misattributed

George Moore (novelist) photo

“The public will accept a masterpiece, but it will not accept an attempt to write a masterpiece.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Vain Fortune http://www.gutenberg.org/files/11303/11303.txt, Chapter 1 (1891).

“Women are present as well as men in Shahnameh, the masterpiece of Ferdowsi.”

Outlooks
Source: Center for the Great Islamic Encyclopedia, 2014 https://www.cgie.org.ir/fa/news/11919

Eugène Delacroix photo
Pope John Paul II photo

“Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Letter to artists, 4 April 1999
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/letters/documents/hf_jp-ii_let_23041999_artists_en.html

Akira Toriyama photo
Damian Pettigrew photo
Auguste Rodin photo
Anatole France photo

“The good critic is one who tells of his mind's adventures among masterpieces.”

Anatole France (1844–1924) French writer

Le bon critique est celui qui raconte les aventures de son âme au milieu des chefs-d'œuvre.
Series II : M. Jules Lemaître
The Literary Life (1888-1892)

Benito Mussolini photo

“Lenin is an artist who has worked men, as other artists have worked marble or metals. But men are harder than stone and less malleable than iron. There is no masterpiece. The artist has failed. The task was superior to his capacities.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

Popolo d'Italia (14 July 1920) "The Artificer and the Material," quoted in Mussolini in the Making (1938) by Gaudens Megaro, p. 326
1920s

George Villiers, 2nd Duke of Buckingham photo

“Nature's chief masterpiece is writing well.”

George Villiers, 2nd Duke of Buckingham (1628–1687) English statesman and poet

John Sheffield, 1st Duke of Buckingham and Normanby "An Essay on Poetry", line 2; cited from The Poetical Works of the Most Noble John Sheffield, Duke of Buckingham (Edinburg [sic]: Apollo Press, 1780) p. 281.
Misattributed in Temple Bar (February 1863) p. 377, and by Giga Quotes http://www.giga-usa.com/quotes/authors/george_villiers_a001.htm.
Misattributed

“The Phantom Menace is not a masterpiece, but it's an example of how imagination, craftsmanship, and technological bravura can fashion superior entertainment out of something that is far from flawless.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw99.html of Star Wars Episode I: The Phantom Menace (1999).
Three-and-a-half star reviews

Johannes Bosboom photo

“To show this later progress in my own work I refer to my [paintings] 'Organ-playing monk', in 1850, my 'Lord's Supper in the Geestes-kerk (church) in Utrecht' in 1852, and my 'Bakenesse-kerk (church) in Haarlem', painted a dozen years later. All three can be found in the museum Fodor and can thus be compared to each other. The preference will undoubtedly be given to the latter, which for its strength and unity is counted among the masterpieces of this [Fodor] collection.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): Om dien lateren vooruitgang in mijn eigen werk te toonen, verwijs ik naar mijn [werken] 'Orgelspelende monnik' in 1850, mijn 'Avondmaalsviering in de Geesteskerk te Utrecht' in 1852 en mijn 'Bakenessekerk te Haarlem', een tiental jaren later geschilderd - alle drie in het museum Fodor te vinden en dus onderling te vergelijken. De voorkeur zal ongetwijfeld aan het laatste worden toegekend, dat om zijn kracht en éénheid tot de meesterstukjes dezer verzameling gerekend wordt.
Quote of Bosboom, in his autobiography, c. 1890; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-’Gravenhage / The Hague, tweede druk, 1920, pp. 108-09 (translation from the original Dutch: Fons Heijnsbroek)
1890's

Derek Walcott photo

“"All things excellent are as difficult as they are rare." These words which bring to a close Spinoza's masterpiece Ethics, after the manner of Geometry, sum up the experience of a life as rare as it was difficult.”

Edgar A. Singer, Jr. (1873–1954) American philosopher

Source: Modern thinkers and present problems, (1923), p. 37: Chapter 2. Benedict de Spinoza, 1632-1677

Vincent Van Gogh photo
Giorgio de Chirico photo
Vin Scully photo
Jean Cocteau photo

“Poetry is a religion without hope. The poet exhausts himself in its service, knowing that, in the long run, a masterpiece is nothing but the performance of a trained dog on very shaky ground.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988), On Invisibility

Roger Ebert photo
Peter Weiss photo
Allan Kaprow photo

“A walk down 14th street is more amazing than any masterpiece of art.”

Allan Kaprow (1927–2006) American artist

[[http://streets2k5.albuscav.us/upstage_guide.pdfStreets 2K5 international festival Of Street Art (May 2005) p. 19

Pricasso photo

“He uses his penis, scrotum and buttocks to create his masterpieces.”

Pricasso (1949) Australian painter

[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
About

James McNeill Whistler photo
Joseph Martin Kraus photo
Willem Roelofs photo

“.. it is a masterpiece [painting of Barend Cornelis Koekkoek: 'View on the Woods' 1839, with sizes 176 x 160 cm], a well-executed brave undertaking to imagine something like that on a large scale with such an elaborateness. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) ..het is een meesterstuk [groot schilderij van : 'Boschgezicht' 1839, 176 x 160 cm], een welgelukte stoute onderneming om op die schaal met die uitvoerigheid zooiets voor te stellen.
In a letter to his parents, August 1840; as cited by Marjan van Heteren in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, - ISBN13 * 978 90 6868 4322, 2006, p. 23
1840' + 1850's

Heinrich von Treitschke photo
Edward German photo

“It is an immortal masterpiece. Anybody and everybody today would, I should say, give the rest of their lives to have written it. Anyway I would.”

Edward German (1862–1936) English musician and composer

Dame Ethel Smyth, on Merrie England

Ingmar Bergman photo

“He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade… He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Michelangelo Antonioni
Variant translation: Antonioni has never properly learnt his craft. He's an aesthete. If, for example, he needs a certain kind of road for The Red Desert, then he gets the houses repainted on the damned street. That is the attitude of an aesthete. He took great care over a single shot, but didn't understand that a film is a rhythmic stream of images, a living, moving process; for him, on the contrary, it was such a shot, then another shot, then yet another. So, sure, there are some brilliant bits in his films... I can't understand why Antonioni is held in such high esteem.
Jan Aghed interview (2002)

Colin Wilson photo
Benito Mussolini photo

“I want to make my own life a masterpiece.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

Talks with Mussolini (1932), quoting earlier remarks
As quoted in " Duce (1922-42)" in TIME magazine (2 August 1943) http://www.time.com/time/magazine/article/0,9171,777927-4,00.html
1930s
Variant: I shall make my own life a masterpiece.

Roger Ebert photo
Ralph Waldo Emerson photo

“A masterpiece of art has in the mind a fixed place in the chain of being, as much as a plant or a crystal.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1870s, Society and Solitude (1870), Art

Lorin Maazel photo
James McNeill Whistler photo
Daniel Tosh photo
Wolfram von Eschenbach photo

“By the miracle of genius he created a masterpiece [Parzival], epic in scope, noble in purpose, humorous, humane, tender, and rational.”

Wolfram von Eschenbach (1170–1220) German knight and poet

Roger Sherman Loomis The Development of Arthurian Romance (New York: Dover, [1963] 2000) p. 67.
Criticism

“Today is yours to shape. Create a masterpiece!”

Source: Life, the Truth, and Being Free (2010), p. 61

Italo Svevo photo

“Zeno is one of the comic masterpieces of the century; as Svevo had previously used Flaubert more intelligently than any Italian before him, here he uses Freud in a way that no Italian has done since.”

Italo Svevo (1861–1928) Italian writer

Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 3, p. 23.
Criticism

John Harvey Kellogg photo
Salvador Dalí photo
Robert Burns photo
Alfred Brendel photo

“If I belong to a tradition, it is a tradition that makes the masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the composer what he ought to have composed.”

Alfred Brendel (1931) Austrian pianist, poet, and author

Studs Terkel (2006). And They All Sang: The Great Musicians of the 20th Century Talk about Their Music. p. 287

Logan Pearsall Smith photo
Georg Christoph Lichtenberg photo
Charles Reade photo

“When love and skill work together, expect a masterpiece.”

Charles Reade (1814–1884) British writer

Source: Put Yourself in His Place (1870), CHAPTER V

Richard A. Posner photo
Martin Amis photo
André Malraux photo
Marguerite Yourcenar photo

“Every bliss achieved is a masterpiece: the slightest error turns it awry, and it alters with one touch of doubt; any heaviness detracts from its charm, the least stupidity renders it dull.”

Tout bonheur est un chef-d'oeuvre: la moindre erreur le fausse, la moindre hésitation l'altère, la moindre lourdeur le dépare, la moindre sottise l'abêtit.
Source: Memoirs of Hadrian (1951), p. 164

Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Isidore Isou photo