Quotes about earring
page 11

Dave Barry photo
Edward Bellamy photo
Francesco Sansovino photo

“Ambassadors are the eyes and ears of States.”

Francesco Sansovino (1521–1583) Italian writer

Gli Ambasciadori sono gli occhi e gli orecchi de gli stati.
CCLXXVI.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 305.
Concetti Politici (1578)

Alan Moore photo
Paul Harvey photo

“Now wash out your ears with this.”

Paul Harvey (1918–2009) American broadcaster

Regular tag lines

E.M. Forster photo

“Always fatuity, vulgarity, as soon as human passion is touched. […] Just as some poetry is of the eye (form, colour) and some of the ear, so Keats is of the palate. Not only has he constant reference to its pleasures, but the general sensation after reading him is one of tasting. 'What's the harm?”

E.M. Forster (1879–1970) English novelist

Well, taste for some reason or the other can't carry one far into the world of beauty—that reason being perhaps that though you don't want comradership there you do want the possibility of comradership, and A cannot swallow B's mouthful by any possibility:....and this exclusiveness (to maunder on) also attaches to the physical side of sex though not the least to the spiritual.
Letter 162, to Malcolm Darling, 1 December 1916
Selected Letters (1983-1985)

Nalo Hopkinson photo

“…Even though we talk about race a lot in the literature, there’s still this idea of “Well, if we make this person blue and give them pointy ears, then we don’t have to actually talk about what’s happening in the real world.””

Nalo Hopkinson (1960) Jamaican Canadian writer

And those of us who live in racialized bodies feel that lack, we feel that erasure, so yes, there was something quite deliberate in my doing half the speech as an alien.
On race still being a taboo topic in the world of science fiction in “Interview: Nalo Hopkinson” http://www.lightspeedmagazine.com/nonfiction/interview-nalo-hopkinson/ in Lightspeed (June 2013)

Tanith Lee photo

“This much poison cannot pour in one’s ears without it will leave some trace.”

Book Two, Part III “The Sorceress”, Chapter 1 (p. 302)
Quest for the White Witch (1978)

Victor Hugo photo
Pope Pius VI photo
Chief Joseph photo
John Denham photo
William Wordsworth photo
Kofi Annan photo

“I arrived there straight from Africa - and I can tell you, Minnesota soon taught me the value of a thick overcoat, a warm scarf and even ear-muffs!”

Kofi Annan (1938–2018) 7th Secretary-General of the United Nations

Farewell Speech (2006)

Léon Bloy photo

“Unhappy writer, you had dreamt of winning souls and you have won nothing but ears!”

Léon Bloy (1846–1917) French writer, poet and essayist

Source: Pilgrim of the Absolute (1947), p. 36

Lucy Parsons photo

“Oh, working man! Oh, starved, outraged, and robbed laborer, how long will you lend attentive ear to the authors of your misery? When will you become tired of your slavery and show the same by stepping boldly into the arena with those who declare that "Not to be a slave is to dare and DO?"”

Lucy Parsons (1853–1942) American communist anarchist labor organizer

When will you tire of such a civilization and declare in words, the bitterness of which shall not be mistaken, "Away with a civilization that thus degrades me; it is not worth the saving?"

"Our Civilization: Is It Worth Saving?" (1885)

“…I have discovered that plays are easier to write than novels if the writer has a certain verbal facility, a certain capacity for the colloquial, an ear for the secret cadences of the spoken word. A play can be written with more ease than a novel…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On plays versus novels in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

Maria Weston Chapman photo

“Confusion has seized us, and all things go wrong: The women have leaped from "their spheres" And instead of fixed stars, shoot as comets along,And are setting the world by the ears!”

Maria Weston Chapman (1806–1885) American abolitionist

From "The Times That Try Men's Souls", as quoted in [Squire, Belle, The Woman Movement in America: A Short Account of the Struggle for Equal Rights, https://books.google.com/books?id=SnOIAAAAMAAJ, 1911, A. C. McClurg & Company, 71-2]

Francis Bacon photo

“The poets make Fame a monster. They describe her in part finely and elegantly, and in part gravely and sententiously. They say, look how many feathers she hath, so many eyes she hath underneath; so many tongues; so many voices; she pricks up so many ears.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Fame

Liv Tyler photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“Turn where we may,—within,—around,—the voice of great events is proclaiming to us, Reform, that you may preserve. Now, therefore, while every thing at home and abroad forebodes ruin to those who persist in a hopeless struggle against the spirit of the age,—now, while the crash of the proudest throne of the continent is still resounding in our ears,—now, while the roof of a British palace affords an ignominious shelter to the exiled heir of forty kings,—now, while we see on every side ancient institutions subverted, and great societies dissolved,—now, while the heart of England is still sound,—now, while the old feelings and the old associations retain a power and a charm which may too soon pass away,—now, in this your accepted time,—now in this your day of salvation,—take counsel, not of prejudice,—not of party spirit,—not of the ignominious pride of a fatal consistency,—but of history,—of reason,—of the ages which are past,—of the signs of this most portentous time. Pronounce in a manner worthy of the expectation with which this great Debate has been anticipated, and of the long remembrance which it will leave behind. Renew the youth of the State. Save property divided against itself. Save the multitude, endangered by their own ungovernable passions. Save the aristocracy, endangered by its own unpopular power. Save the greatest, and fairest, and most highly civilized community that ever existed, from calamities which may in a few days sweep away all the rich heritage of many ages of wisdom and glory. The danger is terrible. The time is short. If this Bill should be rejected, I pray to God that none of those who concur in rejecting it may ever remember their votes with unavailing regret, amidst the wreck of laws, the confusion of ranks, the spoliation of property, and the dissolution of social order.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

Speech in the House of Commons (2 March 1831) https://api.parliament.uk/historic-hansard/commons/1831/mar/02/ministerial-plan-of-parliamentary-reform#column_1204 in favour of the Reform Bill
1830s

Stephen Vincent Benét photo

“Now I tell what is very strong magic. I woke in the midst of the night. When I woke, the fire had gone out and I was cold. It seemed to me that all around me there were whisperings and voices. I closed my eyes to shut them out. Some will say that I slept again, but I do not think that I slept. I could feel the spirits drawing my spirit out of my body as a fish is drawn on a line.
Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body — I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods.
It should have been dark, for it was night, but it was not dark. Everywhere there were lights — lines of light — circles and blurs of light — ten thousand torches would not have been the same. The sky itself was alight — you could barely see the stars for the glow in the sky. I thought to myself "This is strong magic" and trembled. There was a roaring in my ears like the rushing of rivers. Then my eyes grew used to the light and my ears to the sound. I knew that I was seeing the city as it had been when the gods were alive.”

Source: By the Waters of Babylon (1937)

Donna Tartt photo

“As a writer, I think I’m more an eye than an ear — the world comes mainly in for me at the eye. So I’m glad the visuals came through for you. As I’m writing my books, I really do see them almost literally — I experience scenes almost as an onlooker, watching from the outside.”

Donna Tartt (1963) American writer

Source: On how she uses visualization in her writings in “Interview with Donna Tartt” https://medium.com/@Powells/interview-with-donna-tartt-8d86a2438b41 in Medium (2015 Jul 13)

Cynthia Barnett photo
Joel Courtney photo

“On my good days and bad days, when I’m shining or standing in the shadows, no matter what I face, God is my strength. My goal is to build a platform where I can spread the Gospel. Share the good news freely and to all who have ears to hear.”

Joel Courtney (1996) American actor

Exclusive Interview With “Super 8” And “The Kissing Booth” Star Joel Courtney https://daman.co.id/exclusive-interview-with-super-8-and-the-kissing-booth-star-joel-courtney/ (June 6, 2011)

John Keats photo
Charles Lamb photo

“I have no ear.”

A Chapter on Ears.
Essays of Elia (1823)

Báb photo
Thomas Carlyle photo

“Another favorite means of arresting the attention was by modulation; not used in a constructive in different keys, but to furnish the ear with a purely sensuous delight, corresponding to that which the eye derives from the kaleidoscopic colors of a sunset.”

Walter Raymond Spalding (1865–1962) American music pedagogue and author

Pages 164–165 https://books.google.com/books?id=pQARAAAAIAAJ&pg=PA164.
Music: An Art and a Language (1920), The Romantic Composers. Schubert and Weber (Ch. XII)

Michael Foot photo

“If only my hon. Friend would conduct the novel experiment of listening with his ears instead of his voice, a whole new world would open to him.”

Michael Foot (1913–2010) British politician

Speech https://hansard.parliament.uk/Commons/1979-11-26/debates/294bd8ba-7ace-4fab-9f9c-12be13ccb2ad/CommonsChamber#contribution-6ae9a2db-2e77-4e8d-8630-d90f5f7d8d0e in the House of Commons (26 November 1979)
1970s

Menotti Lerro photo
Mwanandeke Kindembo photo
John Mulaney photo
Matt Ridley photo
Joan Didion photo
Edward G. Robinson photo

“The first symptom is that hair grows on your ears. It's very disconcerting.”

Edward G. Robinson (1893–1973) Romanian American actor

On growing old; op. cit.

Tanith Lee photo
Mirza Tahir Ahmad photo
Luigi Russolo photo

“Sound is defined as the result of a succession of regular and periodic vibrations. Noise is instead caused by motions that are irregular, as much in time as in intensity. 'A musical sensation,' says Helmholtz 'appears to the ear as a perfectly stable, uniform, and invariable sound.'”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction between sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also that these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continuous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.
Source: Russolo. English trans. Barclay Brown (1986: 37).

Gloria E. Anzaldúa photo

“Write with your eyes like painters, with your ears like musicians, with your feet like dancers. You are the truthsayer with quill and torch. Write with your tongues of fire. Don't let the pen banish you from yourself.”

"Speaking in Tongues: A Letter to Third World Women Writers" (1981)
Source: in This Bridge Called My Back: Writings by Radical Women of Color, p. 171

Gloria E. Anzaldúa photo
Mikhail Lermontov photo

“Farewell, unwashed Russia,
Land of slaves, land of masters,
And you, blue uniforms,
And you, people, devoted to them.
Perhaps beyond the wall of the Caucasus,
I will hide from your pashas,
From their all-seeing eye,
From their all-hearing ears.”

Mikhail Lermontov (1814–1841) Russian writer, poet and painter

—Published by Russky Arkhiv. Historical and literary collection (1890) Translation by Anatoly Liberman.
Original:
Прощай, немытая Россiя,
Страна рабовъ, страна господъ,
И вы, мундиры голубые,
И ты, имъ преданный народъ.
Быть можетъ, за стѣной Кавказа
Сокроюсь отъ твоихъ пашей,
Отъ ихъ всевидящаго глаза,
Отъ ихъ всеслышащихъ ушей.
Poems

Amartya Sen photo
Ron English photo

“If listening was as important as speaking, you would have twice as many ears as mouths.”

Ron English (1959) American artist

Ron English's Fauxlosophy: Volume 2 (2022)

Emily Brontë photo
Alexis Karpouzos photo