Address at Bennington College (30 October 1984) http://www.nytimes.com/books/97/09/28/reviews/malamud-reflections.html as published in "Reflections of a Writer: Long Work, Short Life" in The New York Times (20 March 1988); also in Talking Horse : Bernard Malamud on Life and Work (1996) edited by Alan Cheuse and Nicholas Delbanco, p. 35
Context: If I may, I would at this point urge young writers not to be too much concerned with the vagaries of the marketplace. Not everyone can make a first-rate living as a writer, but a writer who is serious and responsible about his work, and life, will probably find a way to earn a decent living, if he or she writes well. A good writer will be strengthened by his good writing at a time, let us say, of the resurgence of ignorance in our culture. I think I have been saying that the writer must never compromise with what is best in him in a world defined as free.
Quotes about culture
page 32
Source: That Greece Might Still be Free (1972), p. 15-16.
Context: A society in whose culture the Ancient Greeks played such an important part was bound to have a view about the Modern Greeks. The inhabitants of that famous land, whose language was still recognizably the same as that of Demosthenes, could not be regarded as just another remote tribe of natives or savages. Western Europe could not escape being concerned with the nature of the relationship between the Ancient and the Modem Greeks. The question has teased, perplexed, and confused generations of Greeks and Europeans and it still stirs passions to an extent difficult for the rational to condone.
Source: Dark Age Ahead (2004), Chapter One, The Hazard, p. 3
Context: This is both a gloomy and a hopeful book.
The subject itself is gloomy. A Dark Age is a culture's dead end. We in North America and Western Europe, enjoying the many benefits of the culture conventionally known as the West, customarily think of a Dark Age as happening once, long ago, following the collapse of the Western Roman Empire. But in North America we live in a graveyard of lost aboriginal cultures, many of which were decisively finished off by mass amnesia in which even the memory of what was lost was also lost. Throughout the world Dark Ages have scrawled finis to successions of cultures receding far into the past.
"Would you like to see a little of it?" said the Mock Turtle. (3 April 2010) http://greygirlbeast.livejournal.com/639337.html
Unfit for Mass Consumption (blog entries), 2010
“The History of Religions is destined to play an important role in contemporary cultural life.”
The Quest: History and Meaning in Religion (1969), p. 3.
Context: The History of Religions is destined to play an important role in contemporary cultural life. This is not only because an understanding of exotic and archaic religions will significantly assist in a cultural dialogue with the representatives of such religions. It is more especially because … the history of religions will inevitably attain to a deeper knowledge of man. It is on the basis of such knowledge that a new humanism, on a world-wide scale, could develop.
"At Large", speech at the Peace Corps twenty-fifth anniversary memorial service (21 September 1986), published in Moyers on Democracy (2008), p. 27<!-- italics in source -->
Context: As every volunteer testifies, the Peace Corps is more than a program or mission. It is a way of being in the world. This is a conservative notion because it holds dear the ground of one's own being — the culture and customs that gave meaning to a particular life. But it is a liberal notion for respecting the ground revered by others. This double helix in America's DNA may yet be the source of a new political and patriotism that could save us from toxic self-absorption.
"Episodes and Visions", p. 308
Desert Solitaire (1968)
Context: To make the distinction unmistakably clear: Civilization is the vital force in human history; culture is that inert mass of institutions and organizations which accumulate around and tend to drag down the advance of life; Civilization is Giordano Bruno facing death by fire; culture is the Cardinal Bellarmino, after ten years of inquisition, sending Bruno to the stake in the Campo di Fiori; Civilization is Sartre; culture Cocteau; Civilization is mutual aid and self-defense; culture is the judge, the lawbook and the forces of Law & Ordure (sic); Civilization is uprising, insurrection, revolution; culture is the war of state against state, or of machines against people, as in Hungary and Vietnam; Civilization is tolerance, detachment and humor, or passion, anger, revenge; culture is the entrance examination, the gas chamber, the doctoral dissertation and the electric chair; Civilization is the Ukrainian peasant Nestor Makhno fighting the Germans, then the Reds, then the Whites, then the Reds again; culture is Stalin and the Fatherland; Civilization is Jesus turning water into wine; culture is Christ walking on the waves; Civilization is a youth with a Molotov cocktail in his hand; culture is the Soviet tank or the L. A. cop that guns him down; Civilization is the wild river; culture, 592,000 tons of cement; Civilization flows; culture thickens and coagulates, like tired, sick, stifled blood.
Imaginary Homelands (1992)
Context: Those who oppose the novel most vociferously today are of the opinion that intermingling with a different culture will inevitably weaken and ruin their own. I am of the opposite opinion. The Satanic Verses celebrates hybridity, impurity, intermingling, the transformation that comes of new and unexpected combinations of human beings, cultures, ideas, politics, movies, songs. It rejoices in mongrelization and fears the absolutism of the Pure. Melange, hotchpotch, a bit of this and a bit of that is how newness enters the world. It is the great possibility that mass migration gives the world… The Satanic Verses is for change-by-fusion, change-by-conjoining. It is a love song to our mongrel selves.
OSCON 2002
Context: Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?
Man's Rise to Civilization (1968), p. 276
The monks waited. It mattered not at all to them that the knowledge they saved was useless, that much of it was not really knowledge now, was as inscrutable to the monks in some instances as it would be to an illiterate wild-boy from the hills; this knowledge was empty of content, its subject matter long since gone. Still, such knowledge had a symbolic structure that was peculiar to itself, and at least the symbol-interplay could be observed. To observe the way a knowledge-system is knit together is to learn at least a minimum knowledge-of-knowledge, until someday — someday, or some century — an Integrator would come, and things would be fitted together again. So time mattered not at all. The Memorabilia was there, and it was given to them by duty to preserve, and preserve it they would if the darkness in the world lasted ten more centuries, or even ten thousand years...
Ch 6
A Canticle for Leibowitz (1959), Fiat Homo
The Future of Ideas (2001)
Context: All around us are the consequences of the most significant technological, and hence cultural, revolution in generations. This revolution has produced the most powerful and diverse spur to innovation of any in modern times. Yet a set of ideas about a central aspect of this prosperity — "property" — confuses us. This confusion is leading us to change the environment in ways that will change the prosperity. Believing we know what makes prosperity work, ignoring the nature of the actual prosperity all around, we change the rules within which the Internet revolution lives. These changes will end the revolution.
Man's Rise to Civilization (1968)
Context: The Indians have not only refused to vanish, but have... managed to salvage a part of their native culture through revitalization and messianic movements.... they are of further interest to anthropologists for the light they shed on such movements in general.<!-- p. 271
Friedrich Nietzsche, in a postcard to Franz Overbeck, Sils-Maria (30 July 1881) as translated by Walter Kaufmann in The Portable Nietzsche (1954)
Context: I am utterly amazed, utterly enchanted! I have a precursor, and what a precursor! I hardly knew Spinoza : that I should have turned to him just now, was inspired by "instinct". Not only is his overtendency like mine — namely, to make all knowledge the most powerful affect — but in five main points of his doctrine I recognize myself; this most unusual and loneliest thinker is closest to me precisely in these matters : he denies the freedom of the will, teleology, the moral world-order, the unegoistic, and evil. Even though the divergencies are admittedly tremendous, they are due more to the difference in time, culture, and science. In summa: my lonesomeness, which, as on very high mountains, often made it hard for me to breathe and make my blood rush out, is now at least a twosomeness. Strange!
"Prostitution and Trafficking in 9 Countries: Update on Violence and Posttraumatic Stress Disorder" in Journal of Trauma Practice 2 (2003) http://www.prostitutionresearch.com/c-prostitution-research.html, p. 33-74; co-written with A. Cotton, J. Lynne, S. Zumbeck, T. Spiwak, M. E. Reyes, D. Alvarez , U Sezgin
Context: Posttraumatic stress disorder (PTSD), commonly occurs among prostituted women, and is indicative of their extreme emotional distress. PTSD is characterized by anxiety, depression, insomnia, irritability, flashbacks, emotional numbing, and hyperalertness. In nine countries, we found that sixty-eight percent of those in prostitution met criteria for a diagnosis of PTSD, a prevalence that was comparable to battered women seeking shelter, rape survivors seeking treatment, and survivors of state-sponsored torture. Across widely varying cultures on five continents, the traumatic consequences of prostitution were similar.
The 8th Habit : From Effectiveness to Greatness (2004)
Context: Principles are universal — that is, they transcend culture and geography. They're also timeless, they never change — principles such as fairness, kindness, respect, honesty, integrity, service, contribution. Different cultures may translate these principles into different practices and over time may even totally obscure these principles through the wrongful use of freedom. Nevertheless, they are present. Like the law of gravity, they operate constantly.
p. 47
Man's Rise to Civilization (1968)
Context: Voluntary assimilation, known as Indianization in the Americas, is one response that has occurred at other places and in other times when two cultures collided. An unusual manifestation of it is when the whole dominant culture takes up the ways of the conquered. That does not happen very often, but it did occur when the Hyksos conquered Egypt about 1700 B. C. and when the Romans conquered the Greeks in the second century B. C.
As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010
"Peace and Stability in the Middle East and Beyond: A Hostage to Iranian Intransigence and Adventurism." http://www.rezapahlavi.org/details_article.php?article=142&page=4, Oct. 24, 2007.
Speeches, 2007
Kibbeh Palace, Cairo, Oct. 31, 1980, as quoted in Farah Pahlavi (2004) An Enduring Love: My Life with the Shah, p. 434.
Speeches, 1980
"Peace and Stability in the Middle East and Beyond: A Hostage to Iranian Intransigence and Adventurism." http://www.rezapahlavi.org/details_article.php?article=142&page=4, Oct. 24, 2007.
Speeches, 2007
Visit to Lebedinsky GOK, 2017-07-14
On Ukraine
“There is not a French culture. There is a culture in France, and it is diverse.”
“Multi-culture is the real culture of the world – the pure race doesn’t exist.”
Original: (de) Wo die Produkte des spezifisch modernen Lebens nach ihrer Innerlichkeit gefragt werden, sozusagen der Körper der Kultur nach seiner Seele - wie mir dies heut gegenüber unseren Großstädten obliegt - wird die Antwort der Gleichung nachforschen müssen, die solche Gebilde zwischen den individuellen und den überindividuellen Inhalten des Lebens stiften, den Anpassungen der Persönlichkeit, durch die sie sich mit den ihr äußeren Mächten abfindet.
Source: The Metropolis and Mental Life (1903), p. 409
Original: (de) Die tiefsten Probleme des modernen Lebens quellen aus dem Anspruch des Individuums, die Selbständigkeit und Eigenart seines Daseins gegen die Übermächte der Gesellschaft, des geschichtlich Ererbten, der äußerlichen Kultur und Technik des Lebens zu bewahren - die letzterreichte Umgestaltung des Kampfes mit der Natur, den der primitive Mensch um seine leibliche Existenz zu führen hat.
Source: The Metropolis and Mental Life (1903), p. 409
“Political Correctness is Cultural Marxism in action.”
"The Curse Of Cultural Marxism" (7 July 2018) https://www.youtube.com/watch?v=trAyp5XXQgo#t=5m25s
2018
“And then Quentin was there somehow. And so were you, in a strange sort of way. And it was all so peaceful.” Peaceful?
"Why Women Aren’t Funny" https://www.vanityfair.com/culture/2007/01/, Vanity Fair, (January 1, 2007).
2000s, 2007
Koenraad Elst, On Modi Time : Merits And Flaws of Hindu Activism In Its Day Of Incumbency – 2015. Ch. 3. The Lost Honour of India Studies
S.K. Chatterjee quoted in Aziz Ahmad, Studies In Islamic Culture in the Indian Environment, Oxford. 1964, pp. 252-55. https://archive.org/details/StudiesInIslamicCultureInTheIndianE
“Moreover, the British and communal historians attacked the notion of a composite culture in India.”
Quoted from Arun Shourie (2014) Eminent Historians: Their Technology, Their Line, Their Fraud. HarperCollins.
Romila Thapar, ‘A history of India 1. Pelican. (also quoted in https://aboutfilm.wordpress.com/2008/05/15/romila-thapar-%E2%80%93-a-history-of-india-and-the-absence-of-satan/ https://koenraadelst.blogspot.com/2012/04/romila-thapar-on-hinduism.html)
As quoted in Consolation of Mind (2004) by H. K. Suhas, p. 111
The Chinese Renaissance (Chicago: University of Chicago Press, 1934), p. 46
"Philosophy and History" (2018)
On giving his book That Reminds Me folkloric elements in “Derek Owusu: ‘Mental health issues that people find scary aren’t being talked about’” https://www.theguardian.com/books/2019/nov/02/derek-owusu-that-reminds-me-stormzy-mens-mental-health in The Guardian (2019 Nov 2)
Quoted in "Remembering Ellen Stewart, Founder of La MaMa Etc." By Ellis Nassour, Theaterlife.com http://theaterlife.com/remembering-ellen-stewart/.
On attending school after she immigrated with her family from Colombia to the United States in “tatiana de la tierra” ( Making Queer History https://www.makingqueerhistory.com/articles/2019/5/14/tatiana-de-la-tierra; 2019 May 14)
On a passage from her novel Give It To Me in “AN INTERVIEW WITH ANA CASTILLO” http://bmr.unm.edu/2014/12/19/an-interview-with-ana-castillo/ in Blue Mesa Review (2014 Dec 19)
On how gangs might be viewed in “An Interview with Luis J. Rodriguez” https://www.epl.org/an-interview-with-luis-j-rodriguez-2/ (Evanston Public Library; 2011)
Science Fiction on the Titanic, in Brian Aldiss and Harry Harrison (eds.) The Year's Best SF 9 (1976), ISBN 0-8600-7894-9, p. 203
On how technological advancements have not diminished the cultural role of artists (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)
On making American theater more inclusive in “I Interview Playwrights Part 287: Anne Garcia-Romero” http://aszym.blogspot.com/2010/11/i-interview-playwrights-part-287-anne.html (Adam Szymkowicz, 2010)
On her play Paloma in “Playwright reaches into past for a better future” https://www.abqjournal.com/118454/playwright-reaches-into-past-for-a-better-future.html in the Albuquerque Journal (2012 Jul 15)
Elnith in Ch. 46 : nell latimer’s journal, p. 498
The Visitor (2002)
Source: The Fresco (2000), Chapter 9, pp. 102-103
On the tropes that she employs often in “AN Interview with Elizabeth Acevedo” https://www.washingtonsquarereview.com/new-page-21 in Washington Square Review
On confronting self-hatred in his book How to Fight For Our Lives in “Interviews: Saeed Jones” https://bookpage.com/interviews/24492-saeed-jones-biography-memoir#.Xd7p5PlKjcs in BookPage (2019 Oct 7)
On the role of beauty in poetry in “Poetry is Built for Compassion: An Interview with Juan Felipe Herrera” https://thi.ucsc.edu/poetry-built-compassion-interview-juan-felipe-herrera/ (Humanities Institute, UC Santa Cruz; 2019 Feb 27)
On how Asians might fit into the Black-White dichotomy in the United States in “Philip Kan Gotanda by David Henry Hwang” https://bombmagazine.org/articles/philip-kan-gotanda-1/ in BOMB Magazine (1997 Jan 1)
On showcasing the Yoruba culture in Children of Blood and Bone in “Meet Tomi Adeyemi: the politically-charged author you need to know about in 2019” https://www.harpersbazaar.com/uk/culture/culture-news/a26933188/tomi-adeyemi-interview/ in Harper’s Bazaar (2019 Mar 26)
Selected works, Spinoza and Buddha: Visions of a Dead God (1933)
The Prisoner Says No to Big Brother, CounterPunch, https://www.counterpunch.org/2019/03/04/the-prisoner-says-no-to-big-brother/ (4 March 2019)
On telling the histories of Uruguay and Argentina in “A Conversation with Carolina De Robertis on Immigration, Sexuality, and the True Origins of the Tango” https://lareviewofbooks.org/article/conversation-carolina-de-robertis-immigration-sexuality-true-origins-tango/ in Los Angeles Review of Books (2016 Apr 20)
quoted in Dhanajay Keer: 'Dr Ambedkar: Life and Mission', p.279).
On how his childhood experiences shaped his writings in “In the Author’s Universe: Interview with Sci-Fi Author Cixin Liu” https://vocal.media/futurism/in-the-authors-universe-interview-with-sci-fi-author-cixin-liu in Vocal (2016)
On his film Shine in “INTERVIEW: David Zayas Talks To Me about ‘SHINE’” https://www.ramascreen.com/interview-david-zayas-talks-to-me-about-shine/ in Rama’s Screen (2018 Oct 1)
On becoming a Chicana artist in “CARMEN LOMAS GARZA – IN HER OWN WORDS” http://latinopia.com/latino-art/carmen-lomas-garza/ in Latinopia (2010 Mar 6)
On her feelings about romance in “Morgan Parker: ‘In the back of my mind I’m on a slave ship, yet I’m also here just telling you how it is.’” https://www.guernicamag.com/miscellaneous-files-interview-morgan-parker/ in Guernica Magazine (2019 Mar 22)
On what she aims to convey in her writings in “Diana Evans: 'There's a ruthlessness in me towards writing'” https://www.theguardian.com/books/2018/mar/19/diana-evans-interview-ordinary-people in The Guardian (2018 Mar 19)
2010s, Why Most Jews Aren't Bothered By The Times' Anti-Semitic Cartoon (2019)
On how she views theater in “BWW Interview: A Date with DESTINY: Talking with Playwright Karen Zacarías” https://www.broadwayworld.com/washington-dc/article/BWW-Interview-A-Date-with-DESTINY-Talking-with-Playwright-Karen-Zacaras-20150914 in Broadway World (2015 Sep 14)
On having Mexican-born parents in “An Interview with Octavio Solis” http://literaryashland.org/?p=10939 (Welcome to Literary Ashland; 2019 Jun 24)
On his writings in “Meet Oliver Mayer” http://voyagela.com/interview/meet-oliver-mayer-playwright-south-los-angelesusc/ in VoyageLA (2019 Jan 8)
On the concept of the border in “Quiara Alegría Hudes: Water by the Spoonful” https://www.guernicamag.com/water-by-the-spoonful/ in Guernica Magazine (2012 Jul 2)
On her identity struggles in “Amulya Malladi: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/amulya-malladi/ in The Writer (2018 May 22)
On addressing the full scope of queer experiences in “Becky Albertalli and Adam Silvera Interview” https://thelittlecontemporarycorner.com/2018/11/20/becky-albertalli-and-adam-silvera-interview/ in The Little Contemporary Corner (2018 Nov 20)
On calling himself a “citizen artist” in “The Artist as Leader: Luis Alfaro” https://www.uncsa.edu/kenan/artist-as-leader/luis-alfaro.aspx (Thomas S. Kenan Institute for the Arts)
"The Intellectuals We Abandon", TruthDig https://www.truthdig.com/articles/the-intellectuals-we-abandon/page/2/ (3 September 2016)
The Paris Review interview (1982)
On the expectations for an African American artist in “Art Talk with Kara Walker” https://www.arts.gov/art-works/2012/art-talk-kara-walker (National Endowment of the Arts; 2012 Feb 1)
1990s, Ayodhya and After: Issues Before Hindu Society (1991)
1990s, Ayodhya and After: Issues Before Hindu Society (1991)
On being denied a scholarship due to her race in “Sculptor Augusta Savage’s Towering Impact on the Harlem Renaissance” https://www.artsy.net/article/artsy-editorial-sculptor-augusta-savages-towering-impact-harlem-renaissance in Artnet (2019 Apr 5)
Quoted from F. Capra, The Tao of Physics.
On studying in Europe (as quoted in the book Improper Bostonians: Lesbian and gay history from the Puritans to Playland https://www.google.com/books/edition/Improper_Bostonians/azaIecghLVgC?hl=en&gbpv=1&dq)
Description: from U.G Krishnamurti
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)
Antisocial Coding: My Year at GitHub https://where.coraline.codes/blog/my-year-at-github/ (July 5, 2017)
“We are a part of this take-down culture where people are trying to twist your words.”
2019
Source: https://twitter.com/steinhauserNH1/status/1096852721800544256
Pakistan or The Partition of India (1946)