Quotes about humor

page 5

1850s, The Present Aspect of the Slavery Question (1859)
Context: Mister Douglas in his speech at Memphis expressly says, 'Whenever a territory has a climate, soil, and productions making it the interest of the inhabitants to encourage slave property, they will pass a slave-code and give it encouragement'. He adds that they have a right to do it, and in his late speech at Columbus he declares that there must be no interference with any action of any state, insisting, according to the report, amid great laughter at the exquisite humor of the witticism, 'If you go over to Virginia to steal her Negroes, I trust she will catch you and put you in jail with other thieves'. Ah, Mr. Douglas! Mr. Douglas! if the little child just born to you were stolen from your arms and sold into slavery, and you went through fire and water to rescue her, would you say so airily, so jauntily, with such pleasant humor, that if you went to steal her you trust you would be caught and put in jail with other thieves? And yet not more do you love that child hanging at this moment upon her mother's bosom, than an old slave mother whom I know in the hospital across the river loved the child who forty years ago was torn from her breast and sold, and of whose fate for forty years that silent, sorrowing Rachel has not heard?

How to Save Your Own Life (1977)

1880s, Reminiscences (1881)
Context: In several respects, I consider my father as one of the most interesting men I have known. He was a man of perhaps the very largest natural endowment of any it has been my lot to converse with. None of us will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was) with, all manner of potent words which he appropriated and applied with a surprising accuracy you often would not guess whence; brief, energetic, and which I should say conveyed the most perfect picture — definite, clear, not in ambitious colors, but in full white sunliglit — of all the dialects I have ever listened to. Nothing did I ever hear him undertake to render visible which, did not become almost ocularly so. Never shall we again hear such speech as that was. The whole district knew of it and laughed joyfully over it, not knowing how other-wise to express the feeling it gave them; emphatic I have heard him beyond all men. In anger he had no need of oaths, his words were like sharp arrows that smote into the very heart. The fault was that he exaggerated (which tendency I also inherit), yet only in description and for the sake chiefly of humorous effect.

Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999
Reviews, Four star reviews
Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices.
And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins.
Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.

"The Way Of Chuang Tzu".
The Way of Chuang-Tzŭ (1965)
Context: The humor, the sophistication, the literary genius, and philosophical insight of Chuang Tzu are evident to anyone who samples his work. But before one can begin to understand even a little of his subtlety, one must situate him in his cul­tural and historical context. That is to say that one must see him against the background of the Confucianism which he did not hesitate to ridicule, along with all the other sedate and accepted schools of Chinese thought, from that of Mo Ti to that of Chuang's contemporary, friend, and constant op­ponent, the logician Hui Tzu. One must also see him in rela­tion to what followed him, because it would be a great mistake to confuse the Taoism of Chuang Tzu with the popular, de­ generate amalgam of superstition, alchemy, magic, and health­ culture which Taoism later became.
The true inheritors of the thought and spirit of Chuang Tzu are the Chinese Zen Buddhists of the Tang period (7th to 10th centuries A. D.). But Chuang Tzu continued to exert an influence on all cultured Chinese thought, since he never ceased to be recognized as one of the great writers and think­ ers of the classical period. The subtle, sophisticated, mystical Taoism of Chuang Tzu and Lao Tzu has left a permanent mark on all Chinese culture and on the Chinese character itself. There have never been lacking authorities like Daisetz T. Suzuki, the Japanese Zen scholar, who declare Chuang Tzu to be the very greatest of the Chinese philosophers. There is no question that the kind of thought and culture represented by Chuang Tzu was what transformed highly speculative Indian Buddhism into the humorous, iconoclastic, and totally practical kind of Buddhism that was to flourish in China and in Japan in the various schools of Zen. Zen throws light on Chuang Tzu, and Chuang Tzu throws light on Zen.

1930s, Mein Weltbild (My World-view) (1931)
Context: In human freedom in the philosophical sense I am definitely a disbeliever. Everybody acts not only under external compulsion but also in accordance with inner necessity. Schopenhauer's saying, that "a man can do as he will, but not will as he will," has been an inspiration to me since my youth up, and a continual consolation and unfailing well-spring of patience in the face of the hardships of life, my own and others'. This feeling mercifully mitigates the sense of responsibility which so easily becomes paralyzing, and it prevents us from taking ourselves and other people too seriously; it conduces to a view of life in which humor, above all, has its due place.

"A Film from the Sixties"
Poems New and Collected (1998), No End of Fun (1967)

Commencement address at his daughter Linell's boarding school, as quoted http://www.washingtonpost.com/wp-dyn/content/article/2005/05/05/AR2005050501359_pf.html in The Washington Post (8 May 2005)
Context: Among other things I think humor is a shield, a weapon, a survival kit... So here we are several billion of us, crowded into our global concentration camp for the duration. How are we to survive? Solemnity is not the answer, any more than witless and irresponsible frivolity is. I think our best chance lies in humor, which in this case means a wry acceptance of our predicament. We don't have to like it but we can at least recognize its ridiculous aspects, one of which is ourselves.

LIFE magazine (8 March 1929)
Context: Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.

Source: The Witch of Portobello (2007), p. 152.
Context: You are what you believe yourself to be.
Don't be like those people who believe in "positive thinking" and tell themselves that they're loved and strong and capable. You don't need to do that because you know it already. And when you doubt it — which happens, I think, quite often at this stage of evolution — do as I suggested. Instead of trying to prove that you're better than you think, just laugh. Laugh at your worries and insecurities. View your anxieties with humor. It will be difficult at first, but you'll gradually get used to it. Now go back and meet all those people who think you know everything. Convince yourself that they're right, because we all know everything, it's merely a question of believing.
Believe.

Metro Weekly interview (2006)
Context: It's a more ridiculing, divisive humor today, especially with the advent of political incorrectness, which is a license to be as ridiculing and awful about certain groups... There should be room for everybody, absolutely, and then the culture is going to decide the prevailing weight. We can't decide it individually. Nobody is here without a reason. … I always had a different sensibility. I like a huge range of comedy — from broad and farcical, the most sensitive, the most understated — but I always wanted my comedy to be more embracing of the species rather than debasing of it.

Gothamist interview (2006)
Context: My first goal is to create an attractive, interactive website that forms a community of chess lovers. I want to keep it light and keep people coming back ⎯ heavy on photos, humor, and simple chess tactics and strategies. I want to promote our top players to increase their visibility and their chances to make a living at chess.

Unjust Judgments (1874)
Miscellany
Context: Humor is, however, nearer right than any emotion we have. Humor is the atmosphere in which grace most flourishes.

"A Defence of Baby-Worship"
The Defendant (1901)
Context: The humorous look of children is perhaps the most endearing of all the bonds that hold the Cosmos together. Their top-heavy dignity is more touching than any humility; their solemnity gives us more hope for all things than a thousand carnivals of optimism; their large and lustrous eyes seem to hold all the stars in their astonishment; their fascinating absence of nose seems to give to us the most perfect hint of the humour that awaits us in the kingdom of heaven.

Letter http://books.google.com/books?id=R8ksAAAAIAAJ&q=%22I+own+any+form+of+humor+shows+fear+and+inferiority+Irony+is+simply+a+kind+of+guardedness+So+is+a+twinkle+It+keeps+the+reader+from+criticism%22+%22Humor+is+the+most+engaging+cowardice%22&pg=PA166#v=onepage to Louis Untermeyer (10 March 1924)
General sources
Context: I own any form of humor shows fear and inferiority. Irony is simply a kind of guardedness. So is a twinkle. It keeps the reader from criticism. Whittier, when he shows any style at all is probably a greater person than Longfellow as he is lifted priestlike above consideration of the scornful. Belief is better than anything else, and it is best when rapt, above paying its respects to anybody's doubt whatsoever. At bottom the world isn't a joke. We only joke about it to avoid an issue with someone to let someone know that we know he's there with his questions: to disarm him by seeming to have heard and done justice to this side of the standing argument. Humor is the most engaging cowardice.

Disturbing the Universe (1979), Pt. 1, Ch. 1

High Times interview (2002)
Context: Usually, my witticisms are composed on the spot. They're simply intrinsic; an inseparable, integral, organic part of my writing process — doubtlessly because humor is an inseparable, integral part of my philosophical worldview. The comic sensibility is vastly, almost tragically, underrated by Western intellectuals. Humor can be a doorway into the deepest reality, and wit and playfulness are a desperately serious transcendence of evil. My comic sense, although deliberately Americanized, is, in its intent, much closer related to the crazy wisdom of Zen monks and the goofy genius of Taoist masters than it is to, say, the satirical gibes on Saturday Night Live. It has both a literary and a metaphysical function.

Source: Calculated Risk (1950), p. 477

"The Way Of Chuang Tzu".
The Way of Chuang-Tzŭ (1965)
Context: The humor, the sophistication, the literary genius, and philosophical insight of Chuang Tzu are evident to anyone who samples his work. But before one can begin to understand even a little of his subtlety, one must situate him in his cul­tural and historical context. That is to say that one must see him against the background of the Confucianism which he did not hesitate to ridicule, along with all the other sedate and accepted schools of Chinese thought, from that of Mo Ti to that of Chuang's contemporary, friend, and constant op­ponent, the logician Hui Tzu. One must also see him in rela­tion to what followed him, because it would be a great mistake to confuse the Taoism of Chuang Tzu with the popular, de­ generate amalgam of superstition, alchemy, magic, and health­ culture which Taoism later became.
The true inheritors of the thought and spirit of Chuang Tzu are the Chinese Zen Buddhists of the Tang period (7th to 10th centuries A. D.). But Chuang Tzu continued to exert an influence on all cultured Chinese thought, since he never ceased to be recognized as one of the great writers and think­ ers of the classical period. The subtle, sophisticated, mystical Taoism of Chuang Tzu and Lao Tzu has left a permanent mark on all Chinese culture and on the Chinese character itself. There have never been lacking authorities like Daisetz T. Suzuki, the Japanese Zen scholar, who declare Chuang Tzu to be the very greatest of the Chinese philosophers. There is no question that the kind of thought and culture represented by Chuang Tzu was what transformed highly speculative Indian Buddhism into the humorous, iconoclastic, and totally practical kind of Buddhism that was to flourish in China and in Japan in the various schools of Zen. Zen throws light on Chuang Tzu, and Chuang Tzu throws light on Zen.

BALIW
Source: The Manila Tribune. April 19, 1928.

Letter http://books.google.com/books?id=R8ksAAAAIAAJ&q=%22I+own+any+form+of+humor+shows+fear+and+inferiority+Irony+is+simply+a+kind+of+guardedness+So+is+a+twinkle+It+keeps+the+reader+from+criticism%22+%22Humor+is+the+most+engaging+cowardice%22&pg=PA166#v=onepage to Louis Untermeyer (10 March 1924)
General sources
Context: I own any form of humor shows fear and inferiority. Irony is simply a kind of guardedness. So is a twinkle. It keeps the reader from criticism. Whittier, when he shows any style at all is probably a greater person than Longfellow as he is lifted priestlike above consideration of the scornful. Belief is better than anything else, and it is best when rapt, above paying its respects to anybody's doubt whatsoever. At bottom the world isn't a joke. We only joke about it to avoid an issue with someone to let someone know that we know he's there with his questions: to disarm him by seeming to have heard and done justice to this side of the standing argument. Humor is the most engaging cowardice.

In his introduction "Van is Here, But Van is Gone" to Futures Past: The Best Short Fiction of A. E. van Vogt (July 1999) http://www.sfrevu.com/ISSUES/2000/ARTICLES/20000128-03.htm
Context: Alfred E. van Vogt, since the appearance of his first two stories — "Black Destroyer" and "Discord in Scarlet" (Astounding Science Fiction, July and December 1939) the most memorable debut in the long history of the genre — has been a giant. The words seminal and germinal leap to mind. Sadly, at this juncture. the words tragedy and farewell also insinuate themselves. … Van is still with us, as I write this, in June of 1999, slightly less than fifty years since I first encountered van Vogt prose in a January 1950 issue of Startling Stories, but Van is gone. He is no longer with us. … Because the great and fecund mind of A. E. van Vogt has fallen into the clutches of that pulp thriller demon, Alzheimer's. Van is gone. … Anyone's demise or vanishment is in some small way tragic but the word "tragedy" requires greater measure for its use. … Van' s great mind now gone. Tragedy.
The ultimate tragic impropriety visited on as good a man as ever lived. A gentle. soft spoken man who was filled with ideas and humor and courtesy and kindness. Not even those who were not aficionados of Van's writing could muster a harsh word about him as a human being. He was as he remains now, quietly and purposefully, a gentleman.
But make no mistake about this: the last few decades for him were marred by the perfidious and even mean spirited and sometimes criminal acts of poltroons and self-aggrandizing mountebanks and piss-ants into whose clutches he fell just before the thug Alzheimer got him. … I came late to the friendship with Van and Lydia. Perhaps only twenty-five or so years. But the friendship continues, and at least I was able to make enough noise to get Van the Science Fiction Writers of America Grand Master Award, which was presented to him in full ceremony during one of the last moments when he was cogent and clearheaded enough understand that finally, as last, dragged kicking and screaming to honor him, the generation that learned from what he did and what he had created had, at last, fessed up to his importance.
Naturally, others took credit for his getting the award. They postured and spewed all the right platitudes. Some of them were the same ones who had said to me — during the five years it took to get them to act honorably — "we'd have given it to him sooner if you hadn't made such a fuss." Yeah. Sure. And pandas'll fly out of my ass.

Physics in the Contemporary World, Arthur D. Little Memorial Lecture at M.I.T. (25 November 1947)
Context: Despite the vision and farseeing wisdom of our wartime heads of state, the physicists have felt the peculiarly intimate responsibility for suggesting, for supporting, and in the end, in large measure, for achieving the realization of atomic weapons. Nor can we forget that these weapons, as they were in fact used, dramatized so mercilessly the inhumanity and evil of modern war. In some sort of crude sense which no vulgarity, no humor, no overstatement can quite extinguish, the physicists have known sin; and this is a knowledge which they cannot lose.

1820s, Critical and Miscellaneous Essays (1827–1855)
Context: Humor is properly the exponent of low things; that which first renders them poetical to the mind. The man of Humor sees common life, even mean life, under the new light of sportfulness and love; whatever has existence has a charm for him. Humor has justly been regarded as the finest perfection of poetic genius. He who wants it, be his other gifts what they may, has only half a mind; an eye for what is above him, not for what is about him or below him. Now, among all writers of any real poetic genius, we cannot recollect one who, in this respect, exhibits such total deficiency as Schiller. In his whole writings there is scarcely any vestige of it, scarcely any attempt that way. His nature was without Humor; and he had too true a feeling to adopt any counterfeit in its stead. Thus no drollery or caricature, still less any barren mockery, which, in the hundred cases are all that we find passing current as Humor, discover themselves in Schiller. His works are full of labored earnestness; he is the gravest of all writers.

As quoted in TIME magazine (21 July 1961)
Context: The American public highly overrates its sense of humor. We're great belly laughers and prat fallers, but we never really did have a real sense of humor. Not satire anyway. We're a fatheaded, cotton-picking society. When we realize finally that we aren't God's given children, we'll understand satire. Humor is really laughing off a hurt, grinning at misery.

Of Studies
Essays (1625)
Context: To spend too much time in studies is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humor of a scholar. They perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need proyning, by study; and studies themselves, do give forth directions too much at large, except they be bounded in by experience.

Commencement address at his daughter Linell's boarding school, as quoted http://www.washingtonpost.com/wp-dyn/content/article/2005/05/05/AR2005050501359_pf.html in The Washington Post (8 May 2005)
Context: Among other things I think humor is a shield, a weapon, a survival kit... So here we are several billion of us, crowded into our global concentration camp for the duration. How are we to survive? Solemnity is not the answer, any more than witless and irresponsible frivolity is. I think our best chance lies in humor, which in this case means a wry acceptance of our predicament. We don't have to like it but we can at least recognize its ridiculous aspects, one of which is ourselves.

The Humanist interview (2012)
Context: There were never that many women stand-up comics in the past because the power to make people laugh is also a power that gets people upset. But the ones who were performing were making jokes on themselves usually and now that’s changed. So there are no rules exactly but I think if you see a whole group of people only being self-deprecating, it’s a problem.
But I have always employed humor, and I think it’s absolutely crucial that we do because, among other things, humor is the only free emotion. I mean, you can compel fear, as we know. You can compel love, actually, if somebody is isolated and dependent — it’s like the Stockholm syndrome. But you can’t compel laughter. It happens when two things come together and make a third unexpectedly. It happens when you learn something, too. I think it was Einstein who said he had to be careful when he shaved because if he thought of something suddenly, he’d laugh and cut himself.
So I think laughter is crucial. Some of the original cultures, like the Dalit and the Native American, don’t separate laughter and seriousness. There’s none of this kind of false Episcopalian solemnity.

Source: Access to Inner Worlds (1990), p. 30
Context: In fact, we had a number of extreme leftists and trade unionists among us, and they seemed to take it for granted that we all agreed that the rich must somehow be forced to surrender their ill-gotten gains. Yet there was an air of good humor about their idealism that made me feel they would not be too offended if I admitted that I regard socialists as well-meaning but muddle-headed brigands.

Speaking in a news conference to reporters, where a few were wearing the "Official Jackal" security passes that he had issued. (23 February 2001)

“And then Quentin was there somehow. And so were you, in a strange sort of way. And it was all so peaceful.” Peaceful?
"Why Women Aren’t Funny" https://www.vanityfair.com/culture/2007/01/, Vanity Fair, (January 1, 2007).
2000s, 2007

Milton https://babel.hathitrust.org/cgi/pt?id=mdp.39015031297644;view=1up;seq=23 (1900), p. 7

On his writings in “Meet Oliver Mayer” http://voyagela.com/interview/meet-oliver-mayer-playwright-south-los-angelesusc/ in VoyageLA (2019 Jan 8)

On the importance of humor in “INTERVIEWS: Stephanie Powell Watts” https://bookpage.com/interviews/21148-stephanie-powell-watts-fiction#.Xe_qN_lKjcs in BookPage (April 2017)

Eulogy of George H. W. Bush reported in Former Wyoming Sen. Al Simpson eulogizes George Bush at national funeral, Reynolds, Nick, 2018-12-06, The Billings Gazette, 2018-12-06 https://billingsgazette.com/news/state-and-regional/wyoming/former-wyoming-sen-al-simpson-eulogizes-george-bush-at-national/article_d1e919ae-7f82-530e-abf0-cab64efe23e3.html,

On how her mother’s influence appears in her works in “Adrienne Kennedy by Suzan-Lori Parks” https://bombmagazine.org/articles/adrienne-kennedy/ in BOMB Magazine (1996 Jan 1)

Source: The Laundry Files, The Fuller Memorandum (2010), Chapter 12, “Countermeasures” (p. 211)

Polly in Ch. 11
The Group (1963)

Source: Better-World Philosophy: A Sociological Synthesis (1899), Individual Culture, pp. 274–275

On the healing effects of humor in “52 WEEKS / 52 INTERVIEWS: WEEK 34: GIANNINA BRASCHI” http://monkeybicycle.net/52-weeks-52-interviews-week-34-giannina-braschi/ (Monkey Bicycle)

"Advice to Young Men" in Prejudices: Third Series (1922).
1920s, Prejudices, Third Series (1922)

So long as the law considers all these human beings, with beating hearts and living affections, only as so many things belonging to a master — so long as the failure, or misfortune, or imprudence, or death of the kindest owner, may cause them any day to exchange a life of kind protection and indulgence for one of hopeless misery and toil — so long it is impossible to make anything beautiful or desirable in the best regulated administration of slavery.
Source: Uncle Tom's Cabin (1852), Ch. 1.

About, "Jim Henson's Muppets legacy lives on 25 years after his death" by Bill Prady

Sanjoy Hazarika, in: Zail Singh, 78, First Sikh To Hold India's Presidency http://www.nytimes.com/1994/12/26/obituaries/zail-singh-78-first-sikh-to-hold-india-s-presidency.html, The New York Times, 26 December 1994.

1820s, Critical and Miscellaneous Essays (1827–1855)

Chap. 10 : Beware the Fragile Ego
The Laws of Human Nature (2018)

On the potential failure of writing in “James McBride: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/james-mcbride-write/ in The Writer (2013 Dec 30)

Source: Mathematics and Humor: A Study of the Logic of Humor (1980), Chapter 1, “Mathematics and Humor” (p. 10)

Source: Mathematics and Humor: A Study of the Logic of Humor (1980), Chapter 2, “Axioms, Levels, and Iteration” (p. 27)

Source: Mathematics and Humor: A Study of the Logic of Humor (1980), Chapter 3, “Self-Reference and Paradox” (p. 51)

Source: Mathematics and Humor: A Study of the Logic of Humor (1980), Chapter 3, “Self-Reference and Paradox” (p. 50)

The Aquarian Conspiracy (1980), Chapter Thirteen, The Whole- Earth Conspiracy

1920s, Excerpt, Statement on Wire Sculpture (1929)

"Ready to Give a Hoot", by Margaret Wappler; Los Angeles Times, April 30, 2006
Interviews

Source: Victim Prime (1987), Chapter 48 (pp. 187-188)

“The Hustle” Composer Anne Dudley On Her Creative Process And Storytelling Through Music: BUST Interview https://bust.com/movies/196048-anne-dudley-thehustle-interview.html (2019)

Interview with Chow Yun Fat https://www.animenewsnetwork.com/feature/2009-04-01/3 (April 1, 2009)

page 140/141
Born a Crime

Comedians in Cars Getting Coffee (2012 — Present), Season 2 (2013)

Bishop John Leibrecht: A life of devotion https://web.archive.org/web/20080129144916/http://www.news-leader.com:80/apps/pbcs.dll/article?AID=/20080124/NEWS01/80124056/0/BREAKING01 (January 24, 2008)

Reuters Article by Jalil Hamid - Malaysian filmmaker struggles with hardline Islam https://www.reuters.com/article/us-malaysia-filmmaker-idUSKLR21119520070629 - 29 June 2007 - Archive https://web.archive.org/web/20210821072553/https://www.reuters.com/article/us-malaysia-filmmaker-idUSKLR21119520070629
Sister-hood Digital Magazine Article - Yasmin Ahmad 1958-2009 https://sister-hood.com/sister-hood-staff/yasmin-ahmad-1958-2009/ - 10 June 2020 - Archive https://web.archive.org/web/20210821102330/https://sister-hood.com/sister-hood-staff/yasmin-ahmad-1958-2009/
From Yasmin Ahmad

"Simu Liu Responds to the Chinese Criticism He Was 'Too Ugly' to Play Shang Chi" in Men's Health (19 May 2021) https://www.menshealth.com/entertainment/a36447247/simu-liu-china-criticism/

Source: 2007: Movie Icons, ISBN 9783822822081 , page 174 , Verlag Taschen GmbH

Daily Telegram (4 December 1931), as quoted in Will Rogers' Daily Telegrams (1979), p. 104; also in Will Rogers Speaks: Over 1,000 Timeless Quotations for Public Speakers (1995) edited by Bryan B. Sterling and ‎Frances N. Sterling, p. 304
Daily telegrams

"He" is Miller's friend George Katsimbalis, the "Colossus" of the book's title.
The Colossus of Maroussi (1941)

Source: All About Me (New York: Ballantine Books, 2021), p. 451

Source: Fire with Fire (2013), Chapter 14 (p. 185)

Source: Year unknown, published in 2004, How to Be Like Walt : Capturing the Magic Every Day of Your Life (2004), Ch. 1 : It All Started with a Boy, p. 16

Year unknown, published in 2001, The Quotable Walt Disney (2001)

"Lahu bilingual humor" (1969) (p.172)

Migration: Multiculturalism and its Metaphors (2016)

[Paulson, Dave, John Crist: A Christian comedian who's gently poking fun at faith, https://www.tennessean.com/story/entertainment/2019/04/11/john-crist-christian-comedian-nashville-comedy-festival-ryman-auditorium/3215394002/, 6 September 2019, The Tennessean, April 11, 2019, en]

Original: Il buon umore dà sempre vita a prestigiose idee.
Source: prevale.net

Original: Coloro che riescono a mantenere il senso dell'umorismo di fronte alle difficoltà, oltre ad avere un'elevata forza interiore, saggezza e molto coraggio, sono grandi esempi di vita che ispirano chi li circonda a fare lo stesso.
Source: prevale.net