
Source: Grupo Ígneo. Interview. https://grupoigneo.com/blog/jose-baroja-el-cuento-es-un-trago-breve/
A collection of quotes on the topic of discrepancy, fact, time, timing.
Source: Grupo Ígneo. Interview. https://grupoigneo.com/blog/jose-baroja-el-cuento-es-un-trago-breve/
“Between memory and reality there are awkward discrepancies…”
2. "Writing of One's Own" (pp. 17–18)
Liuyan [《流言》] (1968)
Context: In this era, the old things are being swept away and the new things are still being born. But until this historical era reaches its culmination, all certainty will remain an exception. People sense that everything about their everyday lives is a little out of order, out of order to a terrifying degree. All of us must live within a certain historical era, but this era sinks away from us like a shadow, and we feel we have been abandoned. In order to confirm our own existence, we need to take hold of something real, of something most fundamental, and to that end we seek the help of an ancient memory, the memory of a humanity that has lived through every era, a memory clearer and closer to our hearts than anything we might see gazing far into the future. And this gives rise to a strange apprehension about the reality surrounding us. We begin to suspect that this is an absurd and antiquated world, dark and bright at the same time. Between memory and reality there are awkward discrepancies, producing a solemn but subtle agitation, an intense but as yet indefinable struggle.
Source: Capitalism and Modern Social Theory (1971), p. 37.
2. "Writing of One's Own" (pp. 17–18)
Liuyan [《流言》] (1968)
2010s, Update on Investigations in Ferguson (2015)
Addressing the Pretoria Supreme Court judge in 1978 shortly after his conviction on a charge of high treason, as quoted in Down with Afrikaans - Oakes, D. (ed.), 1988. Illustrated history of South Africa – The real story, Reader’s Digest: Cape Town http://www.sahistory.org.za/archive/down-afrikaans-oakes-d-ed1988-illustrated-history-south-africa-%26ndash%3B-real-story-reader%E2%80%99s-digest-, sahistory.org.za
Source: The Confessions of Aleister Crowley (1929), Ch. 5.
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Herman, “Pol Pot, Faurisson, and the Process of Derogation”, in Otero, Ed. (1994), Noam Chomsky: Critical Assessments, pp. 598-615.
1990s
Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch. 1. "The Intransigent Right, Michael Oakeshott, Leo Strauss, Carl Schmitt, Friedrich von Hayek" (1992), p. 26
Babbage in November 1839, recalling events in 1821; quoted in Harry Wilmot Buxton and Anthony Hyman (1988), Memoir of the Life and Labours of the Late Charles Babbage. "Computers" here refers to people calculating by hand.
Source: The Other Side Of The Coin (2008), Chapter 4, Right Versus Left, p. 135
On Martin Amis, p. 205
Memoirs, North Face of Soho (2006)
Source: A Theology of Liberation - 15th Anniversary Edition, p. 21
“The concern of the artist is with the discrepancy between physical fact and psychological effect.”
Quote from: 'Albers Paints a Picture' Elaine de Kooning, Art News 49, November 1950, p. 40; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 67
'Woodhouse walkies'
Essays and reviews, Glued to the Box (1983)
Source: Philosophy and Real Politics (2008), pp. 87-88.
Source: Management Science (1968), Chapter 6, The Viable Governor, p. 146.
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public
"Lincoln and the Priests of Academe"
1990s, United States - Essays 1952-1992 (1992)
Source: Psychic Politics: An Aspect Psychology Book (1976), p. 85
Source: "The history of introspection reconsidered." 1980, p. 241
Source: Against Interpretation and Other Essays (1966), p. 6
Defence of Criminals: A Criticism of Morality (1889)
interview in Iconey http://www.iconeye.com/index.php?option=com_content&view=article&id=2715:rem-koolhaas--icon-013--june-2004, Icon 013, (June 2004)
'The Origin of Art'
Homage to the square' (1964)
Why Are Americans So Angry?, June 29, 2006 http://www.house.gov/paul/congrec/congrec2006/cr062906.htm
2000s, 2006-2009
Source: Images of Organization (1986), p. 77-78 (Morgan, 1998); Cited in: Sherryl Stalinski (2005) A Systems View of Social Systems, Culture and Communities. Saybrook Graduate School. p. 5
"Time in Transition" https://web.archive.org/web/20121113235339/http://www.thatsmags.com/shanghai/article/777/time-in-transition (2011) (original emphasis)
as quoted in "'Not the true Republican Party': How the party of Lincoln ended up with Ted Cruz" http://www.salon.com/2014/09/29/not_the_true_republican_party_how_the_party_of_lincoln_ended_up_with_ted_cruz/ (29 September 2014), by Elias Isquith, Salon
Ukraine: A History (1988), p. 15.
"Introductory Lecture on the Harmony of Theory and Practice in Mechanics" (1856), p. 4
On inequality in Hollywood — reported in Lynne Melcombe, BC Woman "Supernatural SuXXess" http://www.gilliananderson.ws/transcripts/94_95/95bcwoman.shtml (October, 1995)
1990s
isn't believable for an instant.
"The Agony and the Ecstasy," p. 11.
5001 Nights at the Movies (1982)
[The modified Newtonian dynamics—MOND and its implications for new physics, arXiv preprint astro-ph/0701848, 27 March 2007, https://arxiv.org/abs/astro-ph/0701848] (p. 2)
Source: Fritz Zwicky, Morphological astronomy, The Observatory, Vol. 68, p. 121-143 (1948).
Prologue
Anarchism : A History of Libertarian Ideas and Movements (1962)
Context: Anarchism, nihilism, and terrorism are often mistakenly equated, and in most dictionaries will be found at least two definitions of the anarchist. One presents him as a man who believes that government must die before freedom can live. The other dismisses him as a mere promoter of disorder who offers nothing in place of the order he destroys. In popular thought the latter conception is far more widely spread. The stereotype of the anarchist is that of the cold-blooded assassin who attacks with dagger or bomb the symbolic pillars of established society. Anarchy, in popular parlance, is malign chaos.
Yet malign chaos is clearly very far from the intent of men like Tolstoy and Godwin, Thoreau and Kropotkin, whose social theories have all been described as anarchist. There is an obvious discrepancy between the stereotype anarchist and the anarchist as we most often see him in reality; that division is due partly to semantic confusions and partly to historical misunderstandings.
Source: What is Anthropology? (2nd ed., 2017), Ch. 5 : Reciprocity
In 1647, as quoted in "Free Speech and Its Present Crisis" https://www.city-journal.org/free-speech-crisis (2018), by Allen C. Guelzo, City Journal