Quotes about lip
page 5

Graham Greene photo
James K. Morrow photo
Letitia Elizabeth Landon photo
Anthony Burgess photo
Wolfram von Eschenbach photo

“Tear-filled eyes make sweet lips.”

Bk. 5, st. 272, line 12; p. 143.
Parzival

Taliesin photo
Letitia Elizabeth Landon photo

“Twas as she hoped, — he sleeps; and now
Her lips are on his throbbing brow,
Sucking the poison forth : 't was bliss
To know she gave her life for his.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(6th March 1824) Metrical Tales. Tale II. The Poisoned Arrow
(13th March 1824) Metrical Tales. Tale III. — The Sisters See The Vow of The Peacock
The London Literary Gazette, 1824

Sherwood Anderson photo
Alfred Hitchcock photo

“The lower lip definitely states that all actors are cattle—including the authorǃ”

Alfred Hitchcock (1899–1980) British filmmaker

Handwritten note accompanying Hitchcock's sketched self-portrait; as seen in—and addressed to the author of— "Melodrama Maestro" http://www.mediafire.com/view/uvl045zkpces0io/MELODRAMA_MAESTRO.jpg by Hume Cronyn, in McClean's (1 November 1944).

Phoebe Cary photo

“And though hard be the task,
"Keep a stiff upper lip."”

Phoebe Cary (1824–1871) American writer

Keep a stiff upper Lip, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Al Sharpton photo
W. Somerset Maugham photo
Laurence Sterne photo
Mary Pickford photo

“[Talking pictures are] like putting lip rouge on the Venus de Milo.”

Mary Pickford (1892–1979) Canadian-American actress

Associated Press, "Mary Pickford Sees Talkies as Lipstick on Milo", Los Angeles Times, 18 March 1934, p. 1. Cf. "Los Angeles Times", 20 March 1934, p. A4: "Talking pictures are like lip rouge on the Venus de Milo."
Widely attributed in this form (e.g., A. Scott Berg, Goldwyn: A Biography (1989), Ch. 11) and described as having been said in the 1920s, but the 18 March 1934 AP story quotes it as said that day.
Variant: Adding sound to movies would be like putting lipstick on the Venus de Milo.

Francis Bacon photo
Robert A. Heinlein photo
Neville Chamberlain photo
George William Russell photo

“But now, the sounds of infancy, always nearest the heart, and sure to come to the lips in our deepest emotion, returned in His anguish; and in words which He had learned at His mother's knee, His heart uttered its last wail — "Eloi! Eloi! lama sabachthani?"”

John Cunningham Geikie (1824–1906) Scottish Presbyterian minister and author

"My God! My God! why hast Thou forsaken me?"
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 73.

Kunti photo
Raymond Chandler photo

“He didn't curl his lip because it had been curled when he came in.”

Source: The High Window (1942), chapter 3

A. C. Benson photo
Roger Ebert photo
Czeslaw Milosz photo
Kuvempu photo

“When Manmatha kissed Rati, blood from her lips may have spit on earth and blossomed into rose on the plant and kisses the viewer's eyes with its beauty now!”

Kuvempu (1904–1994) Kannada novelist, poet, playwright, critic, and thinker

The first is a poem on flowers translated from a Kannada poem, 'Poovu', and the second is linked mythological story and both are quoted in Poet, nature lover and humanist, 24 November 2013, Archive Organization http://web.archive.org/web/20060318053230/http://www.deccanherald.com/deccanherald/apr252004/sh1.asp,

F. Scott Fitzgerald photo
Letitia Elizabeth Landon photo
Charles Dickens photo
Ali Khamenei photo
Paul Bourget photo

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Eugene V. Debs photo
Hilaire Belloc photo
John Keats photo

“Loved once for ever loved: how surely sounds
This gospel to me since I learned to list
Truth from thy lips, mine own evangelist.
What thought presumes to set now any bounds
To Love whose being informs us and surrounds?”

John Barlas (1860–1914) British writer

XXIII."Loved once for ever loved: how surely sounds"
Love Sonnets http://www.sonnets.org/love-sonnets.htm (1889)

André Maurois photo
Adelaide Anne Procter photo
Ann Coulter photo

“Taxes are like abortion, and not just because both are grotesque procedures supported by Democrats. You're for them or against them. Taxes go up or down; government raises taxes or lowers them. But Democrats will not let the words abortion or tax cuts pass their lips.”

Ann Coulter (1961) author, political commentator

Put the tax cut in a lock box
2002-02-02
Townhall
http://townhall.com/columnists/anncoulter/2002/02/21/put_the_tax_cut_in_a_lock_box/page/full
2002

Enoch Powell photo
Brandon Boyd photo

“Put down your hollow tips,
And kiss your lover's lips,
And know that fate is what we make of it.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, A Crow Left of the Murder... (2004)

Sören Kierkegaard photo

“There was a time, and not so long ago, when one could score a success also here with a bit of irony, which compensated for all other deficiencies and helped one get through the world rather respectably, gave one the appearance of being cultured, of having a perspective on life, an understanding of the world, and to the initiated marked one as a member of an extensive intellectual freemasonry. Occasionally we still meet a representative of that vanished age who has preserved that subtle, sententious, equivocally divulging smile, that air of an intellectual courtier with which he has made his fortune in his youth and upon which he had built his whole future in the hope that he had overcome the world. Ah, but it was an illusion! His watchful eye looks in vain for a kindred soul, and if his days of glory were not still a fresh memory for a few, his facial expression would be a riddle to the contemporary age, in which he lives as a stranger and foreigner. Our age demands more; it demands, if not lofty pathos then at least loud pathos, if not speculation then at least conclusions, if not truth then at least persuasion, if not integrity then at least protestations of integrity, if not feeling then at least verbosity of feelings. Therefore it also coins a totally different kind of privileged faces. It will not allow the mouth to be defiantly compressed or the upper lip to quiver mischievously; it demands that the mouth be open, for how, indeed, could one imagine a true and genuine patriot who is not delivering speeches; how could one visualize a profound thinker’s dogmatic face without a mouth able to swallow the whole world; how could one picture a virtuoso on the cornucopia of the living world without a gaping mouth? It does not permit one to stand still and to concentrate; to walk slowly is already suspicious; and how could one even put up with anything like that in the stirring period in which we live, in this momentous age, which all agree is pregnant with the extraordinary? It hates isolation; indeed, how could it tolerate a person’s having the daft idea of going through life alone-this age that hand in hand and arm in arm (just like itinerant journeymen and soldiers) lives for the idea of community.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, On the Concept of Irony with Continual Reference to Socrates (1841), p. 246-247

“Four sweet lips, two pure souls, and one undying affection,—these are love's pretty ingredients for a kiss.”

Christian Nestell Bovee (1820–1904) American writer

Reported in Maturin M. Ballou, Pearls of Thought (1882), p. 142.

Nicole Krauss photo

“Franz Kafka is dead.He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. […] They turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees, Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice.”

Source: The History of Love (2005), P. 187

Jack Kerouac photo
Thomas Moore photo

“T is sweet to think that where'er we rove
We are sure to find something blissful and dear;
And that when we 're far from the lips we love,
We've but to make love to the lips we are near.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

'T is sweet to think.
Bartlett's Familiar Quotations, 10th ed. (1919)

Max Brod photo
Percy Bysshe Shelley photo
George William Curtis photo

“And so it went until the alarm was struck in the famous Missouri debate. Then wise men remembered what Washington had said, 'Resist with care the spirit of innovation upon the principles of the Constitution'. They saw that the letting alone was all on one side, that the unfortunate anomaly was deeply scheming to become the rule, and they roused the country. The old American love of liberty flamed out again. Meetings were everywhere held. The lips of young orators burned with the eloquence of freedom. The spirit of John Knox and of Hugh Peters thundered and lightened in the pulpits, and men were not called political preachers because they preached that we are all equal children of God. The legislatures of the free States instructed their representatives to stand fast for liberty. Daniel Webster, speaking for the merchants of Boston, said that it was a question essentially involving the perpetuity of the blessings of liberty for which the Constitution itself was formed. Daniel Webster, speaking for humanity at Plymouth, described the future of the slave as 'a widespread prospect of suffering, anguish, and death'. The land was loud with the debate, and Rufus King stated its substance in saying that it was a question of slave or free policy in the national government. Slavery hissed disunion; liberty smiled disdain. The moment of final trial came. Pinckney exulted. John Quincy Adams shook his head. Slavery triumphed and, with Southern chivalry, politely called victory compromise.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Horatius Bonar photo
Adam Mickiewicz photo

“My heart stopped, my breast frozen, my lips and eyes barred. Still in the world, but not of the world. Here, yet already departed.”

Serce ustało pierś już lodowata, ścięły się usta i oczy zawarły; Na świecie jeszcze, lecz już nie dla świata. Cóż to za człowiek - Umarły
Part one.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm

Julian of Norwich photo
River Phoenix photo
Suzanne Collins photo
Letitia Elizabeth Landon photo
Omar Khayyám photo
Anne Brontë photo

“Whatever my husband's faults may be, it can only aggravate the evil for me to hear them from a stranger's lips.”

Source: The Tenant of Wildfell Hall (1848), Ch. XXIX : The Neighbour; Helen to Walter

Donald J. Trump photo
Giorgio de Chirico photo
Robert Frost photo

“Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air”

Robert Frost (1874–1963) American poet

" To Earthward http://www.poemhunter.com/poem/to-earthward-2/", st. 1 (1923)
1920s

Philip Sidney photo
Stanley Baldwin photo

“I have seldom spoken with greater regret, for my lips are not yet unsealed. Were these troubles over I would make a case, and I guarantee that not a man would go into the Lobby against us.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1935/dec/10/debate-on-the-address in the House of Commons (10 December 1935) on the Abyssinian crisis.
1935

Algernon Charles Swinburne photo

“A baby's feet, like sea-shells pink
Might tempt, should heaven see meet,
An angel's lips to kiss, we think,
A baby's feet.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Étude Réaliste.
Undated

Kate Bush photo

“In the warm room
She'll touch you with your Mamma's hand.
You'll long to kiss those red lips,
But when you do
It'll feel like kicking a habit.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Dave Matthews photo

“Move into kiss those sweet sugar lips, baby looks just like love.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Busted Stuff
Busted Stuff (2002)

P.G. Wodehouse photo
Helen Garner photo
Omar Khayyám photo

“And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean —
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Source: The Rubaiyat (1120)

Georg Büchner photo

“And for tired eyes every light is too bright, and for tired lips every breath too heavy, and for tired ears every word too much.”

Und müden Augen jedes Licht zu scharf, und müden Lippen jeder Hauch zu schwer, Lächelnd. und müden Ohren jedes Wort zu viel.
Act II.
Leonce and Lena (1838)

Elaine Goodale Eastman photo
Halldór Laxness photo

“If you look at the world with parted lips and a pure heart, and will the good, won't that make a true and beautiful poem? One's heart tells one that it will; and one's heart is wrong. There is no direct road to Parnassus.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Recent Poetry," The Yale Review (Autumn 1955) [p. 237]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Janeane Garofalo photo

“I guess I just prefer to see the dark side of things. The glass is always half empty. And cracked. And I just cut my lip on it. And chipped a tooth.”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance accessible through .WAV files available on the Internet[citation needed]
Standup routines

Cormac McCarthy photo

“A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or saber done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses’ ears and tails worked with bits of brightly colored cloth and one whose horse’s whole head was painted crimson red and all the horsemen’s faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.”

Source: Blood Meridian (1985), Chapter IV

Stephen Vincent Benét photo
Harry Chapin photo
Thomas Moore photo

“Like Dead Sea fruits, that tempt the eye,
But turn to ashes on the lips.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part V-VIII: The Fire-Worshippers

Donald Barthelme photo

“Drink to me with your eyes alone…. And if you will, take the cup to your lips and fill it with kisses, and give it so to me.”

Philostratus (170) Lucius Flavius Philostratus, Greek sophist of Roman imperial period

XXIV. Quoted in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 801-03.
Letters

Helen Garner photo
John Wesley photo

“Animals of the MONKEY class are furnished with hands instead of paws; their ears, eyes, eye-lids, lips, and breasts, are like those of mankind; their internal conformation also bears some distant likeness; and the whole offers a picture that may mortify the pride of such as make their persons the principal objects of their admiration.”

John Wesley (1703–1791) Christian theologian

A Survey of the Wisdom of God in the Creation; Or A Compendium of Natural Philosophy New York: Bangs and T. Mason, 1823, Part the Second, Chapter I, volume 1, pages 147-148. Wesley Center Online http://wesley.nnu.edu/john-wesley/a-compendium-of-natural-philosophy/chapter-1-of-beasts/
General sources

Gore Vidal photo
Taylor Swift photo

“This is the last time I'm asking you this,
Put my name at the top of your lips.
This is the last time I'm asking you why
You break my heart in the blink of an eye, eye, eye.”

Taylor Swift (1989) American singer-songwriter

The Last Time, written by Taylor Swift, Gary Lightbody, and Jacknife Lee.
Song lyrics, Red (2012)

“I'll have this on you for the rest of my life," the maid said, smiling and dangling the strand of hair before him. "Everything will be all right if all goes well between us. Otherwise I'll drag this out and show it to her."
"Put it away carefully and don't ever let her find it," Chia Lien importuned. Then catching Patience off guard, he snatched the hair from her, saying, "It's safest out of your hands and destroyed."
"Ungrateful brute," Patience said with a pretty pout. […] In his tussle with Patience Chia Lien began to feel the fire of passion burn within him. Patience now looked prettier than ever with her pouted lips and her provocative scolding. He tried again to put his arms around her and make love to her, but Patience wriggled free and fled from the room. "You shameless little wanton," Chia Lien said. "You get one all excited and then run away."
Standing outside the window, Patience retorted, "Who's trying to get you excited? You only think of your pleasure. What's going to happen to me when she finds out?"
"Don't be afraid of her," Chia Lien said. "One of these days I'll get good and mad and give that jealous vinegar jar a good and proper beating and teach her who is master. She spies on me as if I were a thief. It's all right for her to talk and laugh with the men of the family, but she grows suspicious if she sees me so much as look at another woman.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), pp. 131–132

Theodore L. Cuyler photo
Pete Seeger photo

“I'd really rather put songs on people's lips than in their ears.”

Pete Seeger (1919–2014) American folk singer

1994 interview, quoted in Filene Romancing the Folk: Public Memory & American Roots Music (2000), p. 197

P.G. Wodehouse photo
Florbela Espanca photo

“Kiss my hands, Love, make them feel caressed
Kiss them as if we two were only siblings,
Two birds singing in the sun and in the same nest.Kiss them, Love!… The wildest fantasy is at my fingertips
To hold those kisses locked within my hands
The kisses that I dreamed were for my lips!”

Florbela Espanca (1894–1930) Portuguese poet

Beija-me as mãos, Amor, devagarinho...
Como se os dois nascessemos irmãos,
Aves cantando, ao sol, no mesmo ninho...<p>Beija-mas bem!... Que fantasia louca
Guardar assim, fechados, nestas mãos,
Os beijos que sonhei pra minha boca!
Quoted in Presença literária (2001), p. 70
Translated by John D. Godinho
Book of Sorrows (1919), "Amiga"

W. H. Auden photo
Edvard Munch photo
Aron Ra photo