Quotes about designation
page 6

Erik Naggum photo

“C is not clean – the language has many gotchas and traps, and although its semantics are simple in some sense, it is not any cleaner than the assembly-language design it is based on.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: teaching and learning with LISP/Scheme http://groups.google.com/group/comp.lang.lisp/msg/1c0fd1ffdb5d1b8b (Usenet article).
Usenet articles

Richard Nixon photo
Garry Trudeau photo
James Fenimore Cooper photo
Daniel Dennett photo
Jack McDevitt photo
William Gibson photo
Philippe Starck photo
Ben Klassen photo

“An internal combustion engine is 'clearly' a system; we subscribe to this opinion because we know that the engine was designed precisely to be a system. It is, however, possible to envisage that someone (a Martian perhaps) totally devoid of engineering knowledge might at first regard the engine as a random collection of objects. If this someone is to draw the conclusion that the collection is coherent, forming a system, it will be necessary to begin by inspecting the relationships of the entities comprising the collection to each other. In declaring that a collection ought to be called a system, that is to say, we acknowledge relatedness. But everything is related to everything else. The philosopher Hegel enunciated a proposition called the Axiom of Internal Relations. This states that the relations by which terms are related are an integral part of the terms they relate. So the notion we have of any thing is enriched by the general connotation of the term which names it; and this connotation describes the relationship of the thing to other things… [There are three stages in the recognition of a system]… we acknowledge particular relationships which are obtrusive: this turns a mere collection into something that may be called an assemblage. Secondly, we detect a pattern in the set of relationships concerned: this turns an assemblage into a systematically arranged assemblage. Thirdly, we perceive a purpose served by this arrangement: and there is a system.”

Anthony Stafford Beer (1926–2002) British theorist, consultant, and professor

Source: Decision and control: the meaning of operational research and management cybernetics, 1966, p. 242.

A. Wayne Wymore photo
Ken Thompson photo
Fred Brooks photo

“Design may be a solution to some industrial problems.”

Charles Eames (1907–1978) American designer, half of duo the Eames

In answer of the question: Is Design a craft for industrial purposes?
Design Q & A with Charles Eames, 1972

John Brown (abolitionist) photo
George W. Bush photo
Robert E. Lee photo

“Governor, if I had foreseen the use those people designed to make of their victory, there would have been no surrender at Appomattox Courthouse; no sir, not by me. Had I foreseen these results of subjugation, I would have preferred to die at Appomattox with my brave men, my sword in my right hand.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

Supposedly made to Governor Fletcher S. Stockdale (September 1870), as quoted in The Life and Letters of Robert Lewis Dabney, pp. 497-500; however, most major researchers including Douglas Southall Freeman, Shelby Dade Foote, Jr., and Bruce Catton consider the quote a myth and refuse to recognize it. “T. C. Johnson: Life and Letters of Robert Lewis Dabney, 498 ff. Doctor Dabney was not present and received his account of the meeting from Governor Stockdale. The latter told Dabney that he was the last to leave the room, and that as he was saying good-bye, Lee closed the door, thanked him for what he had said and added: "Governor, if I had foreseen the use these people desired to make of their victory, there would have been no surrender at Appomattox, no, sir, not by me. Had I foreseen these results of subjugation, I would have preferred to die at Appomattox with my brave men, my sword in this right hand." This, of course, is second-hand testimony. There is nothing in Lee's own writings and nothing in direct quotation by first-hand witness that accords with such an expression on his part. The nearest approach to it is the claim by H. Gerald Smythe that "Major Talcott" — presumably Colonel T. M. R. Talcott — told him Lee stated he would never have surrendered the army if he had known how the South would have been treated. Mr. Smythe stated that Colonel Talcott replied, "Well, General, you have only to blow the bugle," whereupon Lee is alleged to have answered, "It is too late now" (29 Confederate Veteran, 7). Here again the evidence is not direct. The writer of this biography, talking often with Colonel Talcott, never heard him narrate this incident or suggest in any way that Lee accepted the results of the radical policy otherwise than with indignation, yet in the belief that the extremists would not always remain in office”.
Misattributed

Donald A. Norman photo
Chris Hedges photo
Murray Leinster photo

“It was a symptom of the insanity of human beings in a cosmos obviously designed for them to live in, but which they industriously prepare to make unlivable.”

Murray Leinster (1896–1975) Novelist, short story writer

Source: Time Tunnel (1964), Chapter 4 (p. 45).

Gerard Manley Hopkins photo
John D. Carmack photo
Joan Miró photo

“[to] think, in a certain way, of the power and severity of Romanesque paintings... Go to the beach and make graphic signs in the sand, draw by pissing on the dry ground, design in space by recording the songs of the birds, the sounds of water and wind.... and the chant of insects.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

'Working notes of Miro, 1940 – 1941'; as quoted in: Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 69
1940 - 1960

Neal Stephenson photo
Fritz Leiber photo

“I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)

David Bomberg photo
Chris Murphy photo
Alan Kay photo
River Phoenix photo
George E. P. Box photo
Béla H. Bánáthy photo

“Participation is empowering and design is empowered by it.”

Béla H. Bánáthy (1919–2003) Hungarian linguist and systems scientist

Source: Systems Design of Education (1991), p. 174

Yuval Noah Harari photo
Maurice Wilkes photo
Tom Jones photo
Howard S. Becker photo
Paul Karl Feyerabend photo
Robert Sheckley photo
Philippe Starck photo
Nicholas Lore photo
Buckminster Fuller photo

“on first priority
in design consideration
is the full realization
of individual potential
in order to reach the second derivative — full realization for all individuals”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

No More Secondhand God (1963)
1960s

Ray Comfort photo
Jack Valenti photo
James Anthony Froude photo
Perry Anderson photo
William A. Dembski photo
Roger Wolcott Sperry photo
Richard Rumelt photo
Fredric Jameson photo
Roger Ebert photo
Charles Evans Hughes photo

“Equally unavailing is the insistence that the statute is designed to prevent the circulation of scandal which tends [p722] to disturb the public peace and to provoke assaults and the commission of crime. Charges of reprehensible conduct, and in particular of official malfeasance, unquestionably create a public scandal, but the theory of the constitutional guaranty is that even a more serious public evil would be caused by authority to prevent publication. To prohibit the intent to excite those unfavorable sentiments against those who administer the Government is equivalent to a prohibition of the actual excitement of them, and to prohibit the actual excitement of them is equivalent to a prohibition of discussions having that tendency and effect, which, again, is equivalent to a protection of those who administer the Government, if they should at any time deserve the contempt or hatred of the people, against being exposed to it by free animadversions on their characters and conduct. There is nothing new in the fact that charges of reprehensible conduct may create resentment and the disposition to resort to violent means of redress, but this well understood tendency did not alter the determination to protect the press against censorship and restraint upon publication. […] The danger of violent reactions becomes greater with effective organization of defiant groups resenting exposure, and if this consideration warranted legislative interference with the initial freedom of publication, the constitutional protection would be reduced to a mere form of words.”

Charles Evans Hughes (1862–1948) American judge

Near v. Minnesota, 283 U.S. 697 (1931).
Judicial opinions

John F. Kerry photo
Thomas Brooks photo
Ryan North photo

“Don't worry, it's very clear that the painting was done by a human, most likely a human with one eye removed and a feverent if incorrect understanding of design and anatomy.”

Ryan North (1980) Canadian webcomic writer and programmer

Blog comment http://www.livejournal.com/users/qwantz/38861.html?thread=1226189#t1226189

“Organizational design often focuses on structural alternatives such as matrix, decentralization, and divisionalization. However, control variables (e. g., reward structures, task characteristics, and information systems) offer a more flexible approach. The purpose of this paper is to explore these control variables for organizational design. This is accomplished by integration and testing of two perspectives, organization theory and economics, notably agency theory. The resulting hypotheses link task characteristics, information systems, and business uncertainty to behavior vs. outcome based control strategy. These hypothesized linkages are examined empirically in a field study of the compensation practices for retail salespeople in 54 stores. The findings are that task programmability is strongly related to the choice of compensation package. The amount of behavioral measurement, the cost of measuring outcomes, and the uncertainty of the business also affect compensation. The findings have management implications for the design of compensation and reward packages, performance evaluation systems, and control systems, in general. Such systems should explicitly consider the task, the information system in place to measure performance, and the riskiness of the business. More programmed tasks require behavior based controls while less programmed tasks require more elaborate information systems or outcome based controls.”

Kathleen M. Eisenhardt American economist

Source: "Control: Organizational and economic approaches," 1985, p. 134; Article abstract

Eugène Delacroix photo
Ray Comfort photo
Woodrow Wilson photo

“The government, which was designed for the people, has got into the hands of the bosses and their employers, the special interests. An invisible empire has been set up above the forms of democracy.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Section II: “What is Progress?”, p. 35 http://books.google.com/books?id=MW8SAAAAIAAJ&pg=PA35&dq=%22The+government,+which+was+designed%22
1910s, The New Freedom (1913)

Jean Dubuffet photo

“The design of a house around a massive, central fireplace has, somehow, always felt right to this writer-builder.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Ralph Waldo Emerson photo
William A. Dembski photo
Flavor Flav photo
John Stuart Mill photo
Gerhard Richter photo
Francis Crick photo
Leonid Brezhnev photo
John Updike photo
Bogumil Goltz photo

“What humiliation, what disgrace for us all, that it should be necessary for one man to exhort other men not to be inhuman and irrational towards their fellow-creatures! Do they recognise, then, no mind, no soul in them — have they not feeling, pleasure in existence, do they not suffer pain? Do their voices of joy and sorrow indeed fail to speak to the human heart and conscience — so that they can murder the jubilant lark, in the first joy of his spring-time, who ought to warm their hearts with sympathy, from delight in bloodshed or for their ‘sport,’ or with a horrible insensibility and recklessness only to practise their aim in shooting! Is there no soul manifest in the eyes of the living or dying animal — no expression of suffering in the eye of a deer or stag hunted to death — nothing which accuses them of murder before the avenging Eternal Justice? …. Are the souls of all other animals but man mortal, or are they essential in their organisation? Does the world-idea (Welt-Idee) pertain to them also — the soul of nature — a particle of the Divine Spirit? I know not; but I feel, and every reasonable man feels like me, it is in miserable, intolerable contradiction with our human nature, with our conscience, with our reason, with all our talk of humanity, destiny, nobility; it is in frightful (himmelschreinder) contradiction with our poetry and philosophy, with our nature and with our (pretended) love of nature, with our religion, with our teachings about benevolent design — that we bring into existence merely to kill, to maintain our own life by the destruction of other life. …. It is a frightful wrong that other species are tortured, worried, flayed, and devoured by us, in spite of the fact that we are not obliged to this by necessity; while in sinning against the defenceless and helpless, just claimants as they are upon our reasonable conscience and upon our compassion, we succeed only in brutalising ourselves. This, besides, is quite certain, that man has no real pity and compassion for his own species, so long as he is pitiless towards other races of beings.”

Bogumil Goltz (1801–1870) German humorist and satirist

Das Menschendasein in seinen weltewigen Zügen und Zeichen (1850); as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), pp. 287-286.

Edsger W. Dijkstra photo
George Rickey photo

“Since the design of the movement is paramount, shape, for me, should have no significance of itself; it merely makes movement evident. Therefore, the simplest, most customary, most unobtrusive forms suffice.”

George Rickey (1907–2002) American artist

Amerika-Haus Berlin, ‎George Rickey (1979). George Rickey: Skulpturen, Material, Technik. Nr. 1. p. 37

Erving Goffman photo
John Hall photo
Maddox photo

“This car just looks terrible; it looks like it was designed by a blind child with arthritis. In a coma.”

Maddox (1978) American internet writer

on the Honda Element
Proof that wealth can't buy class: the top four ugliest cars on the road. http://maddox.xmission.com/c.cgi?u=ugly_cars
The Best Page in the Universe

Ai Weiwei photo

“I always want to design a frame that’s open to everyone. I don’t see art as a secret code.”

Ai Weiwei (1957) Chinese concept artist

“ Artist’s Quotes http://www.tate.org.uk/whats-on/tate-modern/exhibition/unilever-series-ai-weiwei/artists-quote.” Excerpted from a conversation with curators Juliet Bingham and Marko Daniel, Beijing, May 31 and June 1, 2010. Tate Museums, UK.
2010-, 2010