Quotes about form
page 42

Johann Wolfgang von Goethe photo

“You ask which form of government is the best? Whichever teaches us to govern ourselves.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Welche Regierung die beste sei? Diejenige, die uns lehrt, uns selbst zu regieren.
Maxim 353, trans. Stopp
Variant translation by Saunders: Which is the best government? That which teaches us to govern ourselves. (225)
Maxims and Reflections (1833)

Adolf Eichmann photo

“I'd like to say something about this last, about this last point of this terrible, terrible business. I mean Treblinka. I was given orders. I went to see Globocnik in Treblinka. That was the second time. The installations were now in operation, and I had to report to Müller. I expected to see a wooden house on the right side of the road and a few more wooden houses on the left; that's what I remembered. Instead, again with the same Sturmbannführer Höfle, I came to a railroad station with a sign saying Treblinka, looking exactly like a German railroad station — anywhere in Germany — a replica, with signboards, etc. There I hung back as far as I could. I didn't push closer to see it all. I saw a footbridge enclosed in barbed wire and over that footbridge a file of naked Jews was being driven into a house, a big… no, not a house, a big, one-room structure, to be gassed. As I was told, they were gassed with …what's it called? … Potassium cyanide… or cyanic acid. In acid form it's called cyanic acid. I didn't look to see what happened. I reported to Müller and as usual he listened in silence, without a word of comment. Just his facial expression said: "There's nothing I can do about it."”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

I am convinced, Herr Hauptmann, [Eichmann is referring to his interrogator, Avner Less] I know it sounds odd coming from me, but I'm convinced that if it had been up to Müller it wouldn't have happened.
Source: Eichmann Interrogated (1983), p. 84.

Aleister Crowley photo

“Falsehood is invariably the child of fear in one form or another.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: The Confessions of Aleister Crowley (1929), Ch. 49.

Anne Brontë photo
Logan Pearsall Smith photo
George Holmes Howison photo

“No mind can have an efficient relation to another mind; efficiency is the attribute of every mind toward its own acts and life, or toward the world of mere "things " which forms the theatre of its action; and the causal relation between minds must be that of ideality, simply and purely.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Modern Science and Pantheism, p.74

Herbert Marcuse photo

“This is the pure form of servitude: to exist as an instrument.”

Source: One-Dimensional Man (1964), p. 33

“What is video art? How does it differ from commercial television? Is video art linked to such traditional art forms as painting and sculpture? Is it a totally new phenomenon?”

Gregory Battcock (1937–1980)

Gregory Battcock. New Artists’ Video, an anthology, (1978) p. xiii. Introduction:
Listing of the several general questions to which video art gave rise to in those days.

Edgar Degas photo

“Drawing is not the same as form; it is a way of seeing form.”

Edgar Degas (1834–1917) French artist

Le dessin n'est pas la forme, il est la manière de voir la forme.
"Drawing Is Not the Same As Form..." (p. 82)
posthumous quotes, Degas Dance Drawing' (1935)

Robert Leighton photo

“Nobody, I believe, will deny, that we are to form our judgment of the true nature of the human mind, not from sloth and stupidity of the most degenerate and vilest of men, but from the sentiments and fervent desires of the best and wisest of the species.”

Robert Leighton (1611–1684) 17th century Archbishop of Glasgow, and Principal of the University of Edinburgh

Theological Lectures, No. 5, "Of the Immortality of the Soul", reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 514.

Graham Greene photo
George Long photo
Henri Fantin-Latour photo
E. M. S. Namboodiripad photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Augustus De Morgan photo
Chris Hedges photo
H. G. Wells photo
Henry Moore photo
Jon Courtenay Grimwood photo
Vyjayanthimala photo

“aAs a creative artiste dedicated to a spiritual art form I was deeply pained by the communal violence in Gujarat.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

Ralph Waldo Emerson photo
Theodore Dreiser photo

“Literature, outside of the masters, has given us but one idea of the mistress, the subtle, calculating siren who delights to prey on the souls of men. The journalism and the moral pamphleteering of the time seem to foster it with almost partisan zeal. It would seem that a censorship of life had been established by divinity, and the care of its execution given into the hands of the utterly conservative. Yet there is that other form of liaison which has nothing to do with conscious calculation. In the vast majority of cases it is without design or guile. The average woman, controlled by her affections and deeply in love, is no more capable than a child of anything save sacrificial thought—the desire to give; and so long as this state endures, she can only do this. She may change—Hell hath no fury, etc.—but the sacrificial, yielding, solicitous attitude is more often the outstanding characteristic of the mistress; and it is this very attitude in contradistinction to the grasping legality of established matrimony that has caused so many wounds in the defenses of the latter. The temperament of man, either male or female, cannot help falling down before and worshiping this nonseeking, sacrificial note. It approaches vast distinction in life. It appears to be related to that last word in art, that largeness of spirit which is the first characteristic of the great picture, the great building, the great sculpture, the great decoration—namely, a giving, freely and without stint, of itself, of beauty.”

Source: The Financier (1912), Ch. XXIII

Edmund White photo
Winston S. Churchill photo
Rosa Luxemburg photo
Alexander Bogdanov photo
Enoch Powell photo

“The nation has been, and is still being, eroded and hollowed out from within by the implantation of large unassimilated and unassimiliable populations—what Lord Radcliffe once in a memorable phrase called "alien wedges"—in the heartland of the state…The disruption of the homogeneous "we", which forms the essential basis of parliamentary democracy and therefore of our liberties, is now approaching the point at which the political mechanics of a "divided community"…take charge and begin to operate autonomously. Let me illustrate this pathology of a society that is being eaten alive…The two active ingredients are grievance and violence. Where a community is divided, grievance is for practical purposes inexhaustible. When violence is injected—and quite a little will suffice for a start—there begins an escalating competition to discover grievance and to remove it. The materials lie ready to hand in a multiplicity of agencies with a vested interest, more or less benevolent, in the process of discovering grievances and demanding their removal. The spiral is easily maintained in upward movement by the repetitions and escalation of violence. At each stage alienation between the various elements of society is increased, and the constant disappointment that the imagined remedies yield a reverse result leads to growing bitterness and despair. Hand in hand with the exploitation of grievance goes the equally counterproductive process which will no doubt, as usual, be called the "search for a political solution"…Indeed, attention has already been drawn publicly to the potentially critical factor of the so-called immigrant vote in an increasing number of worthwhile constituencies. The result is that the political parties of the indigenous population vie with one another for votes by promising remedy of the grievances which are being uncovered and exploited in the context of actual or threatened violence. Thus the legislature finds itself in effect manipulated by minorities instead of responding to majorities, and is watched by the public at large with a bewildering and frustration, not to say cynicism, of which the experience of legislation hitherto in the field of immigration and race relations afford some pale idea…I need not follow the analysis further in order to demonstrate how parliamentary democracy disintegrates when the national homogeneity of the electorate is broken by a large and sharp alteration in the composition of the population. While the institutions and liberties on which British liberty depends are being progressively surrendered to the European superstate, the forces which will sap and destroy them from within are allowed to accumulate unchecked. And all the time we are invited to direct towards Angola or Siberia the anxious attention that the real danger within our power and our borders imperatively demand.”

Enoch Powell (1912–1998) British politician

Speech the Hampshire Monday Club in Southampton (9 April 1976), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), pp. 165-166
1970s

Philip Pullman photo

“Her dæmon's name was Pantalaimon, and he was currently in the form of a moth, a dark brown one so as not to show up in the darkness of the hall.”

Introducing Pantalaimon, also called Pan, in Ch. 1 : The Decanter of Tokay
His Dark Materials, The Golden Compass (1995)

Jeremy Corbyn photo
Barry Eichengreen photo
Frederick Douglass photo
Leonid Kantorovich photo
Rosa Luxemburg photo
Ken Ham photo
John R. Commons photo
Kenneth Arrow photo

“As is by now well known, attempts to form social judgments by aggregating individual expressed preferences always lead to the possibility of paradox.”

Kenneth Arrow (1921–2017) American economist

Source: 1970s-1980s, The Limits Of Organization (1974), Chapter 1, Rationality: Individual And Social, p. 25

Frederick Douglass photo
Baltasar Gracián photo

“To overvalue something is a form of lying.”

El encarecer es ramo de mentir.
Maxim 41 (p. 24)
The Art of Worldly Wisdom (1647)

Jeffrey D. Sachs photo
Maimónides photo
Franklin D. Roosevelt photo
Hillary Clinton photo

“Whatever forms your resentments may take, they wreck only you, not the one you resent.”

Guy Finley (1949) American self-help writer, philosopher, and spiritual teacher, and former professional songwriter and musician

Designing Your Own Destiny

Margaret Mead photo

“We may say that many, if not all, of the personality traits which we have called masculine or feminine are as lightly linked to sex as are the clothing, the manners, and the form of headdress that a society at a given period assigns to either sex.”

Margaret Mead (1901–1978) American anthropologist

Source: 1930s, Sex and Temperament in Three Primitive Societies (1935), p. 280, cited in Perspectives in Cultural Anthropology (1987) by Herbert A. Applebaum, p. 141

Walter Dill Scott photo
Ralph Waldo Emerson photo
Fred Polak photo
Maimónides photo
Willem de Kooning photo

“Man's own form in space – his body – was a private prison; and that it was because of this imprisoning misery – because he was hungry and overworked and went to a horrid place called home late at night in the rain, and his bones ached and his head was heavy.”

Willem de Kooning (1904–1997) Dutch painter

Willem de Kooning, MOMA Bull, pp. 7,6; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 135.
1980's

Harry V. Jaffa photo
Michele Bachmann photo
Dana Gioia photo

“This is not work
but a kind of workmanship.
First out of paper, then from the body.
To provoke thought into form,
molded according to a measure.
I think of a tailor
who is his own fabric.”

Dana Gioia (1950) American writer

"Homage to Valerio Magrelli" (After the Italian of Valerio Magrelli), vi
Poetry, Interrogations at Noon (2001)

Ferdinand de Saussure photo
P. D. James photo
Jean Metzinger photo
George F. Kennan photo
Grady Booch photo

“In painting it is the forming of the image.”

Cy Twombly (1928–2011) American painter

1950 - 1960
Source: 'In painting it is the forming of the image', Cy Twombly, 'L'Esperienza moderna', 1957; as quoted in Cy Twombly, a monograph, Richard Leeman / picture research Isabelle d’Hauteville. London, 2005 p. 239

Augusto Boal photo
Lewis Mumford photo
W. W. Rouse Ball photo
Joseph Beuys photo

“I think the tree is an element of regeneration which in itself is a concept of time. The oak is especially so because it is a slowly growing tree with a kind of really solid heartwood. It has always been a form of sculpture, a symbol for this planet.”

Joseph Beuys (1921–1986) German visual artist

Joseph Beuys (1982), cited in: Claudia Mesch (2013) Art and Politics: A Small History of Art for Social Change Since 1945. p. 160
1980's

Jennifer Beals photo

“[On service] Giving feels good. It's a form of healing. Not just for you as an individual, but for everyone.”

Jennifer Beals (1963) American actress and a former teen model

Speech at “Bear to Make a Difference” gala for the Matthew Shepard Foundation, Seawell Grand Ballroom at the Denver Center of Performing Arts, Denver, Colorado (15 October 2011) http://www.jennifer-beals.com/media/speeches/matthewshepard.html.

John Hall photo
Wassily Kandinsky photo

“In your [ composer Schönberg's ] works, you have realized what I, albeit in uncertain form, have so greatly longed for in music. The independent progress through their own destinies, the independent life of the individual voices in your compositions, is exactly what I am trying to find in my painting.”

Wassily Kandinsky (1866–1944) Russian painter

in his letter to Arnold Schönberg, 18 Jan. 1911; as cited in Schonberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 9
Kandinsky visited a concert with music of Schönberg on 11 Jan. 1911 with Franz Marc, Alexej von Jawlensky, Gabriele Münter and others; they played compositions, Schönberg wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1910 - 1915

Ethan Allen photo
John Adams photo

“What other form of government, indeed, can so well deserve our esteem and love?”

John Adams (1735–1826) 2nd President of the United States

1790s, Inaugural Address (Saturday, March 4, 1797)

Ernst Ludwig Kirchner photo

“It seems as though the goal of my work has always been to dissolve myself completely into the sensations of the surroundings in order to then integrate this into a coherent painterly form.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Karl Ernst Osthaus, 23 December 1917; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 36
1916 - 1919

Vitruvius photo

“The proper form of economy must be observed in building houses for each and every class.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 9

Théophile Gautier photo

“Yes, the work comes out more fair,
From a form that rebels against
Handling,
Verse, marble, onyx, enamel.”

Théophile Gautier (1811–1872) French writer

Oui, l'œuvre sort plus belle
D'une forme au travail
Rebelle,
Vers, marbre, onyx, émail.
"L'Art", line 1, in Émaux et Camées (1852; Genève: Librairie Droz, 1947) p. 130; Earl Jeffrey Richards (ed.) Christine de Pizan and Medieval French Lyric (Gainesville: University Press of Florida, 1998) p. 32.

Alexander Mackenzie photo
Nicholas Murray Butler photo
Bernhard Riemann photo
Robert Mayer photo

“Nature has put itself the problem of how to catch in flight light streaming to the Earth and to store the most elusive of all powers in rigid form. The plants take in one form of power, light; and produce another power, chemical difference.”

Robert Mayer (1814–1878) German physicist

in Die organische Bewegung in ihrem Zusammenhange mit dem Stoffwechsel, [Julius Robert von Mayer, Die Mechanik der Wärme in gesammelten Schriften, Cotta, 1867, 53-54]
Original: Die Natur hat sich die Aufgabe gestellt, das der Erde zuströmende Licht im Fluge zu erhaschen, und die beweglichste aller Kräfte, in starre Form umgewandelt, aufzuspeichern. Zur Erreichung dieses Zweckes hat sie die Erdkruste mit Organismen überzogen, welche lebend das Sonnenlicht in sich aufnehmen und unter Verwendung dieser Kraft eine fortlaufende Summe chemischer Differenzen erzeugen.

Ashraf Pahlavi photo
Hank Williams photo
Sören Kierkegaard photo

“I have never definitely broken with Christianity nor renounced it. To attack it has never been my thought. No, from the time when there could be any question of the employment of my powers, I was firmly determined to employ them all to defend Christianity, or in any case to present it in its true form.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

The Point of View for My Work as An Author, Soren Kierkegaard, translated by Walter Lowrie 1939, 1962 P. 77
1840s, The Point of View for My Work as an Author (1848)

Samuel Adams photo

“I firmly believe that the benevolent Creator designed the republican Form of Government for Man.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Statement of (14 April 1785), quoted in The Writings of Samuel Adams (1904) edited by Harry A. Cushing

John Stuart Mill photo
Franz Marc photo
Adi Da Samraj photo
Roy Campbell (poet) photo
Nisargadatta Maharaj photo