
As I Please (17 February 1947) http://www.telelib.com/authors/O/OrwellGeorge/essay/tribune/AsIPlease19470214.html
"As I Please" (1943–1947)
A collection of quotes on the topic of inscription, time, timing, other.
As I Please (17 February 1947) http://www.telelib.com/authors/O/OrwellGeorge/essay/tribune/AsIPlease19470214.html
"As I Please" (1943–1947)
Part I, Ch. 9
Source: To the Lighthouse (1927)
Context: Could loving, as people called it, make her and Mrs Ramsay one? for it was not knowledge but unity that she desired, not inscription on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs Ramsay's knee.
1900s, "In God we Trust" letter (1907)
Book 2, chapter 44: Funeral oration, as translated at "In Defense of Democracy" http://www.cooperativeindividualism.org/pericles_in-defense-of-democracy.html
Verse 4 is sometimes freely translated as The secret to happiness is freedom. And the secret to freedom is courage.
History of the Peloponnesian War
Context: I could tell you a long story (and you know it as well as I do) about what is to be gained by beating the enemy back. What I would prefer is that you should fix your eyes every day on the greatness of Athens as she realty is, and should fall in love with her. When you realize her greatness, then reflect that what made her great was men with a spirit of adventure, men who knew their duty, men who were ashamed to fall below a certain standard. If they ever failed in an enterprise, they made up their minds that at any rate the city should not find their courage lacking to her, and they gave to her the best contribution that they could. They gave her their lives, to her and to all of us, and for their own selves they won praises that never grow old, the most splendid of sepulchers — not the sepulchre in which their bodies are laid, but where their glory remains eternal in men's minds, always there on the right occasion to stir others to speech or to action. For famous men have the whole earth as their memorial: it is not only the inscriptions on their graves in their own country that mark them out; no, in foreign lands also, not in any visible form but in people's hearts, their memory abides and grows. It is for you to try to be like them. Make up your minds that happiness depends on being free, and freedom depends on being courageous.
Part 2.2 Introduction
1790s, Rights of Man, Part 2 (1792)
Context: Freedom had been hunted round the globe; reason was considered as rebellion; and the slavery of fear had made men afraid to think. But such is the irresistible nature of truth, that all it asks, — and all it wants, — is the liberty of appearing. The sun needs no inscription to distinguish him from darkness; and no sooner did the American governments display themselves to the world, than despotism felt a shock and man began to contemplate redress.
Source: Nearing Home: Life, Faith, and Finishing Well
In p. 3.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata
Excerpt from Introductio ad prudentiam: Part II, To the Reader (Prefatory Remarks).
Introductio ad prudentiam: Part II (1727)
long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925
Greg Mankiw, "Memories of Paul" http://gregmankiw.blogspot.kr/2009/12/memories-of-paul.html (December 15, 2009)
2000s -
"The Miracle That Was Macedonia", Palgrave Macmillan (September 1991)
2010s, Erasing History? Monuments and Memory (January 2016)
Quote from: Looking at Dada ed. Sarah Blyth / Edward Powers, MoMa, New york 2006; p. 13
posthumous
“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)
from "Meditation VI (Canticles II:1)"
“In lapidary inscriptions a man is not upon oath.”
1775
Bartlett's Familiar Quotations, 10th ed. (1919), Life of Johnson (Boswell)
An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World
Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143
About a Hebrew commemorative plaque in the homily during the Holy Mass at the Auschwitz-Birkenau Nazi German concentration camp on 7 June 1979, during the pope's first apostolic journey to Poland
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/homilies/1979/documents/hf_jp-ii_hom_19790607_polonia-brzezinka_it.html (Italian)
Sultãn Sikandar Butshikan of Kashmir (AD 1389-1413) Kashmir
Tabqãt-i-Akharî
I am a worm.
Last will, as quoted in History of Burford (1891) by William John Monk, p. 131.
1870s, An Appeal to Young Men (1879)
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49
Quotes from Muslim medieval histories
All available evidence, however, points to the contrary.
Bongo in Childhood Is Hell (1988)
The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
Bk. III, ch. 3.
1830s, Sartor Resartus (1833–1834)
1980s and later, Knowledge, Evolution and Society (1983), "Coping with Ignorance"
“In this improvisation,” rightly observes Habibullah, “was symbolised the whole Mamluk history”.
Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 8 (quoting A.B.M. Habibullah, The Foundation of Muslim Rule in India)
Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23
Hindu Temples – What Happened to Them, Volume II (1993)
Preface to English Prisons Under Local Government http://books.google.com/books?id=81YwAAAAYAAJ by Sydney and Beatrice Webb (1922)
1940s and later
9 April 1856 (p. 313)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid
Delhi. Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 222-23
Variant: The conqueror entered the city of Delhi, which is the source of wealth and the foundation of blessedness. The city and its vicinity was freed from idols and idol-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one Allah'...'Kutub-d-din built the Jami Masjid at Delhi, and 'adorned it with the stones and gold obtained from the temples which had been demolished by elephants,' and covered it with 'inscriptions in Toghra, containing the divine commands.
Dr. Murray Titus quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)
Hindu Temples – What Happened to Them, Volume II (1993)
Tabqat-i-Akhari, (also known as Tabqat-i-Akbar Shahi, Tabqat-i-Akbari, Tarikh-i-Nizami) by Khwajah Nizamud-Din Ahmad bin Muhammad Muqim al-Harbi, Translated from the Hindi version by S.A.A. Rizvi included in Uttar Taimur Kalina Bharata, Aligarh 1959, Vol. II. p. 515-17, In Goel, S.R. Hindu Temples - What happened to them
The Decline and Fall of Practically Everybody (1950), Part I: It Seems There Were Two Egyptians, Cheops, or Khufu
quote, 1917
Quote in: Theories and Documents of Contemporary Art, – a source-book of Artist's writings, ed. Kristine Stiles / Peter Selz, University of California Press, London, England, 1996, p. 817
Duchamp's core quote / his own written comment on his artwork 'Fountain (Duchamp)': The Richard Mutt Case, Marcel Duchamp, ‘Blind Man’, New York, 1917: 5
1915 - 1925
Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69
Maulana Minhaj-us-Siraj: Tabqat-i-Nasiri, translated into English by Major H.G. Reverty, New Delhi Reprint, 1970, Vol. I,p. 88, footnote 2.
Quotes from Muslim medieval histories
"Haiku and Englyn" in The Toronto Daily Star (4 April 1959), republished in The Enthusiasms of Robertson Davies (1979) edited by Judith Skelton Grant, p. 241.
Archaeological Survey of India, Volume I: Four Reports Made During the Years 1862-63-64-65, Varanasi Reprint, 1972, Pp. 440-41. Quoted from Goel, Sita Ram (editor) (1993). Hindu temples: What happened to them. Volume I.
"The Macedonian State" p.12-13)
Sultãn Sikandar Butshikan of Kashmir (AD 1389-1413)Kashmir
Tãrîkh-i-Firishta
Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 319.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 111.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 567.
Hindu Temples – What Happened to Them, Volume II (1993)
in a letter to his son (dated August 5, 1865), describing his discovery of quaternions on October 16, 1843, in Robert Perceval Graves, Life of Sir William Rowan Hamilton Vol. 2 (1885) https://archive.org/details/lifeofsirwilliam02gravuoft, pp. 434-435.
Elliot, H. M. (Henry Miers), Sir; Ed. John Dowson (1871). The History of India, as Told by Its Own Historians. The Muhammadan Period. London : Trübner & Co. Vol VI. Appendix, Note A. ON THE EARLY USE OF GUNPOWDER IN INDIA.
Rembrandt made this drawing two days after the old Town-hall at Dam square in Amsterdam was burned out; the spotlight attracted a lot of attention and various artists have drawn the remains of the historic building. Two days after the fire, Rembrandt laid down the ruins of the building in a drawing. He made the sketch on the spot, standing or seated at (or in) the old daring building on the Dam, as he himself wrote in the inscription. http://remdoc.huygens.knaw.nl/#/document/remdoc/e1643
1640 - 1670
quote from a letter to Balla's family, 18 November 1912; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 307, note 36
"The Man Who Had No Idea" (originally published 1978).
The Man Who Had No Idea (and other stories) (1982)
Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)
“In the Pontic triumph one of the decorated wagons, instead of a stage-set representing scenes from the war, like the rest, carried a simple three-word inscription: I CAME, I SAW, I CONQUERED! This referred not to the events of the war [against Pontus], like the other inscriptions, but to the speed with which it had been won.”
Pontico triumpho inter pompae fercula trium verborum praetulit titulum VENI·VIDI·VICI non acta belli significantem sicut ceteris, sed celeriter confecti notam.
Source: The Twelve Caesars, Julius Caesar, Ch. 37
Lahari Bandar (Sindh) . The Rehalã of Ibn Battûta translated into English by Mahdi Hussain, Baroda, 1967, p. 10.
Travels in Asia and Africa (Rehalã of Ibn Battûta)
"Babiy Yar" (1961), line 1; Robin Milner-Gulland and Peter Levi (trans.) Selected Poems (London: Penguin, 2008) p. 82.
Anabasis Alexandri I, 16, 7.
Hindu Temples – What Happened to Them, Volume II (1993)
Literary Power
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books
“I no longer require
your stone gods, your ruins with legible inscriptions.”
"Archeology"
Poems New and Collected (1998), The People on the Bridge (1986)
Context: Millennia have passed
since you first called me archaeology.
I no longer require
your stone gods, your ruins with legible inscriptions.
Show me your whatever
and I'll tell you who you were.
p. 139 https://babel.hathitrust.org/cgi/pt?id=mdp.39015005727337;view=1up;seq=163
Myth, Magic, and Morals (1909)
Eminent Historians: Their Technology, Their Line, Their Fraud