Quotes about lighting
page 40

Amit Chaudhuri photo
Varadaraja V. Raman photo
Elton John photo
Thomas Bailey Aldrich photo

“Or light or dark, or short or tall,
She sets a springe to snare them all:
All's one to her—above her fan
She'd make sweet eyes at Caliban.”

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

Quatrains, Coquette; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 139.

Michael Elmore-Meegan photo

“It is in crisis we find ourselves, so when we are broken then this light is nearest to us.”

Michael Elmore-Meegan (1959) British humanitarian

All Will be Well (2004)

James Freeman Clarke photo
John Steinbeck photo
Gerald James Whitrow photo
William S. Burroughs photo
Shneur Zalman of Liadi photo

“And so the teaching (Torah) was likened to water: like water comes down from a high place to a low place, so the teaching descended from its honorable place, as it is His will and wisdom, and the light of Him that be blessed and thought cannot grasp it at all. From there it went in the secret stairway via the worlds, until it was dressed in material things and matters of this world, which are all the ordinants (mitzvot) and their ways, in combinations of material letters in ink on the book, twenty four books in the Tanakh, so thought will be able to comprehend it, and even speech and act, below the level of thought.”

Shneur Zalman of Liadi (1745–1812) Orthodox Rabbi, and the founder and first Rebbe of Chabad

V'lakhen nimshela hatora l'mayim: ma mayim yordim mi'makom gavoha l'makom namukh, kakh ha'tora yarda mi'mkom kvoda, sh'hi retzono v'khomato yitbarakh, v'orayta v'kodsha brikh hu kula had v'leyt mahshava tfista biah klal. W'misham nas'a v'yarda b'seter ha'madregot m'madrega l'madrega b'hishtalshelut ha'olamot, ad sh'nitlabsha b'davrim gashmiyim v'inyaney ha'olam haze, sh'hen rov mitzvot hatora k'khulam v'hilkhotehen, w'btzerufei otiot gashmiot b'dio 'al hasefer, 'esrim v'arba'a s'farim sh'batora nevi'im w'khtuvim, kdei sh'tehe kol mahshava tfisa bahen, v'afilu bhinot dibur w'ma'ase sh'lemata m'madregat mahshava tfisa bahen w'mitlabeshet bahen.
Sefer HaTanya (Book of the learner) Part I, Chapter IV

Philip Sidney photo
George Hendrik Breitner photo

“.. but also for the person who is visiting Paris later in his life for the very first time, something unusual will happen.... then there appears for the man of age a light - a light in which he sees the dreamy images of his life transforming into more tangible and more solid forms. Because that city has created our modern culture, and the movements of life in most countries are just a reflex of those which are starting in France's capital.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Maar ook voor hem die Parijs op latere leeftijd voor het eerst betreedt, gebeurt er iets ongewoons in zijn leven.. ..er gaat voor de mensch van leeftijd een licht op, een licht waarin hij de droomgestalten van zijn leven tot meer tastbare vastere vormen ziet verwezenlijkt. Want die stad heeft onze moderne cultuur geschapen en de bewegingen van het leven in de meeste landen een reflex van die, welke in Frankrijks hoofdstad een aanvang nemen.
Quote of Breitner, after 1884 (when he visited Paris); as cited by Frans Erens, in Vervlogen jaren; De Arbeiderspers, Zwolle 1958, p. 98
undated quotes

Jimmy Carter photo
Swami Vivekananda photo

“Every step I take in light is mine forever.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Richard Sherman (American football) photo
Mitt Romney photo
Jim Butcher photo
Eugene Field photo

“Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe—
Sailed on a river of crystal light,
Into a sea of dew.”

Eugene Field (1850–1895) American writer

Wynken, Blynken, and Nod http://www.amherst.edu/~rjyanco94/literature/eugenefield/poems/poemsofchildhood/wynkenblynkenandnod.html, st. 1
Love Songs of Childhood (1894)

Chris Cornell photo
Robert Burns photo

“Misled by fancy's meteor ray,
By passion driven;
But yet the light that led astray
Was light from heaven.”

Robert Burns (1759–1796) Scottish poet and lyricist

The Vision, II, st. 18 (1786)

Honoré de Balzac photo
Jerry Springer photo

“The Statue of Liberty means everything. We take it for granted today. We take it for granted. Remember the Statue of Liberty stands for what America is. We as Democrats have to remind ourselves and remind the country the great principles we stand for. This is a place of protection. This is not a country of bullies. We are not an empire. We are the light. We are the Statue of Liberty.”

Jerry Springer (1944) American television presenter, former lawyer, politician, news presenter, actor, and musician

Speech given January 2003.
This American Life http://www.thislife.org/pages/descriptions/04/258.html, Ep. 258, 01/30/04, Leaving the Fold; Act One.

Letitia Elizabeth Landon photo
John Banville photo
Denis Diderot photo

“To say that man is a compound of strength and weakness, light and darkness, smallness and greatness, is not to indict him, it is to define him.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

As quoted in The Anchor Book of French Quotations with English Translations (1963) by Norbert Gutermam
Pensées Philosophiques (1746)

Robert Lowell photo
Donald J. Trump photo

“And I have to give the FBI credit, that was so bad, what happened, originally, and it took guts for Director Comey to make the move that he made, in light of the kind of opposition he had, with their trying to protect her from criminal prosecution, you know that. It took a lot of guts, I really disagreed with him, I was not his fan, but I'll tell you what, what he did, he brought back his reputation, he brought it back. He's got to hang tough, because there's a lot of, lotta people, want him to do the wrong thing, what he did was the right thing.”

Donald J. Trump (1946) 45th President of the United States of America

At a rally in Grand Rapids, Michigan http://edition.cnn.com/videos/politics/2016/10/31/donald-trump-james-comey-has-guts-grand-rapids-sot.cnn shortly after Comey announced the FBI would investigate further emails relating to Hillary Clinton, but before his statement that no incriminating information was found within them (31 October 2016)
2010s, 2016, October

Adi Da Samraj photo
Van Morrison photo

“I forgot that love existed, troubled in my mind.
Heartache after heartache, worried all the time.
I forgot that love existed
Then I saw the light
Everyone around me make everything alright.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

I Forgot That Love Existed
Song lyrics, Poetic Champions Compose (1987)

Dave Barry photo
Van Morrison photo
Stephen Miller photo
Mickey Spillane photo
Sheldon L. Glashow photo

“Actually, any time I get to blow bubbles pretty much lights me up.”

David Helvarg (1951) American journalist

Grist magazine, January 3, 2005, describing his love of diving

Bernard Cornwell photo
Ali Shariati photo

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Michael Cunningham photo
Henry James photo
Frederic Dan Huntington photo
John Ruysbroeck photo

“Here comes Jesus, and sees the man, and shows to him, in the light of faith, that He is according to His Godhead immeasurable and incomprehensible and inaccessible and abysmal, transcending every created light and every finite conception. And this is the highest knowledge of God which any man may have in the active life: that he should confess in this light of faith that God is incomprehensible and unknowable. And in this light Christ says to man’s desire: Make haste and come down, for to-day I must abide at thy house. This hasty descent, to which he is summoned by God, is nothing else than a descent through desire and through love into the abyss of the Godhead, which no intelligence can reach in the created light. But where intelligence remains without, desire and love go in. When the soul is thus stretched towards God, by intention and by love, above everything that it can understand, then it rests and dwells in God, and God in it. When the soul climbs with desire above the multiplicity of creatures, and above the works of the senses, and above the light of nature, then it meets Christ in the light of faith, and becomes enlightened, and confesses that God is unknowable and incomprehensible. When it stretches itself with longing towards this incomprehensible God, then it meets Christ, and is filled with His gifts. And when it loves and rests above all gifts, and above itself, and above all creatures, then it dwells in God, and God dwells in it.”

John Ruysbroeck (1293–1381) Flemish mystic

From Evelyn Underhill, http://www.sacred-texts.com/chr/asm/index.htm Adornment of the Spiritual Marriage
The Spiritual Espousals (c. 1340)

William Morris photo
Alain de Botton photo

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

Ellen G. White photo
Roger Bacon photo

“One man I know, and one only, who can be praised for his achievements in this science. Of discourses and battles of words he takes no heed: he follows the works of wisdom, and in these finds rest. What others strive to see dimly and blindly, like bats in twilight, he gazes at in the full light of day, because he is a master of experiment. Through experiment he gains knowledge of natural things, medical, chemical, indeed of everything in the heavens or earth. He is ashamed that things should be known to laymen, old women, soldiers, ploughmen, of which he is ignorant. Therefore he has looked closely into the doings of those who work in metals and minerals of all kinds; he knows everything relating to the art of war, the making of weapons, and the chase; he has looked closely into agriculture, mensuration, and farming work; he has even taken note of the remedies, lot casting, and charms used by old women and by wizards and magicians, and of the deceptions and devices of conjurors, so that nothing which deserves inquiry should escape him, and that he may be able to expose the falsehoods of magicians. If philosophy is to be carried to its perfection and is to be handled with utility and certainty, his aid is indispensable. As for reward, he neither receives nor seeks it. If he frequented kings and princes, he would easily find those who would bestow on him honours and wealth. Or, if in Paris he would display the results of his researches, the whole world would follow him. But since either of these courses would hinder him from pursuing the great experiments in which he delights, he puts honour and wealth aside, knowing well that his wisdom would secure him wealth whenever he chose. For the last three years he has been working at the production of a mirror that shall produce combustion at a fixed distance; a problem which the Latins have neither solved nor attempted, though books have been written upon the subject.”

Bridges assumes that Bacon refers here to Peter Peregrinus of Maricourt.
Source: Opus Tertium, c. 1267, Ch. 13 as quoted in J. H. Bridges, The 'Opus Majus' of Roger Bacon (1900) Vol.1 http://books.google.com/books?id=6F0XAQAAMAAJ Preface p.xxv

Henry Ward Beecher photo
George Holmes Howison photo
Cyrano de Bergerac photo
John Dee photo
Hilaire Belloc photo

“By thee do seers the inward light discern;
By thee the statue lives, the Gods return.”

Hilaire Belloc (1870–1953) writer

Heroic Poem in Praise of Wine (1932)

Percy Bysshe Shelley photo

“I always search for some light and always at night and never illuminated by any light.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Siempre busco alguna luz y siempre en la noche y no alumbrado por ninguna luz.
Voces (1943)

William Wordsworth photo

“But thou that didst appear so fair
To fond imagination,
Dost rival in the light of day
Her delicate creation.”

William Wordsworth (1770–1850) English Romantic poet

Yarrow Visited.
Bartlett's Familiar Quotations, 10th ed. (1919)

Bruce Springsteen photo

“Well the highway is alive tonight,
But nobody’s kiddin’ nobody about where it goes.
I’m sittin’ down here in the campfire light
Searchin’ for the ghost of Tom Joad.”

Bruce Springsteen (1949) American singer and songwriter

"The Ghost of Tom Joad"
Song lyrics, The Ghost of Tom Joad (1995)

Thomas Chatterton photo
Farkas Bolyai photo

“Do not try the parallels in that way: I know that way all along. I have measured that bottomless night, and all the light and all the joy of my life went out there.”

Farkas Bolyai (1775–1856) Hungarian mathematician

Letter to János Bolyai (4 April 1820)
Published in: Samu Benkő (ed.), Bólyai-levelek, Kriterion, 1975, p. 123
As quoted in: O'Connor, John J.; Robertson, Edmund F., "Farkas Bolyai" http://www-groups.dcs.st-and.ac.uk/history/Biographies/Bolyai_Farkas.html, MacTutor History of Mathematics archive, University of St Andrews.
Having himself spent a lifetime unsuccessfully trying to prove Euclid's fifth postulate, Farkas discouraged his son János from any further attempt.

Matthew Arnold photo

“Philistine must have originally meant, in the mind of those who invented the nickname, a strong, dogged, unenlightened opponent of the children of the light.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Heinrich Heine, p. 146
Essays in Criticism (1865)

Bartolomé de las Casas photo
Oliver Lodge photo
Allen C. Guelzo photo
Sarah Helen Whitman photo
Henry Liddon photo
Letitia Elizabeth Landon photo
Karl Rove photo

“Once again the powers of light and good have triumphed over the media!”

Karl Rove (1950) American political consultant and policy advisor

Journeys with George documentary on unspecified date during 2000 Bush Campaign

George William Russell photo
Patrick Modiano photo
Ramakrishna photo
John Moffat photo

“Inflation itself proceeds at a speed faster than the measured speed of light.”

Source: Reinventing Gravity (2008), Chapter 6, Inflation And Variable Speed Of Light (VSL), p. 102

Robert Southey photo
Letitia Elizabeth Landon photo
Anish Kapoor photo

“This is a terror of a space, probably much more difficult than the Turbine Hall. It's three times the size, huge horizontally and vertically and above all the light is a killer. It's almost brighter than it is outside.”

Anish Kapoor (1954) British contemporary artist of Indian birth

On the Levithian which Anish dedicated in Ai Weiwe
Anish Kapoor dedicates Leviathan sculpture to Ai Weiwei

Frances Bean Cobain photo

“My favorite color is light pink. I also like baby blue because it brings out my eyes.”

Frances Bean Cobain (1992) American artist

Attributed to a Teen Vogue interview
" Frances Bean Cobain: 'I'm a Different Person' http://www.people.com/people/article/0,,1101912,00.html" (2005)

Pierre Louis Maupertuis photo
Henry George photo
Christian Dior photo

“Colour is what gives jewels their worth. They light up and enhance the face. Nothing is more elegant than a black skirt and sweater worn with a sparkling multi-stoned necklace.”

Christian Dior (1905–1957) French fashion designer

Source: Maria Doulton Simply brilliant: Cher Dior lights up Paris http://www.telegraph.co.uk/luxury/jewellery/2928/simply-brilliant-cher-dior-lights-up-paris.html. The Telegraph, 16 August 2011

“I do not have a comic or tragic period in any real sense. I have always painted dark pictures; always some light pictures. I will probably go on doing so... Orchestral. My work in its entirety is like a symphony in which each painting has its part.”

Clyfford Still (1904–1980) American artist

Gallery Notes, Allbright-Knox Art Gallery, Vol. 24 summer 1961 pp. 9-14; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 197
1960s

Gino Severini photo

“I would like my colors to be diamonds and to be able to make abundant use of them in my pictures so as to make them gleam with light and richness.”

Gino Severini (1883–1966) Italian painter

Quote in a letter to Umberto Boccioni, 1910; as cited in Gino Severini, the Dance, 1909 – 1916, by Daniele Fonti, Peggy Guggenheim Collection, Venice; 2001, p. 15

Emil M. Cioran photo
Tibullus photo

“And some aged man in homage to his ancient love will yearly place a garland on her mounded tomb, and, as he goes, will say: "Sleep well and peacefully, and above thy untroubled ashes let the earth be light."”
Atque aliquis senior veteres veneratus amores<br/>annua constructo serta dabit tumulo,<br/>et "bene" discedens dicet "placideque quiescas,<br/>terraque securae sit super ossa levis."

Tibullus (-50–-19 BC) poet and writer (0054-0019)

Atque aliquis senior veteres veneratus amores
annua constructo serta dabit tumulo,
et "bene" discedens dicet "placideque quiescas,
terraque securae sit super ossa levis."
Bk. 2, no. 4, line 47.
Elegies

John Townsend Trowbridge photo
Billy Joel photo
Lydia Maria Child photo

“But instead I'm stuck inside under fluorescent lights, pushing bits around inside a computer in ways that are only interesting to other nerds.”

Jamie Zawinski (1968) American programmer

JWZ
https://www.jwz.org/gruntle/nscpdorm.html
NSCP Dorm.

William Herschel photo
David Hume photo
Jean Paul Sartre photo
Michel De Montaigne photo
Caroline, Princess of Hanover photo
Anthony Burgess photo
Mickey Spillane photo