Quotes about director (384 quotes) | Quotes of famous people

“I can't tell you how many directors have decided that Donna Anna wants to be raped by Don Giovanni and is in love with him, even though she has never seen him before.”

Megan Marie Hart (1983) American opera singer

American soprano Megan Marie Hart on the male perception of iconic female characters in opera.
Source: https://www.middleclassartist.com/post/excluded-penalized-indebted-harassed-a-study-of-systemic-discrimination-against-women-in-opera?curator=MusicREDEF

“The entire universe is God's cosmic motion picture, and that individuals are merely actors in the divine play who change roles through reincarnation; mankind's deep suffering is rooted in identifying too closely with one's current role, rather than with the movie's director, or God.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

God , Suffering , Universe , Change

“I see every director as a different brand. That way, it’s easy for me to compartmentalise my work. So I can easily switch from one film to the other and refresh myself when I hit a mental block. I don’t want my music to sound like a pastiche of other works. So I stop listening to my songs once the audio for a film is released. When I unwind, it’s usually with jazz.”

Yuvan Shankar Raja (1979) Indian musician

Yuvan Unplugged (2009)

Music , Way

“The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.”

Ennio Morricone (1928–2020) Italian composer, orchestrator and conductor

Music , Problem

“Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.”

James Cameron (1954) Canadian film director

Star , Sister

“In the documentary the basic material has been created by God, whereas in the fiction film the director is a God; he must create life.”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in Hitchcock (revised edition 1984) by François Truffaut with the collaboration of Helen G. Scott, p. 102.

Life , God

“When I see British people sitting in the court to try me, remembering that the English people are proud of that word "Fair play," I am confident that I will be blessed by God and by man also. Not only Bishop Bourget spoke to me in that way, but Father Jean-Baptiste Bruno, the priest of Worcester, who was my director of conscience, said to me: "Riel, God has put an object into your hands the cause of the triumph of religion in the world, take care, you will succeed when most believe you have lost."”

Louis Riel (1844–1885) Canadian politician

I have got those words in my head, those words of J. B. Bruno and the late Archbishop Bourget.
Address to Grand Jury (1885)

God , People , World , Religion

“This is a second act for me, and you give me that. I wanna thank you for this. I'm so grateful and proud. I just wanna to dedicated this (the award) to anyone else out there, who is trying to get a second act, because you can do. (Speech after receiving the British Academy Film Awards for the Best Director)”

Ben Affleck (1972) American film actor, director and screenwriter

(from the video Ben Affleck wins Best Director at BAFTAs 2013, channel "Sony Pix", February 09, 2013.

“In fact, the most difficult thing for a director like me is to find the right people; it is enough to put in a group a man or a woman or a wrong person that everything is compromised.”

Rocco Siffredi (1964) Italian pornographic actor, director, producer and entrepreneur

Interview by Andrea Di Marcantonio

Personality , People

“Be extremely subtle, even to the point of formlessness. Be extremely mysterious, even to the point of soundlessness. Thereby you can be the director of the opponent's fate.”

Sun Tzu book The Art of War

(zh-TW) 微乎微乎，至於無形；神乎神乎，至於無聲；故能為敵之司命。
Alternative translation: Subtle and insubstantial, the expert leaves no trace; divinely mysterious, he is inaudible. Thus he is master of his enemy's fate.
Alternative translation: O divine art of subtlety and secrecy! Through you we learn to be invisible, through you inaudible and hence we can hold the enemy's fate in our hands.
The Art of War, Chapter VI · Weaknesses and Strengths

Fate

“Most directors make films with their eyes; I make films with my testicles.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

“I envision a society without any physical or psychological barriers towards the blind – a barrier-free environment where the blind can walk freely, can travel, can work, think for themselves, and live proud and dignified lives like other citizens. Society thinks that we can only sing sweet songs, only become teachers and telephone operators in the bank. But we can do more. We can dance, we can fire juggle, we can do martial arts, we can become managers and directors of companies. But society is constantly interpreting what we can do and what we can’t. This has to change very soon.”

Tiffany Brar (1988) Indian Social Activist

As quoted in They Say the Blind Should Not Lead the Blind. She Proves Them Wrong. https://www.thebetterindia.com/40485/tiffany-brar-working-for-blind/ (December 22, 2015) by Ranjini Sivaswamy, The Better India.

Art , Travel , Thinking , Teachers

“The work of a director can be summed up in two very simple words. Why and How.”

Peter Brook (1925) English theatre and film director and innovator

[Brook, Peter, On Directing, 1999, Faber and Faber ltd, London, England, English, 0-571-19149-5, ix (Foreword)]

“It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline" http://wrt102summer2005.blogspot.com/2005/07/pauline-kael-new-yorker-interview.html, interview with Francis Davis, The New Yorker (October 2001).
Interviews

“I think that I’m a better speechwriter than my speechwriters. I know more about policies on any particular issue than my policy directors. And I’ll tell you right now that I’m gonna think I’m a better political director than my political director.”

Barack Obama (1961) 44th President of the United States of America

Reported by Ryan Lizza in the New Yorker, said to Patrick Gaspard during a job interview in 2007. http://www.newyorker.com/reporting/2008/11/17/081117fa_fact_lizza?printable=true
2007

Thinking

“These oligarchies alone manage the political systems inherited from bourgeois electoral and representative democracy, having succeeded in domesticating the right and left electoral political parties, at the price of eroding the legitimacy of the democratic practice concerned. These oligarchies alone control the propaganda apparatuses, having succeeded in reducing the directors of news organizations including public broadcasters to the status of media clergy in their exclusive service. None of these aspects of the dictatorship of the oligarchy is challenged by the social and political movements at work in the triad, especially not in the United States.”

Samir Amin (1931–2018) Egyptian economist

The Election of Donald Trump https://mrzine.monthlyreview.org/2016/amin301116.html (30 November 2016), Monthly Review Magazine (MRzine)

Democracy

“Fun seems to be a three-letter word these days, although with directors like Tim Burton and George Lucas, it's fun, fun, fun while working yourself to death. But if you compare those Hammer movies to what has been made in the last 20 years - Brian de Palma, Francis Ford Coppola, Martin Scorsese, George Lucas, Wes Craven, Tim Burton and Peter Jackson have all said the same thing to me: 'We were brought up on your movies.”

Christopher Lee (1922–2015) British actor and singer

And it certainly shows in theirs.
Work hard - and play plenty of golf https://www.theguardian.com/film/2001/feb/24/books.guardianreview (February 23, 2001)

Death

“The directors of Synthank were eating an enormous luncheon to celebrate the launching of their new product. Some of them wore the plastic face-masks popular at the time. All were elegantly slender, despite the rich food and drink they were putting away. Their wives were elegantly slender, despite the food and drink they too were putting away. An earlier and less sophisticated generation would have regarded them as beautiful people, apart from their eyes.”

Brian W. Aldiss book Super-Toys Last All Summer Long

Super-Toys Last All Summer Long (1969)

People , Food , Beauty , Drink

“At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.”

Jean-Michel Jarre (1948) French composer, performer and music producer

interviewed on the Danish Monitor radio programme 2005-11-30

People , Music , Idea , Problem

“Pyaar Kii Ye Ek Kahaani has given me the opportunity to explore as an actor and has won me lots of recognition and fame. I am grateful to the show. It has been a lovely journey till date. I love my director Partho sir who makes each day on the sets a memorable one. I also love my co-actors. In fact I love everything about the show.”

Sukirti Kandpal (1987) Indian actress

On her shows
Source: On Pyaar Kii Ye Ek Kahaani http://www.tellychakkar.com/tv/interviews/i-am-very-much-single-and-definitely-not-married-sukirti-kandpal/

Love

“The next thing I know, I'm on the set of the movie Magic Mike. The movie is directed by a director named Steven Soderbergh, who's an amazing, amazing director, he's done a lot of great films. And, of course, Channing Tatum's in the movie. In addition, there's an actor by the name of Matthew McConaughey, who's attached to the movie. [Several audience members cheer] I'm a huge fan of Matthew McConaughey, okay? When I found out that I was gonna work with him, I was so excited, you know? People ask me, "Really, you get star-struck?" Hell yeah! I'm a comedian, not an actor. So, I show up, and, immediately, they send me to the makeup trailer that's outside. So, I go into the makeup trailer, I sit down, they start working on my hair, they start putting makeup on me, and in comes Matthew McConaughey, and he sits down on the chair right next to me. And I start freaking out, "Oh, my God, that's Matthew McConaughey!" [Stutters excitedly] And, now, I decide to introduce myself before I did or said something stupid, right? So, I look over to him, and I say, "Excuse me, Mr. McConaughey? How are you doing? My name's Gabriel Iglesias, I'm going to be playing the role of Tobias, the club DJ, and I just wanted to say Hello, and that it's an honor to work with you." And, in my head, I'm thinking, "I hope he's the same guy. I hope he's the same person in the movies, I hope his voice is the same, I hope his accent's the same." And he turns to me, and he says, [Imitating Matthew McConaughey] "All riiight." [Audience cheers] "How you doin' there, big man? You doin' good?" "I'm doing good." "All riiight."”

Gabriel Iglesias (1976) American actor

And, I'm spazzing out. [Gives excited gibberish]
Aloha, Fluffy (2013)

God , People , Stupidity , Hope

“I idealize my directors. It's true. I need to. I need to. I don't know if idealizing is a bad thing or good thing. But I just want to get up in the morning and work to get a glimpse of thing of his eyes searching things inside of me. For some I want to go to hell and to heaven. It hasn't happened with everybody. There are certain people I idealize. Others are very good, and I want to please them, too, but in a different sense of the word.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

People , Search , Hell , Sense

“Nic Roeg inspires me. He’s one of the greatest British film directors. His work is bold, challenging, cinematic and full of mesmerising ideas.”

Olly Blackburn Film director and screenwriter

Olly Blackburn meets Nic Roeg, TimeOut London, Olly Blackburn, Time Out Group Ltd and Time Out Digital Ltd., 9 July 2008, 23 February 2012 http://www.timeout.com/film/features/show-feature/5148/olly-blackburn-meets-nic-roeg.html,

Idea

“I've made I don't know how many pictures. Forty, I guess. I've seen only about a half dozen of them. We made Reflections in a Golden Eye in Rome last spring. I really enjoyed working with Liz and Brando and that great director, John Huston. But the kind of picture I enjoy seeing is something like The Parent Trap. That was a charming thing with Hayley Mills playing my twin daughters. I saw that four times. I even took my wife's parents to see it. I like it so much I forgot I was in it, as a matter of fact.”

Brian Keith (1921–1997) actor

Keith (1968) PhotoplayMagazine.com
Brian Keith on starring in his own movies

Spring , Parent , Time , Daughters

“I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Letter to George Devine (10 March 1964), printed in Kenneth Tynan : A Life by Dominic Shellard , p. 292
Context: I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences. I count myself as a member of an intelligent audience, and I wrote to you as such. That you should disagree with me I can understand, but that you should resent my expressing my opinions is something that frankly amazes me. I thought we had outgrown the idea of theatre as a mystic rite born of secret communion between author, director, actors and an empty auditorium.

Intelligence

“Former CIA director John Brennan, whose security clearance you revoked on Wednesday, is one of the finest public servants I have ever known. Few Americans have done more to protect this country than John.”

William H. McRaven (1955) United States admiral

Open letter to US President Donald Trump (2018)
Context: Dear Mr. President:
Former CIA director John Brennan, whose security clearance you revoked on Wednesday, is one of the finest public servants I have ever known. Few Americans have done more to protect this country than John. He is a man of unparalleled integrity, whose honesty and character have never been in question, except by those who don’t know him.
Therefore, I would consider it an honor if you would revoke my security clearance as well, so I can add my name to the list of men and women who have spoken up against your presidency.

Country

“Even young directors — for most of them, their only standard of achievement is how well their films do on the first weekend or whatever. It worries me.”

Roman Polanski (1933) Polish-French film director, producer, writer, actor, and rapist

"Roman Polanski: An Exclusive Interview" by Taylor Montague http://web.archive.org/web/20041121095701/http://www.geocities.com/mishaca/interviews/polanski.html
Context: It's already getting more and more difficult to make an ambitious and original film. There are less and less independent producers or independent companies and an increasing number of corporations who are more interested in balance sheets than in artistic achievement. They want to make a killing each time they produce a film. They're only interested in the lowest common denominator because they're trying to reach the widest audience. And you got some kind of entropy. That's the danger; they look more alike, those films. The style is all melting and it all looks the same. Even young directors — for most of them, their only standard of achievement is how well their films do on the first weekend or whatever. It worries me. But then, from time to time, you have a film like The Usual Suspects or.... I'm trying to think of something American with some kind of originality... Pulp Fiction.

“I believe that the officers, and, especially, the directors, of corporations should be held personally responsible when any corporation breaks the law.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, The New Nationalism (1910)
Context: We have come to recognize that franchises should never be granted except for a limited time, and never without proper provision for compensation to the public. It is my personal belief that the same kind and degree of control and supervision which should be exercised over public-service corporations should be extended also to combinations which control necessaries of life, such as meat, oil, or coal, or which deal in them on an important scale. I have no doubt that the ordinary man who has control of them is much like ourselves. I have no doubt he would like to do well, but I want to have enough supervision to help him realize that desire to do well. I believe that the officers, and, especially, the directors, of corporations should be held personally responsible when any corporation breaks the law.

Law , Personality

“What women must do, what feminists are now doing is to point to that stage, its sets, its props, its director, and its scriptwriter, as did the child in the fairy tale who discovered that the emperor was naked, and say, the basic inequality between us lies within this framework. And then they must tear it down.”

Gerda Lerner (1920–2013) Austrian-American women's history scholar

The Creation of Patriarchy, Introduction, pp. 13-14
The Creation of Patriarchy (1986)

Tear , Women

“Napoleon, far more Italian than French, Italian by race, by instinct, imagination, and souvenir, considers in his plan the future of Italy, and, on casting up the final accounts of his reign, we find that the net profit is for Italy and the net loss is for France. Since Theodoric and the Lombard kings, the Pope, in preserving his temporal sovereignty and spiritual omnipotence, has maintained the sub-divisions of Italy; let this obstacle be removed and Italy will once more become a nation. Napoleon prepares the way, and constitutes it beforehand by restoring the Pope to his primitive condition, by withdrawing from him his temporal sovereignty and limiting his spiritual omnipotence, by reducing him to the position of managing director of Catholic consciences and head minister of the principal cult authorized in the empire.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Hippolyte Taine in Napoleon's views on religion.
About, Other
Source: Archive https://archive.org/stream/jstor-25102177/25102177_djvu.txt

Way , Loss , Imagination , Future

“I have only one rule in acting--trust the director, and give him heart and soul.”

Ava Gardner (1922–1990) American actress

Soul , Heart

“You were designed to be very smart, Max,' she told me. 'We electrically stimulated your synaptic nerve endings while your brain was developing.' (The director)
And yet I still can't program my DVD player,' I said." (Max)”

James Patterson (1947) American author

“In feature films the director is God; in documentary films God is the director.”

Alfred Hitchcock (1899–1980) British filmmaker

God

“You must become the producer, director and actor in the unfolding story of your life.”

Wayne W. Dyer (1940–2015) American writer

Life

“And that," put in the Director sententiously, "that is the secret of happiness and virtue — liking what you've got to do. All conditioning aims at that: making people like their unescapable social destiny.”

Aldous Huxley book Brave New World

Source: Brave New World

People , Secret , Happiness

“I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.”

Alfred Hitchcock (1899–1980) British filmmaker

Newsweek (11 June 1956).

“She's got no charisma of any kind [but] I can imagine her being mildly useful to a low-rank porn director.”

Christopher Hitchens (1949–2011) British American author and journalist

Imagination

“I live cinema. I chose the cinema when I was very young, sixteen years old, and from then on my memories virtually coincide with the history of the cinema … I'm not a director with a personal style, I am simply cinema. I have grown up with and through cinema; everything that I've had in the way of education has been through the cinema; insofar as I'm interested in images, in books, in music, it's all due to the cinema.”

Michael Powell (1905–1990) English film director

Midi-Minuit Fantastique, Oct. 1968

Books , Education , Music , Way

“The marketing director in each department reported directly to the department head and controlled market research and sales. More important, the marketing manager was also responsible for new product development, requesting production schedules, and controlling finished goods inventory.”

Neil Fligstein (1951) American sociologist

Source: The transformation of corporate control, 1993, p. 234

“Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was reminded of it during some of the long, drawn-out portions of JFK. However, nothing that Stone has directed — or misdirected — prepared me for the grotesque mess that is Natural Born Killers.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1509 of Natural Born Killers (1994).
One-and-a-half star reviews

Nature , Learning

“[Unnamed actress on the set of Grand Prix] never had eyes for me. Hell, she wouldn't even talk to me, after she'd found out that I was just an unimportant actor. Good grief! Then, this is what happened: We were sitting in the foyer of the Hotel de Paris in Monte Carlo. She, myself and Antonio. Then an assistant director crossed our path. That actress was trying to get him to take us to the theatre where they were showing the rushes of the day before. After some discussion, she persuaded him. He said: `Be quiet, I'm gonna lose my job…' So we hid in the balcony, looking down, where that wonderful director Frankenheimer was sitting. After some minutes of racing cars, finally her scene came, and she was doing a phone call - she was playing a sophisticated magazine editor -, and suddenly you could hear the director, who had this loud, resonant voice, howling in rage, because he didn't like her at all. `Oh my God, she's awful! She can't walk, she can't talk, look at her hair!' So he turned to that faggot hairdresser, who was like Katherine the Great, and this guy said: `Well, usually she plays this peasant types. I don't know why you cast her for this role in the first place!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

And remember, this actress was sitting there with us, and she nearly went crazy! She was squirming with embarrassment. This is an actor's nightmare, you know. The next day she was fired.
Euro Trash Cinema magazine interview (March 1996)

God , Cars , Guy , Hell

“My big claim to fame during the three years I was at Stratford was understudying Henry V and going on without any rehearsal — and I tell that story in the show. … Tyrone Guthrie, a great English director of that time, said to me — I was understudying Chris Plummer — and they said, "Plummer's ill. Can you go on?" And I had never rehearsed the part, never spoken the part out loud. And I went on.”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

"It's Shatner's World and He Wants You to See It" http://www.npr.org/2012/02/18/147090053/its-shatners-world-and-he-wants-you-to-see-it, NPR, 18 Feb 2012

Time , Parting

““Mani Madhava Chakyar when he portrayed Arjuna on the first evening and Ravana on the second, showed himself a master of the expression of the eye”
- Dr. V Raghavan, renowned scholar of Sanskrit dramaturgy, classical Indian dance and music, connoisseur of art and former director of Samskritaranga- Chennai, 1962.”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: p. 21 http://www.google.co.in/books?id=O_U7AAAAMAAJ&dq=mani+madhava&q=mani+madhava&pgis=1#search Natya, Bharatiya Natya Sangh, 1962.

Art , Music , Dance

“The people who’ve done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] — who want to make the kind of movies that producers want to produce. People who don’t succeed — people who’ve had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever — are the people who didn’t want to make the kind of pictures that producers want to make. Producers didn’t want to make a Renoir picture, even if it was a success.”

Orson Welles (1915–1985) American actor, director, writer and producer

Quoted in The Orson Welles Story.

People , Nature , Thinking , Time

“But I am very confident that David Pleat, the director of football or whatever his title is now days – I am very confident that he, with all his media commitments around the world, knows the market place.”

Billy Davies (1964) Scottish association football player and manager

Feb 2009, http://www.thisisnottingham.co.uk/news/Davies-Forest-sign-players/article-715858-detail/article.html
This quote is almost certainly tongue-in-cheek, since Davies does not have a good relationship with Pleat.

World , Confidence , Football

“Mnemonists, people with freakish memories and no other virtues, were capable of playing dazzling games, dismaying and confusing the other participants by their rapid muster of countless ideas. In the course of time such displays of virtuosity fell more and more under a strict ban, and contemplation became a highly important component of the Game. Ultimately, for the audiences at each Game it became the main thing. This was the necessary turning toward the religious spirit. What had formerly mattered was following the sequences of ideas and the whole intellectual mosaic of a Game with rapid attentiveness, practiced memory, and full understanding. But there now arose the demand for a deeper and more spiritual approach. After each symbol conjured up by the director of a Game, each player was required to perform silent, formal meditation on the content, origin, and meaning of this symbol, to call to mind intensively and organically its full purport. The members of the Order and of the Game associations brought the technique and practice of contemplation with them from their elite schools, where the art of contemplation and meditation was nurtured with the greatest care. In this way the hieroglyphs of the Game were kept from degenerating into mere empty signs.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

People , School , Art , Way

“In 1987 a Civil Service inquiry decided that the pay of the Director of the Tate Gallery should match that of the Director of the much larger Victoria & Albert Museum and of the National Gallery, where the pictures were regarded as being much more important, because, and here I quote, "the Director of the Tate has to deal with the very difficult problem of modern art."”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Art , Quotes , Problem

“[T]he rooms which had been placed at my disposal by the American Museum of New York became temporarily unavailable. …[W]e determined to rent a house in New Haven, Conn., and thither the laboratory was removed in November, 1882. …[T]he city offered excellent library and other facilities for scientific work, such as can be met only in the immediate vicinity of a large university [Yale College]. …The work in New Haven was not satisfactorily completed. In July, 1883, with the appointment of Prof. F. W. Clarke as chief chemist of the Geological Survey, our laboratory was officially connected with the chemical laboratory. Conformably with the further decision of the Director, by which the divers laboratories of the Geological Survey were united in one central laboratory in Washington, it was again necessary to change our basis of operations, this time… from New Haven to Washington. In the quarters assigned to us in the U. S. National Museum, temperature work on so large a scale… appeared impracticable, and it was therefore abandoned. …In place of the dangerous and cumbersome apparatus of the former laboratory, the endeavor is made to reduce all apparatus to the smallest dimensions compatible with reasonable accuracy of measurement.”

Carl Barus (1856–1935) U.S. physicist

"On the Thermo-Electric Measurement of High Temperatures" (April 8, 1889)

Decision , Universe , Appearance , Change

“One of the hardest things I do as FBI Director is call the chiefs and sheriffs in departments around the nation when officers have been killed in the line of duty. I call to express my sorrow and offer the FBI’s help. Officers like Wenjian Liu and Rafael Ramos, two of NYPD’s finest who were gunned down by a madman who thought his ambush would avenge the deaths of Michael Brown and Eric Garner. I make far too many calls. And, there are far too many names of fallen officers on the National Law Enforcement Officers Memorial and far too many names etched there each year.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

Death , Law , Memory , Help

“Evidently, there is a political element in the attack on The Satanic Verses which has killed and injured good if obstreperous Muslims in Islamabad, though it may be dangerously blasphemous to suggest it. The Ayatollah Khomeini is probably within his self-elected rights in calling for the assassination of Salman Rushdie, or of anyone else for that matter, on his own holy ground. To order outraged sons of the Prophet to kill him, and the directors of Penguin Books, on British soil is tantamount to a jihad. It is a declaration of war on citizens of a free country, and as such it is a political act. It has to be countered by an equally forthright, if less murderous, declaration of defiance…. I do not think that even our British Muslims will be eager to read that great vindication of free speech, which is John Milton’s Areopagitica. Oliver Cromwell’s Republic proposed muzzling the press, and Milton replied by saying, in effect, that the truth must declare itself by battling with falsehood in the dust and heat…. I gain the impression that few of the protesting Muslims in Britain know directly what they are protesting against. Their Imams have told them that Mr Rushdie has published a blasphemous book and must be punished. They respond with sheeplike docility and wolflike aggression. They forgot what Nazis did to books … they shame a free country by denying free expression through the vindictive agency of bonfires…. If they do not like secular society, they must fly to the arms of the Ayatollah or some other self-righteous guardian of strict Islamic morality.”

Anthony Burgess (1917–1993) English writer

'Islam's Gangster Tactics', in the London Independent newspaper , 1989
Writing

War , Truth , Books , Thinking

“Errol Flynn was an excellent fencer. He also knew his lines, something I greatly respect in an actor. Of course there was one glaring inconsistency with his professionalism. Errol also drank on the set, something I greatly disliked. You couldn't stop him. If the director prohibited alcohol on the set, then Errol would inject oranges with booze and eat during breaks. Everything good that we got on film was shot early in the day. He started gulping his water early in the morning and by four P. M. was in no shape to continue filming.”

Maureen O'Hara (1920–2015) Irish-American film actress and singer

Source: Tis Herself (2004), p.214-215

Alcohol , Water

“We have an autocracy which — which runs this university. It's managed. We were told the following: If President Kerr actually tried to get something more liberal out of the Regents in his telephone conversation, why didn't he make some public statement to that effect? And the answer we received — from a well-meaning liberal — was the following: He said, "Would you ever imagine the manager of a firm making a statement publicly in opposition to his Board of Directors?" That's the answer.Well I ask you to consider — if this is a firm, and if the Board of Regents are the Board of Directors, and if President Kerr in fact is the manager, then I tell you something — the faculty are a bunch of employees and we're the raw material! But we're a bunch of raw materials that don't mean to be — have any process upon us. Don't mean to be made into any product! Don't mean — Don't mean to end up being bought by some clients of the University, be they the government, be they industry, be they organized labor, be they anyone! We're human beings!”

Mario Savio (1942–1996) American activist

Speech, http://www.americanrhetoric.com/speeches/mariosaviosproulhallsitin.htm Sproul Hall, University of California, Berkeley (1964-12-02).

Imagination , Universe

“This is a painful movie to watch. But it is also exhilarating, as all good movies are, because we are watching the director and actors venturing beyond any conventional idea of what a modern movie can be about. Here there is no plot, no characters to identify with, no hope. But there is care: The filmmakers care enough about these people to observe them very closely, to note how they look and sound and what they feel.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/naked-1994 of Naked (18 February 1994)
Reviews, Four star reviews

Pain , People , Hope , Feeling

“First time directors - they may not make good movies all the time but they are always the best directors to work for because they’re always so excited, always so committed to what they’re trying to do.”

Clancy Brown (1959) American actor and voice actor

Time

“The intention was really to do something dignified, something that is honest and reflects the work that this Organization does. And it is with that spirit that the producers and the directors approached their work, and I hope you will all agree they have done that.”

Kofi Annan (1938–2018) 7th Secretary-General of the United Nations

On the film The Interpreter, from "Secretary-General's press encounter" (19 April 2005) http://www.un.org/apps/sg/offthecuff.asp?nid=719

Hope

“Gary Ross is just an incredible director, and it was great to have someone like him.”

Liam Hemsworth (1990) Australian actor

[Davia L. Mosley, 'The Hunger Games' exclusive Cast members share highlights, behind-the-scenes action, Marietta Daily Journal, Georgia, United States, March 13, 2012]

“Today, Psycho still holds up extraordinarily well (another reason why a remake seems pointless). With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps. The black-and-white photography is perfect for the film's tone and mood — the starkness of color would have blurred the nightmarish quality. The painstaking care with which [director Alfred] Hitchcock composed every scene is evident in the quality of the final product.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=669 of Psycho (1960).
Three-and-a-half star reviews

Color , Mood , Perfection

“The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad — it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year — the resumes of Hollywood players are littered with them. But, when something this big — a would-be blockbuster with recognizable names in the cast and crew — collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into [director] Michael Bay's latest sinkhole.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=293 of Bad Boys II (2002).
Half-star reviews

Money , Children , Boy , Fashion

Tony Banks (1942–2006) British politician

"The wit and wisdom of Tony Banks" http://news.bbc.co.uk/1/hi/uk/4593562.stm, BBC News, 8 January 2006.
on former Prime Minister John Major

People

“I love acting because it’s my heart. I love playing characters. When I get on the set, something snaps in me, something different. It’s what I was meant to do. I love working with other actors, I love working with directors, and I love creating something. From the DP [director of photography] to the director and the actors—and even down to the catering—you know, it’s just a family.”

Tara Reid (1975) American actress

Tara Reid Is Not a Loser https://www.vice.com/en_us/article/wd47d5/tara-reid-is-not-a-loser-954 (August 30 2014)

Love , Family , Heart

“Well, maybe Mr. T hacked the game and created a Mohawk class! Maybe, Mr. T's pretty handy with computers! Had that occurred to you, Mr. "Condescending" Director?!”

Mr. T (1952) American actor and retired professional wrestler

World of Warcraft Advert (2007)

Game

“Carné used to behave like a hysterical maniac. I had a small part in that film. Maurice Ronet and Annie Girardot were also in it. He was screaming like a maniac. But he was a masterful director. LES ENFANTS DU PARADIS is one of the greatest films ever made.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Parting

“In the past directors have always portrayed me as this strange girl who hardly talks but who has a great effect on people. They don't give me a chance to do something more, let more out of what is inside of me. The time is only coming up now when I feel I can open up. I have been almost a creature of these directors' imaginations. I guess that is what they saw in me and why they picked me. But if I was an object at moments in movies, I was also alive. I wasn't dead. I always gave everything I could while I worked. I could give maybe more today, but I gave what I could then.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

People , Feeling , Imagination , Girl

“(Sean Connery) was the most conceited actor I've ever worked with! He is rich, successful and handsome…good Lord, why does he act that way? He doesn't want anybody near him! If there was anything or anybody that might have taken the eyes of the spectator off of him, he just went to the director and complained, as if he didn't already have enough screen time! Murray Abraham was so different, such a nice man…And there was one brilliant German or Austrian actor on this movie who looked like Falstaff, big, fat guy, a marvellous presence. Helmut Qualtinger was his name. He was terrific!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Way , Guy , Time , Success

“I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on—if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.”

Tobe Hooper (1943–2017) American film director, screenwriter and producer

Tobe Hooper Interview http://www.interviewmagazine.com/film/tobe-hooper/#_ (July 14, 2014)

Music , Travel , Feeling , Thinking

“It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. [C]uriosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1423 of Psycho (1998).
One-and-a-half star reviews

Money , People , Understanding , Success

“Twenty-one years between first and second films is longer than any director should have to wait. The case of Polonsky is one of the most dismal hangovers from the McCarthy period.”

Abraham Polonsky (1910–1999) American politician

David Thomson, The New Biographical Dictionary of Film, page 689, Alfred A. Knopf, New York, 2003, ISBN 0-375-41128-3
About

Waiting

“Playing Paula in The Business of Strangers was extremely cathartic and wonderful for me because Patrick Stettner (the director) constantly encouraged me to be un-self aware. The character is very elusive and bold, but my experience of having people confuse bluntness with bitchiness has made me shy away from it, or it has made me too aware of the reactions I get from people. So Patrick undid all that by telling me to ignore what the response might be to Paula. It was almost like being a kid again, and it was a very empowering feeling.”

Julia Stiles (1981) American actress

MovieMaker, winter 2001.

People , Feeling , Business

“The actual manufacture of material into a specific product is a sort of digestive process which must have a functioning organization purposed to meet the required ends, just as the human body has, and it is governed by similar conditions. It must also be directed by a specific intelligence and must have internal and external avenues of correspondence to keep it alive; and, like a living organism, must adhere to the eternal economy of things and show a profit by its activities or it cannot progress.
To exemplify this in a simple way, the writer has laid out Figure I, showing the prime elements composing the anatomy of an industrial body. One does not have to draw on the imagination very far to make a comparison of this anatomy with that of man. It has its mind, will power, and brain to direct it, as indicated by the stockholders, directors and executive officers, a heart which keeps in flow the circulating medium internally; and avenues of correspondence with the outside world which furnish to it the very elements of existence.
This chart shows first, that the stockholders are simply elements belonging to the general public who have made an investment for some specific purpose; second, that immediately after this, the election of directors sets into action the first internal factor in the body, which is then divided into different functioning powers by the election of executive officers.”

Clinton Edgar Woods (1863) American engineer

Source: Organizing a factory (1905), p. 24

World , Way , Imagination , Intelligence

“While I didn't know it at the time, Daniel had suggested to Michael that I play Cora before we had ever met. And prior to our meeting, I was at a restaurant with John Bailey, the director, when I felt this man looking over in our direction and smiling a good deal. I realized, after leaving, that it was Daniel. He later told me that he was having lunch with Michael and had coincidentally asked him earlier that very day about me. It's just a funny thing, isn't it? And I was terribly flattered when he told me this tale. He was also very clear that the decision to cast me as Cora was all Michael's.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)

Smile , Decision , Time

“I Am Curious (Yellow) is not merely not erotic. It is anti-erotic. Two hours of this movie will drive thoughts of sex out of your mind for weeks. See the picture and buy twin beds… I think there actually is a director in Sweden who is dull and square enough to seriously consider this an art of moviemaking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-am-curious-yellow-1969 of I Am Curious (Yellow) (23 September 1969)
Reviews, One-star reviews

Art , Sex , Thinking

“There are two things that I feel very happy about from my tenure as Director of Health in Hong Kong: we introduced primary health care and preventive services from conception to old age; and we worked with herbalists to put Traditional Chinese Medicine on a firm footing of promotion, development and regulation.”

Margaret Chan (1947) Director-General of the World Health Organization

WHO Interview on taking office as Director-General http://www.who.int/dg/chan/interviews/taking_office/en/, Frontlines, 4 January 2007.

Health , Age , Feeling , Happiness

“I have learned so much from every director and actor I have ever worked with. I have been fortunate to have worked with some of the greats of our era and I was always cognizant of the fact that I was getting a free education every time at bat. I think you learn so much from just observing and being privy to the conversations that move the creative process forward.”

Erick Avari (1952) Indian actor

Playing Elrktra's Father and Encountering The Mummy: A Chat with Actor Erick Avari https://podcastingthemsoftly.com/2015/11/17/playing-elektras-father-and-encountering-the-mummy-a-chat-with-actor-erick-avari/ (November 17, 2015)

Education , Thinking , Learning , Time

“I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

Time

“Why do I make movies? I'm looking for terra incognita, a land on which no filmmaker has yet set foot, a planet where no director has planted his flag of conquest, a world that exists only in fairy tales.”

Karel Zeman (1910–1989) Czech film director, artist and animator

Proč vůbec točím filmy? Hledám Zemi nikoho, ostrov, na který ještě nevstoupila noha filmařova, planetu, na které ještě žádný režisér nevztyčil vlajku objevitele, svět, který existuje jen v pohádkách.
Quoted on the website of the Karel Zeman Museum in Prague (in English http://www.muzeumkarlazemana.cz/en/karel-zeman/quotes and Czech http://www.muzeumkarlazemana.cz/cz/karel-zeman/citaty).

World

“People come up to me and say "Steve, what is film editing?" And I say "How should I know? You're the director."”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

Introducing the film editing award at the Oscars.

People

“I am reminded of a comment Lord Dunsany made. He saw a script which had a gorgeous description of a sun setting over a landscape, and this had to be crossed out, and it said, "Sun sets, left." This is what I mean by the visuals being supplied by someone else, in that case the stage designer and the director.”

Lord Dunsany (1878–1957) Irish writer and dramatist

About

Sun

“Extravagant in movie terms but stingy in emotional ones, it embodies all of [director Steven] Spielberg's bad impulses and almost none of his good ones: It's a grand display of how well he knows how to work us over, and yet the desperation with which he tries to get to us is repulsive.”

Stephanie Zacharek (1963) American film critic

Review http://dir.salon.com/story/ent/movies/review/2005/06/29/war/index.html of War of the Worlds (2005)

“Well part of the reason I have that many credits is I don’t get in my director’s face too much. I just do what I’m told. But I’ve also been burned by first time directors. Anthony and I talked about it and, you know, he thought he was picking me and I thought I was picking him and we hit it off. He’s very visual which is exactly what you want for this.”

Clancy Brown (1959) American actor and voice actor

Clancy Brown interview: Warcraft, Nothing Left to Fear http://www.denofgeek.com/us/movies/clancy-brown/233112/clancy-brown-interview-warcraft-nothing-left-to-fear (February 18, 2014)

Time , Parting

“Kazan is a performer's director, the best director I ever worked with… Most actors don't get any help from directors. Emotional help, if you're playing an emotional part. Kazan is the only one I know who really gives you help.”

Marlon Brando (1924–2004) American screen and stage actor

Rolling Stone Issue No. 213 (May 20, 1976) on Elia Kazan

Help , Parting

“It is an honor to be nominated as Director of National Intelligence. A robust and responsible intelligence infrastructure is essential to our homeland security, and if confirmed I will ensure our national security decision-makers have every piece of information they need to protect the American people from the threats facing our nation. There is no higher priority than keeping America safe, and I will utilize every tool at my disposal to make that happen.”

Dan Coats (1943) 5th and current Director of National Intelligence, former United States Senator from Indiana

President-Elect Donald J. Trump Nominates Former U.S. Senator Dan Coats Director of National Intelligence https://greatagain.gov/dni-e1ff90566dcb#.h2txkfboq (January 7, 2017)

People , Intelligence , Decision

“I started to see this pattern being there. It was a small office and you can hear everybody talking. And it was just always a lot of activity. Because, you know it started out with the FBI Filegate problem when Craig Livingston (director of the White House’s Office of Personnel Security) got all of those FBI files on so many people. Like 900 files. And if they said 900 it was probably a thousand nine hundred. And then you had the travel office fiasco. Then Whitewater in ‘94 was really starting to kick in. And at that time Robert Fiske was the special prosecutor; that’s before Ken Starr. And they were looking at indicting all kinds of people…And of course, the Clintons were very, very involved with that. There were just so many of those scandals. Cheryl Mills was in and out of the office. The whole cast of characters. They’ve been around forever. I just started hearing over and over and over again. The first time I heard it I thought it, wow! And I heard Bernie Nussbaum talking extremely very loudly. To Hillary. And basically said, ‘For Christ’s sake, Hillary. All you have to say is you don’t recall. You don’t remember anything. Nobody can argue with that.”

Kathleen Willey (1946) White House aide

Kathleen Willey: I Overheard White House Staff Teaching Hillary Her Trademark ‘I Don’t Recall’ Defense https://www.breitbart.com/big-government/2016/09/05/kathleen-willey-overheard-white-house-staff-teaching-hillary-trademark-dont-recall-defense/ (September 3, 2016)

People , Travel , Problem , Time

“I've had experiences before where a director is like, "Yeah, I wanted a blonde." Have you heard of hair dye?”

Michelle Trachtenberg (1985) American actress

Interview by Michael J. Lee, Executive Editor for Radio Free Entertainment May 24, 2005

“I like to think of myself as a director, on the pitch and in life”

Andrea Pirlo (1979) Italian footballer

Ibid [p. 49]

Life , Thinking

“A political convention is after all not a meeting of a corporation's board of directors; it is a fiesta, a carnival, a pig-rooting, horse-snorting, band-playing, voice-screaming medieval get-together of greed, practical lust, compromised idealism, career-advancement, meeting, feud, vendetta, conciliation, of rabble-rousers, fist fights (as it used to be), embraces, drunks (again as it used to be) and collective rivers of animal sweat.”

Norman Mailer book The Presidential Papers

The Presidential Papers (1963)

Animals , Horse , Fight

“All my staff stood by me, the players stood by me, you stood by me, and your job now is to stand by our new manager. That’s important. My retirement doesn’t mean the end of my time at the club. I’ll now be able to enjoy watching them, rather than suffering with them. But, if you think about it, the last-minute goals, the comebacks, even the defeats, are all part of this great football club of ours. It’s been an unbelievable experience for all of us, so thank-you for that. I want to say thank-you to Manchester United. Not just the directors, coaching staff, medical staff, the players, the fans, but to all of you - you have been the most fantastic experience of my life. I’ve been very fortunate. I have been able to manage some of the greatest players in the country, let alone Manchester United. All the players here today have represented this club the proper way. They won the championship in a fantastic fashion, so well done to the players. To the players, I wish them every success in the future. You all know how good you are, you know the jersey you are wearing, you know what it means to everyone here and don’t ever let yourselves down.”

Alex Ferguson (1941) Scottish footballer and manager

Daily Mirror (12 May 2013) http://www.mirror.co.uk/sport/football/news/manchester-united-manager-sir-alex-1885487].

Life , Way , Fashion , Thinking

“Eratosthenes was the director of the great library of Alexandria, the Centre of science and learning in the ancient world. Aristotle had argued that humanity was divided into Greeks and everybody else, whom he called barbarians and that the Greeks should keep themselves racially pure. He thought it was fitting for the Greeks to enslave other peoples. But Eratosthenes criticized Aristotle for his blind chauvinism, he believed there was good and bad in every nation.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

25 Min 10 Sec
Cosmos: A Personal Voyage (1990 Update), Who Speaks for Earth? [Episode 13]

People , World , Learning , Science

“Merely professionalizing the board of directors is not enough to achieve competent business leadership and at the same time the necessary independent check on executives.”

Robert Aaron Gordon (1908–1978) American economist

Source: Business Leadership in the Large Corporation (1945), p. 347

Business , Time

“I know that you observe Christmas Day as you learned it at home. I do not observe it. However, as assistant director of this prison, I allow all the Catholics to observe freely and with some joy this day in this home.”

Odilo Globocnik (1904–1945) SS officer

Quoted in "In Tito's Death Marches and Extermination Camps" - Page 163 - by Joseph Hecimovic, John Prcela - 1962.

Home , Learning , Joy , Christmas

“It was not the inexperienced art public that became American Scenists. It was the artists themselves, a highly sophisticated group, thoroughly familiar with the art work and the art traditions of the world, who had flocked to Paris to participate in the great cultural center, who were very conscious of the Impressionists and Post-Impressionists revolutions, who fell for this propaganda [to strive for a pure national American art]. It is upon them that responsibility falls. Their support of this reactionary philistinism is an inexcusable betrayal... It is time for the artists to wake up and re-examine their aesthetic foundations; to rid themselves of the millstone that has made art in America an expensive picture postcard-factory... It is time that artists refused isolationist money, repudiated the art dealers, the favor of the museum directors. It is time artists forgot about success..”

Barnett Newman (1905–1970) American artist

Quote of 1942; in Barnett Newman', by Thomas B. Hess, museum of Modern art, New York 1971; as cited in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 124-125
1940 - 1950

Money , World , Art , Support

“[While filming 'Ashes to Ashes'] So we're on the beach shooting this scene with a giant bulldozer. The camera was on a very long lens. [The camera is along way away, but the artist fills the frame] In this video I'm dressed from head to toe in a clown suit. Why not. I hear playback and the music starts. So off I go, I start singing and walking, but as soon as I do this old geezer with an old dog walk right between me and the camera… Well, knowing this is gonna take a while I walked past the old guy and sat next to camera in my full costume waiting for him to pass. As he is walking by camera the director said, excuse me Mr do you know who this is? The old guy looks at me from bottom to top and looks back to the director and said… "Of course I do!!!! its some cunt in a clown suit."”

David Bowie (1947–2016) British musician, actor, record producer and arranger

That was a huge moment for me, It put me back in my place and made me realize, yes I'm just a cunt in a clown suit. I think about that old guy all the time.
http://tonythegigguy.com/queen-bitch-beat-city-bowie-special-sleeve-notes

Dogs , Music , Way , Guy

“Whether they were bank directors or mental cases, the people who were loaded on those trains meant nothing to me.
It was really none of my business.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

As quoted in Religion and Public Education (1967) by Nicholas Wolterstorf.

People , Business , Training

“There you are', said Efros [Granovsky, director of the State Jewish Chamber Theater, in 1920], leading me into a dark room, 'These walls are all yours, you can do what you like with them'. It was a completely demolished apartment that had been abandoned by bourgeois refugees. 'You see', he continued, 'the benches for the audience will be here; the stage there'. To tell the truth, all I could see there was the remains of a kitchen… And I flung myself at the walls. The canvases were stretched out on the floor. Workmen, actors walked over them. The rooms and corridors were in the process of being repaired; piles of shavings lay among my tubes of paint, my sketches. At every step one dislodged cigarette-ends, crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 38
1920's, My life (1922)

Truth , Painting

“"I like to think oysters transcend national barriers, Adrian." - Pink Floyd: Live At Pompeii video, in an interview with director Adrian Maben.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Miscellaneous

Thinking

“We should celebrate,” Rita said.
“Yes. I'm where I wanted to be.” Benteley sipped the remains of his drink. “Working for the Directorate. Sworn in to the Quizmaster. That’s what I set out for, that day. It seems like a long time ago. Well, I've finally arrived.” He gazed down at his glass and was silent.
“How do you feel?”

Philip K. Dick book Solar Lottery

“Not much different.”
Source: Solar Lottery (1955), Chapter 16 (p. 176)

Feeling , Drink , Time

“I had no natural gift to be anything — not an athlete, not an actor, not a writer, not a director, a painter of garden porches — not anything. So I've worked really hard, because nothing ever came easily to me.”

Paul Newman (1925–2008) American actor and film director

Quoted in The Daily News (1991-06-10)

Nature

“I just feel as though it's become a situation where people have manifested this caricature of who I am, and they act as if there's no real person inside of it. I mean, people really have come to believe-directors, producers, agents, whoever it may be-that I started in this because I wanted to be a celebrity. But that was never my intention.”

Lindsay Lohan (1986) American actress and pop singer

Interview interview (2009)

People , Feeling , Personality

“Of course it’s commendable that the UN would – albeit by a stunted majority – again pass resolutions that highlight gross human rights violations in North Korea, Burma and the Iran,” said Hillel Neuer, executive director of the Geneva-based monitoring group UN Watch.”

Hillel Neuer Canadian activist

UN Watch quotes for human rights votes today on Iran, Burma, North Korea https://www.unwatch.org/un-watch-quotes-human-rights-votes-today-iran-burma-north-korea/, Jewish Press, November 21, 2011

“The potential evidenced by [director James] Cameron in The Terminator — the ability to sustain suspense, meld action with story, and provide compelling characters despite the limitations of the actors portraying them — would be fully realized in two future features, Aliens and Terminator 2. This movie, however, is in some ways more impressive than either of those because of what the filmmaker was capable of achieving with a limited budget and without significant studio backing. The themes and ideas presented in The Terminator hold up well today, even though we have moved into the post-Cold War era and only the most nihilistic individuals could see 2029 in such bleak terms. It's a rousing science fiction story that proves an on-screen adrenaline rush need not short-circuit the brain.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1618 of The Terminator (1984).
Three-and-a-half star reviews

War , Way , Idea , Science

“The producer and director were developing my story to a mega series. They had shot around 100 episodes after which the ban was imposed. The Muslim fanatics in Bengal, supported by the ruling Trinamool Congress played havoc when the serial was to be aired. The chief minister was instrumental in imposing the ban. It is interesting to see that the same person (Mamata Bangerjee) is now advocating for freedom of expression and calling it super emergency,” “This is sheer double standard….. If some people do not like a representation of art, there are other ways to counter it. I never support violent attack on artistic freedom. I also do not support the trend of issuing fatwa. But, there are politicians, who support or protest on the basis of religion. Why are rules being tweaked for one particular community in Bengal? Why did Mamata Banerjee’s government never allow me to work there, allow my books to be published? Freedom of expression, the most important character of a democracy, is always under attack for vested political interest. Nobody criticises things neutrally,”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Economic Times https://economictimes.indiatimes.com/news/politics-and-nation/didi-tweet-on-padmavati-fuels-taslima-nasreen-fury-over-bengal-gag-on-tv-serial/articleshow/61762771.cms

People , Books , Religion , Art