Quotes about draw
page 8

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Life, People, Education, Religion

“This inscription awakens the memory of people whose sons and daughters were destined for total extermination. This people draws its origin from Abraham, our Father in faith. The very people that received from God the commandment, thou shalt not kill, itself experienced in a special measure what is meant by killing. It is not permissible for anyone to pass by this inscription with indifference.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

About a Hebrew commemorative plaque in the homily during the Holy Mass at the Auschwitz-Birkenau Nazi German concentration camp on 7 June 1979, during the pope's first apostolic journey to Poland Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/homilies/1979/documents/hf_jp-ii_hom_19790607_polonia-brzezinka_it.html (Italian)

God, People, Faith, Memory

“Six-year-old girls in a place like Hyderabad did not play; tennis was a recreation like badminton or gardening. So I draw inspiration from my parents. Steffi Graf has always been my tennis idol; always Steffi Graf. Just the way she was and the way she carried herself on the court and off the court. She does inspire me today. Everyone asks me "Who is your favorite tennis player?" And I always say "Steffi Graf." I just cannot imagine anyone being better than her, you know? I think a lot of people love Steffi Graf for the way she was on and off the court.”

Sania Mirza (1986) Indian tennis player

Source: Tennis Week "The Tennis Week Interview: Sania Mirza"

Love, People, Way, Imagination

“To gain a better understanding, I'm just trying to make it real/reel. Like a fisherman,
Pon De River fam. I Pon My Bank, deposit my thoughts. Till my mind draws a blank
and I withdraw from checking. I'll leave that with ya'll for a second…”

Lupe Fiasco (1982) rapper

"Run Down"
Mixtapes, Fahrenheit 1/15 Part I: The Truth Is Among Us (2006)

Understanding, Drawing

“Iron has powers to draw a man to ruin.”

Homér The Odyssey (Cowper)

XIX. 13 (tr. Robert Fagles); Odysseus to Telemachus.
Odyssey (c. 725 BC)

Drawing

“I decide who's right and who's wrong, and go from there. But I can't just comment on an issue. I've got to take an editorial position. Too many cartoonists simply illustrate the news. Well, the readers know the news, and a cartoon that illustrates doesn't tell them a thing they don't already know. So, I formulate an opinion and draw it.”

Paul Conrad (1924–2010) German theologian

Paul Conrad. (2010) [1992]. Contemporary Authors Online. Gale. As quoted in Lebo, Harlan H. (December 1977). Writer's Digest.

Drawing

“What was good about Bill was that whenever he wrote a plot, he did a lot of research for it. Whether the setting was a railroad station or a factory, he would find a photo reference, usually from National Geographic, and give Bob all the research to draw from. He was very orderly and methodical. His only problem was that he couldn't sustain the work… he couldn't produce material regularly enough”

Bill Finger (1914–1974) American comic strip and comic book writer

George Roussos as quoted by George Roussos in Gruenwald, Mark (April 1983). "George Roussos". Comics Interview (2) (Fictioneer Books). pp. 45–51.
About

Photo, Problem, Drawing

“For one who knows how to speak, it is like water pouring out of Eta [a device to draw water from a well]. For one who does not know, it is just the rope hanging down.”

Sarvajna Kannada poet, pragmatist and philosopher

Tripadis

Water, Drawing

“The capitalist has no heart, but harpoon him in the pocketbook and you will draw blood.”

Bill Haywood (1869–1928) Labor organizer

Bread and Roses: Mills, Migrants, and The Struggle for the American Dream, Bruce Watson. Viking-Penguin, 2005; pg. 93.

Heart, Drawing

“I looked out, the field was, looked like million, million and a half people. They showed a field where there was practically nobody standing there. And they said, "Donald Trump did not draw well." I said, "It was almost raining!" The rain should've scared them away but God looked down and said we're not going to let it rain on your speech.”

Donald J. Trump (1946) 45th President of the United States of America

Trump speaking at the CIA Headquarters about his inauguration crowd and the press coverage https://www.youtube.com/watch?v=GMBqDN7-QLg, FOX 10 Phoenix (21 January 2017) 2010s, 2017, January

God, People, Drawing

“This is what I do, I draw, I reacted graphically, just drawing something spontaneously with pen and paper and then sharing it as a raw reaction. With so much violence and tragedy — we just want a bit of peace.”

Jean Jullien (1983) french graphic designer, illustrator, video artist and photographer

Slate interview (2015)

Peace, Drawing

“When people are afraid of the truth they've got nowhere to turn. All they have at their disposal is censorship and denial. And Swedish politicians are so deep in denial you can only feel pity for them, because you know that in some dark chamber of their subconscious these wretched people know what a terrible thing they're doing, and they know that history is going to revile them and their entire generation for it. But they just can't face up to it. Psychologically, they are simply not big enough as people to acknowledge, let alone confront, the enormity of their mistake. They've backed themselves into an ideological corner where their only option now is to double down on the insanity and brazen it out until the bitter end, while criminalising anyone who draws attention to it. Whatever social upheaval it may cause, and whatever the cost to Sweden's women, mass Islamic immigration must continue. Any restriction would be an admission that there's a problem, and that would fatally undermine everything they're so desperately pretending to believe in… If you say there's a problem, you'll be treated as a criminal – which means that there are now two problems. One: the Swedish people have an aggressive social cancer growing in their midst; and two: they're not allowed to talk about it.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Sweden Goes Insane" (19 May 2014) https://www.youtube.com/watch?v=o_znVnOizU8 2014

Women, People, Truth, Feeling

“I like science and I love gym. Oh, and I like art, but I'm really bad at it. I'm just a terrible drawer. I can't draw a circle. Even with a ruler, I can't draw a straight line.”

Daniel Radcliffe (1989) English actor

About Favorite Subject in School http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

Love, Art, Science, Drawing

“Children had rather be making of Tools and Instruments of Play; Shaping, Drawing, Framing, and Building, &c. than getting some Rules of Propriety of Speech by Heart: And those also would follow with more Judgment, and less Trouble and Time.”

William Penn (1644–1718) English real estate entrepreneur, philosopher, early Quaker and founder of the Province of Pennsylvania

8
Fruits of Solitude (1682), Part I

Children, Time, Heart, Drawing

“Even as the light that shifts and plays upon a lake, when Cynthia looks forth from heaven or the bright wheel of Phoebus in mid course passes by, so doth he shed a gleam upon the waters; he heeds not the shadow of the Nymph or her hair or the sound of her as she rises to embrace him. Greedily casting her arms about him, as he calls, alack! too late for help and utters the name of his mighty friend, she draws him down; for her strength is aided by his falling weight.”
Stagna vaga sic luce micant ubi Cynthia caelo prospicit aut medii transit rota candida Phoebi, tale iubar diffundit aquis: nil umbra comaeque turbavitque sonus surgentis ad oscula nymphae. illa avidas iniecta manus heu sera cientem auxilia et magni referentem nomen amici detrahit, adiutae prono nam pondere vires.

Gaius Valerius Flaccus book Argonautica

Source: Argonautica, Book III, Lines 558–564

Light, Water, Help, Drawing

“I make the most outrageous demands on my imagination and leave aside everything else, theory and nature study, as other people understand them. This is the only way I can work, drawing on nothing but my own faculty of imagination with I feed without stint – except in working hours.”

Franz Marc (1880–1916) German painter

Quote in Marc's letter to August Macke, 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, pp. 127-28
1905 - 1910

People, Way, Imagination, Understanding

“At first I did not feel much inclined to agree [ Willem Maris had asked Mauve to paint together in open air, around the village Oosterbeek, c. 1863 ], but I did not like to refuse the little fellow flatly, so we went off together. My companion did not suffer from loquacity; and, coming to a field with cows in it, I sat down to go on with a drawing which I had begun that morning. The little chap strolled around a bit and then settled down to work himself. We sat there for hours under the pollards, until I grew curious to see what the little fellow was at. He sat sketching with a bit of chalk; but, oh! I stood astounded. I seized him by the hand and stammered in my turn, 'My boy, what an artist you are! You stagger me! It's magnificent!”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

Quote of Anton Mauve, c. 1863-65; as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908 1860's

Feeling, Boy, Suffering, Drawing

“Depression is seductive: it offends and teases, frightens you and draws you in, tempting you with its promise of sweet oblivion, then overwhelming you with a nearly sexual power, squirming past your defenses, dissolving your will, invading the tired spirit so utterly that it becomes difficult to recall that you ever lived without it… or to imagine that you might live that way again. With all the guile of Satan himself, depression persuades you that its invasion was all your own idea, that you wanted it all along. It fogs the part of the brain that reasons, that knows right and wrong. It captures you with its warm, guilty, hateful pleasures, and, worst of all, it becomes familiar. All at once, you find yourself in thrall to the very thing that most terrifies you. Your work slides, your friendships slide, your marriage slides, but you scarcely notice: to be depressed is to be half in love with disaster.”

Stephen L. Carter book The Emperor of Ocean Park

Source: The Emperor of Ocean Park (2002), Ch. 12, A Special Delivery, II

Love, Hate, Friendship, Marriage

“England pretends it is not by the naked sword, but by the good will of the people of the country that she is here. We will draw the naked sword to make her bare her own naked sword.”

Éamon de Valera (1882–1975) 3rd President of Ireland

(25 October 1917).
I'm Glad You Asked Me That (2007)

People, Drawing, Country

“I would warn against holsters with devices for quick-draw. Devices always fail when you need them most.”

William Powell (author) book The Anarchist Cookbook

Source: The Anarchist Cookbook (1971), Chapter Three: "Natural, Nonlethal, and Lethal Weapons", p. 92.

Drawing

“I feel an inner relationship which leads from the antique tot the Gothic, especially from the early ancient art, and from the Gothic to my own feeling for form. A great simplicity of form is something marvelous. As far back as I can remember, I have tried to put the simplicity of nature into the heads that I was painting or drawing. Now I have a real sense of being able to learn from the heads of ancient sculpture..”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 198
1899

Art, Feeling, Nature, Sense

“I think if we call in the experts we can draw up the full scheme, with the rallying points arranged.”

Pietro Badoglio (1871–1956) Italian general during both World Wars and a Prime Minister of Italy

Quoted in "Twenty Angels Over Rome: The Story of Fascist Italy's Fall" - Page 72 - by Richard McMillan - 1945

Thinking, Drawing

“[There still remains the question whether] he who discovers a new world in the depths of the invisible would not do wisely to plant on it a flag known to himself alone, and, like Achilles, "devour his heart in secret;" whether the greatest problems which have ever been guessed on earth had not better have remained buried in the brain which had found the key to them, and whether the deepest thinkers — those whose hand has been boldest in drawing aside the veil, and their eye keenest in fathoming the mysteries beyond it — had not better, like the prophetess of Ilion, have kept for heaven, and heaven only, secrets and mysteries which human tongue cannot truly express, nor human intelligence conceive.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

Review of L'Art Chrétien by Alexis-François Rio in the Bibliothèque Universelle de Genève. (1842)
Journal Intime (1882), Quotes used in the Introduction by Ward

Secret, World, Intelligence, Question

“But perhaps they were thrown off by my playing style, which was intuitive-and perhaps a little influenced by Vodka. I ran away with the match early. The result was overwhelmingly in my favour: four wins, five draws and only one loss –an annihilation. The Russians were stunned. I was pretty surprised myself.”

Viswanathan Anand (1969) Indian chess player

On his match against Alexey Dreev held at Chennai in 1991. page=291.
Reimagining India: Unlocking the Potential of Asia’s Next Superpower

Loss, Drawing

“Sometimes I try to think and nothing comes out of it; but it happens that I doze off and suddenly feel as though someone is rousing me. I am startled, open my eyes, and what my mind was looking for stands before me like an apparition - at once I seize my pencil to draw; the main thing has been done.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote of Friedrich, recorded by Vasily Zhukovsky, c. 1821; cited by Sigrid Hinz, Caspar David Friedrich in Briefen und Bekenntnissen; Henschelverlag Kunst und Gesellchaft, Berlin ,1968 p. 239; as cited in 'The Phantasmatic in romantic subjective experience and aesthetics' - Master's Thesis http://lup.lub.lu.se/luur/download?func=downloadFile&recordOId=1667795&fileOId=2224083 by Adrian Gerardo de Jong; Helsingborg Sweden, Sept. 2010, pp. 46-47 1794 - 1840

Feeling, Thinking, Drawing

“He was referring, of course, to the gentleman employed by Henry Luce and you will note, at once, the slightly unpleasant and combative tone of the salesman but there is also so much glee contained in it, an anticipation of the joys of a difficult battle, that even a person of fine scruples, sensitive to the vulgarity of the salesman type (such as yourself, Professor) need not be offended but rather challenged by the contradiction contained herein, i. e. that this crass aggression can co-exist with an ability to draw very fine moral distinctions and to see, very objectively, the damage his father's business was doing to the fauna of the country he loved and that, further - like real estate for instance - it was one of those great Australian enterprises that generate wealth while making nothing new.”

Peter Carey book Illywhacker

Page 561.
Illywhacker (1985)

Love, Business, Joy, Drawing

“What I always longed to do was to be able to paint like I can draw, most artists would tell you that, they would all like to paint like they can draw.”

David Hockney (1937) British artist

From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981), p. 207
1980s

Drawing, Painting

“Blue, round, miserable moon, full of magic, picture that draws like a magnet, pale-coloured, charmed jewel, made by sorcerers; swiftest of dreams, cold traitor, brother to the ice, most evil and unkind of servants, let hell consume the hateful, thin, bent-lipped mirror!”

Dafydd ap Gwilym (1320–1380) Welsh poet

Lleuad las gron gwmpas graen,
Llawn o hud, llun ehedfaen;
Hadlyd liw, hudol o dlws,
Hudolion a'i hadeilws;
Breuddwyd o'r modd ebrwydda',
Bradwr oer a brawd i'r ia.
Ffalstaf, gwir ddifwynaf gwas,
Fflam fo'r drych mingam meingas!
"Y Drych" (The Mirror), line 25; translation from Carl Lofmark Bards and Heroes (Felinfach: Llanerch, 1989) p. 96.

Hate, Dreams, Hell, Evil

“For Witold Doroszewski, at the root of semantic analysis lies the philosophical issue of the relationship between the general and the particular, the starting point being the analysis of the function of the copula "is". Doroszewski analyses the problem of meaning as closely linked with denotation. It is in that question that he sees the focal point of semantics.
According to Doroszewski, the history of meaning consists in the growth of a "gap" between the sign and its designatum. and the cause of changes in meanings lies in the conflict between the general character of the sign and the need for its being made to rise to the occasion whenever it is concretely embodied.
The attitude of Doroszewski, a representative of linguistic semantics, is of interest not only because he draws concrete conclusions from the general definition of semantics, but also because of his reflections on the relationship between semantics as pursued by linguists, and semantics as pursued by logicians. By touching here upon that issue, I anticipate further analysis. This does not advance the clarity of exposition, but is, unfortunately, often inevitable. In this case, it is justified in so far as it helps us to realize better the specific traits of linguistic semantics and its research objectives.”

Adam Schaff (1913–2006) Polish Marxist philosopher and theorist

Source: Introduction to semantics, 1962, p. 6

History, Question, Problem, Change

“A person not familiar with all of the special knowledge about a particular instrument should not try to draw too many conclusions from printed data. Such data typically contains certain assumptions about the equipment not necessarily known to outsiders.”

Jerry R. Ehman American astronomer and astrophysicist

The Big Ear Wow! Signal : What We Know and Don't Know About It After 20 Years (1 September 1997); section: Vast Conclusions from "Half-Vast" Data http://www.bigear.org/wow20th.htm

Knowledge, Drawing, Personality

“I believe that we need to bring a significant number of our troops home. That’s the only that we send a clear message to the government of Iraq that we’re serious about this and that they need to start taking responsibility for their own country…. I am one who does not believe that we can bring all the troops home tomorrow. The situation is too precarious. But I believe we need to start this year, in the very near future, drawing down the troops.”

Amy Klobuchar (1960) United States Senator from Minnesota

Quoted in [interview with Eric Black, Iraq and the Senate Race: Amy Klobuchar, Star Tribune, March 14 2006, http://www.startribune.com/blogs/bigquestion/?page_id=30, 2007-02-25]
2006

Home, Future, Drawing, Country

““So what do you think will happen?” Sawyer asked the barman who was drawing his mid-morning pint.
“Dunno,” the man grunted. “Except one thing. I know we’ve been led by fools and rogues, but this is the first time we’ve ever been led by a criminal!””

John Brunner book The Stone That Never Came Down

Source: The Stone That Never Came Down (1973), Chapter 23 (p. 177)

Fools, Thinking, Time, Drawing

“It is very appropriate that from this cradle of the Confederacy, this very heart of the great Anglo-Saxon Southland, that today we sound the drum for freedom as have our generations of forebears before us time and again down through history. Let us rise to the call for freedom-loving blood that is in us and send our answer to the tyranny that clanks its chains upon the South. In the name of the greatest people that have ever trod this earth, I draw the line in the dust and toss the gauntlet before the feet of tyranny, and I say segregation now, segregation tomorrow and segregation forever.”

George Wallace (1919–1998) 45th Governor of Alabama

First Inaugural Speech as Governor of Alabama, (January 1963)
1960s

Love, People, History, Freedom

“When theoretical physicists censor the public's spontaneous visualizing response by warning us we must not try to picture the underlying nature of the world, whether atoms or quarks or preons, they are drawing upon an intellectual discipline devised by Calvin. Reality is beyond the senses; only the rigorously logical mind, leaping bravely into the intangible, can grasp it. No images.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.10 The Black Madonna

World, Nature, Reality, Sense

“I made the photographs just like I draw... I wanted the photographs [Kelly made circa 1950 in Paris] to be enlightening to my art..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21
Source: 1981 - 2008, p. 21 : 'Kelly in conversation, summers 1985 and 1986'

Art, Drawing

“But with photography as with drawing or painting, once it is done I want to know whether it holds together or not. That is the real critique. I couldn’t care less if the person to whom I show what I do likes it or not — it takes all sorts to make a world and all that. To criticize is to put oneself in someone else’s shoes and try to figure out what they wanted to do. Only the “why” of things is important to me.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, We Always Talk Too Much: Conversation with Pierre Assouline (1994), p. 132

World, Shoe, Drawing, Painting

“Everything on Saturday morning [cartoons] moves alike—that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Adamson, "Witty Birds and Well-Drawn Cats", 64.

Way, Animals, Baby, Drawing

“Architecture has its political Use; public Buildings being the Ornament of a Country; it establishes a Nation, draws People and Commerce; makes the People love their native Country, which Passion is the Original of all great Actions in a Common-wealth…. Architecture aims at Eternity.”

Christopher Wren (1632–1723) English architect

"Of Architecture", Parentalia; or Memoirs of the Family of the Wrens, comp. by his son Christopher (1750, reprinted 1965), Appendix, p. 351.

Love, People, Passion, Drawing

“How did I think up my drawings and my ideas for painting? Well I'd come home to my Paris studio in Rue Blomet at night, I'd go to bed, and sometimes I hadn't any supper. I saw things, and I jotted them down in a notebook. I saw shapes on the ceiling..”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

from: Miro, on English Wikipedia
Miró's quote on 'automatic painting and drawing', explaining the start of his work 'Harlequin's Carnival' he made in Paris, strongly admired then by Surrealists like André Breton
1915 - 1940

Home, Idea, Thinking, Drawing

“The soul's dark cottage, battered and decayed,
Lets in new light through chinks that Time has made;
Stronger by weakness, wiser, men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view,
That stand upon the threshold of the new.”

Edmund Waller (1606–1687) English poet and politician

On the Divine Poems (1686). Compare: "To vanish in the chinks that Time has made", Samuel Rogers, Pæstum; "As that the walls worn thin, permit the mind
Poetical Works of Edmund Waller and Sir John Denham (1857)

Men, World, Home, Soul

“I must learn how to express the gentle vibration of things, their roughened textures, their intricacies. I have to find an expression for that in my drawing, too, in the way I sketched my nudes here in Paris, only more original, more subtly observed. The strange quality of expectation that hovers over muted things [skin, Otto's Otto Modersohn forehead, fabrics, flowers]; I must try to get hold of the great and simple beauty of all that. In general, I must strive for the utmost simplicity united with the most intimate power of observation. That's where greatness lies.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Paris, 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 197-198
1898

Beauty, Way, Flowers, Learning

“Interviewer: Is that why you draw yourself as a cow?”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Drawing

“My solution to the problem would be to tell [the North Vietnamese Communists] frankly that they've got to draw in their horns and stop their aggression or we're going to bomb them into the Stone Age. And we would shove them back into the Stone Age with Air power or Naval power—not with ground forces.”

Curtis LeMay (1906–1990) American general and politician

Mission With LeMay: My Story (1965), p. 565. In an interview two years after the publication of this book, General LeMay said, "I never said we should bomb them back to the Stone Age. I said we had the capability to do it. I want to save lives on both sides"; reported in The Washington Post (October 4, 1968), p. A8. Many years later LeMay would claim that this was his ghost writer's overwriting.

Age, Problem, Drawing

“As for the clergy — No — If I say a word against them, I'll be shot. — I have no desire, — and besides, if I had, — I durst not for my soul touch upon the subject, — with such weak nerves and spirits, and in the condition I am in at present, 'twould be as much as my life was worth, to deject and contrist myself with so bad and melancholy an account, — and therefore, 'tis safer to draw a curtain across, and hasten from it, as fast as I can, to the main and principal point I have undertaken to clear up, — and that is, How it comes to pass, that your men of least wit are reported to be men of most judgment.”

Laurence Sterne book The Life and Opinions of Tristram Shandy, Gentleman

Book III, Ch. 20.
The Life and Opinions of Tristram Shandy, Gentleman (1760-1767)

Life, Men, Soul, Drawing

“I have tried to draw attention to South Korea’s dangerous state-loyalty deficit, by which I mean citizens’ lack of a sense of identification with their republic. In doing so I have noted the obvious parallels with South Vietnam, another state fatally weakened by nationalism. On this point too, I seem to be talking to the wall. Even Americans interested in the nuclear crisis feel no need to learn about party politics in South Korea. It’s a thriving, prosperous democracy, and that’s all that matters.”

Brian Reynolds Myers (1963) American professor of international studies

2010s, On Some Counter-Arguments (October 2017)

Feeling, Democracy, Sense, Learning

“There are a number of imperfections in the new South Africa where I would have hoped that things would be better, but on balance I think we have basically achieved what we set out to achieve. And if I were to draw balance sheets on where South Africa stands now, I would say that the positive outweighs the negative by far. There is a tendency by commentators across the world to focus on the few negatives which are quite negative, like how are we handling AIDS, like our role vis-à-vis Zimbabwe. But the positives – the stability in South Africa, the adherence to well-balanced economic policies, fighting inflation, doing all the right things in order to lay the basis and the foundation for sustained economic growth – are in place.”

F. W. de Klerk (1936) South African politician

Interview with Richard Stengel https://web.archive.org/web/20110622073025/http://www.cfr.org/southern-africa/hbo-history-makers-series-frederik-willem-de-klerk/p7114?breadcrumb=%2Fregion%2F151%2Fsouthern_africa (8 June 2004) 2000s, 2004

World, Hope, Thinking, Fight

“There is an intimate relationship between my pictorial [2-dimensional] and my sculptural work. I would never begin on a sculpture without first gaining an idea of the colour... My mind is captivated by this task until I start to put down the colour on paper and imagine that this colour will become a drawing. And then, suddenly, the drawing begins to acquire shape, the shape, and this shape becomes the real shape.”

Marino Marini (1901–1980) Italian sculptor

as quoted in the exhibition text of 'Marino Marini, Painter, Draughtsman, Sculptor', Museum de Fundatie, September 2013 to 16 March 2014

Imagination, Idea, Drawing

“Aye, and deep and deep and deeper let me drink and draw,
From the olden fountain more than light or peace or dream,
Such primeval being as o'erfills the heart with awe,
Growing one with its silent stream.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Peace, Dreams, Drink, Light

“Some information and observations of recent date have led me to draw up plans that I would like to bring to your attention. This concerns Jehovah’s Witnesses.. . . How are we going to govern and pacify Russia when. . . we will have conquered vast areas of its territory?. . . All forms of religion and the pacifist sects must be supported . . . , among all the others the beliefs of Jehovah’s Witnesses. It is well-known that the latter have characteristics incredibly positive for us: Apart from the fact that they refuse military service and anything to do with war . . . , they are incredibly reliable, do not drink, do not smoke; they are relentless workers and of rare honesty. For them the spoken word stands. These are ideal characteristics . . . , enviable qualities.”

Heinrich Himmler (1900–1945) Nazi officer, Commander of the SS

In one of his letters to Gestapo chief Ernst Kaltenbrunner, July 21, 1944 cited in Awake! magazine, 1993, 4/22, article: What Hope for an End to War?
1940s

War, Religion, Drink, Support

“I shall draw… a figure (which all these matters are made clear as far as possible on a surface, but the full demonstration would require a body like the eye… The eye of a cow, pig, and other animals can be used for illustration, if anyone wishes to experiment.”

Roger Bacon book Opus Majus

v. i. iii. 3, ed. Bridges as quoted in A.C. Crombie, Robert Grossetest and the Origins of Experimental Science 1100-1700 (1953)
Opus Majus, c. 1267

Animals, Drawing

“[In these circumstances the peasant had little interest in cultivating the land. Bernier observes that] “as the ground is seldom tilled otherwise than by compulsion… the whole country is badly cultivated, and a great part rendered unproductive… The peasant cannot avoid asking himself this question: Why should I toil for a tyrant who may come tomorrow and lay his rapacious hands upon all I possess and value… without leaving me the means (even) to drag my own miserable existence? - The Timariots (Timurids), Governors and Revenue contractors, on their part reason in this manner: Why should the neglected state of this land create uneasiness in our minds, and why should we expend our own money and time to render it fruitful? We may be deprived of it in a single moment… Let us draw from the soil all the money we can, though the peasant should starve or abscond…””

François Bernier (1620–1688) French physician and traveller

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
Travels in the Mogul Empire (1656-1668)

Money, Question, Time, Parting

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935

Way, Quotes, Sleep, Memory

“I had looked forward
to old age as a time
of quietness, a time to draw
my horizons about me,
to watch memories ripening
in the sunlight of a walled garden.
But there is the void
over my head and the distance
within that the tireless signals
come from. And astronaut
on impossible journeys
to the far side of the self
I return with messages
I cannot decipher.”

R.S. Thomas (1913–2000) Welsh poet

"The New Mariner", p. 99
Between Here and Now (1981)

Age, Memory, Time, Drawing

“I believe that there are things which humanity will never fully understand, for in the understanding of them, we will no longer be "human." One of these things is the Mr. Clean Magic Eraser. I don't know how it works, and I don't want to know. It's a big universe and even with our limited understanding of it, it's pretty clear that the universe is in no way equipped to keep up with the bureaucracy of its particles and/or strings. There are things lurking in the dark, unwatched, unguarded recesses of reality. Things as beyond you or I as we are beyond an amoeba. It is quite obvious that Mr. Clean Magic Erasers draw their power from these unknowable horrors. They probably found it in the core of a meteor still half buried in the Earth, hideously pulsing with a light not unlike the color of blood and hate. So use your Magic Erasers while you still can, before they run out of meteor or they discover it causes cervical cancer or testicular cancer in men and women respectively.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=070106

Women, Men, Hate, Color

“If a man wants to succeed in his work, that is, to achieve the anticipated results, he must bring his ideas into correspondence with the laws of the objective external world; if they do not correspond, he will fail in his practice. After he fails, he draws his lessons, corrects his ideas to make them correspond to the laws of the external world, and can thus turn failure into success; this is what is meant by “failure is the mother of success” and “a fall into the pit, a gain in your wit.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Practice (1937)
Original: (zh-CN) 人们要想得到工作的胜利即得到预想的结果，一定要使自己的思想合于客观外界的规律性，如果不合，就会在实践中失败。人们经过失败之后，也就从失败取得教训，改正自己的思想使之适合于外界的规律性，人们就能变失败为胜利，所谓“失败者成功之母”，“吃一堑长一智”，就是这个道理。

World, Law, Idea, Failure

“ladies in muslin draped on porches at the fronts of their little houses.... shops bursting with fruit, and the contrast between the lively hum and the bustle of the offices with the immense black animal force... The black world I have not the time to explore; there are some real gifts of colour and drawing in these forests of ebony. It will seem amazing to live among white people when I get back to Paris. I love silhouettes so much, and these silhouettes walk.”

Edgar Degas (1834–1917) French artist

quote on his journey through America during 1872
Quote in Degas' letter to his friend Tissot, Lousiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

Love, People, World, Quotes

“The technical procedures doubtless release energies in the artist that remain unused in the much more lightweight processes of drawing or painting”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

referring to his printmaking
Quote from Uber Kirchners Graphik, (under his pseudonym de:Louis de Marsalle) E. L. Kirchner, Genius 3, Book 2, 1922, 251-63, reprinted by National Gallery, Washington D.C. 2003, p. 226
1920's

Drawing, Painting

“I learn the depth to which I have sunk from the length of the chain let down to up-draw me. I ascertain the mightiness of the ruin by examining the machinery for restoration.”

Henry Melvill (1798–1871) British academic

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 547.

Learning, Drawing

“He [the devil] always sends errors into the world in pairs—pairs of opposites. And he always encourages us to spend a lot of time thinking which is the worse. You see why, of course? He relies on your extra dislike of the one error to draw you gradually into the opposite one. But do not let us be fooled. We have to keep our eyes on the goal and go straight through between both errors. We have no other concern than that with either of them.”

Clive Staples Lewis book Mere Christianity

Book IV, chapter 6, "Two Notes"
Mere Christianity (1952)

World, Fools, Error, Thinking

“No, what was sad in his case was that he, who didn’t care for carved oak, should have his drawing-room panelled with it, while people who do care for it have to pay enormous prices to get it. It seems to be the rule of this world. Each person has what he doesn’t want, and other people have what he does want.”

Jerome K. Jerome book Three Men in a Boat

Source: Three Men in a Boat (1889), Ch. 6.

People, World, Sadness, Drawing

“My dear friends! We move everything back to front. What we are doing is wrong and contrary to Nature. Nature moves in other ways. She primarily employs drawing, i. e. sucking energies, since these are indispensable to Nature for the growth and maintenance of life. Nature uses pressure energies and explosive forces only for reducing quality and destruction. Atomic physicists also work upside down. They would be more correct if they started with simple nuclear fusion. They should set about the cold transformation of hydrogen into helium, as Nature has done over the millions of years of Creation. Today's technology has a tiger by the tail, because it splits the heaviest atoms with the greatest development of heat and an enormous expenditure of energy.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Alick Bartholomew: The Schauberger Keys

Life, Way, Nature, Drawing

“What is a forest? A marvelous insect. A drawing-board, what do forests do? They never go to bed early. They are waiting for the tailor. What is the high season of the forests? It is the future..”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

1910 - 1935, The mysteries of the forest' (1934)

Waiting, Future, Drawing, Season

“The university is being called upon to educate previously unimagined numbers of students; to respond to the expanding claims of national service; to merge its activities with industry as never before. Characteristic of this transformation is the growth of the knowledge industry, which is coming to permeate government and business, and to draw into it more and more people raised to higher and higher levels of skill. The production, distribution and consumption of knowledge is said to account for 29 percent of gross national product, and knowledge production is growing at about twice the rate of the rest of the economy. What the railroads did for the second half of the last century, and the automobile for the first half of this century, may be done for the second half of this century by the knowledge industry; and that is, to serve as the focal point for national growth.”

Clark Kerr (1911–2003) American academic

David Lance Goines, 1993, The Free Speech Movement: Coming of Age in the 1960's, Ten Speed Press, p. 49.

People, Education, Business, Knowledge

“Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted—for the constraint of a definite “thing” cedes directly to the imagination. How can we draw “evolution” or “social organization,” not to mention the more mundane “digestion” or “self-interest,” without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.”

Stephen Jay Gould book Eight Little Piggies

"A Tale of Three Pictures", p. 428
Eight Little Piggies (1993)

Imagination, History, Idea, Reality

“When I was five years old, my mother took me to the Metropolitan. I remember being overwhelmed by the hush — the glamor of the place. Also I used to be mesmerized by the stained-glass windows in church — but it never occurred to me that anyone made them. I thought they were just there, like trees, chairs, houses and the reproductions on the walls at home. I was always drawing, but I didn't make any connection. Then, by the time I was 10 or 11, other kids were asking me for my drawings and were referring to me as an artist. I hadn't given the matter any thought. I just loved to draw. I loved the activity. But when they bestowed the title on me (by then I was reading about artists and going to museums on my own), I thought, oh yes, I'm an artist, and from then on I took it for granted — and I began to compete. I'd read that Raphael had done something by the age of 12 and I'd get very anxious. I became very time-conscious. If I read about someone's great accomplishment at the age of 20, I'd heave a sigh of relief and feel, maybe theres still time. How did you start?”

Elaine de Kooning (1918–1989) American painter

to Rosalyn Drexler
n.p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)

Love, Age, Feeling, Home

“What you hope for
Is that at some point of the pointless journey,
Indoors or out, and when you least expect it,
Right in the middle of your stride, like that,
So neatly that you never feel a thing,
The kind assassin Sleep will draw a bead
And blow your brains out.”

Richard Wilbur (1921–2017) American poet

"Walking to Sleep" (1969)

Hope, Feeling, Sleep, Drawing

“An independent nation cannot function without its own national language. That English should be replaced by our own language as a patriotic necessity. But so far as University education is concerned at any rate, it appears prudent to delay the change-over until our linguistic consolidation has proceeded further and our own languages have become more adequately equipped with the machinery of modern learning,- encyclopedias, dictionaries, reference books, treatises, text books, and a widely intelligible vocabulary of technical terms of modern science … the most elaborate code of ethical conduct that anyone could draw up cannot go much beyond the simple exhortation of The Upanishad’s Satyam vada, Dharmam cara [speak the truth, act nobly]. These should be the watch-words of our public and private life.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

In his convocation address at the Sri Venkateshwara University, at Tirupathi, quoted in "Jayachamaraja Wodeyar – A Princely scholar".

Life, Truth, Books, Education

“Sometimes I wonder, laying in a great black stripe on a canvas, what animal bones (or horns) are making the furrows of my picture… black grows deeper and deeper, darker and darker before me. It menaces me like a black gullet. I can bear it no longer. It is monstrous. It is unfathomable. As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.”

Hans Hofmann (1880–1966) American artist

Robert Motherwell, in a catalog note to the show Black or White (1950)
Misattributed

Animals, Drawing

“Sri Aurobindo, for one, insisted on the radically different spirit in Sikhism as compared with Islam: 'Those ways of Indian cult which most resemble a popular form of Theism, are still something more; for they do not exclude, but admit the many aspects of God. (…) The later religious forms which most felt the impress of the Islamic idea, like Nanak's worship of the timeless One, Akla, and the reforming creeds of today, born under the influence of the West, yet draw away from the limitations of western or Semitic monotheism. Irresistibly they turn from these infantile conceptions towards the fathomless truth of Vedanta.”

Koenraad Elst (1959) orientalist, writer

Sri Aurobindo: Foundations of Indian Culture, p.135
2000s, Ayodhya: The Case Against the Temple (2002)

God, Truth, Way, Idea

“I will not admit that a woman can draw like that.”

Edgar Degas (1834–1917) French artist

Je n'admets pas qu'une femme puisse dessiner comme ca.
Quoted in Forbes Watson, Mary Cassatt (1932)
this quote is referring to some etchings by Cassatt, which Degas admired
quotes, undated

Drawing

“Draw from others the lesson that may profit yourself.”
Periclum ex aliis facito tibi quod ex usu siet.

Terence Heauton Timorumenos

Act I, scene 2, line 37 (211).
Heauton Timorumenos (The Self-Tormentor)

Drawing

“As the year draws to a close, the Congress of the Philippines is once more mandated by the Constitution to enact a national budget for the ensuing year. Section 29(1), Article VI of the Constitution provides that “No money shall be paid out of the Treasury except in pursuance of an appropriation by law.” And so today, Mr. President, I rise to sponsor, as Chairman of your Committee on Finance, the General Appropriations Bill for Fiscal Year 2015.”

Francis Escudero (1969) Filipino politician

2014, Speech: Sponsorship Speech for the FY 2015 National Budget

Money, Law, Drawing

“There is a need for enormous violence for the awakening of humanity and the acceptance of the system of the Mahdi. I mean people do not draw closer to accepting the Truth, unless they are subjected to violence.”

Harun Yahya (1956) Turkish author

4 January 2014.
A9 TV addresses, 2014

People, Truth, Drawing

“In order to calculate the size of the cake which will be left for civilian consumption, we have to estimate (1) the maximum current output that we are capable of organising from our resources of men and plant and materials, (2) how fast we can safely draw on our foreign reserves by importing more than we export, (3) how much of all this will be used up by our war effort.”

John Maynard Keynes (1883–1946) British economist

Source: How to Pay for the War (1940), Ch. 3 : Our Output Capacity and the National Income

Men, War, Effort, Drawing

“It was when he saw the great walls looming above him that he began to run.
He ran as though to obey an order. And this was so, though he knew nothing of it. He ran in the acknowledgement of a law as old as the laws of his home, the law of flesh and blood. The law of longing. The law of change. The law of youth. The law that separates the generations, that draws the child from his mother, the boy from his father, the youth from both.
And it was the law of quest. The law that few obey for lack of valour. The craving of the young for the unknown and all that lies beyond the tenuous skyline.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 80 (p. 805)

Youth, Law, Home, Boy

“Dubbed as a Knight of the Order of Saint Sebastian, I espoused the cause of pure colour, which has been invaded by guile, occupied and oppressed in cowardly fashion by line and its manifestation; drawing in Art. I aimed to defend and deliver it, and lead it to triumph and final glory.”

Yves Klein (1928–1962) French artist

In 1956; p. 27
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

Art, Fashion, Drawing

“Mechanical drawings and blueprints are not mere pictures, but a complete and rich language. In blueprint language, scientific, mathematical, and geometric formulations, notations, mensurations, and naming do not merely describe an object or process, they actually model it. Because of broad differences in subject, purpose, roles, and the needs of the people who use them, many forms of blueprint have evolved, but all rigorously present well structured information in understandable form.”

Douglas T. Ross (1929–2007) American computer scientist

Source: Structured analysis (SA): A language for communicating ideas (1977), p. 16.

People, Mathematics, Understanding, Drawing

“Scotland and Ireland were virtually disfranchised; Edinburgh and Glasgow, the two largest cities of Scotland, had each a constituency of only thirty-three members. A majority of the members of the House of Commons were elected by six thousand voters. This state of affairs afforded ready opportunities for the moneyed aristocracy to buy seats in Parliament, by the purchase of a few voters in rotten boroughs; and also enabled the ministry to secure a servile majority in the Commons. The corruption resulting from these conditions, as exhibited in the latter half of the eighteenth century, can hardly be realized by the present generation. They afford, however, an illustration of the universal truth, that a government which does not draw its inspiration of liberty, justice, and morality from the people will soon become both tyrannical and corrupt.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Oration at Ravenna, Ohio (1865)

Money, People, Truth, Justice

“Life, if we would mark it, is made up of thousands of suggestions from some unseen quarter, prompting us to duty; starting some thought of what is wise and right and just and good; inclining us to thoughtfulness, to meditation, to prayer; making the soul dissatisfied with its present course, and drawing it along in the path of duty, benevolence, and peace.”

Albert Barnes (1798–1870) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 318.

Life, Peace, Soul, Drawing

“Well, fortunately, I am bilingual and I have really two cultures. So when you have that to draw on, you are able to write from one extreme to the other, or anywhere in-between. If you look at my discography, you will notice that one of my favorite albums is "Gloria!", which is totally dance-oriented, with very sensual lyrics; and then there's "Mi Tierra which is totoally roots-oriented and really promoted our culture worldwide through music, and that's important for me and also for people of Cuba to know that even though we were in exile and I grew up in the States, our culture and our music are very much a part of my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

answer to the question "How do you reinvent yourself through the years?"
2007, 2008

Life, People, Music, Dance

“The proletariat is that class in society which lives entirely from the sale of its labor and does not draw profit from any kind of capital; whose weal and woe, whose life and death, whose sole existence depends on the demand for labor – hence, on the changing state of business, on the vagaries of unbridled competition.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

(1847)

Life, Death, Business, Change

“Like music my drawings transport us to the ambiguous world of the indeterminate.”

Odilon Redon (1840–1916) French painter

Quoted in Jean-François Guillou, Great Paintings of the World (2000), p. 190.

World, Music, Drawing

“Hugo [Claus], Now you should see my recent works. A drawing in ink, three pencil drawings and two sketches in oil-paint: a still-life and a landscape in the strongest colors you can imagine. I still have to work on the landscape, but I really think it will be the best of my paintings till now.... but the happiest thing is, I have acquired much more freedom.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Hugo [Claus], nu zoudt U eens moeten mijn laatste werk zien, een pentekening, drie potloodtekeningen en twee studies met olieverf: een stilleven en een landschap in de hevigste kleuren die Ge U kunt indenken. Aan dat landschap moet ik nog werken maar ik denk dat het mijn beste werk zal zijn, van mijn schilderwerk, en drie tekeningen vind ik mijn beste maar het gelukkigste is dat ik een veel grotere vrijheid heb verworven.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 20-24 March 1948; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 50 (translation: Fons Heijnsbroek)
1945 - 1960

Life, Color, Imagination, Thinking

“We Europeans have to toil to achieve it, at least as a transitional stage, for it is what we feed our dreams upon. These Orientals [from India] have it in their blood, perhaps because they spend their lives I the sun. We poor wretched Europeans must sacrifice body and soul for even a shadow of it… It is not a question of trying to reproduce objective features, only of good practice for the fingers and for the perceptive faculty, and that too is very useful. You must have read how Van Gogh was always getting his brother to send him drawings to copy. And how Rembrandt used to copy Indian an Italian pictures. Not of course, because they were short of material, but to get 'du corps'. So one should be always drawing… Oh, you'd love the Indians. The pure, Aryan Indians, not those one could see in Berlin, whose forms had become rigid and sterile through mingling with the Chinese.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 1919/20; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1916 - 1919

Love, Dreams, Soul, Question

“The Eternal Feminine draws us on.”

Johann Wolfgang von Goethe book Faust

Das Ewig-Weibliche zieht uns hinan.
Act V, Heaven, last line
Faust, Part 2 (1832)

Drawing

“The time for war has not yet come, but it will come, and that soon; and when it does come, my advice is to draw the sword and throw away the scabbard.”

Thomas Jackson (1824–1863) Confederate general

Speech to cadets at the Virginia Military Institute (March 1861); as quoted in Mighty Stonewall (1957) by Frank E. Vandiver, p. 131; this has sometimes been paraphrased as "When war does come, my advice is to draw the sword and throw away the scabbard."

War, Time, Drawing

“The old, you must remember, though considered incapable of action, have nevertheless a good fund of experience on which to draw.”

Agatha Christie book Third Girl

Third Girl (1966)

Drawing

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Love, Life, Happiness, Books

“I look upon prayer-meetings as the most profitable exercises (excepting the public preaching) in which Christians can engage. They have a direct tendency to kill a worldly, trifling spirit, and to draw down a Divine blessing upon all our concerns, compose differences, and enkindle (at least maintain) the flames of Divine love amongst brethren.”

John Newton (1725–1807) Anglican clergyman and hymn-writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 475.

Love, Exercises, Drawing

“I have experienced time and again people dismissing the data because they think MOND is wrong, so I am very consciously drawing a red line between the theory and the data.”

Stacy McGaugh (1964) American astronomer

as quoted in [Cooper, Keith, Correlation between galaxy rotation and visible matter puzzles astronomers, 7 October 2016, physicsworld.com, http://physicsworld.com/cws/article/news/2016/oct/07/correlation-between-galaxy-rotation-and-visible-matter-puzzles-astronomers]

People, Thinking, Time, Drawing

“No, I'm not a feminist… I think they've become too strident. I think they have done great damage to the cause of women by making us out to be something we are not. Each person is different. Each has their own talents and abilities, and these are the things you want to draw and bring out. You don't say: “I must get on because I'm a woman, or that I must get on because I'm a man”. You should say that you should get on because you have the combination of talents which are right for the job. The moment you exaggerate the question, you defeat your case.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Interview for Hornsey Journal (21 April 1978) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=103662 Leader of the Opposition

Women, Question, Thinking, Drawing

“It is an atomic bomb. It is a harnessing of the basic power of the universe. The force from which the sun draws its power has been loosed against those who brought war to the Far East.
Before 1939, it was the accepted belief of scientists that it was theoretically possible to release atomic energy. But no one knew any practical method of doing it. By 1942, however, we knew that the Germans were working feverishly to find a way to add atomic energy to the other engines of war with which they hoped to enslave the world. But they failed. We may be grateful to Providence that the Germans got the V-1's and V-2's late and in limited quantities and even more grateful that they did not get the atomic bomb at all.”

Harry Truman (1884–1972) American politician, 33rd president of the United States (in office from 1945 to 1953)

Announcing the Bombing of Hiroshima (1945)

War, World, Hope, Way

“One of the great moral advances of the Enlightenment was abolishing torture. Its interesting to think how far we've come when we think about the fact that 300 years ago in every square of every civilized city, certainly in Europe, torturing people to death was not just that took place, but was something you would've taken your children to go and see on a Saturday afternoon. Right? I mean, that's what was happening. Now, the question is what did people learn, empirically, when they decided, "Oh gosh, drawing and quartering actually causes too much suffering; I think we'll put it out?" I mean, I don't think there's a fact that changed there that somebody had to realize. I think the example, by the way, is particularly important because while it shows that there can be moral progress, it also shows that it's absolutely not necessary, and there can also be moral regression, as in the case of the current administration. But I don't see that what's taking place somehow when Bush decides to legalize torture and thereby cancel one of the major achievements of the Enlightenment (Well he has! Right? I mean many of the achievements of the enlightenment, but that one in particular.) I don't see that what's happened is that there's something that he doesn't know. That he could somehow be tutored on.”

Susan Neiman (1955) American academic

Beyond Belief conference (November 2006)

Death, Children, People, Way

“Photography has never been a problem for me, [what is important] is looking, the way of looking, of questioning with your eyes: I don’t think; I am impulsive, it is /looking/ that’s important, not photography. Now, since I have started drawing, I’ve merely switched tools, but it is still looking that’s important. To look the right way, one should learn to become a deaf-mute.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 113

Way, Question, Problem, Thinking

“The object of education is not merely to draw out the powers of the individual mind: it is rather its right object to draw all minds to a proper adjustment to the physical and social world in which they are to have their life and their development: to enlighten, strengthen and make fit.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

"Princeton In The Nation's Service" (21 October 1896)
1890s

Life, World, Education, Drawing

“For years your treasure has been in the Stock Exchange, or the House of Commons, or the Salon, or the reviews that "really count" (if they still exist), or the drawing-rooms of Mayfair; and thither your heart perpetually tends to stray. Habit has you in its chains. You are not free.”

Evelyn Underhill book Practical Mysticism

Source: Practical Mysticism (1914), Chapter V, Self Adjustment, p. 84

Heart, Drawing, Housing

“"Jubal," the face said, "I am thy loved Past,
The soul that makes thee one from first to last.
I am the angel of thy life and death,
Thy outbreathed being drawing its last breath.
Am I not thine alone, a dear dead bride
Who blest thy lot above all men's beside?”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)

Love, Life, Death, Men

“I wanted to tell you that in about 1883 there occurred a kind of break in my work. I had got to the end of 'Impressionism', and I had come to the conclusion that I didn't either how to paint or how to draw. In short, I had come to a dead end.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 175 : Renoir's remark to Vollard.

Drawing, Painting, Dead

“I trust in God that my life may be spared for nine months longer, after which period, in the event of my death, no Regency would take place. I should then have the satisfaction of leaving the Royal authority to the personal exercise of that young lady [Princess, later Queen, Victoria], the heiress presumptive to the Crown, and not in the hands of a person now near me [Victoria's mother, the Duchess of Kent], who is surrounded by evil advisers and who is herself incompetent to act with propriety in the station in which she would be placed. I have no hesitation in saying that I have been insulted grossly insulted by that person, but I am determined to endure no longer a course of behaviour so disrespectful to me. Amongst other things, I have particularly to complain of the manner in which that young lady has been kept away from my Court; she has been repeatedly kept from my Drawing Rooms, at which she ought always to have been present, but I am fully resolved that this shall not happen again. I would have her know that I am King, and I am determined to make my authority respected, and for the future I shall insist and command that the Princess do upon all occasions appear at my Court, as it is her duty to do.”

William IV of the United Kingdom (1765–1837) King of the United Kingdom of Great Britain and Ireland and of Hanover

As quoted in The Early Court of Queen Victoria http://www.archive.org/stream/earlycourtofquee00jerruoft/earlycourtofquee00jerruoft_djvu.txt (1912) by Clare Jerrold

Life, Death, God, Exercises

“You can draw the blinds in a brothel, but people still know what you’re doing.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 4 (p. 69)

People, Drawing

Quotes about draw page 8

Quotes about draw
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