Quotes about fame

page 6

The London Literary Gazette, 1826

All Things shall pass away, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Quelle est cette île triste et noire?
C'est Cythère,
Nous dit-on, un pays fameux dans les chansons
Eldorado banal de tous les vieux garçons.
Regardez, après tout, c'est une pauvre terre.
"Un Voyage à Cythère" [A Voyage to Cythera], lines 5-8, trans. Roy Campbell http://fr.wikisource.org/wiki/Un_Voyage_%C3%A0_Cyth%C3%A8re
Les fleurs du mal (Flowers of Evil) (1857)

From dissertation Life and Poems of Thomas Gray
Other Quotes

A Letter to Sir John Scott https://books.google.com/books?id=L8NbAAAAcAAJ&pg=PA24&dq=%22Truth+can+never%22 (21 July 1798), page 24. Cf. Aeneid 4.174–177.

In a 1830 letter to James David Forbes, as found in Life and letters of James David Forbes, p. 40.

"Charley" Boarman's personal application sent along with his father's earlier letter
A Gentlemanly and Honorable Profession: The Creation of the U.S. Naval Officer Corps, 1794-1815 (1991)

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Uncouth Chic http://www.city-journal.org/html/8_4_oh_to_be.html (Autumn 1998).
City Journal (1998 - 2008)

Boxing
Source: WING CHUN HISTORY, An alternative viewpoint, by David Peterson http://wslwingchun.resolvedesign.com/wing_chun_history_an_alternative_viewpoint_by_david_peterson.htm

Kingdom Come: Deliverance’s Kickstarter milestone https://www.redbull.com/us-en/kingdom-come-deliverance-dan-vavra-interview (April 28, 2016)

As quoted in NME (30 August 1997).
1990s

Source: Dream of the Red Chamber (1958), pp. 13–14

As quoted in Washington Post in (1987) and "Charles Reich’s Journey From the Yale Law Journal to the New York Times Best-Seller List: The Personal History of The Greening of America" by Rodger Citron, in The New York Law School Law Review, Vol. 52, (2007/2008), p. 416 http://www.nyls.edu/user_files/1/3/4/17/49/NLRvol52-307.pdf
Context: One of the problems with fame … is they try to pigeonhole you… like I’m stuck with The Greening of America for the rest of my life.

Personal inscription on a copy of Mother Goose in Prose (1897) which he gave to his sister, Mary Louise Baum Brewster, as quoted in The Making of the Wizard of Oz (1998) by Aljean Harmetz, p. 317
Letters and essays
Context: When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. For aside from my evident inability to do anything "great," I have learned to regard fame as a will-o-the-wisp which, when caught, is not worth the possession; but to please a child is a sweet and lovely thing that warms one's heart and brings its own reward.

Source: Aeneid (29–19 BC), Book X, Lines 467–469 (tr. Robert Fitzgerald)

Chapter: Helvidius Number IV http://oll.libertyfund.org/?option=com_staticxt&staticfile=show.php%3Ftitle=1910&chapter=112553&layout=html&Itemid=27 in: The Pacificus-Helvidius Debates of 1793-1794: Toward the Completion of the American Founding, edited with and Introduction by Morton J. Frisch (Indianapolis: Liberty Fund, 2007)
Context: In no part of the constitution is more wisdom to be found than in the clause which confides the question of war or peace to the legislature, and not to the executive department. Beside the objection to such a mixture of heterogeneous powers: the trust and the temptation would be too great for any one man: not such as nature may offer as the prodigy of many centuries, but such as may be expected in the ordinary successions of magistracy. War is in fact the true nurse of executive aggrandizement. In war a physical force is to be created, and it is the executive will which is to direct it. In war the public treasures are to be unlocked, and it is the executive hand which is to dispense them. In war the honors and emoluments of office are to be multiplied; and it is the executive patronage under which they are to be enjoyed. It is in war, finally, that laurels are to be gathered, and it is the executive brow they are to encircle. The strongest passions, and most dangerous weaknesses of the human breast; ambition, avarice, vanity, the honorable or venial love of fame, are all in conspiracy against the desire and duty of peace.

Song, To Celia, lines 1-10.
Compare Catullus, Carmina V
The Works of Ben Jonson, First Folio (1616), The Forest
Context: Come my Celia, let us prove,
While we can, the sports of love;
Time will not be ours forever,
He at length our good will sever.
Spend not then his gifts in vain;
Suns that set may rise again,
But if once we lose this light,
'Tis with us perpetual night.
Why should we defer our joys?
Fame and rumour are but toys.

Stanzas 94–95 (tr. Richard Fanshawe); the Old Man of Restelo.
Epic poetry, Os Lusíadas (1572), Canto IV
Context: But an old man of venerable look
(Standing upon the shore amongst the crowds)
His eyes fixed upon us (on ship-board), shook
His head three times, overcast with sorrow's clouds:
And (straining his voice more, than well could brook
His aged lungs: it rattled in our shrouds)
Out of a science, practice did attest,
Let fly these words from an oraculous breast:O glory of commanding! O vain thirst
Of that same empty nothing we call fame!

Comment on fame, quoted in Marilyn Monroe: A Life of the Actress (1993) by Carl E. Rollyson, and in Symbolic Leaders: Public Dramas and Public Men (2006) by Orrin Edgar Klapp
Variant: People feel fame gives them some kind of privilege to walk up to you and say anything to you, of any kind of nature — and it won't hurt your feelings — like it's happening to your clothing.
As quoted in Ms. magazine (August 1972) p. 40
Context: When you're famous you kind of run into human nature in a raw kind of way. It stirs up envy, fame does. People you run into feel that, well, who does she think she is, Marilyn Monroe? They feel fame gives them some kind of privilege to walk up to you and say anything to you, of any kind of nature — and it won't hurt your feelings — like it's happening to your clothes not you.

Source: My Double Life (1907), Ch. 25
Context: My fame had become annoying for my enemies, and a little trying, I confess, for my friends. But at that time all this stir and noise amused me vastly. I did nothing to attract attention. My somewhat fantastic tastes, my paleness and thinness, my peculiar way of dressing, my scorn of fashion, my general freedom in all respects, made me a being quite apart from all others. I did not recognise the fact.
I did not read, I never read, the newspapers. So I did not know what was said about me, either favourable or unfavourable. Surrounded by a court of adorers of both sexes, I lived in a sunny dream.

Claudian, De Bello Gildonico, 385
Wrongly attributed to Virgil in an "undoubtedly spurious Italian epistle sometimes printed in <nowiki>[</nowiki>Dante's] works". (Edward Moore, Studies in Dante [1896], footnote on p. 240.)
Misattributed

Craig v. Harney, 331 U. S. 367, 396 (1947)
Judicial opinions

1860s, The Good Fight (1865)
Context: Yes, yes, caste is a glacier, cold, towering, apparently as eternal as the sea itself. But at last that glittering mountain of ice touches the edge of the Gulf Stream. Down come pinnacle and peak, frosty spire and shining cliff. Like a living monster of shifting hues, a huge chameleon of the sea, the vast mass silently rolls and plunges and shrinks, and at last utterly disappears in that inexorable warmth of water. So with us the glacier has touched the Gulf Stream. On Palm Sunday, at Appomattox Court House, the spirit of feudalism, of aristocracy, of injustice in this country, surrendered, in the person of Robert E. Lee, the Virginian slave-holder, to the spirit of the Declaration of Independence and of equal rights, in the person of Ulysses S. Grant, the Illinois tanner. So closed this great campaign in the 'Good Fight of Liberty'. So the Army of the Potomac, often baffled, struck an immortal blow, and gave the right hand of heroic fellowship to their brethren of the West. So the silent captain, when all his lieutenants had secured their separate fame, put on the crown of victory and ended civil war. As fought the Lieutenant-General of the United States, so fight the United States themselves, in the 'Good Fight of Man'. With Grant's tenacity, his patience, his promptness, his tranquil faith, let us assault the new front of the old enemy. We, too, must push through the enemy's Wilderness, holding every point we gain. We, too, must charge at daybreak upon his Spottsylvania Heights. We, too, must flank his angry lines and push them steadily back. We, too, must fling ourselves against the baffling flames of Cold Harbor. We, too, outwitting him by night, must throw our whole force across swamp and river, and stand entrenched before his capital. And we, too, at last, on some soft, auspicious day of spring, loosening all our shining lines, and bursting with wild battle music and universal shout of victory over the last desperate defense, must occupy the very citadel of caste, force the old enemy to final and unconditional surrender, and bring Boston and Charleston to sing Te Deum together for the triumphant equal rights of man.

LX. FAME
Orphic Sayings
Context: Enduring fame is ever posthumous. The orbs of virtue and genius seldom culminate during their terrestrial periods. Slow is the growth of great names, slow the procession of excellence into arts, institutions, life. Ages alone reflect their fulness of lustre. The great not only unseal, but create the organs by which they are to be seen. Neither Socrates nor Jesus is yet visible to the world.

Voltaire (1916)
Context: Voltaire was not the first or last man to convert a prison into a hall of fame. A prison is confining to the body, but whether it affects the mind, depends entirely upon the mind.
It was while in prison that he changed his name from the one his father gave him — Arouet — to the one he has made famous throughout all time — Voltaire. He said, "I was very unlucky under my first name. I want to see if this one will succeed any better."

Your Thought and Mine
Context: Your thought advocates fame and show. Mine counsels me and implores me to cast aside notoriety and treat it like a grain of sand cast upon the shore of eternity. Your thought instills in your heart arrogance and superiority. Mine plants within me love for peace and the desire for independence. Your thought begets dreams of palaces with furniture of sandalwood studded with jewels, and beds made of twisted silk threads. My thought speaks softly in my ears, "Be clean in body and spirit even if you have nowhere to lay your head." Your thought makes you aspire to titles and offices. Mine exhorts me to humble service.

Substance, Shadow, and Spirit, "Shadow replies"
Translated by Arthur Waley
Context: While you rested in the shade, I left you a while:
But till the end we shall be together.
Our joint existence is impermanent:
Sadly together we shall slip away.
That when the body decays Fame should also go
Is a thought unendurable, burning the heart.
Let us strive and labour while yet we may
To do some deed that men will praise.

"Ulysses" from Poems 1930-1933 (1933)<!-- li -->
Poems
Context: His wiles were witty and his fame far known,
Every king's daughter sought him for her own,
Yet he was nothing to be won or lost.
All lands to him were Ithaca: love-tossed
He loathed the fraud, yet would not bed alone.

In his 2013 speech http://www.harvard03.com/holdens-2013-presentation-video at the Harvard class of 2003 reunion, June 2013
Context: But on the other hand, there are a couple of dimensions where [Harvard] alumni have much higher opinions of themselves, and these are the things I think people have come to humblebrag about. One of them is positive contribution to society: 15% of us think we're in the top 10%, and 4% of us think we're in the top 1%. The much bigger one is happiness: only 4% of us think we're below average, over 30% of us think we're in the happiest 10%, and a whopping 10% of us think we're in the happiest one percent. So I think this is going to be a really interesting and really weird reunion, because it looks like our generation has become some sort of bragging hipster generation. Instead of bragging about money and fame like traditional people do, we're way too cool for that and instead we're all high on ourselves for being good people with the right priorities in life. I think we're going to be hearing a lot of conversations along the lines of "Yeah I'm kinda poor, but I'm doing what I believe in and I'm really happy and I think that's just what matters, but I don't know, maybe that's just me." "No man I totally feel you, and actually I think I'm even poorer and happier, I mean I literally love my spouse so much I'd kill myself if we split up."

The Lesson for Today (1942)
Context: I may have wept that any should have died
Or missed their chance, or not have been their best,
Or been their riches, fame, or love denied;
On me as much as any is the jest.
I take my incompleteness with the rest.
God bless himself can no one else be blessed.

I hold your doctrine of Memento Mori.
And were an epitaph to be my story
I’d have a short one ready for my own.
I would have written of me on my stone:
I had a lover’s quarrel with the world.

38
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)
Context: One would like to leave behind a glorious reputation for surpassing wisdom and character, but careful reflection will show that what we mean by love of a glorious reputation is delight in the approbation of others. Neither those who praise nor those who abuse last for long, and the people who have heard their reports are like likely to depart the world as quickly. Before whom then should we feel ashamed? By whom should we wish to be appreciated? Fame, moreover inspires backbiting. It does no good whatsoever to have one's name survive. A craving after fame is next foolish.

The Times Magazine interview (2005)
Context: I could have been more famous if I did all the glitzy things, but celebrity always seemed so unnecessary... Fame and success are very different things, anyway. The music sold itself before anybody knew who I was, so I felt I had a choice. I told the record company I didn't feel the need to be out there at red-carpet events. I wanted a career. But I wanted to keep myself intact as a person.

Letter to Lucy Webb Hayes (16 April 1865)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)
Context: As to Mr. Lincoln’s name and fame and memory, — all is safe. His firmness, moderation, goodness of heart; his quaint humor, his perfect honesty and directness of purpose; his logic his modesty his sound judgment, and great wisdom; the contrast between his obscure beginnings and the greatness of his subsequent position and achievements; his tragic death, giving him almost the crown of martyrdom, elevate him to a place in history second to none other of ancient or modern times. His success in his great office, his hold upon the confidence and affections of his countrymen, we shall all say are only second to Washington’s; we shall probably feel and think that they are not second even to his.

Paris Review interview (1996)
Context: I write for love, respect, money, fame, honor, redemption. I write to be included in a world I feel rejected by. But I don’t want to be included by surrendering myself to expectations. I want to buy my admission to others by engaging their interests and feelings, doing the least possible damage to my feelings and interests but changing theirs a bit. I think I was not aware early on of those things. I wrote early on because it was there to do and because if anything good happened in the poem I felt good. Poems are experiences as well as whatever else they are, and for me now, nothing, not respect, honor, money, seems as supportive as just having produced a body of work, which I hope is, all considered, good.

1970s
Context: Ever since the secret trip to China, my own relationship with Nixon had grown complicated. Until then I had been an essentially anonymous White House assistant. But now his associates were unhappy, and not without reason, that some journalists were giving me perhaps excessive credit for the more appealing aspects of our foreign policy while blaming Nixon for the unpopular moves.
These tendencies were given impetus by an interview I granted to the Italian journalist Oriana Fallaci, without doubt the single most disastrous conversation I ever had with any member of the press. I saw her briefly on Nov. 2 and 4, 1972, in my office. I did so largely out of vanity. She had interviewed leading personalities all over the world. Fame was sufficiently novel for me to be flattered by the company I would be keeping. I had not bothered to read her writings; her evisceration of other victims was thus unknown to me.

As quoted in "Special Section: Chagrined Cowboy" in TIME magazine (8 October 1979) http://www.time.com/time/magazine/article/0,9171,916877,00.html

"Previous Thoughts" at rawilson.com
Context: I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M. D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens...
Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U. S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.

Entry (1981)
Eric Hoffer and the Art of the Notebook (2005)
Context: In all my life I never competed for fortune, for a woman, or for fame. I learned to write in total isolation. My first work was also my best, and the first thing published. I never belonged to a circle or clique. I did not know I was writing a book until it was written. When my first book was published there was no one near me, an acquaintance let alone a friend, to congratulate me. I have never savored triumph, never won a race.

"Robertson Davies" [by Paul Soles]
Conversations with Robertson Davies (1989)
Context: Well, I haven't got wealth or fame, but I really think I might say, and I know how dangerous it is to say this — I think I have happiness. And happiness, you know, so many people when they talk about happiness, seem to think that it is a constant state of near lunacy, that you're always hopping about like a fairy in a cartoon strip, and being noisily and obstreperously happy. I don't think that is it at all. Happiness is a certain degree of calm, a certain degree of having your feet rooted firmly in the ground, of being aware that however miserable things are at the moment that they're probably not going to be so bad after awhile, or possibly they may be going very well now, but you must keep your head because they're not going to be so good later. Happiness is a very deep and dispersed state. It's not a kind of excitement.

Vol. 2 "On Philosophy and the Intellect" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: Talent works for money and fame; the motive which moves genius to productivity is, on the other hand, less easy to determine. It isn’t money, for genius seldom gets any. It isn’t fame: fame is too uncertain and, more closely considered, of too little worth. Nor is it strictly for its own pleasure, for the great exertion involved almost outweighs the pleasure. It is rather an instinct of a unique sort by virtue of which the individual possessed of genius is impelled to express what he has seen and felt in enduring works without being conscious of any further motivation. It takes place, by and large, with the same sort of necessity as a tree brings forth fruit, and demands of the world no more than a soil on which the individual can flourish.

O interview (2003)
Context: Yes, I'm beautiful … I am beautiful and famous — and yet the things I like about myself have nothing to do with that, because I don't use wealth and beauty to define myself. People think I'm more beautiful than I am because they see me on magazine covers — but go to nearly any town, and you'd find prettier women. And though I'm well known now, I might not be famous one day —but I'd still be happy. I do have money, but I could be richer. I just don't want to pay the price some are willing to pay to have more money. I live in a small house. I'm not the glamour girl who wears makeup every day. I live a wonderful life, and I lack for nothing. Maybe that does make it easier for me to say, "Be who you are" — but I always tell people they shouldn't be too impressed with wealth and fame. They shouldn't worship it. I am in this machine, but I haven't completely given my soul to it.

Edicts of Ashoka (c. 257 BC)
Context: Beloved-of-the-Gods, King Piyadasi, does not consider glory and fame to be of great account unless they are achieved through having my subjects respect Dhamma and practice Dhamma, both now and in the future. For this alone does Beloved-of-the-Gods, King Piyadasi, desire glory and fame. And whatever efforts Beloved-of-the-Gods, King Piyadasi, is making, all of that is only for the welfare of the people in the next world, and that they will have little evil. And being without merit is evil. This is difficult for either a humble person or a great person to do except with great effort, and by giving up other interests. In fact, it may be even more difficult for a great person to do.

Preface
Personal Reminiscences of Henry Irving (1907)
Context: The fame of an actor is won in minutes and seconds, not in years. The latter are only helpful in the recurrence of opportunities; in the possibilities of repetition. It is not feasible, therefore, adequately to record the progress of his work. Indeed that work in its perfection cannot be recorded; words are, and can be, but faint suggestions of awakened emotion. The student of history can, after all, but accept in matters evanescent the judgment of contemporary experience. Of such, the weight of evidence can at best incline in one direction; and that tendency is not susceptible of further proof. So much, then, for the work of art that is not plastic and permanent. There remains therefore but the artist. Of him the other arts can make record in so far as external appearance goes. Nay, more, the genius of sculptor or painter can suggest — with an understanding as subtle as that of the sun-rays which on sensitive media can depict what cannot be seen by the eye — the existence of these inner forces and qualities whence accomplished works of any kind proceed. It is to such art that we look for the teaching of our eyes. Modern science can record something of the actualities of voice and tone. Writers of force and skill and judgment can convey abstract ideas of controlling forces and purposes; of thwarting passions; of embarrassing weaknesses; of all the bundle of inconsistencies which make up an item of concrete humanity. From all these may be derived some consistent idea of individuality. This individuality is at once the ideal and the objective of portraiture.

On how he perceives Puerto Rico in “An Interview with Tato Laviera, the King of Nuyorican Poetical Migrations” https://www.latinorebels.com/2012/07/11/an-interview-with-tato-laviera-the-king-of-nuyorican-poetical-migrations/ in Latino Rebels (2012 Jul 11)

[Elst, Koenraad, Rao, Prof. Ramesh N., Gujarat after Godhra: real violence, selective outrage, 2003, Har Anand Publications, https://books.google.co.in/books?id=GuJtAAAAMAAJ, With]

Dizzy Dean, speaking on May 12, 1956 about pitcher Carl Erskine, during a post-game radio interview following Erskine's second career no-hitter; as quoted by Erskine in Tales from the Dodgers' Dugout: A Collection of the Greatest Dodgers Stories Ever Told (2004), p. 70

The Paris Review interview

יש מפורסמים שעיקר הפרסום שלהם נעשה על ידי מחלוקת
Yesh mefursamim sh'ikar hapirsum shelahem n'ase al yedey mahloket.
Attributed

https://www.cleveland.com/entertainment/2014/05/nirvanas_rock_hall_induction_r.html, Nirvana's Rock Hall induction raises hopes of Alice in Chains' co-founder Jerry Cantrell, Cleveland.com, May 13, 2014

Letter to the Sheriffs of Bristol (1777)

Letter to the Sheriffs of Bristol (1777)

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter LXVI: On Various Aspects of Virtue

Ce que les poètes, les orateurs, même quelques philosophes nous disent sur l'amour de la Gloire, on nous le disait au Collège, pour nous encourager à avoir les prix. Ce que l'on dit aux enfants pour les engager à préférer à une tartelette les louanges de leurs bonnes, c'est ce qu'on répète aux hommes pour leur faire préférer à un intérêt personnel les éloges de leurs contemporains ou de la postérité.
Maximes et Pensées, #85
Reflections

Source: The Man Who Never Missed (1985), Chapter 14 (p. 124)

India's most wanted

In, p. 244.
Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures

Tagore in "Prasanta Chandra Mahalanobis in Vigyanprasar".

Critique

Quoted from Chandrasekhara Venkata Raman:A Legend of Modern Indian Science, 22 November 2013, Official Government of Indian website Vigyan Prasar http://www.vigyanprasar.gov.in/scientists/cvraman/raman1.htm,

Enzo Bettiza, Corriere della sera, interview by Aldo Cazzullo, 12 maggio 2009
About Ceaușescu

Igor Rodkin, 2008. http://www.sports.ru/football/5862197.html

Lord Campbell, Lives of the Chief Justices, Vol. 1, 338.
About, The Dictionary of Legal Quotations (1904)

Her last taped interview, with Richard Meryman, published in LIFE magazine a few days before her death. (3 August 1962); quoted in Ms. magazine (August 1972)

‘To the Merchants of England’, Political Register (29 April 1815), pp. 518–19
1810s

"Ulysses" from Poems 1930-1933 (1933)
Poems

The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Fame

The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Death

Stanzas 94–95 (tr. Richard Fanshawe); the Old Man of Restelo.
Epic poetry, Os Lusíadas (1572), Canto IV
Original: (pt) <p>Mas um velho d'aspeito venerando,
Que ficava nas praias, entre a gente,
Postos em nós os olhos, meneando
Três vezes a cabeça, descontente,
A voz pesada um pouco alevantando,
Que nós no mar ouvimos claramente,
C'um saber só de experiências feito,
Tais palavras tirou do experto peito:</p><p>Ó glória de mandar! Ó vã cobiça
Desta vaidade, a quem chamamos Fama!</p>O glory of commanding! O vain thirst
Of that same empty nothing we call fame!

The Romance of Commerce (1918), Concerning Commerce

Ron English's Fauxlosophy (2016)

Interview With Actor Julian LeBlanc, “Truly, Madly, Sweetly” https://mydevotionalthoughts.net/2018/09/interview-with-actor-julian-leblanc-truly-madly-sweetly.html (September 19, 2018)

Source: "Liu Wen opens up about fame, responsibility and finding meaning in her career" in Vogue https://vogue.sg/liu-wen-cover-vogue-singapore-leslie-zhang/ (1 March 2021)

Source: "Liu Wen opens up about fame, responsibility and finding meaning in her career" in Vogue https://vogue.sg/liu-wen-cover-vogue-singapore-leslie-zhang/ (1 March 2021)

Source: All That Matters (1922), p.93 - To a Young Man, final stanza.

Source: The Path to Home (1919), p.143 - A Good Name, stanzas 1 and 2.

During the pandemic in India
Source: https://www.bollywoodkibaten.in/2022/01/nitin-pujari-power-of-positivity.html

"Rock Bottom"
1990s, The Slim Shady LP (1999)

Friendship, Faith and Free Throws: Two professional basketball players to become full-time Catholic missionaries http://site.focus.org/news-for-you/february/friendship-faith-freethrows.html (2013)

Part II: Te Palinure Petens
The Unquiet Grave (1944)

Source: Red Mars (1992), Chapter 4, “Homesick” (p. 221)

"The Battle of Lovell's Pond," poem first published in the Portland Gazette (November 17, 1820).