Quotes about inscription

A collection of quotes on the topic of inscription, time, timing, other.

Quotes about inscription

“Since the decay of the belief in personal immortality, death has never seemed funny, and it will be a long time before it does so again. Hence the disappearance of the facetious epitaph, once a common feature of country churchyards. I should be astonished to see a comic epitaph dated later than 1850. There is one in Kew, if I remember rightly, which might be about that date. About half the tombstone is covered with a long panegyric on his dead wife by a bereaved husband: at the bottom of the stone is a later inscription which reads, ‘Now he’s gone, too’.”

George Orwell (1903–1950) English author and journalist

As I Please (17 February 1947) http://www.telelib.com/authors/O/OrwellGeorge/essay/tribune/AsIPlease19470214.html "As I Please" (1943–1947)

Death, Time, Reading, Personality

“Follow the path of your aroused thought, and you will soon meet this infernal inscription: There is nothing so beautiful as that which does not exist.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Beauty

“for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge”

Virginia Woolf book To the Lighthouse

Part I, Ch. 9
Source: To the Lighthouse (1927)
Context: Could loving, as people called it, make her and Mrs Ramsay one? for it was not knowledge but unity that she desired, not inscription on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs Ramsay's knee.

Men, Knowledge

“When the question of the new coinage came up we looked into the law and found there was no warrant therein for putting 'In God We Trust' on the coins. As the custom, although without legal warrant, had grown up, however, I might have felt at liberty to keep the inscription had I had approved of its being on the coinage. But as I did not approve of it, I did not direct that it should again be put on. Of course the matter of the law is absolutely in the hands of Congress, and any direction of Congress in the matter will be immediately obeyed. At present, as I have said, there is no warrant in law for the inscription.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, "In God we Trust" letter (1907)

God, Law, Question

“They even say that an altar dedicated to Ulysses, with the addition of the name of his father, Laertes, was formerly discovered on the same spot, and that certain monuments and tombs with Greek inscriptions, still exist on the borders of Germany and Rhaetia.”

Tacitus book Germania

Source: Germania (98), Chapter 3

“Instinctively we both looked for the inscriptions we cut, once upon a time, on trees and on stones, in foolish delight. We sought them like scattered treasure, on the strange cheeks of the old willows, near the tendrils of the fall, on the birches that stand like candles in front of the violet thicket, and on the old fir which so often sheltered us with its dark wings. Many inscriptions have disappeared. Some are worn away because things do; some are covered by a host of other inscriptions or they are distorted and ugly. Nearly all have passed on as if they had been passers-by.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XIX - Ghosts

Tree, Time

“They gave her their lives, to her and to all of us, and for their own selves they won praises that never grow old, the most splendid of sepulchers — not the sepulchre in which their bodies are laid, but where their glory remains eternal in men's minds, always there on the right occasion to stir others to speech or to action. For famous men have the whole earth as their memorial: it is not only the inscriptions on their graves in their own country that mark them out; no, in foreign lands also, not in any visible form but in people's hearts, their memory abides and grows. It is for you to try to be like them. Make up your minds that happiness depends on being free, and freedom depends on being courageous.”

Pericles (-494–-429 BC) Greek statesman, orator, and general of Athens

Book 2, chapter 44: Funeral oration, as translated at "In Defense of Democracy" http://www.cooperativeindividualism.org/pericles_in-defense-of-democracy.html Verse 4 is sometimes freely translated as The secret to happiness is freedom. And the secret to freedom is courage. History of the Peloponnesian War Context: I could tell you a long story (and you know it as well as I do) about what is to be gained by beating the enemy back. What I would prefer is that you should fix your eyes every day on the greatness of Athens as she realty is, and should fall in love with her. When you realize her greatness, then reflect that what made her great was men with a spirit of adventure, men who knew their duty, men who were ashamed to fall below a certain standard. If they ever failed in an enterprise, they made up their minds that at any rate the city should not find their courage lacking to her, and they gave to her the best contribution that they could. They gave her their lives, to her and to all of us, and for their own selves they won praises that never grow old, the most splendid of sepulchers — not the sepulchre in which their bodies are laid, but where their glory remains eternal in men's minds, always there on the right occasion to stir others to speech or to action. For famous men have the whole earth as their memorial: it is not only the inscriptions on their graves in their own country that mark them out; no, in foreign lands also, not in any visible form but in people's hearts, their memory abides and grows. It is for you to try to be like them. Make up your minds that happiness depends on being free, and freedom depends on being courageous.

Men, People, Courage, Freedom

Thomas Paine book Rights of Man

Part 2.2 Introduction
1790s, Rights of Man, Part 2 (1792)
Context: Freedom had been hunted round the globe; reason was considered as rebellion; and the slavery of fear had made men afraid to think. But such is the irresistible nature of truth, that all it asks, — and all it wants, — is the liberty of appearing. The sun needs no inscription to distinguish him from darkness; and no sooner did the American governments display themselves to the world, than despotism felt a shock and man began to contemplate redress.

Men, Truth, Fear, Nature

“Freedom had been hunted round the globe; reason was considered as rebellion; and the slavery of fear had made men afraid to think. But such is the irresistible nature of truth, that all it asks, — and all it wants, — is the liberty of appearing. The sun needs no inscription to distinguish him from darkness; and no sooner did the American governments display themselves to the world, than despotism felt a shock and man began to contemplate redress.”

Thomas Paine book Rights of Man

Part 2.2 Introduction
1790s, Rights of Man, Part 2 (1792)

Freedom, Sun, Nature, Truth

“Hodie mihi cras tibi, said the inscription. Sic transit gloria mundi. My turn today, yours tomorrow. And thus passes away the glory of the world.”

Diana Gabaldon book Dragonfly in Amber

Source: Dragonfly in Amber

World

“End of Construction. Thank you 'for your patience. " Inscription on Ruth Bell Graham's grave -- inspired hy a road sign she saw.”

Billy Graham (1918–2018) American Christian evangelist

Source: Nearing Home: Life, Faith, and Finishing Well

Patience

“I love inscriptions on flyleaves and notes in margins, I like the comradely sense of turning pages someone else turned, and reading passages someone long gone has called my attention to.”

Helene Hanff book 84, Charing Cross Road

Source: 84, Charing Cross Road

Love, Sense, Reading

“Totally without hope one cannot live. To live without hope is to cease to live. Hell is hopelessness. It is no accident that above the entrance to Dante's hell is the inscription: "Leave behind all hope, you who enter here.”

Jürgen Moltmann (1926) German Reformed theologian

Source: Theology of Hope

Hope, Hope, Hell

“Various inscriptions refer to the Mbh (Mahabharata) as the composition of Vyasa, the Veda divider, the son of Parasara, and as containing 100,000 verses…”

Vyasa central and revered figure in most Hindu traditions

In p. 3.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

“Good Reader, I suspect I may have written some Things twice; if not the same in Words, yet in Sense, which I desire you to pass by favourably; forasmuch as you may well think, it was as difficult and dull a Thing for me, in so great a Number of independent Sentences, to find out the Repetitions, as it would be in a vast Heap of different Coins and Medals, confusedly thrown together, to pick out here and there one that bore the same and like Inscription, with some other among them. Besides the Pains, such a Search would cost me more Time, than I can afford it; for my Glass of Life running now low, I must not suffer one Sand to fall in waste, nor spend one Minute in picking of Straws. And moreover, my aged Eyes being grown weak and dim, I fear they will become quite dark, by much perusing and poring; or at least so far, so as to render me unable to perfect several Papers now lying by me, which I would willingly make a Present of to you.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Excerpt from Introductio ad prudentiam: Part II, To the Reader (Prefatory Remarks).
Introductio ad prudentiam: Part II (1727)

Life, Pain, Age, Fear

“Now, if you [his sister, Suzanne Duchamp ] have been up to my place, you will have seen, in the studio, [his former studio in France, probably in Paris] a 'Bicycle Wheel' and a 'Bottle Rack'. [both art-works became later famous ready-mades of Duchamp] – I bought this as a ready-made sculpture [sculpture tout faite]. And I h have a plan concerning this so-called bottle rack. Listen to this. Here in N. Y., I have bought various objects in the same taste and I treat them as 'ready-mades'. You know enough English to understand the meaning of 'ready-made' [tour fait] that I give these objects. – I sign them and think of an inscription for them in English. I'll give you a few examples. I have, for example, a large snow shovel on which I have inscribed at the bottom: In advance of the broken arm, French translation: 'En avance dus bras cassé' – (Don't tear your hair out) trying to understand this in the Romantic or impressionist or Cubist sense – it has nothing to do with all that. Another 'readymade' is called: Emergency in favour of twice possible French translation: Danger \Crise \en favour de 2 fois. This long preamble just to say: Take this bottle rack for yourself. I'm making it a 'readymade' remotely. You are to inscribe it at the bottom and on the inside of the bottom circle, in small letters painted with a brush in oil, silver white colour, with an inscription which I will give you herewith, and then sign it, in the same handwriting, as follows: [after] Marcel Duchamp.”

Marcel Duchamp (1887–1968) French painter and sculptor

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

Art, Understanding, Thinking, Sense

“A few years ago, I had the good fortune of running across a first edition of Paul's textbook (not the recent reprint of the original text, but an actual 1948 edition). It was a real find. I bought the volume in an online auction for, if my recollection is correct, $35. Talk about consumer surplus! I would have gladly paid many times that.
At the next Boston Fed meeting, I took the book along to get Paul to sign it. Below is the book's title page, along with Paul's gracious inscription.”

N. Gregory Mankiw (1958) American economist

Greg Mankiw, "Memories of Paul" http://gregmankiw.blogspot.kr/2009/12/memories-of-paul.html (December 15, 2009) 2000s -

Books, Time

“Our forefathers and ancestors of all times have been of this nature and disposition, that, upon the winning of a battle, they have chosen rather, for a sign and memorial of their triumphs and victories, to erect trophies and monuments in the hearts of the vanquished by clemency than by architecture in the lands which they had conquered. For they did hold in greater estimation the lively remembrance of men purchased by liberality than the dumb inscription of arches, pillars, and pyramids, subject to the injury of storms and tempests, and to the envy of everyone.”

Francois Rabelais book Gargantua and Pantagruel

Source: Gargantua and Pantagruel (1532–1564), Gargantua (1534), Chapter 50 : Gargantua's speech to the vanquished.

Men, Nature, Memory, Time

“MR. PANSCOPE. (suddenly emerging from a deep reverie.) I have heard, with the most profound attention, everything which the gentleman on the other side of the table has thought proper to advance on the subject of human deterioration; and I must take the liberty to remark, that it augurs a very considerable degree of presumption in any individual, to set himself up against the authority of so many great men, as may be marshalled in metaphysical phalanx under the opposite banners of the controversy; such as Aristotle, Plato, the scholiast on Aristophanes, St Chrysostom, St Jerome, St Athanasius, Orpheus, Pindar, Simonides, Gronovius, Hemsterhusius, Longinus, Sir Isaac Newton, Thomas Paine, Doctor Paley, the King of Prussia, the King of Poland, Cicero, Monsieur Gautier, Hippocrates, Machiavelli, Milton, Colley Cibber, Bojardo, Gregory Nazianzenus, Locke, D'Alembert, Boccaccio, Daniel Defoe, Erasmus, Doctor Smollett, Zimmermann, Solomon, Confucius, Zoroaster, and Thomas-a-Kempis.
MR. ESCOT. I presume, sir, you are one of those who value an authority more than a reason.
MR. PANSCOPE. The authority, sir, of all these great men, whose works, as well as the whole of the Encyclopaedia Britannica, the entire series of the Monthly Review, the complete set of the Variorum Classics, and the Memoirs of the Academy of Inscriptions, I have read through from beginning to end, deposes, with irrefragable refutation, against your ratiocinative speculations, wherein you seem desirous, by the futile process of analytical dialectics, to subvert the pyramidal structure of synthetically deduced opinions, which have withstood the secular revolutions of physiological disquisition, and which I maintain to be transcendentally self-evident, categorically certain, and syllogistically demonstrable.
SQUIRE HEADLONG. Bravo! Pass the bottle. The very best speech that ever was made.
MR. ESCOT. It has only the slight disadvantage of being unintelligible.
MR. PANSCOPE. I am not obliged, Sir, as Dr Johnson remarked on a similar occasion, to furnish you with an understanding.
MR. ESCOT. I fear, Sir, you would have some difficulty in furnishing me with such an article from your own stock.
MR. PANSCOPE. 'Sdeath, Sir, do you question my understanding?
MR. ESCOT. I only question, Sir, where I expect a reply, which from what manifestly has no existence, I am not visionary enough to anticipate.
MR. PANSCOPE. I beg leave to observe, sir, that my language was perfectly perspicuous, and etymologically correct; and, I conceive, I have demonstrated what I shall now take the liberty to say in plain terms, that all your opinions are extremely absurd.
MR. ESCOT. I should be sorry, sir, to advance any opinion that you would not think absurd.
MR. PANSCOPE. Death and fury, Sir!
MR. ESCOT. Say no more, Sir - that apology is quite sufficient.
MR. PANSCOPE. Apology, Sir?
MR. ESCOT. Even so, Sir. You have lost your temper, which I consider equivalent to a confession that you have the worst of the argument.
MR. PANSCOPE. Lightnings and devils!”

Thomas Love Peacock book Headlong Hall

Headlong Hall, chapter V (1816).

Death, Men, Pain, Fear

“Out whole civilization was a cemetery where Jesus Christ and Socrates, Mozart and Haydn, Dante and Goethe were but indecipherable names on moldering stones; and the mourners who stood round affecting a pretense of sorrow would give much to believe in these inscriptions which once were holy, or at least to utter one heart-felt word of grief and despair about this world that is no more. And nothing was left them but the embarrassed grimaces of a company round a grave.”

Hermann Hesse book Steppenwolf

Steppenwolf (1927)

World, Heart, Christ, Despair

“"The language spoken by these early Macedonians has become a controversial issue in modern times. It seems not to have been so in antiquity. As we have seen, Hesiod made Magnes and Macedon first cousins of the Hellenes, and he therefore regarded them as speakers of a dialect (or dialects) of the Greek language. That he was correct in the case of the Magnetes has been proved by the discovery of early inscriptions in an Aeolic dialect in their area of eastern Thessaly. Then, late in the fifth century a Greek historian, Hellanicus, who visited the court of Macedonia, made the father of Macedon not Zeus but Aeolus, a thing which he could not have done unless he knew that the Macedonians were speaking an Aeolic dialect of Greek. A remarkable confirmation of their Greek speech comes from the Persians, who occupied Macedonia as part of their conquests in Europe c.510-480. […] Disagreements over this issue have developed for various reasons. In the second half of the fifth century Thucydides regarded the semi-nomadic, armed northerners of Epirus and western Macedonia as "barbarians", and he called them such in his history of events in 429 and 423. The word was understood by some scholars to mean "non-Greek-speakers" rather than "savages." They were shown to be mistaken in 1956, when inscriptions of 370-68, containing lists of Greek personal names and recording in the Greek language some acts of the Molossians, were found at Dodona in Epirus. This discovery proved beyond dispute that one of Thucydides "barbarian" tribes" of Epirus, the Molossians, was speaking Greek at the time of which he was writing. Demosthenes too called the Macedonians "barbarians" in the 340s. That this was merely a term of abuse has been proved recently by the discovery at Aegae (Vergina) of seventy-four Greek names and one Thracian name on funerary headstones inscribed in Greek letters.”

N. G. L. Hammond (1907–2001) British classical scholar

"The Miracle That Was Macedonia", Palgrave Macmillan (September 1991)

History, Time, Parting, Personality

“Archimedes is said to have requested his friends and relatives to place upon his tomb a representation of a cylinder circumscribing a sphere within it, together with the inscription giving the ratio (3/2) which the cylinder bears to the sphere; from which we may infer that he himself regarded the discovery of this ration as his greatest achievement.”

Thomas Little Heath (1861–1940) British civil servant and academic

p, 125
Achimedes (1920)

“Need I remind you that Stone Mountain and Birth of a Nation are also exercises in political correctness for their time, as are the inscriptions on the monuments erected by several southern states in honor of the service of their state’s Confederate forces at Gettysburg?”

Brooks D. Simpson (1957) American historian

2010s, Erasing History? Monuments and Memory (January 2016)

Exercises, Mountain, Birth, Time

“I wanted to get away from the physical act of painting... For me the title ('Fresh Widow', 1920), with inscription under: 'Fresh Widow Copyright Rose Sélavy, 1920', [probably referring to all the widows because of the many killings of soldiers in World War, 1. which ended in 1918] was very important... I was interested in ideas – not merely visual products. I wanted to put painting once again at the service of the mind.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from: Looking at Dada ed. Sarah Blyth / Edward Powers, MoMa, New york 2006; p. 13
posthumous

War, World, Idea, Painting

“I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)

Life, God, World, Religion

“Am I new minted by thy Stamp indeed?
Mine Eyes are dim; I cannot clearly see.
Be thou my Spectacles that I may read
Thine Image and Inscription stampt on mee.”

Edward Taylor (1642–1729) American poet

from "Meditation VI (Canticles II:1)"

Reading

“In lapidary inscriptions a man is not upon oath.”

Samuel Johnson (1709–1784) English writer

1775
Bartlett's Familiar Quotations, 10th ed. (1919), Life of Johnson (Boswell)

“It is not certain whether Pāṇini used writing for the composition of his work, though it is generally agreed that he knew of a form of writing, based on references to words such as "script" and "scribe" in his Ashtadhyayi. These must have referred to Aramaic or early Kharosthi writing. It is believed by some that a work of such complexity would have been difficult to compile without written notes, though others have argued that he might have composed it with the help of a group of students whose memories served him as 'notepads' (as is typical in Vedic learning). Writing first reappears in India in the form of the Brāhmī script from the 3rd century BC in the Ashokan inscriptions.”

Pāṇini ancient Sanskrit grammarian

An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World

Learning, Memory, Help

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase: In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

People, Art, Search, Flowers

“This inscription awakens the memory of people whose sons and daughters were destined for total extermination. This people draws its origin from Abraham, our Father in faith. The very people that received from God the commandment, thou shalt not kill, itself experienced in a special measure what is meant by killing. It is not permissible for anyone to pass by this inscription with indifference.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

About a Hebrew commemorative plaque in the homily during the Holy Mass at the Auschwitz-Birkenau Nazi German concentration camp on 7 June 1979, during the pope's first apostolic journey to Poland Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/homilies/1979/documents/hf_jp-ii_hom_19790607_polonia-brzezinka_it.html (Italian)

God, People, Faith, Memory

“On account of his extensive charities, scholars from Irãq, Khorãsãn and Mawãraun-Nahar started presenting themselves in his court and Islãm was spread. He held in great regard Sayyid Muhammad who was a very great scholar of the time, and strived to destroy the idols and temples of the infidels. He got demolished the famous temple of Mahãdeva at Bahrãre. The temple was dug out from its foundations and the hole (that remained) reached the water level. Another temple at Jagdar was also demolished… Rãjã Alamãdat had got a big temple constructed at Sinpur. He had come to know from astrologers that after 11 hundred years a king by the name of Sikandar would get the temple destroyed and the idol of Utãrid, which was in it, broken. He got this [forecast] inscribed on a copper plate which was kept in a box and buried under the temple. The inscription came up when the temple was destroyed [by Sikandar]…“…The value of currency had come down, because Sultãn Sikandar had got idols of gold, silver and copper broken and turned into coins…”

Nizamuddin Ahmad (1551–1594) historian

Sultãn Sikandar Butshikan of Kashmir (AD 1389-1413) Kashmir
Tabqãt-i-Akharî

Water, Time, Box

“As to my body and burial, I do leave it to the disposition and discretion of my executor, hereafter named, but with this special charge, that it be done as privately as may be, without any state, acknowledging myself to be unworthy of the least outward regard in this world, and unworthy of any remembrance, that hath been so great a sinner, and I do further charge and desire that no monument be made for me, but at the utmost a plain stone with this inscription only — Vermis sum.”

William Lenthall (1591–1662) English politician, died 1662

I am a worm.
Last will, as quoted in History of Burford (1891) by William John Monk, p. 131.

World

“Is there any death here in our camp? Yes, yes! Three hundred and fifty thousand soldiers, the noblest band that ever trod the earth, died to make this camp a camp of glory and of liberty forever. But there are no dead issues here. There are no dead ideas here. Hang out our banner from under the blue sky this night, until it shall sweep the green turf under your feet. It hangs over our camp. Read away up under the stars the inscription we have written on it, lo these twenty-five years.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1870s, An Appeal to Young Men (1879)

Death, Star, Idea, Reading

“About this time the King learned that the inhabitants of two hilly tracts, denominated Kuriat and Nardein, continued the worship of idols and had not embraced the faith of Islam' Mahmood resolved to carry the war against these infidels, and accordingly marched towards their country' The Ghiznevide general, Ameer Ally, the son of Arslan Jazib, was now sent with a division of the army to reduce Nardein, which he accomplished, pillaging the country, and carrying away many of the people captives. In Nardein was a temple, which Ameer Ally destroyed, bringing from thence a stone on which were curious inscriptions, and which according to the Hindoos, must have been 40,000 years old…'The celebrated temple of Somnat, situated in the province of Guzerat, near the island of Dew, was in those times said to abound in riches, and was greatly frequented by devotees from all parts of Hindoostan' Mahmood marched from Ghizny in the month of Shaban AH 415 (AD Sept. 1024), with his army, accompanied by 30,000 of the youths of Toorkistan and the neighbouring countries, who followed him without pay, for the purpose of attacking this temple'…'Some historians affirm that the idol was brought from Mecca, where it stood before the time of the Prophet, but the Brahmins deny it, and say that it stood near the harbour of Dew since the time of Krishn, who was concealed in that place about 4000 years ago' Mahmood, taking the same precautions as before, by rapid marches reached Somnat without opposition. Here he saw a fortification on a narrow peninsula, washed on three sides by the sea, on the battlements of which appeared a vast host of people in arms' In the morning the Mahomedan troops advancing to the walls, began the assault…”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49
Quotes from Muslim medieval histories

War, People, Youth, Faith

“Where do babies come from? Don't bother asking adults. They lie like pigs. However, diligent independent research and hours of playground consultation have yielded fruitful, if tentative, results. There are several theories. Near as we can figure out, it has something to do with acting ridiculous in the dark. We believe it is similar to dogs when they act peculiar and ride each other. This is called "making love". Careful study of popular song lyrics, advertising catch-lines, TV sitcoms, movies, and T-Shirt inscriptions offers us significant clues as to its nature. Apparently it makes grown-ups insipid and insane. Some graffiti was once observed that said "sex is good."”

Matt Groening (1954) American cartoonist

All available evidence, however, points to the contrary.
Bongo in Childhood Is Hell (1988)

Love, Lie, Making love, Dogs

“But our Don Quixote, the inward, the immortal Don Quixote, conscious of his own comicness, does not believe that his doctrines will triumph in this world, because they are not of it. And it is better that they should not triumph. And if the world wished to make Don Quixote king, he would retire alone to the mountain, fleeing from the king-making crowds, as Christ retired alone to the mountain when, after the miracle of the loaves and fishes, they sought to proclaim him king. He left the title of king for the inscription written over the cross.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

World, Mountain, Fish, Christ

“As the Swiss inscription says: Sprechen ist silbern, Schweigen ist golden— "Speech is silvern, Silence is golden"; or, as I might rather express it: speech is of time, silence is of eternity.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. III, ch. 3.
1830s, Sartor Resartus (1833–1834)

Silence, Time

“The social sciences building at the University of Chicago indeed still bears since it was built 40 years ago on its outside an inscription taken from the famous physicist Lord Kelvin: "When you cannot measure, your knowledge is meager and unsatisfactory." I will admit that that may be true, but it is certainly not scientific to insist on measurement where you don't know what your measurements mean. There are cases where measurements are not relevant. What has done much damage to microeconomics is striving for a pseudo-exactness by imitating methods of the physical sciences which have to deal with what are fundamentally much more simple phenomena. And the assumption that it is possible to ascertain all the relevant particular facts still completely dominates the alternative methods of dealing with our constitutional ignorance, which economists have tried to overcome. This of course, is what has come to be called macroeconomics as distinct from microeconomics.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

1980s and later, Knowledge, Evolution and Society (1983), "Coping with Ignorance"

Knowledge, Universe, Science

“The congregational mosque at Delhi named, purposefully, as the Masjid Quwwatul Islam (Might of Islam), was commenced by Aibak in 592/1195 within two years of its conquest. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighbourhood. A Persian inscription in the mosque testifies to this. The mosque at Ajmer erected by Qutbuddin Aibak soon after its occupation and known as the Arhai din ka Jhonpra, was also built from materials obtained from demolished temples. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, “the sculptured figures on the stones being either defaced or concealed by turning them upside down.””

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

“In this improvisation,” rightly observes Habibullah, “was symbolised the whole Mamluk history”.
Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 8 (quoting A.B.M. Habibullah, The Foundation of Muslim Rule in India)

History

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23

Women, People, Spring, Tear

“[about magazines school children sell, which his wife buys without even looking at what she's buying]
We get a magazine called Modern Ferret. It's a magazine about that hairy rat, I swear to God! And if you ever see it, pick it up. On the inside cover, it's a woman and a man, who publish this magazine, and they wrote this inscription: "Someday, we hope to make money doing what we love, playing with our ferret." Correct me if I'm wrong, but didn't Pee-Wee Herman lose a lot of money playing with his ferret?”

Bill Engvall (1957) American comedian and actor

Cheap Drunk: An Autobiography (2002)

Love, Money, God, Children

“There was, however, a time not so long ago when Muslim theologians prescribed and Muslim swordsmen practised destruction of Hindu temples on a large scale. Hundreds of Muslim historians have credited their heroes with what they rightly regarded as a pious performance according to the principal tenets of Islam. Most of these histories, written in India as well as elsewhere in the Islamic world, have been printed and translated in one or more of the modern languages. They are on the shelves of public and private libraries all over the world. Then there are inscriptions in Arabic and Persian which proclaim the destruction of Hindu temples or their conversion into mosques with considerable pride. These, too, have been deciphered, translated and published by archaeological surveys covering India, Central Asia, Eastern Iran, Afghanistan, Pakistan and Bangladesh. They leave us in no doubt about one of the favourite pastimes of pious Muslim princes in all these countries which constituted at one time the vast cradle of Hindu culture.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

World, History, Time, Country

“The first prison I ever saw had inscribed on it CEASE TO DO EVIL: LEARN TO DO WELL; but as the inscription was on the outside, the prisoners could not read it.”

George Bernard Shaw (1856–1950) Irish playwright

Preface to English Prisons Under Local Government http://books.google.com/books?id=81YwAAAAYAAJ by Sydney and Beatrice Webb (1922) 1940s and later

Learning, Evil, Reading

“We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a decadent art rather than one which is progressing, were shown by placards with the inscription: "A Forest," "A Prison," and so on. Within this conventional setting the onlooker's imagination was free to follow the actions of the various characters who were animated by passions drawn from nature, and that was enough for him. So-called innovations are gratefully seized on as an excuse for poverty of invention and in the same way, the long descriptive passages that so overburden modern novels are a sign of sterility, for it is obviously easier to describe a dress or the outward appearance of an object than to trace the subtle development of a character or portray the emotions of the heart.”

Eugène Delacroix (1798–1863) French painter

9 April 1856 (p. 313)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Art, Way, Imagination, Nature

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Books, Faith, Beauty, History

“I can see your reasons, my love. But won’t you get thirsty?’ — Inscription found beneath capstone of household well, Lakefront District, Darujhistan”

Steven Erikson book Toll the Hounds

Toll the Hounds (2008)

Love

“They attacked the astronomers as though they were criminals—the geologists as though they were assassins. They regarded physicians as the enemies of God—as men who were trying to defeat the decrees of Providence. The biologists, the anthropologists, the archaeologists, the readers of ancient inscriptions, the delvers in buried cities, were all hated by the theologians. They were afraid that these men might find something inconsistent with the Bible.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Truth (1896)

Men, God, Hate

“He then marched and encamped under the fort of Delhi' The city and its vicinity were freed from idols and idols-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one God.'…
'Kutbu-d din built the Jami' Masjid at Delhi, and adorned it with stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions in Toghra, containing the divine commands.”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Delhi. Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 222-23
Variant: The conqueror entered the city of Delhi, which is the source of wealth and the foundation of blessedness. The city and its vicinity was freed from idols and idol-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one Allah'...'Kutub-d-din built the Jami Masjid at Delhi, and 'adorned it with the stones and gold obtained from the temples which had been demolished by elephants,' and covered it with 'inscriptions in Toghra, containing the divine commands.

God

“Qutb-ud-Din Aybak also is said to have destroyed nearly a thousand temples, and then raised mosques on their foundations. The same author states that he built the Jami Masjid, Delhi, and adorned it with the stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions (from the Quran) containing the divine commands. We have further evidence of this harrowing process having been systematically employed from the inscription extant over the eastern gateway of this same mosque at Delhi, which relates that the materials of 27 idol temples were used in its construction.”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Dr. Murray Titus quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

“Three conclusions can be safely drawn from a study of these 21 inscriptions. Firstly, the destruction of Hindu temples continued throughout the Muslim rule, from the date of its first establishment at Delhi in AD 1192 to its downfall with the death of the Mughal emperor Muhammad Shah in 1748. Secondly, the destruction took place all over India and was undertaken by rulers belonging to all Muslim dynasties, imperial as well as provincial. Thirdly, the destruction had no economic or political motive as has been proposed by Marxist scholars and Muslim apologists; it was inspired by religious zeal and regarded as a pious performance by Muslim kings and commanders, all of whom took considerable pride in it and sought blessing from Allãh and the Prophet. The iconoclasts, it may be added, have been idolised all along as paragons of faith, virtue, justice and generosity. These conclusions become clearer still when we come to evidence from Islamic literary sources.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Death, Faith, Justice, Motivation

“On account of his extensive charities, scholars from Iraq, Khorasan and Mawaraun-Nahar started presenting themselves in his court and Islam was spread. He held in great regard Sayyid Muhammad who was a very great scholar of the time, and strived to destroy the idols and temples of the infidels. He got demolished the famous temple of Mahadeva at Bahrare. The temple was dug out from its foundations and the hole (that remained) reached the water level. Another temple at Jagdar was also demolished' Raja Alamadat had got a big temple constructed at Sinpur. He had come to know from astrologers that after 11 hundred years a king by the name of Sikandar would get the temple destroyed and the idol of Utarid, which was in it, broken. He got this [forecast] inscribed on a copper plate which was kept in a box and buried under the temple. The inscription came up when the temple was destroyed [by Sikandar]'….. The value of currency had come down, because Sultan Sikandar had got idols of gold, silver and copper broken and turned into coins.”

Sikandar Butshikan

Tabqat-i-Akhari, (also known as Tabqat-i-Akbar Shahi, Tabqat-i-Akbari, Tarikh-i-Nizami) by Khwajah Nizamud-Din Ahmad bin Muhammad Muqim al-Harbi, Translated from the Hindi version by S.A.A. Rizvi included in Uttar Taimur Kalina Bharata, Aligarh 1959, Vol. II. p. 515-17, In Goel, S.R. Hindu Temples - What happened to them

Water, Time, Box

“Egyptologists say they have no idea what Khufu was doing when he was not building pyramids, since he left no inscriptions describing his daily activities, and they would give a good deal to know. Then they say he had six wives and a harem full of concubines. They do not seem to make the connection, but you get it and I get it. We do not need any hieroglyphics to inform us that Khufu dropped around occasionally to see how things were getting along and to tell the ladies how many cubic yards of limestone he had laid that afternoon.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part I: It Seems There Were Two Egyptians, Cheops, or Khufu

Idea

“They say any artist paying six dollars may exhibit
Mr. Richard Mutt [= Duchamp himself; an inscription written by Duchamp] sent in a fountain. Without discussion this article disappeared and never was exhibited.
What were the grounds for refusing Mr. Mutt fountain:
1. Some contented it was immoral, vulgar.
2. Others, it was plagiarism, a plain piece of plumbing.
Now, Mr. Mutt fountain is not immoral, that is absurd, no more than a bit tube is immoral. It is a fixture that you see every day in plumber’s show windows.
Whether Mr. Mutt with his own hands made this fountain or not has no importance. He CHOSE it. He took an ordinary article of life, placed it so that's its useful significance disappeared under the new title ['The Richard Mutt Case'] and point of view – created a new thought for that object.
As for plumbing, that is absurd. The only works of art America has given are her plumbing and her bridges.”

Marcel Duchamp (1887–1968) French painter and sculptor

quote, 1917
Quote in: Theories and Documents of Contemporary Art, – a source-book of Artist's writings, ed. Kristine Stiles / Peter Selz, University of California Press, London, England, 1996, p. 817
Duchamp's core quote / his own written comment on his artwork 'Fountain (Duchamp)': The Richard Mutt Case, Marcel Duchamp, ‘Blind Man’, New York, 1917: 5
1915 - 1925

Life, Art, Quotes

“In another place in Kashmeer was a temple built by Raja Bulnat, the destruction of which was attended with a remarkable incident. After it had been levelled, and the people were employed in digging the foundation, a copper-plate was discovered, on which was the following inscription : —
“ Raja Bulnat, having built this temple, was
“ desirous of ascertaining from his astrologers
“ how long it would last, and was informed by
“ them, that after eleven hundred years, a king
“ named Sikundur would destroy it, as well as the
“ other temples in Kaslimeer.”
The King was surprised, though vexed, that the Hindoo prophet should have predicted the truth, and declared, if they had placed the plate against the wall, he would have preserved the temple to belie the prophet. Having broken all the images in Kashmeer, he acquired the title of the Iconoclast, “Destroyer of Idols.””

Sikandar Butshikan

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69

People, Truth

“Among the different coins struck in Mahmud's reign one bore the following inscription: "The right hand of the empire, Mahmud Sultan, son of Nasir-ud-Din Subuk-Tigin, Breaker of Idols." This coin appears to have been struck at Lahor, in the seventh year of his reign.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Maulana Minhaj-us-Siraj: Tabqat-i-Nasiri, translated into English by Major H.G. Reverty, New Delhi Reprint, 1970, Vol. I,p. 88, footnote 2.
Quotes from Muslim medieval histories

Appearance

“Still haunted by Haiku, and tried my hand at it, but I fall pitifully short of the Wordsworthian touch. But failure in this realm turned my mind to an old enthusiasm of mine, the Welsh englyn. This verse form was derived by the Welsh from the inscriptions which their Roman conquerors put on tombs … A good englym must have four lines, of ten, then six, syllables, the last two lines having seven syllables each. In the first line there must be a break after the seventh, eighth, or ninth syllable, and the rhyme with the second line comes at this break; but the tenth syllable of the first line must either rhyme or be in assonance with the middle of the second line. The last two lines must rhyme with the first rhyme in the first line, but the third or fourth line must rhyme on a weak syllable. Got that?”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"Haiku and Englyn" in The Toronto Daily Star (4 April 1959), republished in The Enthusiasms of Robertson Davies (1979) edited by Judith Skelton Grant, p. 241.

Failure

“As Mahoba was for some time the headquarters of the early Muhammadan Governors, we could hardly expect to find that any Hindu buildings had escaped their furious bigotry, or their equally destructive cupidity. When the destruction of a Hindu temple furnished the destroyer with the ready means of building a house for himself on earth, as well as in heaven, it is perhaps wonderful that so many temples should still be standing in different parts of the country. It must be admitted, however, that, in none of the cities which the early Muhammadans occupied permanently, have they left a single temple standing, save this solitary temple at Mahoba, which doubtless owed its preservation solely to its secure position amid the deep waters of the Madan-Sagar. In Delhi, and Mathura, in Banaras and Jonpur, in Narwar and Ajmer, every single temple was destroyed by their bigotry, but thanks to their cupidity, most of the beautiful Hindu pillars were preserved, and many of them, perhaps, on their original positions, to form new colonnades for the masjids and tombs of the conquerors. In Mahoba all the other temples were utterly destroyed and the only Hindu building now standing is part of the palace of Parmal, or Paramarddi Deva, on the hill-fort, which has been converted into a masjid. In 1843, I found an inscription of Paramarddi Deva built upside down in the wall of the fort just outside this masjid. It is dated in S. 1240, or A. D. 1183, only one year before the capture of Mahoba by Prithvi-Raj Chohan of Delhi. In the Dargah of Pir Mubarak Shah, and the adjacent Musalman burial-ground, I counted 310 Hindu pillars of granite. I found a black stone bull lying beside the road, and the argha of a lingam fixed as a water-spout in the terrace of the Dargah. These last must have belonged to a temple of Siva, which was probably built in the reign of Kirtti Varmma, between 1065 and 1085 A. D., as I discovered an inscription of that prince built into the wall of one of the tombs.”

Alexander Cunningham

Archaeological Survey of India, Volume I: Four Reports Made During the Years 1862-63-64-65, Varanasi Reprint, 1972, Pp. 440-41. Quoted from Goel, Sita Ram (editor) (1993). Hindu temples: What happened to them. Volume I.

Beauty, Lying, Water, Time

“Arms of Orlando, paladin',
By this inscription meaning to deter
Whoever saw the splendid trophy shine,
As though to say: 'Hands off, all who pass by,
Unless Orlando's strength you wish to try.”

Ludovico Ariosto book Orlando Furioso

Armatura d'Orlando paladino;
Come volesse dir: nessun la muova,
Che star non possa con Orlando a prova.
Canto XXIV, stanza 57 (tr. B. Reynolds)
Orlando Furioso (1532)

“What language did these Macedones speak? The name itself is Greek in root and in ethnic termination. It probably means highlanders, and it is comparable to Greek tribal names such as `Orestai' and `Oreitai', meaning 'mountain-men'. A reputedly earlier variant, `Maketai', has the same root, which means `high', as in the Greek adjective makednos or the noun mekos. The genealogy of eponymous ancestors which Hesiod recorded […] has a bearing on the question of Greek speech. First, Hesiod made Macedon a brother of Magnes; as we know from inscriptions that the Magnetes spoke the Aeolic dialect of the Greek language, we have a predisposition to suppose that the Macedones spoke the Aeolic dialect. Secondly, Hesiod made Macedon and Magnes first cousins of Hellen's three sons - Dorus, Xouthus, and Aeolus-who were the founders of three dialects of Greek speech, namely Doric, Ionic, and Aeolic. Hesiod would not have recorded this relationship, unless he had believed, probably in the seventh century, that the Macedones were a Greek speaking people. The next evidence comes from Persia. At the turn of the sixth century the Persians described the tribute-paying peoples of their province in Europe, and one of them was the `yauna takabara', which meant `Greeks wearing the hat'. There were Greeks in Greek city-states here and there in the province, but they were of various origins and not distinguished by a common hat. However, the Macedonians wore a distinctive hat, the kausia. We conclude that the Persians believed the Macedonians to be speakers of Greek. Finally, in the latter part of the fifth century a Greek historian, Hellanicus, visited Macedonia and modified Hesiod's genealogy by making Macedon not a cousin, but a son of Aeolus, thus bringing Macedon and his descendants firmly into the Aeolic branch of the Greek-speaking family. Hesiod, Persia, and Hellanicus had no motive for making a false statement about the language of the Macedonians, who were then an obscure and not a powerful people. Their independent testimonies should be accepted as conclusive.”

N. G. L. Hammond (1907–2001) British classical scholar

"The Macedonian State" p.12-13)

Men, People, Family, Mountain

“In these days he promoted a bramin, by name Seeva Dew Bhut, to the office of prime minister, who embracing the Mahomedan faith, became such a persecutor of Hindoos that he induced Sikundur to issue orders proscribing the residence of any other than Mahomedans in Kashmeer; and he required that no man should wear the mark on his forehead, or any woman be permitted to burn with her husband’s corpse. Lastly, he insisted on all golden and silver images being broken and melted down, and the metal coined into money. Many of the bramins, rather than abandon their religion or their country, poisoned themselves; some emigrated from their native homes, while a few escaped the evil of banishment by becoming Mahomedans. After the emigration of the bramins, Sikundur ordered all the temples in Kashmeer to be thrown down; among which was one dedicated to Maha Dew, in the district of Punjhuzara, which they were unable to destroy, in consequence of its foundation being below the surface of the neighbouring water. But the temple dedicated to Jug Dew was levelled with the ground; and on digging into its foundation the earth emitted volumes of fire and smoke which the infidels declared to be the emblem of the wrath of the Deity; but Sikundur, who witnessed the phenomenon, did not desist till the building was entirely razed to the ground, and its foundations dug up….. “In another place in Kashmeer was a temple built by Raja Bulnat, the destruction of which was attended with a remarkable incident. After it had been levelled, and the people were employed in digging the foundation, a copper-plate was discovered, on which was the following inscription:- ‘Raja Bulnat, having built this temple, was desirous of ascertaining from his astrologers how long it would last, and was informed by them, that after eleven hundred years, a king named Sikundur would destroy it, as well as the other temples in Kashmeer’…Having broken all the images in Kashmeer, he acquired the title of the Iconoclast, ‘Destroyer of Idols’…”

Firishta (1560–1620) Indian historian

Sultãn Sikandar Butshikan of Kashmir (AD 1389-1413)Kashmir
Tãrîkh-i-Firishta

Money, People, Faith, Religion

“The old theory that [the Great Pyramid] was built as a vault or tomb for an Egyptian king is unworthy of credence; for, as we shall see, it required more than the wisdom of the present day, to say nothing of that of Egypt four thousand years ago, to design such a structure. Besides, it contains nothing in the way of a casket, mummy or inscription. It was not until we had come into the time called in Daniel's prophecy "the Time of the End", when knowledge should be increased, and the wise should understand God's plan (Dan. 12:4, 9, 10), that the secrets of the Great Pyramid began to be understood, and our questions began to have a reasonable answer.”

Charles Taze Russell (1852–1916) Founder of the Bible Student Movement

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 319.

Wisdom, God, Secret, Way

“The golden chain of affection is binding together all who compose the goodly fellowship of the saints. Calvary rather than Sinai is the typical source of the church's inspiration; and bonds of law are being supplanted by bonds of love Indeed, the whole host of the redeemed is marching in solid phalanx against the combined forces of ignorance and error, of depravity and sin; while, high above all the regimental standards, floats the banner of the cross, blazoned with this suggestive inscription, "Everyone that loveth is born of God."”

John McClellan Holmes (1834–1911) US Christian minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 111.

Love, God, Law, Error

“There is seldom a line of glory written upon the earth's face, but a line of suffering runs parallel with it; and they that read the lustrous syllables of the one, and stoop not to decipher the spotted and worn inscription of the other, get the. least half of the lesson earth has to give.”

Frederick William Faber (1814–1863) British hymn writer and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 567.

Suffering, Reading

“It cannot be said that at the time these inscriptions were set up at ANhilwãD Pãtan, Prabhas Patan, Khambat, Junagadh and other places, the Hindus of Gujarat had had no taste of what Islam had in store for them, their women, their children, their cities, their temples, their idols, their priests, and their properties. The invasion of Ulugh Khãn that was to subjugate Gujarat to a long spell of Muslim rule, was the eighth in a series which started within a few years after the Prophet’s death at Medina in AD 632. Five Islamic invasions had been mounted on Gujarat before Siddharãja JayasiMha ascended the throne of that kingdom in AD 1094 - first in AD 636 on Broach by sea; second in AD 732-35 by land; third and fourth in AD 756 and 776 by sea; and fifth by Mahmûd of Ghazni in AD 1026. Two others had materialised by the time the Muslim ship-owner set up his inscription in AD 1264 on a mosque at Prabhas Patan. The sixth invasion was by Muhammad Ghûrî in AD 1178, and the seventh was by Qutbu’d-Dîn Aibak in AD 1197. The only conclusion that can be drawn from the evidence is that either the Hindus of Gujarat had a very short memory or that they did not understand at all the inspiration at the back of these invasions. The temple of Somnath which stood, after the invasion of Mahmûd of Ghazni in AD 1026, as a grim reminder of the character of Islam, had also failed to teach them any worthwhile lesson. Nor did they visualize that the Muslim settlements in their midst could play a role other than that of carrying on trade and commerce.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Death, Women, Children, Understanding

“… an undercurrent of thought was going on in my mind which gave at last a result, whereof it is not too much to say that I felt at once the importance. An electric circuit seemed to close; and a spark flashed forth the herald (as I foresaw immediately) of many long years to come of definitely directed thought and work by myself, if spared, and, at all events, on the part of others if I should even be allowed to live long enough distinctly to communicate the discovery. Nor could I resist the impulse - unphilosophical as it may have been - to cut with a knife on a stone of Brougham Bridge, as we passed it, the fundamental formula which contains the Solution of the Problem, but of course, as an inscription, has long since mouldered away.”

William Rowan Hamilton (1805–1865) Irish physicist, astronomer, and mathematician

in a letter to his son (dated August 5, 1865), describing his discovery of quaternions on October 16, 1843, in Robert Perceval Graves, Life of Sir William Rowan Hamilton Vol. 2 (1885) https://archive.org/details/lifeofsirwilliam02gravuoft, pp. 434-435.

Communication, Problem, Parting

“Firishta' attributes to Sikandar the demolition of all the Kashmirian temples save one, which was dedicated to Mahadeva, and which only escaped ' in consequence of its foundation being below the surface of the neighbouring water.'. (…) He most likely gave orders that they should all be overturned; and I have no doubt that many of the principal temples were thrown down during his reign. For instance, the tomb of his own Queen in Srinagur is built upon the foundation, and with the materials of a Hindu temple; likewise the wall which surrounds the tomb of his son Zeinu-1 Abidin was once the inclosure of a Hindu temple; and lastly the entrance of a masjid in Nowa-Shehra of Srinagur, which, according to its inscription, was built during the reign of his son Zeinu-1 Abidin, is formed of two fluted pillars of a Hindu peristyle. These instances prove that at least three different temples in the capital alone must have been overthrown either by Sikandar or by one of his predecessors. But as the demolition of idol-temples is not attributed to any one of the earlier kings, we may safely ascribe the destruction of the three above mentioned to Sikandar himself.”

Sikandar Butshikan

Elliot, H. M. (Henry Miers), Sir; Ed. John Dowson (1871). The History of India, as Told by Its Own Historians. The Muhammadan Period. London : Trübner & Co. Vol VI. Appendix, Note A. ON THE EARLY USE OF GUNPOWDER IN INDIA.

Water

“Autograph inscription on Rembrandt's drawing of the old City hall of Amsterdam, 9 July 1652; Benesch 1278 (translation from the original Dutch: Anne Porcelijn)”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt made this drawing two days after the old Town-hall at Dam square in Amsterdam was burned out; the spotlight attracted a lot of attention and various artists have drawn the remains of the historic building. Two days after the fire, Rembrandt laid down the ruins of the building in a drawing. He made the sketch on the spot, standing or seated at (or in) the old daring building on the Dam, as he himself wrote in the inscription. http://remdoc.huygens.knaw.nl/#/document/remdoc/e1643 1640 - 1670

Drawing

“The Rhine, with two long branches, stretches out and loses itself among inlets and hills, the boats of tourists and of industry smoke, white, black, and gray, and small, small, seem almost not to move; the silver clear, transparent water, calm and ordered, contrasts with all the rest.... the water gurgles, the sides of the boat are covered in spray, many people greet each other, white handkerchiefs are waved from on high, the hotels, the flags, the inscriptions, the hills and the pointed tips of the bell towers, everything seems unreal, untouchable.”

Giacomo Balla (1871–1958) Italian artist

quote from a letter to Balla's family, 18 November 1912; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 307, note 36

People, Water

“Marvin Kolodny responded with a boyish grin and offered his hand. An American flag has been tattooed on his right forearm. On a scroll circling the flagpole was the following inscription:
Let's All
Overthrow
the United States
Government
by Force &
Violence”

Thomas M. Disch (1940–2008) Novelist, short story writer, poet

"The Man Who Had No Idea" (originally published 1978).
The Man Who Had No Idea (and other stories) (1982)

Tattoo

“The commonwealth of Venice in their armory have this inscription: "Happy is that city which in time of peace thinks of war."”

Robert Burton book The Anatomy of Melancholy

Section 2, member 6, Perturbations of the mind rectified. From himself, by resisting to the utmost, confessing his grief to a friend, etc.
The Anatomy of Melancholy (1621), Part II

War, Peace, Thinking, Time

“The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque."”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)

Lie, Time, Victory, Housing

“In the Pontic triumph one of the decorated wagons, instead of a stage-set representing scenes from the war, like the rest, carried a simple three-word inscription: I CAME, I SAW, I CONQUERED! This referred not to the events of the war [against Pontus], like the other inscriptions, but to the speed with which it had been won.”
Pontico triumpho inter pompae fercula trium verborum praetulit titulum VENI·VIDI·VICI non acta belli significantem sicut ceteris, sed celeriter confecti notam.

Sueton book The Twelve Caesars

Source: The Twelve Caesars, Julius Caesar, Ch. 37

War, Speed

“One day I rode in company with ‘Alã-ul-mulk and arrived at a plain called Tarna at a distance of seven miles from the city. There I saw innumerable stone images and animals, many of which had undergone a change, the original shape being obliterated. Some were reduced to a head, others to a foot and so on. Some of the stones were shaped like grain, wheat, peas, beans and lentils. And there were traces of a house which contained a chamber built of hewn stone, the whole of which looked like one solid mass. Upon it was a statue in the form of a man, the only difference being that its head was long, its mouth was towards a side of its face and its hands at its back like a captive’s. There were pools of water from which an extremely bad smell came. Some of the walls bore Hindî inscriptions. ‘Alã-ul-mulk told me that the historians assume that on this site there was a big city, most of the inhabitants of which were notorious. They were changed into stone. The petrified human form on the platform in the house mentioned above was that of their king. The house still goes by the name of ‘the king’s house’. It is presumed that the Hindî inscriptions, which some of the walls bear, give the history of the destruction of the inhabitants of this city. The destruction took place about a thousand years ago…”

Ibn Battuta (1304–1377) Moroccan explorer

Lahari Bandar (Sindh) . The Rehalã of Ibn Battûta translated into English by Mahdi Hussain, Baroda, 1967, p. 10.
Travels in Asia and Africa (Rehalã of Ibn Battûta)

History, Water, Change, Animals

“Over Babiy Yar
there are no memorials.
The steep hillside like a rough inscription.
I am frightened.
Today I am as old as the Jewish race.”

Yevgeny Yevtushenko (1932–2017) Russian poet, film director, teacher

"Babiy Yar" (1961), line 1; Robin Milner-Gulland and Peter Levi (trans.) Selected Poems (London: Penguin, 2008) p. 82.

Memory

“He also buried the Persian commanders and the Greek mercenaries who were killed fighting on the side of the enemy. But as many of them as he took prisoners he bound in fetters and sent them away to Macedonia to till the soil, because, though they were Greeks, they were fighting against Greece on behalf of the foreigners in opposition to the decrees which the Greeks had made in their federal council. To Athens also he sent 300 suits of Persian armour to be hung up in the Acropolis as a votive offering to Athena, and ordered this inscription to be fixed over them, "Alexander, son of Philip, and all the Greeks except the Lacedaemonians, present this offering from the spoils taken from the foreigners inhabiting Asia”

Arrian (89–175) Roman historian, public servant, military commander and philosopher of the 2nd-century

Anabasis Alexandri I, 16, 7.

Fight

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Cars, Reading, Parting

“The Posthumous Works of Robert Hooke M. D.,'… appeared in 1705, containing 'A Discourse of Earthquakes'… His treatise… is the most philosophical production of that age, in regard to the causes of former changes in the organic and inorganic kingdoms of nature. 'However trivial a thing,' he says, 'a rotten shell may appear to some, yet these monuments of nature are more certain tokens of antiquity than coins or medals, since the best of those may be counterfeited or made by art and design, as may also books, manuscripts, and inscriptions, as all the learned are now sufficiently satisfied has often been actually practised,' &c.; 'and though it must be granted that it is very difficult to read them and to raise a chronology out of them, and to state the intervals of the time wherein such or such catastrophes and mutations have happened, yet it is not impossible.”

Charles Lyell book Principles of Geology

Chpt.3, p. 36
Principles of Geology (1832), Vol. 1

Books, Age, Art, Nature

“They say the test of this [literary power] is whether a man can write an inscription. I say “Can he name a kitten?” And by this test I am condemned, for I cannot.”

Samuel Butler (1835–1902) novelist

Literary Power
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books

“I no longer require
your stone gods, your ruins with legible inscriptions.”

Wisława Szymborska (1923–2012) Polish writer

"Archeology"
Poems New and Collected (1998), The People on the Bridge (1986)
Context: Millennia have passed
since you first called me archaeology.
I no longer require
your stone gods, your ruins with legible inscriptions.
Show me your whatever
and I'll tell you who you were.

God