Quotes about forever
page 9

James Thomson (poet) photo
Ai Weiwei photo

“I lost all connection with the outside world and was immersed in a world of darkness. I was scared that my existence would fade silently. No one knew where I was, and no one would ever know. I was just like a small soybean—once fallen to the ground, it rolls into a crack in the corner. Being unable to make any sounds, it will forever be forgotten.”

Ai Weiwei (1957) Chinese concept artist

Wong, Veronica, and Gisela Sommer. “ Ai Weiwei Describes Mental Torment in Captivity http://www.theepochtimes.com/n2/china-news/ai-weiwei-describes-mental-torment-in-captivity-59915.html.” Epoch Times, August 3, 2011.
2010-, 2011

Ralph Waldo Emerson photo

“In how many churches, by how many prophets, tell me, is man made sensible that he is an infinite Soul; that the earth and heavens are passing into his mind; that he is drinking forever the soul of God?”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)

Ellen G. White photo
Anzia Yezierska photo
Ilana Mercer photo

“This White House fetishizes Iraqi national unity. It believes that to succeed, Iraqis should be like Americans, forever imprisoned in an arranged, unhappy political marriage.”

Ilana Mercer South African writer

“Das Kurdische Masada,” http://jungefreiheit.de/allgemein/2014/das-kurdische-masada Junge Freiheit (in German), August 21, 2014.
2010s, 2014

Martin Luther King, Jr. photo

“Oppressed people cannot remain oppressed forever. The yearning for freedom eventually manifests itself.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Quest for Peace and Justice (1964)

Revilo P. Oliver photo
Donald J. Trump photo
Robert Southey photo

“And so never ending, but always descending,
Sounds and motions forever and ever are blending
All at once and all o'er, with a mighty uproar, —
And this way the water comes down at Lodore.”

Robert Southey (1774–1843) British poet

St. 8.
The Cataract of Lodore http://www.cs.rice.edu/~ssiyer/minstrels/poems/652.html (1820)

Don Marquis photo

“well boss
mehitabel the cat
has reappeared in her old
haunts with a
flock of kittens

archy she said to me
yesterday
the life of a female
artist is continually
hampered what in hell
have i done to deserve
all these kittens
i look back on my life
and it seems to me to be
just one damned kitten
after another
i am a dancer archy
and my only prayer
is to be allowed
to give my best to my art
but just as i feel
that i am succeeding
in my life work
along comes another batch
of these damned kittens
it is not archy
that i am shy on mother love
god knows i care for
the sweet little things
curse them
but am i never to be allowed
to live my own life
i have purposely avoided
matrimony in the interests
of the higher life
but i might just
as well have been a domestic
slave for all the freedom
i have gained
i hope none of them
gets run over by
an automobile
my heart would bleed
if anything happened
to them and i found it out
but it isn t fair archy
it isn t fair
these damned tom cats have all
the fun and freedom
if i was like some of these
green eyed feline vamps i know
i would simply walk out on the
bunch of them and
let them shift for themselves
but i am not that kind
archy i am full of mother love
my kindness has always
been my curse
a tender heart is the cross i bear
self sacrifice always and forever
is my motto damn them
i will make a home
for the sweet innocent
little things
unless of course providence
in his wisdom should remove
them they are living
just now in an abandoned
garbage can just behind
a made over stable in greenwich
village and if it rained
into the can before i could
get back and rescue them
i am afraid the little
dears might drown
it makes me shudder just
to think of it
of course if i were a family cat
they would probably
be drowned anyhow
sometimes i think
the kinder thing would be
for me to carry the
sweet little things
over to the river
and drop them in myself
but a mother s love archy
is so unreasonable
something always prevents me
these terrible
conflicts are always
presenting themselves
to the artist
the eternal struggle
between art and life archy
is something fierce
yes something fierce
my what a dramatic
life i have lived
one moment up the next
moment down again
but always gay archy always gay
and always the lady too
in spite of hell
well boss it will
be interesting to note
just how mehitabel
works out her present problem
a dark mystery still broods
over the manner
in which the former
family of three kittens
disappeared
one day she was talking to me
of the kittens
and the next day when i asked
her about them
she said innocently
what kittens
interrogation point
and that was all
i could ever get out
of her on the subject
we had a heavy rain
right after she spoke to me
but probably that garbage can
leaks so the kittens
have not yet
been drowned”

Don Marquis (1878–1937) American writer

mehitabel and her kittens http://donmarquis.com/reading-room/kittens/
archy and mehitabel (1927)

Han-shan photo
Mike Vallely photo
Yoko Ono photo

“I dedicate this light tower to John Lennon
my love for you is forever
yoko ono
October 9th 2007”

Yoko Ono (1933) Japanese artist, author, and peace activist

Dedication on the Imagine Peace Tower base (2007).

Homér photo
Michael Swanwick photo
Elliott Smith photo
Gloria Estefan photo
Russell Brand photo
Eugène Edine Pottier photo

“Workers, peasants, we are
The great party of labourers.
The earth belongs only to men;
The idle will go to reside elsewhere.
How much of our flesh have they consumed?
But if these ravens, these vultures
Disappear one of these days,
The sun will still shine forever.”

Eugène Edine Pottier (1816–1887) French politician

Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.
The Internationale (1864)

Pierre Trudeau photo
Harry V. Jaffa photo
Tom Robbins photo
Gore Vidal photo
Lindsay Lohan photo
William S. Burroughs photo
Peter Jackson photo

“Remember, pain is temporary; film is forever.”

Peter Jackson (1961) New Zealand film director, producer, actor, and screenwriter

Return of the King: Extended Edition Special Feature

Ryan Adams photo

“Well, everybody wants to go forever”

Ryan Adams (1974) American alt-country/rock singer-songwriter

Firecracker
29 (2005)

Corneliu Zelea Codreanu photo
Nathaniel Hawthorne photo
N. K. Jemisin photo

“So, there was a girl.
What I’ve guessed, and what the history books imply, is that she was unlucky enough to have been sired by a cruel man. He beat both wife and daughter and abused them in other ways. Bright Itempas is called, among other things, the god of justice. Perhaps that was why He responded when she came into His temple, her heart full of unchildlike rage.
“I want him to die,” she said (or so I imagine). “Please Great Lord, make him die.”
You know the truth now about Itempas. He is a god of warmth and light, which we think of as pleasant, gentle things. I once thought of Him that way, too. But warmth uncooled burns; light undimmed can hurt even my blind eyes. I should have realized. We should all have realized. He was never what we wanted Him to be.
So when the girl begged the Bright Lord to murder her father, He said, “Kill him yourself.” And He gifted her with a knife perfectly suited to her small, weak child’s hands.
She took the knife home and used it that very night. The next day, she came back to the Bright Lord, her hands and soul stained red, happy for the first time in her short life. “I will love you forever,” she declared. And He, for a rare once, found Himself impressed by mortal will.
Or so I imagine.
The child was mad, of course. Later events proved this. But it makes sense to me that this madness, not mere religious devotion, would appeal most to the Bright Lord. Her love was unconditional, her purpose undiluted by such paltry considerations as conscience or doubt. It seems like Him, I think, to value that kind of purity of purpose—even though, like warmth and light, too much love is never a good thing.”

Source: The Broken Kingdoms (2011), Chapter 11 “Possession” (watercolor) (pp. 202-203)

Martin Farquhar Tupper photo
Robert G. Ingersoll photo
Davy Crockett photo

“Pop, pop, pop! Bom, bom, bom! throughout the day. No time for memorandums now. Go ahead! Liberty and Independence forever.”

Davy Crockett (1786–1836) American politician

Last entry in his diary, (5 March 1836)

Bill Bryson photo

“A moment lost, forever gone,
can never be again,
so know how much it means to me;
all you said,
all you gave,
all your love to me.”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Erwin Schrödinger photo
Taisen Deshimaru photo
Daniel Dennett photo
Philip K. Dick photo
Elie Wiesel photo
Calvin Coolidge photo
Kóbó Abe photo
John Maynard Keynes photo
Mike Oldfield photo
David Horowitz photo
John Doe photo

“If I was a better poet like William Carlos Williams I’d be able to write about anything, but I’m just a minor poet. So I just write about things like moments of crisis that tend to be on the sadder, darker side. You can spend ten minutes in a really dark place and write a song about it that lasts forever.”

John Doe (1954) American singer, songwriter, actor, poet, guitarist and bass player

http://www.npr.org/templates/story/story.php?storyId=11304560, John Doe: The 'X' Man Returns, 2008-06-02, Wertheimer, Linda, 2007-06-23, audio, Weekend Edition Saturday, National Public Radio

Caspar David Friedrich photo

“Through the gloomy clouds break / Blue sky, sunshine, / On the heights and in the valley / Sing the lark and the nightingale
God, I thank you that I live / Not forever in this world / Strengthen me that my soul rise / Upward toward your firmament.”

Caspar David Friedrich (1774–1840) Swedish painter

some poetry lines of Friedrich, c. 1802-05; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted & translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 48
1794 - 1840

Kuruvilla Pandikattu photo
James Allen photo
Phil Brooks photo

“Okay, I get it. You people destroy billions of brain cells on a daily basis with your excess consumption of alcoholic beverages, over-the-counter as well as prescription medication—the latter of which, chances are, aren't even yours—and a veritable laundry list of substances that you shove into your soft little bodies day after day. The reason I bring up your chemically-induced mind is because I think the lot of you have forgotten my accomplishments, so please allow me to jog your ailing memory: I am the only three-time straight-edge World Heavyweight Champion in WWE history, I am the only Superstar in WWE history to win back-to-back Money in the Bank Ladder Matches at WrestleMania, and don't forget I am the man that did you, the WWE Universe, a favor that you didn't even deserve when I got rid of the Charismatic Enabler Jeff Hardy from this company…forever. But that runs a close #2 to my crowning achievement of using my Anaconda Vice and, for the first time, making the Undertaker [makes the motion on his chest] tap out—I did that. Me. I did that, and I did it all without drugs, I did it all without alcohol, and above all else, I did it all without any help from any of you. So I want somebody, anybody in a position of power to come out here right now and treat me with the respect I have earned, not only as the face of SmackDown, but the poster boy of the entire company, and as the choice of a new generation, I deserve to know who my next opponent is now that I have defeated the all-powerful Undertaker. [Waits amidst the boos of the crowd] Oh, that's right. There isn't anybody left!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

September 25, 2009
Friday Night SmackDown

Martin Luther King, Jr. photo

“And I say to you this morning in conclusion that I'm not going to put my ultimate faith in things. I'm not going to put my ultimate faith in gadgets and contrivances. As a young man with most of my life ahead of me, I decided early to give my life to something eternal and absolute. Not to these little gods that are here today and gone tomorrow, but to God who is the same yesterday, today, and forever. Not in the little gods that can be with us in a few moments of prosperity, but in the God who walks with us through the valley of the shadow of death, and causes us to fear no evil. That's the God. Not in the god that can give us a few Cadillac cars and Buick convertibles, as nice as they are, that are in style today and out of style three years from now, but the God who threw up the stars to bedeck the heavens like swinging lanterns of eternity. Not in the god that can throw up a few skyscraping buildings, but the God who threw up the gigantic mountains, kissing the sky, as if to bathe their peaks in the lofty blues. Not in the god that can give us a few televisions and radios, but the God who threw up that great cosmic light that gets up early in the morning in the eastern horizon, (who paints its technicolor across the blue—something that man could never make. I'm not going to put my ultimate faith in the little gods that can be destroyed in an atomic age, but the God who has been our help in ages past, and our hope for years to come, and our shelter in the time of storm, and our eternal home. That's the God that I'm putting my ultimate faith in.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Rediscovering Lost Values (1954)

John McCain photo
Thomas Carlyle photo
Anne Hathaway photo

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Jane Austen photo

“People always live forever when there is an annuity to be paid them.”

Sense and Sensibility (1811)
Works, Sense and Sensibility

“They are masters of the earthquake, and Atlantis rests on none too solid a foundation. Their power is sufficient to sink Atlantis forever beneath the sea.”

Henry Kuttner (1915–1958) American author

Zend explaining the Spawn of Dagon to Elak
Short fiction, The Spawn Of Dagon (1938)
Context: "They dare'd not invade the palace while the globe shone, for the light-rays would have killed them. … This island-continent would have gone down beneath the sea long ago if I hadn't pitted my magic and my science against that of the children of Dagon. They are masters of the earthquake, and Atlantis rests on none too solid a foundation. Their power is sufficient to sink Atlantis forever beneath the sea. But within that room" — Zend nodded toward the curtain that hid the sea-bred horrors — "in that room there is power far stronger than theirs. I have drawn strength from the stars, and the cosmic sources beyond the universe. You know nothing of my power. It is enough — more than enough — to keep Atlantis steady on its foundation, impregnable against the attacks of Dagon's breed. They have destroyed other lands before Atlantis."

“All quiet along the Potomac to-night,
No sound save the rush of the river,
While soft falls the dew on the face of the dead—
The picket ’s off duty forever.”

Ethel Lynn Beers (1827–1879) American writer

"All Quiet Along the Potomac Tonight" (first published in Harper's Weekly on November 30, 1861 under the title The Picket Guard).

Charles Taze Russell photo
Frederick Douglass photo
Jean Chrétien photo
Happy Rhodes photo

“With all the confidence I have
It seems I could go forever
But forever has no rest-stops
And my endurance sometimes fails Hold me, hold me, hold me in your arms
Can you tell me how I'm gonna make it”

Happy Rhodes (1965) American singer-songwriter

"Hold Me" - Live performance at the Tin Angel (10 May 1996) http://www.youtube.com/watch?v=LcXOiiyHE_c
Building the Colossus (1994)

Booker T. Washington photo

“After making careful inquiry I can not find a half a dozen cases of a man or woman who has completed a full course of education in any of our reputable institutions like Hampton, Tuskegee, Fiske, or Atlanta, who are imprisoned. The records of the South show that 90 percent of the colored people imprisoned are without knowledge of trades and 61 percent are illiterate. But it has been said that the negro proves economically valueless in proportion as he is educated. Let us see. All will agree that the negro in Virginia, for example, began life forty years ago in complete poverty, scarcely owning clothing or a day's food. The reports of the State auditor show the negro today owns at least one twenty-sixth of the real estate in that Commonwealth exclusive of his holdings in towns and cities, and that in the counties east of the Blue Ridge Mountains he owns one-sixteenth. In Middlesex County he owns one-sixth: in Hanover, one-fourth. In Georgia the official records show that, largely through the influence of educated men and women from Atlanta schools and others, the negroes added last year $1,526,000 to their taxable property, making the total amount upon which they pay taxes in that State alone $16,700,000. Few people realize under the most difficult and trying circumstances, during the last forty years, it has been the educated negro who counseled patience, self-control, and thus averted a war of races. Every negro going out of our institutions properly educated becomes a link in the chain that shall forever bind the two races together in all essentials of life.”

Booker T. Washington (1856–1915) African-American educator, author, orator, and advisor

Speech in New York (12 February 1904), as quoted in speech by Edward de Veaux Morrell in the House of Representatives https://cdn.loc.gov/service/rbc/lcrbmrp/t2609/t2609.pdf (4 April 1904)
1900s

Thomas Carlyle photo

“Every noble crown is, and on earth will forever be, a crown of thorns.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. III, ch. 7.
1840s, Past and Present (1843)

Ron Paul photo
Revilo P. Oliver photo
Thomas Carlyle photo
Clarence Darrow photo

“As long as the world shall last, there will be wrongs, and if no man objected and no man rebelled, those wrongs would last forever.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

As quoted in American Dream, a Search for Justice (2003) by Sherman D. Manning, p. 125

Ogden Nash photo
Báb photo

“In the Name of God, the Most Exalted, the Most Holy. All praise and glory befitteth the sacred and glorious court of the sovereign Lord, Who from everlasting hath dwelt, and unto everlasting will continue to dwell within the mystery of His Own divine Essence, Who from time immemorial hath abided and will forever continue to abide within His transcendent eternity, exalted above the reach and ken of all created beings. The sign of His matchless Revelation as created by Him and imprinted upon the realities of all beings, is none other but their powerlessness to know Him. The light He hath shed upon all things is none but the splendour of His Own Self. He Himself hath at all times been immeasurably exalted above any association with His creatures. He hath fashioned the entire creation in such wise that all beings may, by virtue of their innate powers, bear witness before God on the Day of Resurrection that He hath no peer or equal and is sanctified from any likeness, similitude or comparison. He hath been and will ever be one and incomparable in the transcendent glory of His divine being and He hath ever been indescribably mighty in the sublimity of His sovereign Lordship. No one hath ever been able befittingly to recognize Him nor will any man succeed at any time in comprehending Him as is truly meet and seemly, for any reality to which the term ‘being’ is applicable hath been created by the sovereign Will of the Almighty, Who hath shed upon it the radiance of His Own Self, shining forth from His most august station. He hath moreover deposited within the realities of all created things the emblem of His recognition, that everyone may know of a certainty that He is the Beginning and the End, the Manifest and the Hidden, the Maker and the Sustainer, the Omnipotent and the All-Knowing, the One Who heareth and perceiveth all things, He Who is invincible in His power and standeth supreme in His Own identity, He Who quickeneth and causeth to die, the All-Powerful, the Inaccessible, the Most Exalted, the Most High. Every revelation of His divine Essence betokens the sublimity of His glory, the loftiness of His sanctity, the inaccessible height of His oneness and the exaltation of His majesty and power. His beginning hath had no beginning other than His Own firstness and His end knoweth no end save His Own lastness.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

I, 1
The Persian Bayán

Vanna Bonta photo

“When real intimacy occurs, any where, any how, it comes close to feeling we live forever, and we are not alone.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

Josh Homme photo
George William Russell photo
Orson Scott Card photo
Mai Văn Phấn photo

“Whether be written with any trend, poetry is always carrying the beauty of primordial, to the resurrection, recreate the world, forever opposed to the bad and evil.”

Mai Văn Phấn (1955) Vietnamese poet

Vẻ đẹp và quyền năng của thơ ca (tiểu luận) - Mai Văn Phấn http://maivanphan.vn/MaiVanPhan/32/398/785/1135/Tieu-luan-tho/Ve-dep-va-quyen-nang-cua-tho-ca--tieu-luan----Mai-Van-Phan.aspx

M. Balamuralikrishna photo

“Classical music is a perennially flowing river and nothing can affect its flow. No one needs to worry about Indian music. It is forever.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Staff Reporter, "Mangalampalli can't wait to come home".

Robert Patrick (playwright) photo

“I want to give [my records] all away before some fool plays disco at my funeral, and then the record gets stuck, and nobody can tell, and the service goes on forever!”

Robert Patrick (playwright) (1937) Playwright, poet, lyricist, short story writer, novelist

"Pouf Positive"
Untold Decades: Seven Comedies of Gay Romance (1988)

Sinclair Lewis photo
John Hay photo

“The people will come to their own at last,—
God is not mocked forever.”

John Hay (1838–1905) American statesman, diplomat, author and journalist

"The Sphynx of the Tuileries", Pike County Ballads and Other Pieces (1873).

Robert G. Ingersoll photo

“Men and women are not virtuous by law. Law itself does not of itself create virtue, nor is it the foundation or fountain of love. Law should protect virtue, and law should protect the wife, if she has kept her contract, and the man, if he has fulfilled his. But the death of love is the end of marriage. Love is natural. Back of all ceremony burns and will forever burn the sacred flame. There has been no time in the world's history when that torch was extinguished. In all ages, in all climes, among all people, there has been true, pure, and unselfish love.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Writings of Robert G. Ingersoll (1900), Dresden Edition, publishing house: C.P. Farrell, chapter: Is Divorce Wrong (1889), page 426 http://books.google.de/books?id=MOjuNv04TUcC&pg=PA426&lpg=PA426&dq=Love+is+natural.+Back+of+all+ceremony+burns+and+will+forever+burn+the+sacred+flame.+There+has+been+no+time+in+the+world's+history+when+that+torch+was+extinguished.+In+all+ages,+in+all+climes,+among+all+people,+there+has+been+true,+pure,+and+unselfish+love.&source=bl&ots=7Shzo7cSUF&sig=ZHs4Bs7Z_AvZF4UG-emVhGR2gTM&hl=de&sa=X&ei=6rP7UdGNI8iFtAbe64GIDw&ved=0CEAQ6AEwAg#v=onepage&q=Love%20is%20natural.%20Back%20of%20all%20ceremony%20burns%20and%20will%20forever%20burn%20the%20sacred%20flame.%20There%20has%20been%20no%20time%20in%20the%20world's%20history%20when%20that%20torch%20was%20extinguished.%20In%20all%20ages%2C%20in%20all%20climes%2C%20among%20all%20people%2C%20there%20has%20been%20true%2C%20pure%2C%20and%20unselfish%20love.&f=false

Alexander Graham Bell photo

“Don't keep forever on the public road. Leave the beaten track behind occasionally and dive into the woods.”

Alexander Graham Bell (1847–1922) scientist and inventor known for his work on the telephone

As quoted in "The Chemistry of Life" by Ralph Whiteside Kerr in Rosicrucian Digest (1947), p. 131.
Disputed
Context: Don't keep forever on the public road. Leave the beaten track behind occasionally and dive into the woods. You will be certain to find something you have never seen before, and something worth thinking about to occupy your mind. All really big discoveries are the result of thought.

Roseanne Barr photo
Marc Randazza photo
Robert Sheckley photo
Orson Scott Card photo
Richard Realf photo
Frances Fuller Victor photo
Pauline Kael photo
Andrew Solomon photo
John Muir photo

“I am hopelessly and forever a mountaineer.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr, from Yosemite Valley (7 October 1874); published in William Federic Badè, The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 11: On Widening Currents
1870s

Aron Ra photo

“I mean it; the Bible-god of western monotheism is just like that horrible kid. Who would want to be trapped in a house with an indomitable telepathic despot and have to guard your thoughts –or be voluntarily mindless- and endure that existence forever and ever? Religion doesn’t want to talk about life either. They hate practically everything that goes on in life. They want to talk about death and pretend that THAT is life. And those of us who know life, live life, and love life, they accuse of being dead already. Every aspect of their world-view is upside-down or backwards -as DogmaDebate brilliantly illustrated. What these religionists preach actually diminishes the very meaning of life. Humans tend to value most that which is rare and fleeting. Such is life. The more you have of anything, the less valuable it is. They’re claiming immortality for eternity, rendering the value of life infinitely worthless. They sell their imaginary after-life as if it is sooo much better than this period of discomfort we have to endure before we achieve paradise. Having to toil in this fallen, sin-corrupted, dead-and-damned world. They hate existence itself so much that they actually long for the end-of-days, and only seem to get happy when they think Armageddon is upon us.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Fukkenuckabee http://www.patheos.com/blogs/reasonadvocates/2012/12/21/fukkenuckabee/ (December 21, 2012)

Thomas Carlyle photo
Robert Jordan photo

“Weep for what is lost forever.”

Robert Jordan (1948–2007) American writer

Moiraine Damodred
(15 January 1990)

George Steiner photo

“The Socratic demonstration of the ultimate unity of tragic and comic drama is forever lost. But the proof is in the art of Chekhov.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. VIII (p. 302).

James A. Garfield photo

“Mister Speaker, let us learn a lesson from the dealing of God with the Jewish nation. When his chosen people, led by the pillar of cloud and fire, had crossed the Red Sea and traversed the gloomy wilderness with its thundering Sinai, its bloody battles, disastrous defeats, and glorious victories; when near the end of their perilous pilgrimage they listened to the last words of blessing and warning from their great leader before he was buried with immortal honors by the angel of the Lord; when at last the victorious host, sadly joyful, stood on the banks of the Jordan, their enemies drowned in the sea or slain in the wilderness, they paused and made solemn preparation to pass over and possess the land of promise. By the command of God, given through Moses and enforced by his great successor, the ark of the covenant, containing the tables of the law and the sacred memorials of their pilgrimage, was borne by chosen men two thousand cubits in advance of the people. On the further shore stood Ebal and Gerizim, the mounts of cursing and blessing, from which, in the hearing of all the people, were pronounced the curses of God against injustice and disobedience, and his blessing upon justice and obedience. On the shore, between the mountains and in the midst of the people, a monument was erected, and on it were written the words of the law, 'to be a memorial unto the children of Israel forever and ever.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Speech in the House of Representatives (1866)