Quotes about height
page 3

Mahmud of Ghazni photo

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Vitruvius photo
Bill Thompson photo
Auguste Rodin photo
Thomas Campbell photo
Gerhard Richter photo
Warren Farrell photo

“When women are at the height of their beauty power and exercise it, we call it marriage. When men are at the height of their success power and exercise it, we call it a mid-life crisis.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 103.

John Hoole photo

“Not beauty, wealth, or lineage e'er could raise
A woman's name (he said) to height of praise,
If not in action chaste.”

John Hoole (1727–1803) British translator

Book XLIII, line 628
Translations, Orlando Furioso of Ludovico Ariosto (1773)

Carole Morin photo
Theo van Doesburg photo
James McCosh photo
Gerard Manley Hopkins photo
Torquato Tasso photo

“Great Carthage low in ashes cold doth lie,
Her ruins poor the herbs in height scant pass,
So cities fall, so perish kingdoms high,
Their pride and pomp lies hid in sand and grass:
Then why should mortal man repine to die,
Whose life, is air; breath, wind; and body, glass?”

Torquato Tasso (1544–1595) Italian poet

Giace l'alta Cartago; appena i segni
Dell'alte sue ruine il lido serba.
Muojono le città, muojono i regni;
Copre i fasti e le pompe arena ed erba;
E l'uomo d'esser mortal par che si sdegni:
O nostra mente cupida e superba!
Canto XV, stanza 20 (tr. Fairfax)
Max Wickert's translation:
: Exalted Carthage lies full low. The signs
of her great ruin fade upon the strand.
So dies each city, so each realm declines,
its pomp and glory lost in scrub and sand,
and mortal man to see it sighs and pines.
(Ah, greed and pride! when will you understand?)
Gerusalemme Liberata (1581)

William Wordsworth photo

“The monumental pomp of age
Was with this goodly personage;
A stature undepressed in size,
Unbent, which rather seemed to rise
In open victory o'er the weight
Of seventy years, to loftier height.”

William Wordsworth (1770–1850) English Romantic poet

The White Doe of Rylstone, canto iii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Jennifer Shahade photo

“I love chess, but it's the height of decadence.”

Jennifer Shahade (1980) chess player

The King's Gambit (2007)

Alexander Maclaren photo
James A. Garfield photo
Nathanael Greene photo

“My heaviness comes from the heights.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Mi pesadez viene de los precipicios.
Voces (1943)

Fred Dibnah photo

“Height gives you a wonderful feeling of grandeur. You're the king of the castle up here.”

Fred Dibnah (1938–2004) English steeplejack and television personality, with a keen interest in mechanical engineering

Unsourced

Confucius photo
Jared Diamond photo

“Those numbers ay not sound like a bid deal until one reflects that average global temperatures were "only" 5 degrees cooler at the height of the last Ice Age.”

About global warming. Chapter "The world as a polder: what does it all mean to us today?", section "The most serious problems" (Penguin Books, 2011, page 493, ISBN 978-0-241-95868-1.
Collapse: How Societies Choose to Fail or Succeed (2005)

Henry Adams photo
Charles Babbage photo
Prito Reza photo
Robert Frost photo
Viktor Schauberger photo

“It is possible to regulate watercourses over any given distance without embankment works; to transport timber and other materials, even when heavier than water, for example ore, stones, etc., down the centre of such water-courses; to raise the height of the water table in the surrounding countryside and to endow the water with all those elements necessary for the prevailing vegetation. Furthermore it is possible in this way to render timber and other such materials non-inflammable and rot resistant; to produce drinking and spa-water for man, beast and soil of any desired composition and performance artificially, but in the way that it occurs in Nature; to raise water in a vertical pipe without pumping devices; to produce any amount of electricity and radiant energy almost without cost; to raise soil quality and to heal cancer, tuberculosis and a variety of nervous disorders… the practical implementation of this … would without doubt signify a complete reorientation in all areas of science and technology. By application of these new found laws, I have already constructed fairly large installations in the spheres of log-rafting and river regulation, which as is known, have functioned faultlessly for a decade, and which today still present insoluble enigmas to the various scientific disciplines concerned.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Haruo Nakajima photo
Aldo Leopold photo

“The sun along the mountain bows,
the Yellow River seawards flows.
You will enjoy a grander sight
by climbing to a greater height.”

Wang Zhihuan (688–742) Chinese poet

"On the Stork Tower" (《登鹳雀楼》), trans. Yuanchong Xu

Thomas Young (scientist) photo
Thomas Carlyle photo
Empedocles photo

“From such honor and such a height of fortune am I, thus fallen to earth, cast down amongst mortals.”

Empedocles (-490–-430 BC) ancient Greek philosopher

fr. 119
Purifications

André Breton photo
Ken Livingstone photo

“What a squalid and irresponsible little profession it is. Nothing prepares you for how bad Fleet Street really is until it craps on you from a great height.”

Ken Livingstone (1945) Mayor of London between 2000 and 2008

City Limits, 1 May 1986, quoted in The New Penguin Dictionary of Modern Quotations by Robert Andrews
Source: https://books.google.co.uk/books?id=VK0vR4fsaigC&pg=PT1062&lpg=PT1062&dq=ken+livingstone+%22squalid+and+irresponsible%22&source=bl&ots=F0cC08cyjK&sig=DZt7eobEcCQDQlN7fFdbQZ2suhQ&hl=en&sa=X&ved=0ahUKEwjkiaiz6pHZAhXvp1kKHQvUAnwQ6AEISzAI#v=onepage&q=ken%20livingstone%20%22squalid%20and%20irresponsible%22&f=false

Thomas Carlyle photo

“There are depths in man that go to the lowest hell, and heights that reach the highest heaven, for are not both heaven and hell made out of him, everlasting miracle and mystery that he is.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

As quoted in A Dictionary of Thoughts : Being a Cyclopedia of Laconic Quotations from the Best Authors, Both Ancient and Modern (1891) edited by Tryon Edwards. p. 327.
1890s and attributed from posthumous publications

John Fante photo

“In order to reach some heights, I don’t lower them: I raise them higher.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Para poder alcanzar ciertas alturas, no las bajo: las levanto más.
Voces (1943)

Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

David Lloyd George photo
Lord Dunsany photo
Muhammad of Ghor photo

“When the afiairs of this tract was settled, the royal army marched, in the year 592 h., (1196 a. d.) "towards Galewar (Gwalior), and invested that fort, which is the pearl of the necklace of the castles of Hind, the summit of which the nimble-footed wind from below cannot reach, and on the bastion of which the rapid clouds have never cast their shade, and which the swift imagination has never surmounted, and at the height of which the celestial sphere is dazzled."…In compliance with the divine injunction of holy war, they drew out the bloodthirsty sword before the faces of the enemies of religion…Solankh Pal who had raised the standard of infidelity, and perdition, and prided himself on his countless army and elephants, and who expanded the fist^ of oppression from the hiding place of deceit, and who had lighted the flame of turbulence and rebellion, and who had fixed the root of sedition and enmity firm in his heart, and in the courtyard of whose breast the shrub of tyranny and commotion had shot forth its branches, when he saw the power and majesty of the army of Islam," he became alarmed and dispirited. " Wherever he looked, he saw the road of flight blocked up."”

Muhammad of Ghor (1160–1206) Ghurid Sultan

He therefore " sued for pardon, and placed the ring of servitude in his ear," and agreed to pay tribute...
About the capture of Gwalior. Hasan Nizami. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 227-228 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Samuel Daniel photo
Dylan Moran photo
Muhammad of Ghor photo
Yehudi Menuhin photo
Mark Hopkins (educator) photo

“The movement has indeed been slow, and not such as man would have expected; but it has been analogous to the great movements of God in His providence and in His works. So, if we may credit the geologists, has this earth reached its present state. So have moved on the great empires. So retribution follows crime. So rise the tides. So grows the tree with long intervals of repose and apparent death. So comes on the spring, with battling elements and frequent reverses, with snowbanks and violets, and, if we had no experience, we might be doubtful what the end would be. But we know that back of all this, beyond these fluctuations, away in the serene heavens, the sun is moving steadily on; that these very agitations of the elements and seeming reverses, are not only the sign, but the result of his approach, and that the full warmth and radiance of the summer noontide are sure to come. So, O Divine Redeemer, Sun of Righteousness, come Thou! So will He come. It may be through clouds and darkness and tempest; but the heaven where He is, is serene; He is "traveling in the greatness of His strength; "and as surely as the throne of God abides, we know He shall yet reach the height and splendor of the highest noon, and that the light of millennial glory shall yet flood the earth.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.

Eugene V. Debs photo
Frederick Douglass photo
Ralph Waldo Emerson photo

“Self-reliance, the height and perfection of man, is reliance on God.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Fugitive Slave Law http://www.rwe.org/comm/index.php?option=com_content&task=view&id=75&Itemid=254, a lecture in New York City (7 March 1854), The Complete Works of Ralph Waldo Emerson (1904)

Paul Karl Feyerabend photo
Marcel Duchamp photo

“If a straight horizontal thread one meter long falls from a height of one meter on to a horizontal plane twisting as it pleases [it] creates a new image of the unit of length.”

Marcel Duchamp (1887–1968) French painter and sculptor

Duchamp's stated premise for his art-work: '3 Standard stoppages' he made during 1913 -1914; ; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 50
1915 - 1925

Theo van Doesburg photo
Andreas Schelfhout photo

“.. when the terrible storm and high flood of water raged most fearfully, I went to Schevelinge…. sea and sky seemed to be one [undivided] element; at the height where I stood - because the sea had already washed away dunes and stood up to the village – the view was horrible; the wailing of the inhabitants awful. - when arriving home, I immediately put a sketch of all this on paper - but that sketch represented so little of what I had seen on the spot itself…. [where] no part turned up itself of which I could make a sketch…. [so it] will be necessary for me to return to Scheveningen again and to outline those places where the water has raged most violently.. (translation from original Dutch: Fons Heijnsbroek)”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

(original Dutch, citaat van Schelfhout, uit zijn brief:) ..toen den verschrikkelijke storm en hogen watervloed allerverschrikkelijkst woede, begaf ik mij naar Schevelinge [=Scheveningen].. ..zee en lucht scheene een element te zijn; op de hoogte waar ik stond, want de zee had reeds duinen weggespoeld en stond tot aan het dorp, was het gezigt verschrikkelijk; het gejammer der bewoners akelig. - bij mijne thuiskomst heb ik echter dadelijk een schets daarvan op papier gebragt - doch die schets voldoet zo weinig, aan het geen men terplaatse zelve zag.. ..[waar] geen partij zig op deed waar van eigenlijk een tekening te maken was.. ..[dus] zal het nodig zijn dat ik [mij] nog een andere maal naar Scheveningen begeeft en die punten waar het water het meest gewoeld heeft afteschetsen..
Quote of Schelfhout in his letter to , 10 Feb. 1825; the original letter is in the collection of the Koninklijke Bibliotheek, Den Haag, inv. Nr: 133 C12, nr. 4

John Ruysbroeck photo
Charles Otis Whitman photo

“Darwin's] triumph has won for us a common height from which we see the whole world of living beings as well as all inorganic nature; phenomena of every order we now regard as expressions of natural causes. The supernatural has no longer a standing is science; it has vanished like a dream, and the halls consecrated to its thraldom of the intellect are becoming radiant with a more cheerful faith.”

Charles Otis Whitman (1842–1910) American zoologist

lecture at Clark University, " A study in evolution, based on color-characters in pigeons, and bearing on moot questions http://books.google.com/books?id=TdcwAQAAMAAJ&pg=PA3" (1909), quoted in Eight Little Piggies (W.W. Norton, 1993) by Stephen Jay Gould, page 366

Henry Morgenthau, Sr. photo
Li Bai photo

“Flying waters descending straight three thousand feet,
Till I think the Milky Way has tumbled from the ninth height of Heaven.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"Viewing the Waterfall at Mount Lu" (望庐山瀑布), trans. Burton Watson

E.E. Cummings photo
Frances Ridley Havergal photo
Thomas Carlyle photo
Oliver Cromwell photo
John of St. Samson photo
Peter Sloterdijk photo
John Fante photo
Wilhelm Liebknecht photo
Dahr Jamail photo

“At the height of the sectarian bloodletting in 2006, 2007, there were over four million refugees, roughly half of them in the country, half of them who had fled the country, largely to Syria and to Jordan. To this day, according to official areas, seeking refuge. So, they’re not getting really any help whatsoever from the government. They’re living in horrible situations. And it was really a poignant thing to witness, Amy, because despite these people living in really difficult conditions, oftentimes living amongst giant piles of garbage, you walk in, and as per Iraqi Arab custom, you’re offered a drink, although even in so many of these cases people only had literally a glass of water that they could—they could offer you, despite the fact that they’re living with no government assistance and help, and basically no hope for a future, of “Where are we going to go from here? How is the situation in any way going to improve for us?” when things look so bleak, with a government in gridlock, and it looking like we’re poised for another massive increase in sectarian violence.”

Dahr Jamail (1968) American journalist

When things look so bleak, with a government in gridlock, and it looking like we’re poised for another massive increase in sectarian violence.
Ten Years Later, U.S. Has Left Iraq with Mass Displacement & Epidemic of Birth Defects, Cancers https://www.democracynow.org/2013/3/20/ten_years_later_us_has_left (March 20, 2013), '.

Michel Foucault photo

“There can be no doubt that the existence of public tortures and executions were connected with something quite other than this internal organization. Rusche and Kirchheimer are right to see it as the effect of a system of production in which labour power, and therefore the human body, has neither the utility nor the commercial value that are conferred on them in an economy of an industrial type. Moreover, this ‘contempt’ for the body is certainly related to a general attitude to death; and, in such an attitude, one can detect not only the values proper to Christianity, but a demographical, in a sense biological, situation: the ravages of disease and hunger, the periodic massacres of the epidemics, the formidable child mortality rate, the precariousness of the bio-economic balances – all this made death familiar and gave rise to rituals intended to integrate it, to make it acceptable and to give a meaning to its permanent aggression. But in analysing why the public executions survived for so long, one must also refer to the historical conjuncture; it must not be forgotten that the ordinance of 1670 that regulated criminal justice almost up to the Revolution had even increased in certain respects the rigour of the old edicts; Pussort, who, among the commissioners entrusted with the task of drawing up the documents, represented the intentions of the king, was responsible for this, despite the views of such magistrates as Lamoignon; the number of uprisings at the very height of the classical age, the rumbling close at hand of civil war, the king’s desire to assert his power at the expense of the parlements go a long way to explain the survival of so severe a penal system.”

Source: Discipline and Punish (1977), pp. 51

Daniel Webster photo
Douglas Bader photo

“If you had the height, you controlled the battle.”

Douglas Bader (1910–1982) British World War II flying ace

Mackenzie 2008 p. 39.
Lucas 1981, p. 95.

Michael Hudson (economist) photo
James A. Garfield photo
Anna Akhmatova photo

“That day in Moscow, it will all come true,
when, for the last time, I take my leave,
And hasten to the heights that I have longed for,
Leaving my shadow still to be with you.”

Anna Akhmatova (1889–1966) Russian modernist poet

"You will hear thunder and remember me...", translated by D. M. Thomas
That day, in Moscow, a true prophecy,
when for the last time I say goodbye,
soaring to the heavens that I longed to see,
leaving my shadow here in the sky.
"Thunder," translated by A.S.Kline

Confucius photo
Herman Melville photo

“At the height of their madness
The night winds pause,
Recollecting themselves;
But no lull in these wars.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

The Armies of the Wilderness, Pt. II, st. 5
Battle Pieces: And Aspects of the War (1860)

Gautama Buddha photo
John Harvey Kellogg photo
Martin Luther King, Jr. photo

“And so I say to you today, my friends, that you may be able to speak with the tongues of men and angels; you may have the eloquence of articulate speech; but if you have not love, it means nothing. Yes, you may have the gift of prophecy; you may have the gift of scientific prediction and understand the behavior of molecules; you may break into the storehouse of nature and bring forth many new insights; yes, you may ascend to the heights of academic achievement so that you have all knowledge; and you may boast of your great institutions of learning and the boundless extent of your degrees; but if you have not love, all of these mean absolutely nothing. You may even give your goods to feed the poor; you may bestow great gifts to charity; and you may tower high in philanthropy; but if you have not love, your charity means nothing. You may even give your body to be burned and die the death of a martyr, and your spilt blood may be a symbol of honor for generations yet unborn, and thousands may praise you as one of history's greatest heroes; but if you have not love, your blood was spilt in vain. What I'm trying to get you to see this morning is that a man may be self-centered in his self-denial and self-righteous in his self-sacrifice. His generosity may feed his ego, and his piety may feed his pride. So without love, benevolence becomes egotism, and martyrdom becomes spiritual pride.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Where Do We Go from Here: Chaos or Community? (1967)

Manisha Koirala photo
Bismillah Khan photo
Scott Lynch photo

“Most of us find it starkly ludicrous that the height of all possible ambition, to the ungifted, must be to drape oneself in crowns and robes.”

Source: The Republic of Thieves (2013), Chapter 4 “Across the Amathel” section 3 (p. 191)

“Having climbed to a height, it is easier to slip from it than to stay there after the zest of striving is removed.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 101

Joseph Rodman Drake photo
W. H. Auden photo
Jack Kerouac photo
Lyndon B. Johnson photo

“I was informed this afternoon by the distinguished Secretary of the Treasury that his preliminary estimates indicate that our balance of payments deficit has been reduced from $2.8 billion in 1964 to $1.3 billion, or less, in 1965. This achievement has been made possible by the patriotic voluntary cooperation of businessmen and bankers working with your government. We must now work together with increased urgency to wipe out this balance of payments deficit altogether in the next year. And as our economy surges toward new heights we must increase our vigilance against the inflation which raises the cost of living and which lowers the savings of every family in this land. It is essential, to prevent inflation, that we ask both labor and business to exercise price and wage restraint, and I do so again tonight. I believe it desirable, because of increased military expenditures, that you temporarily restore the automobile and certain telephone excise tax reductions made effective only 12 days ago. Without raising taxes—or even increasing the total tax bill paid—we should move to improve our withholding system so that Americans can more realistically pay as they go, speed up the collection of corporate taxes, and make other necessary simplifications of the tax structure at an early date.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

“When he was at the height of his ascendancy, he ordered his chair to be placed on the sea-shore as the tide was coming in. Then he said to the rising tide, "You are subject to me, as the land on which I am sitting is mine, and no one has resisted my overlordship with impunity. I command you, therefore, not to rise on to my land, nor to presume to wet the clothing or limbs of your master."”
Quod cum in maximo uigore floreret imperii, sedile suum in littore maris cum ascenderet statui iussit. Dixit autem mari ascendenti: "Tu mee dicionis es, et terra in qua sedeo mea est, nec fuit qui inpune meo resisteret imperio. Impero igitur tibi ne in terram meam ascendas, nec uestes uel membra dominatoris tui madefacere presumas."

Book VI, §1, pp. 366-9.
Historia Anglorum (The History of the English People)

Julius Streicher photo
S. S. Van Dine photo
Peter F. Drucker photo