Quotes about mark
page 10

Joseph Conrad photo

“Coming in from the eastward, the bright colouring of the [Nore] lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary. But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore. The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond… [The inward-bound ships] all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal. The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here and there a lonely wooden jetty where petroleum ships discharge their dangerous cargoes, and the oil-storage tanks, low and round with slightly-domed roofs, peep over the edge of the fore-shore, as it were a village of Central African huts imitated in iron. Bordered by the black and shining mud-flats, the level marsh extends for miles. Away in the far background the land rises, closing the view with a continuous wooded slope, forming in the distance an interminable rampart overgrown with bushes.”

The Nore to Hope Point
The Mirror of the Sea (1906), On the River Thames, Ch. 16

L. Frank Baum photo
Margaret Fuller photo

“Wouldst have the princely spirit bowed?
Whisper only, speak not loud,
Mark and leave him in the crowd.

Thou need'st not spies nor jailers have;
The free will serve thee like the slave,
Coward shrinking from the brave.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Life Without and Life Within (1859), The Captured Wild Horse

Andrew Marvell photo
Nelson Algren photo

“Thinking of Melville, thinking of Poe, thinking of Mark Twain and Vachel Lindsay, thinking of Jack London and Tom Wolfe, one begins to feel there is almost no way of becoming a creative writer in America without being a loser.”

Nelson Algren (1909–1981) American novelist, short story writer

"Algren at the height of his success" in 1950, quoted by Richard Flanagan, 2005.
Nonfiction works

Robert Todd Carroll photo
Ernest Flagg photo

“Style… the very hall-mark of great art… there is little use in trying to define style.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

Richard Dawkins photo
Antonio Negri photo
Christian Dior photo

“My mother whom I adored, secretly wasted away and died of grief…; her death…marked me for life.”

Christian Dior (1905–1957) French fashion designer

Source: Marie France Pochna "Christian Dior: The Man who Made the World Look New", p. 48

Arthur C. Clarke photo

“The intelligent minority of this world will mark 1 January 2001 as the real beginning of the 21st century and the Third Millennium.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

As quoted in the [Sri Lanka] Sunday Times (31 December 2000) http://www.sundaytimes.lk/001231/news4.html
2000s and attributed from posthumous publications

Roger Scruton photo

“I do not see the marks left by man only as great works, but as love for what surrounds us, as a sequence of small and great actions lived with passion.”

Salvatore Garau (1953) Italian artist

Farnesina, as quoted in Italian Ministry of Foreign Affairs (2016).
Source: https://www.esteri.it/mae/en/sala_stampa/archivionotizie/approfondimenti/2016/10/brasile-aambasciata-e-istituto.html, Farnesina, Ministero degli Esteri, “Brazil – Italian Embassy and Cultural Institute organise a Solo Exhibition by Salvatore Garau in Brasilia", 10/26/2016, www.esteri.it

Thomas Carlyle photo

“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared." I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

David McNally photo

“The neoliberal utopia of unrestrained capitalism is being created by a war against the poor and the commons. In fact, the "new enclosures" are a sign that the struggles that marked the birth of capitalism are still very much alive.”

David McNally (1953) Canadian political scientist

Source: Another World Is Possible : Globalization and Anti-capitalism (2002), Chapter 3, The Invisible Hand Is A Closed Fist, p. 69

Peter L. Berger photo
George Friedman photo
Emma Thompson photo

“Four a. m., having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. There was Lindsay Doran of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly appeared to understand me better than I understand myself. Mr. James Shamis, a most copiously erudite person and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behaviour one has learned to expect from that race. Mr. Mark Kenton, an energetic person with a ready smile who, as I understand it, owes me a great deal of money. [Breaks character, smiles. ] TRUE!! [Back in character. ] Miss Lisa Henson of Columbia, a lovely girl and Mr. Garrett Wiggin, a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing, that it proved impossible to get within ten feet of him. The room was full of interesting activity until 11 p. m. when it emptied rather suddenly. The lateness of the hour is due, therefore, not to the dance, but to the waiting in a long line for a horseless carriage of unconscionable size. The modern world has clearly done nothing for transport.”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

Robert Chambers (publisher, born 1802) photo
W. W. Rouse Ball photo
Robert Burns photo

“Dweller in yon dungeon dark,
Hangman of creation, mark!
Who in widow weeds appears,
Laden with unhonoured years,
Noosing with care a bursting purse,
Baited with many a deadly curse?”

Robert Burns (1759–1796) Scottish poet and lyricist

Ode on Mrs. Oswald.
Bartlett's Familiar Quotations, 10th ed. (1919)

Joseph Massad photo
Jerome David Salinger photo

“The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he wants to live humbly for one.”

Jerome David Salinger (1919–2010) American writer

Quoted by Salinger as a statement of the psychoanalyst Wilhelm Stekel in The Catcher in the Rye, this has often been attributed to Salinger, and it may actually be a paraphrase by him of a statement of the German writer Otto Ludwig (1813-1865) which Stekel himself quotes in his writings:
Das Höchste, wozu er sich erheben konnte, war, für etwas rühmlich zu sterben; jetzt erhebt er sich zu dem Größern, für etwas ruhmlos zu leben.
The highest he could raise himself to was to die gloriously for something; now he rises to something greater: to live humbly for something.
Gedanken Otto Ludwigs : Aus seinem Nachlaß ausgewählt und herausgegeben von Cordelia Ludwig (1903), p. 10 http://archive.org/stream/gedankenottolud00ludwgoog#page/n39/mode/2up; this is quoted by Stekel in "Die Ausgänge der psychoanalytischen Kuren" in Zentralblatt für Psychoanalyse : Medizinische Monatsschrift für Seelenkunde (1913), p. 188 http://archive.org/stream/ZB_III_1913_4_5_k#page/n19/mode/2up, and in Das liebe Ich : Grundriss einer neuen Diätetik der Seele (1913), page 38 http://books.google.de/books?id=PgFAAAAAIAAJ&q=r%C3%BChmlich.
Disputed

Theodor Mommsen photo

“All the Hellenistic States had thus been completely subjected to the protectorate of Rome, and the whole empire of Alexander the Great had fallen to the Roman commonwealth just as if the city had inherited it from his heirs. From all sides kings and ambassadors flocked to Rome to congratulate her; they showed that fawning is never more abject than when kings are in the antechamber…w:Polybius dates from the battle of Pydna the full establishment of the universal empire of Rome. It was in fact the last battle in which a civilized state confronted Rome in the field on a footing of equality with her as a great power; all subsequent struggles were rebellions or wars with peoples beyond the pale of the Romano-Greek civilization -- with barbarians, as they were called. The whole civilized world thenceforth recognized in the Roman senate the supreme tribunal, whose commissions decided in the last resort between kings and nations; and to acquire its language and manners foreign princes and youths of quality resided in Rome. A clear and earnest attempt to get rid of this dominion was in reality made only once -- by the great Mithradates of Pontus. The battle of pydna, moreover, marks the last occasion on which the senate still adhered to the state-maxim that that they should, if possible, hold no possessions and maintain no garrisons beyond the Italian seas, but should keep the numerous states dependent on them in order by a mere political supremacy. The aim aim of their policy was that these states should neither decline into utter weakness and anarchy, as had nevertheless happened in Greece nor emerge out of their half-free position into complete independence, as Macedonia had attempted to do without success. No state was to be allowed to utterly perish, but no one was to be permitted to stand on its own resources… Indications of a change of system, and of an increasing disinclination on the part of Rome to tolerate by its side intermediate states even in such independence as was possible for them, were clearly given in the destruction of the Macedonian monarchy after the battle of Pydna, the more and more frequent and more unavoidable the intervention in the internal affairs of the petty Greek states through their misgovernment, and their political and social anarchy, the disarming of Macedonia, where the Northern forntier at any rate urgently required a defence different from that of mere posts; and, lastly, the introduction of the payment of land-tax to Rome from Macedonia and Illyria, were so many symptoms of the approaching conversion of the client states into subjects of Rome.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The Changing of the Relationship between Rome and Her Client-States
The History Of Rome, Volume 2. Chapter 10. "The Third Macedonian War" Translated by W.P.Dickson
The History of Rome - Volume 2

Alexander Ovechkin photo

“He's got Mike Bossy's hands, Jari Kurri's on-ice awareness, and Mark Messier's physicality.”

Alexander Ovechkin (1985) Russian ice hockey player

Wayne Gretzky, interview in Kevin Paul Dupont (April 13, 2008) "This rink gives you chills: In Montreal, they have the magic down cold", Boston Globe, Globe Newspaper Company, p. 9D.
About

Ted Kennedy photo
Heidi Klum photo
Calvin Coolidge photo
Pope Benedict XVI photo
George W. Bush photo
John Stuart Mill photo
Kent Hovind photo
Oswald Chambers photo
Jacques Derrida photo
Marcus Aurelius photo
Éric Pichet photo

“Thirty years of lax budget policy (the Trente Dispendieuses) marked by soaring public spending in the 1980’s, the happy-go-lucky attitude of the 1990’s and finally, a policy of procrastination in the 2000’s characterised by the development of creative budgetary marketing strategies exclusively destined to delay the (always) socially and politically painful moment of addressing the accounts.”

Éric Pichet (1960) economist

Le programme de stabilité et le pacte de responsabilité : la trajectoire des finances publiques de 2014 à 2017 http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2499496 Article in Revue de Droit Fiscal n31-35 (2014).
Budgetary policy, From the Expensive 30 toe the Expensive 36, The Expensive 30

John Trumbull (poet) photo
John Dickinson photo
Letitia Elizabeth Landon photo
Jerry Springer photo

“The GNP by itself is no mark of our national achievement. For it includes smokestacks that pollute, drugs that destroy, and ambulances which clear our highways of human wreckage. It includes a mugger's knife, a rioter's bomb, and Oswald's rifle, but if the GNP tells us all this, there is much that it does not tell us. It says nothing about the health of our families, the quality of their education, or the joy of their play.”

Jerry Springer (1944) American television presenter, former lawyer, politician, news presenter, actor, and musician

from a speech given circa 1970 to citizens in Cincinnati Ohio.
This American Life http://www.thislife.org/pages/descriptions/04/258.html, Ep. 258, 01/30/04, Leaving the Fold; Act One.
PLEASE NOTE that this quote borrows very heavily, in substance and form, from a 1968 speech by Robert F. Kennedy http://www.mccombs.utexas.edu/faculty/Michael.Brandl/Main%20Page%20Items/Kennedy%20on%20GNP.htm.

Robert G. Ingersoll photo
Lewis Mumford photo

“One of the marks of maturity is the need for solitude: a city should not merely draw men together in many varied activities, but should permit each person to find, near at hand, moments of seclusion and peace.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

"Planning for the Phases of Life" http://books.google.com/books?id=JypxP4R4cogC&q=%22One+of+the+marks+of+maturity+is+the+need+for%22+%22a+city+should+not+merely+draw+men+together+in+many+varied+activities+but+should+permit+each+person+to+find+near+at+hand+moments+of+seclusion+and+peace%22&pPA40#v=onepage, The Urban Prospect: Essays (1968)

Peter Greenaway photo
Marco Girolamo Vida photo

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”

Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Pope Benedict XVI photo
Andrew Lang photo
Freeman Dyson photo
Jefferson Davis photo

“We recognize the fact of the inferiority stamped upon that race of men by the Creator, and from the cradle to the grave, our Government, as a civil institution, marks that inferiority.”

Jefferson Davis (1808–1889) President of the Confederate States of America

Reply in the Senate to William H. Seward (29 February 1860), Senate Chamber, U.S. Capitol. As quoted in The Papers of Jefferson Davis, Volume 6, pp. 277–84. Transcribed from the Congressional Globe, 36th Congress, 1st Session, pp. 916–18.
1860s

Francis Bacon photo
John Howard Yoder photo
Eugene Rotberg photo
George Gordon Byron photo

“Mark! where his carnage and his conquests cease!
He makes a solitude, and calls it — peace!”

Canto II, stanza 20. Here Byron is using an adaptation of a quote from Agricola by the Roman historian Tacitus (c. 30). The original words in the text are Auferre, trucidare, rapere, falsis nominibus imperium; atque, ubi solitudinem faciunt, pacem appellant (To robbery, slaighter, plunder, they give the lying name of empire; they make a wilderness, and call it peace). This has also been reported as Solitudinem faciunt, pacem appellant (They make solitude, which they call peace).
The Bride of Abydos (1813)

George Gissing photo

“Women, he held, had never been treated with elementary justice. To worship them was no less unfair than to hold them in contempt. The honest man, in our day, should regard a woman without the least bias of sexual prejudice; should view her simply as a fellow-being, who, according to circumstances, might or not be on his own plane. Away with all empty show and form, those relics of barbarism known as chivalry! He wished to discontinue even the habit of hat-doffing in female presence. Was not civility preserved between man and man without such idle form? Why not, then, between man and woman? Unable, as yet, to go the entire length of his principles in every-day life, he endeavoured, at all events, to cultivate in his intercourse with women a frankness of speech, a directness of bearing, beyond the usual. He shook hands as with one of his own sex, spine uncrooked; he greeted them with level voice, not as one who addresses a thing afraid of sound. To a girl or matron whom he liked, he said, in tone if not in phrase, "Let us be comrades." In his opinion this tended notably to the purifying of the social atmosphere. It was the introduction of simple honesty into relations commonly marked — and corrupted — by every form of disingenuousness. Moreover, it was the great first step to that reconstruction of society at large which every thinker saw to be imperative and imminent.
But Constance Bride knew nothing of this, and in her ignorance could not but misinterpret the young man's demeanor. She felt it to be brusque; she imagined it to imply a purposed oblivion of things in the past.”

George Gissing (1857–1903) English novelist

Source: Our Friend the Charlatan (1901), Ch. II

Philip Roth photo
Winston S. Churchill photo
Plutarch photo
Hans Reichenbach photo
Hilaire Belloc photo

“In soft deluding lies let fools delight.
A shadow marks our days, which end in Night.”

Hilaire Belloc (1870–1953) writer

"On a Sundial"
Sonnets and Verse (1938)

C. Wright Mills photo
Douglas MacArthur photo
George Marshall photo

“In these days he promoted a bramin, by name Seeva Dew Bhut, to the office of prime minister, who embracing the Mahomedan faith, became such a persecutor of Hindoos that he induced Sikundur to issue orders proscribing the residence of any other than Mahomedans in Kashmeer; and he required that no man should wear the mark on his forehead, or any woman be permitted to burn with her husband’s corpse. Lastly, he insisted on all golden and silver images being broken and melted down, and the metal coined into money. Many of the bramins, rather than abandon their religion or their country, poisoned themselves; some emigrated from their native homes, while a few escaped the evil of banishment by becoming Mahomedans. After the emigration of the bramins, Sikundur ordered all the temples in Kashmeer to be thrown down; among which was one dedicated to Maha Dew, in the district of Punjhuzara, which they were unable to destroy, in consequence of its foundation being below the surface of the neighbouring water. But the temple dedicated to Jug Dew was levelled with the ground; and on digging into its foundation the earth emitted volumes of fire and smoke which the infidels declared to be the emblem of the wrath of the Deity; but Sikundur, who witnessed the phenomenon, did not desist till the building was entirely razed to the ground, and its foundations dug up….. “In another place in Kashmeer was a temple built by Raja Bulnat, the destruction of which was attended with a remarkable incident. After it had been levelled, and the people were employed in digging the foundation, a copper-plate was discovered, on which was the following inscription:- ‘Raja Bulnat, having built this temple, was desirous of ascertaining from his astrologers how long it would last, and was informed by them, that after eleven hundred years, a king named Sikundur would destroy it, as well as the other temples in Kashmeer’…Having broken all the images in Kashmeer, he acquired the title of the Iconoclast, ‘Destroyer of Idols’…”

Firishta (1560–1620) Indian historian

Sultãn Sikandar Butshikan of Kashmir (AD 1389-1413)Kashmir
Tãrîkh-i-Firishta

Meat Loaf photo

“You gotta understand that people attach me and Jim Steinman. But you really have to attach Todd Rundgren to that. … you really have to credit Todd Rundgren for the initial mark. Yes, Steinman had things in his head. And, yes, I had some things in my head; I had how “All Revved Up with No Place to Go” should sound in my head. Jim had how “You Took the Words Right Out of My Mouth (Hot Summer Night)” should sound in his head. But pulling things out of your head and accomplishing them, and somebody else trying to accomplish them, is a remarkable feat. … So not taking anything away from Jim, ‘cause Jim is an absolute genius and one of the smartest people that I’ve ever known, and I consider him one of my best friends. But, y’know, sometimes, people just… they pigeonhole things, and they go, “Jim Steinman and Meat Loaf.” And my thing is, no, stop it! Because the Bat Out of Hell records are this: it’s a big wheel, and everybody is a spoke in that wheel… and, at different times as that wheel’s turning, different people have more input than others. It’s, like, as a wheel turns, the bottom spokes take more than the top spokes…but, pretty soon, those are gonna be the bottom spokes, and their import is more. And, so, that’s how that goes with the Bat Out of Hell records… and that’s exactly Bat Out of Hell III.”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

On credit for the Bat out of Hell albums.
A chat with Meat Loaf (2006)

Erasmus Darwin photo
The Mother photo
Johann Wolfgang von Goethe photo

“There is no outward mark of politeness that does not have a profound moral reason. The right education would be that which taught the outward mark and the moral reason together.”

Es gibt kein äußeres Zeichen der Höflichkeit, das nicht einen tiefen sittlichen Grund hätte. Die rechte Erziehung wäre, welche dieses Zeichen und den Grund zugleich überlieferte.
Bk. II, Ch. 5, R. J. Hollingdale, trans. (1971), p. 195
Elective Affinities (1809)

Thomas Babington Macaulay, 1st Baron Macaulay photo
Vitruvius photo
Alexander Smith photo

“Each time we love,
We turn a nearer and a broader mark
To that keen archer, Sorrow, and he strikes.”

Alexander Smith (1829–1867) Scottish poet and essayist

"A Boy’s Dream".
City Poems (1857)

György Lukács photo
Camille Paglia photo
Enoch Powell photo

“Have you ever wondered, perhaps, why opinions which the majority of people quite naturally hold are, if anyone dares express them publicly, denounced as 'controversial, 'extremist', 'explosive', 'disgraceful', and overwhelmed with a violence and venom quite unknown to debate on mere political issues? It is because the whole power of the aggressor depends upon preventing people from seeing what is happening and from saying what they see.

The most perfect, and the most dangerous, example of this process is the subject miscalled, and deliberately miscalled, 'race'. The people of this country are told that they must feel neither alarm nor objection to a West Indian, African and Asian population which will rise to several millions being introduced into this country. If they do, they are 'prejudiced', 'racialist'... A current situation, and a future prospect, which only a few years ago would have appeared to everyone not merely intolerable but frankly incredible, has to be represented as if welcomed by all rational and right-thinking people. The public are literally made to say that black is white. Newspapers like the Sunday Times denounce it as 'spouting the fantasies of racial purity' to say that a child born of English parents in Peking is not Chinese but English, or that a child born of Indian parents in Birmingham is not English but Indian. It is even heresy to assert the plain fact that the English are a white nation. Whether those who take part know it or not, this process of brainwashing by repetition of manifest absurdities is a sinister and deadly weapon. In the end, it renders the majority, who are marked down to be the victims of violence or revolution or tyranny, incapable of self-defence by depriving them of their wits and convincing them that what they thought was right is wrong. The process has already gone perilously far, when political parties at a general election dare not discuss a subject which results from and depends on political action and which for millions of electors transcends all others in importance; or when party leaders can be mesmerised into accepting from the enemy the slogans of 'racialist' and 'unChristian' and applying them to lifelong political colleagues...

In the universities, we are told that education and the discipline ought to be determined by the students, and that the representatives of the students ought effectively to manage the institutions. This is nonsense—manifest, arrant nonsense; but it is nonsense which it is already obligatory for academics and journalists, politicians and parties, to accept and mouth upon pain of verbal denunciation and physical duress.

We are told that the economic achievement of the Western countries has been at the expense of the rest of the world and has impoverished them, so that what are called the 'developed' countries owe a duty to hand over tax-produced 'aid' to the governments of the undeveloped countries. It is nonsense—manifest, arrant nonsense; but it is nonsense with which the people of the Western countries, clergy and laity, but clergy especially—have been so deluged and saturated that in the end they feel ashamed of what the brains and energy of Western mankind have done, and sink on their knees to apologise for being civilised and ask to be insulted and humiliated.

Then there is the 'civil rights' nonsense. In Ulster we are told that the deliberate destruction by fire and riot of areas of ordinary property is due to the dissatisfaction over allocation of council houses and opportunities for employment. It is nonsense—manifest, arrant nonsense; but that has not prevented the Parliament and government of the United Kingdom from undermining the morale of civil government in Northern Ireland by imputing to it the blame for anarchy and violence.

Most cynically of all, we are told, and told by bishops forsooth, that communist countries are the upholders of human rights and guardians of individual liberty, but that large numbers of people in this country would be outraged by the spectacle of cricket matches being played here against South Africans. It is nonsense—manifest, arrant nonsense; but that did not prevent a British Prime Minister and a British Home Secretary from adopting it as acknowledged fact.”

Enoch Powell (1912–1998) British politician

The "enemy within" speech during the 1970 general election campaign; speech to the Turves Green Girls School, Northfield, Birmingham (13 June 1970), from Still to Decide (Eliot Right Way Books, 1972), pp. 36-37.
1970s

D. S. Bradford photo

“Stolen away were the bitter ends of yesterday
Marked for destruction
Mark these words
Bellowed from the collective consciousness
Of all that is pure
A life that we don't understand”

D. S. Bradford (1982) musician

A Call To The Stars II: A Home In The Sky, verse 2, lines 5-11
A Call To The Stars II: A Home In The Sky (2016)

Charles Taze Russell photo
Colin Wilson photo
Ernest Renan photo

“He whom God has touched will always be a being apart: he is, whatever he may do, a stranger among men; he is marked by a sign.”

Ernest Renan (1823–1892) French philosopher and writer

Oeuvres Complètes, vol. 3. L’Avenir de la Science (1890).

Hayley Jensen photo
Lord Randolph Churchill photo
Simon Amstell photo

“You just threw cheese at Sam & Mark. Don't you think they've suffered enough?!”

Simon Amstell (1979) English comedian, television presenter, screenwriter, and actor

Brit Awards Red Carpet 2005

George Holmes Howison photo
George Ballard Mathews photo
Anne Morrow Lindbergh photo
Bernard Lewis photo
Margaret Fuller photo