Quotes about culture
page 32

Bernard Malamud photo

“A good writer will be strengthened by his good writing at a time, let us say, of the resurgence of ignorance in our culture. I think I have been saying that the writer must never compromise with what is best in him in a world defined as free.”

Bernard Malamud (1914–1986) American author

Address at Bennington College (30 October 1984) http://www.nytimes.com/books/97/09/28/reviews/malamud-reflections.html as published in "Reflections of a Writer: Long Work, Short Life" in The New York Times (20 March 1988); also in Talking Horse : Bernard Malamud on Life and Work (1996) edited by Alan Cheuse and ‎Nicholas Delbanco, p. 35
Context: If I may, I would at this point urge young writers not to be too much concerned with the vagaries of the marketplace. Not everyone can make a first-rate living as a writer, but a writer who is serious and responsible about his work, and life, will probably find a way to earn a decent living, if he or she writes well. A good writer will be strengthened by his good writing at a time, let us say, of the resurgence of ignorance in our culture. I think I have been saying that the writer must never compromise with what is best in him in a world defined as free.

“A society in whose culture the Ancient Greeks played such an important part was bound to have a view about the Modern Greeks.”

William St Clair (1937) author

Source: That Greece Might Still be Free (1972), p. 15-16.
Context: A society in whose culture the Ancient Greeks played such an important part was bound to have a view about the Modern Greeks. The inhabitants of that famous land, whose language was still recognizably the same as that of Demosthenes, could not be regarded as just another remote tribe of natives or savages. Western Europe could not escape being concerned with the nature of the relationship between the Ancient and the Modem Greeks. The question has teased, perplexed, and confused generations of Greeks and Europeans and it still stirs passions to an extent difficult for the rational to condone.

Jane Jacobs photo

“But in North America we live in a graveyard of lost aboriginal cultures, many of which were decisively finished off by mass amnesia in which even the memory of what was lost was also lost.”

Source: Dark Age Ahead (2004), Chapter One, The Hazard, p. 3
Context: This is both a gloomy and a hopeful book.
The subject itself is gloomy. A Dark Age is a culture's dead end. We in North America and Western Europe, enjoying the many benefits of the culture conventionally known as the West, customarily think of a Dark Age as happening once, long ago, following the collapse of the Western Roman Empire. But in North America we live in a graveyard of lost aboriginal cultures, many of which were decisively finished off by mass amnesia in which even the memory of what was lost was also lost. Throughout the world Dark Ages have scrawled finis to successions of cultures receding far into the past.

Caitlín R. Kiernan photo
Mircea Eliade photo

“The History of Religions is destined to play an important role in contemporary cultural life.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

The Quest: History and Meaning in Religion (1969), p. 3.
Context: The History of Religions is destined to play an important role in contemporary cultural life. This is not only because an understanding of exotic and archaic religions will significantly assist in a cultural dialogue with the representatives of such religions. It is more especially because … the history of religions will inevitably attain to a deeper knowledge of man. It is on the basis of such knowledge that a new humanism, on a world-wide scale, could develop.

Bill Moyers photo

“As every volunteer testifies, the Peace Corps is more than a program or mission. It is a way of being in the world. This is a conservative notion because it holds dear the ground of one's own being — the culture and customs that gave meaning to a particular life. But it is a liberal notion for respecting the ground revered by others.”

Bill Moyers (1934) American journalist

"At Large", speech at the Peace Corps twenty-fifth anniversary memorial service (21 September 1986), published in Moyers on Democracy (2008), p. 27<!-- italics in source -->
Context: As every volunteer testifies, the Peace Corps is more than a program or mission. It is a way of being in the world. This is a conservative notion because it holds dear the ground of one's own being — the culture and customs that gave meaning to a particular life. But it is a liberal notion for respecting the ground revered by others. This double helix in America's DNA may yet be the source of a new political and patriotism that could save us from toxic self-absorption.

“Civilization is the vital force in human history; culture is that inert mass of institutions and organizations which accumulate around and tend to drag down the advance of life”

"Episodes and Visions", p. 308
Desert Solitaire (1968)
Context: To make the distinction unmistakably clear: Civilization is the vital force in human history; culture is that inert mass of institutions and organizations which accumulate around and tend to drag down the advance of life; Civilization is Giordano Bruno facing death by fire; culture is the Cardinal Bellarmino, after ten years of inquisition, sending Bruno to the stake in the Campo di Fiori; Civilization is Sartre; culture Cocteau; Civilization is mutual aid and self-defense; culture is the judge, the lawbook and the forces of Law & Ordure (sic); Civilization is uprising, insurrection, revolution; culture is the war of state against state, or of machines against people, as in Hungary and Vietnam; Civilization is tolerance, detachment and humor, or passion, anger, revenge; culture is the entrance examination, the gas chamber, the doctoral dissertation and the electric chair; Civilization is the Ukrainian peasant Nestor Makhno fighting the Germans, then the Reds, then the Whites, then the Reds again; culture is Stalin and the Fatherland; Civilization is Jesus turning water into wine; culture is Christ walking on the waves; Civilization is a youth with a Molotov cocktail in his hand; culture is the Soviet tank or the L. A. cop that guns him down; Civilization is the wild river; culture, 592,000 tons of cement; Civilization flows; culture thickens and coagulates, like tired, sick, stifled blood.

Salman Rushdie photo

“The Satanic Verses celebrates hybridity, impurity, intermingling, the transformation that comes of new and unexpected combinations of human beings, cultures, ideas, politics, movies, songs. It rejoices in mongrelization and fears the absolutism of the Pure.”

Imaginary Homelands (1992)
Context: Those who oppose the novel most vociferously today are of the opinion that intermingling with a different culture will inevitably weaken and ruin their own. I am of the opposite opinion. The Satanic Verses celebrates hybridity, impurity, intermingling, the transformation that comes of new and unexpected combinations of human beings, cultures, ideas, politics, movies, songs. It rejoices in mongrelization and fears the absolutism of the Pure. Melange, hotchpotch, a bit of this and a bit of that is how newness enters the world. It is the great possibility that mass migration gives the world… The Satanic Verses is for change-by-fusion, change-by-conjoining. It is a love song to our mongrel selves.

Lawrence Lessig photo

“I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?”

Lawrence Lessig (1961) American academic, political activist.

OSCON 2002
Context: Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?

“The monks of the earliest days had not counted on the human ability to generate a new cultural inheritance in a couple of generations if an old one is utterly destroyed, to generate it by virtue of lawgivers and prophets, geniuses or maniacs; through a Moses, or through a Hitler, or an ignorant but tyrannical grandfather, a cultural inheritance may be acquired between dusk and dawn, and many have been so acquired. But the new "culture" was an inheritance of darkness, wherein "simpleton" meant the same thing as "citizen" meant the same thing as "slave."”

The monks waited. It mattered not at all to them that the knowledge they saved was useless, that much of it was not really knowledge now, was as inscrutable to the monks in some instances as it would be to an illiterate wild-boy from the hills; this knowledge was empty of content, its subject matter long since gone. Still, such knowledge had a symbolic structure that was peculiar to itself, and at least the symbol-interplay could be observed. To observe the way a knowledge-system is knit together is to learn at least a minimum knowledge-of-knowledge, until someday — someday, or some century — an Integrator would come, and things would be fitted together again. So time mattered not at all. The Memorabilia was there, and it was given to them by duty to preserve, and preserve it they would if the darkness in the world lasted ten more centuries, or even ten thousand years...
Ch 6
A Canticle for Leibowitz (1959), Fiat Homo

Lawrence Lessig photo

“All around us are the consequences of the most significant technological, and hence cultural, revolution in generations.”

The Future of Ideas (2001)
Context: All around us are the consequences of the most significant technological, and hence cultural, revolution in generations. This revolution has produced the most powerful and diverse spur to innovation of any in modern times. Yet a set of ideas about a central aspect of this prosperity — "property" — confuses us. This confusion is leading us to change the environment in ways that will change the prosperity. Believing we know what makes prosperity work, ignoring the nature of the actual prosperity all around, we change the rules within which the Internet revolution lives. These changes will end the revolution.

“The Indians have not only refused to vanish, but have… managed to salvage a part of their native culture through revitalization and messianic movements.”

Peter Farb (1929–1980) American academic and writer

Man's Rise to Civilization (1968)
Context: The Indians have not only refused to vanish, but have... managed to salvage a part of their native culture through revitalization and messianic movements.... they are of further interest to anthropologists for the light they shed on such movements in general.<!-- p. 271

Baruch Spinoza photo

“Even though the divergencies are admittedly tremendous, they are due more to the difference in time, culture, and science.”

Baruch Spinoza (1632–1677) Dutch philosopher

Friedrich Nietzsche, in a postcard to Franz Overbeck, Sils-Maria (30 July 1881) as translated by Walter Kaufmann in The Portable Nietzsche (1954)
Context: I am utterly amazed, utterly enchanted! I have a precursor, and what a precursor! I hardly knew Spinoza : that I should have turned to him just now, was inspired by "instinct". Not only is his overtendency like mine — namely, to make all knowledge the most powerful affect — but in five main points of his doctrine I recognize myself; this most unusual and loneliest thinker is closest to me precisely in these matters : he denies the freedom of the will, teleology, the moral world-order, the unegoistic, and evil. Even though the divergencies are admittedly tremendous, they are due more to the difference in time, culture, and science. In summa: my lonesomeness, which, as on very high mountains, often made it hard for me to breathe and make my blood rush out, is now at least a twosomeness. Strange!

“Across widely varying cultures on five continents, the traumatic consequences of prostitution were similar.”

Melissa Farley (1942) American psychologist

"Prostitution and Trafficking in 9 Countries: Update on Violence and Posttraumatic Stress Disorder" in Journal of Trauma Practice 2 (2003) http://www.prostitutionresearch.com/c-prostitution-research.html, p. 33-74; co-written with A. Cotton, J. Lynne, S. Zumbeck, T. Spiwak, M. E. Reyes, D. Alvarez , U Sezgin
Context: Posttraumatic stress disorder (PTSD), commonly occurs among prostituted women, and is indicative of their extreme emotional distress. PTSD is characterized by anxiety, depression, insomnia, irritability, flashbacks, emotional numbing, and hyperalertness. In nine countries, we found that sixty-eight percent of those in prostitution met criteria for a diagnosis of PTSD, a prevalence that was comparable to battered women seeking shelter, rape survivors seeking treatment, and survivors of state-sponsored torture. Across widely varying cultures on five continents, the traumatic consequences of prostitution were similar.

Stephen R. Covey photo

“Different cultures may translate these principles into different practices and over time may even totally obscure these principles through the wrongful use of freedom. Nevertheless, they are present. Like the law of gravity, they operate constantly.”

The 8th Habit : From Effectiveness to Greatness‎ (2004)
Context: Principles are universal — that is, they transcend culture and geography. They're also timeless, they never change — principles such as fairness, kindness, respect, honesty, integrity, service, contribution. Different cultures may translate these principles into different practices and over time may even totally obscure these principles through the wrongful use of freedom. Nevertheless, they are present. Like the law of gravity, they operate constantly.

p. 47

“An unusual manifestation of it is when the whole dominant culture takes up the ways of the conquered.”

Peter Farb (1929–1980) American academic and writer

Man's Rise to Civilization (1968)
Context: Voluntary assimilation, known as Indianization in the Americas, is one response that has occurred at other places and in other times when two cultures collided. An unusual manifestation of it is when the whole dominant culture takes up the ways of the conquered. That does not happen very often, but it did occur when the Hyksos conquered Egypt about 1700 B. C. and when the Romans conquered the Greeks in the second century B. C.

Reza Pahlavi photo

“Today, you see a generation of young Iranians who are committed to fight even if it means risking and losing their lives to ultimately get rid of this regime and achieve full freedom. This is no longer a debate over more moderation or for awhile being fooled by the idea that there is any reform possible by this regime -- not only from the domestic perspective but from the international perspective. Today, the fight is led by people who are committed to a campaign of hidden resistance. The discipline of non-violence has been for the most part observed by the protestors and I think at the end of the day, this movement could culminate into something that could be a well-organized or orchestrated campaign of resistance: perhaps even labor strikes that could in fact bring the regime to its knees and ultimately cause its demise. This is the best way for Iran to not only achieve its goal of freedom, which would immediately have a positive impact and ramification not only in our area, but on the rest of the world. It is the ultimate guarantee by bringing in democracy and secularism as a means to preserve our cultural and religious identities and to guarantee self-determination and human rights. Iran is a country that has always and throughout its glorious history been contributing to world civilization as opposed to a clerical regime that is asking for its demise under a very utopian ideology that only a few at the top believe in, and not the rest of the population.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

Reza Pahlavi photo

“Western classical music, to be sure, is not part of traditional Iranian culture, and yes it’s elitist. But the fact that the Tehran symphony Orchestra and the Roudaki Hall have survived the vagaries of these past three decades is yet another evidence that the forces of darkness, the cult of death, martyrdom and superstition has not conquered the spirit of our nation.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

"Peace and Stability in the Middle East and Beyond: A Hostage to Iranian Intransigence and Adventurism." http://www.rezapahlavi.org/details_article.php?article=142&page=4, Oct. 24, 2007.
Speeches, 2007

Reza Pahlavi photo

“My dear countrymen and women, sisters and brothers, this supreme responsibility has been entrusted to me after the sad passing of my illustrious father, in one of the darkest periods in our history, at the very time when our national and spiritual principles, our historical and cultural values, our civilization, are threatened from within; at the very time when anarchy, economic collapse, and the decline of our international prestige have given rise to the violation of our territorial integrity, which we condemn.
I am well aware that none of you, whose national pride and patriotic spirit are inborn, that none of you who are deeply attached to your national identity, your faith, the sacred principles of true Islam, your historical values, and your cultural heritage, has wanted such a disaster to come about. That is why, understanding your suffering and sensing your unshed tears, I join your pain. I know that, like me, you can see the calm dawn of a new day rising through this darkness. I know that deep in your souls and hearts you have the firm conviction that, as in the past, our history, which is several thousands of years old, will repeat itself and the nightmare will end. Light will follow darkness. Strengthened by our bitter experiences, we will all join together in a great national effort, the reconstruction of our country. With the help of the right reforms and the active participation of all, we will realize our ideals.
We will rebuild a new Iran, where equality, liberty, and justice prevail. Inspired by the true faith of Islam founded on spirituality, love, and mercy, we will make Iran a proud and prosperous country, having the place it deserves in the concert of nations.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

Kibbeh Palace, Cairo, Oct. 31, 1980, as quoted in Farah Pahlavi (2004) An Enduring Love: My Life with the Shah, p. 434.
Speeches, 1980

Reza Pahlavi photo
Terence McKenna photo
Madonna photo
Jonathan Haidt photo
Witold Gombrowicz photo
Vladimir Putin photo
Emmanuel Macron photo
Georg Simmel photo

“An inquiry into the inner meaning of specifically modern life and its products, into the soul of the cultural body, so to speak, must seek to solve the equation which structures like the metropolis set up between the individual and the super-individual contents of life. Such an inquiry must answer the question of how the personality accommodates itself in the adjustments to external forces.”

Georg Simmel (1858–1918) German sociologist, philosopher, and critic

Original: (de) Wo die Produkte des spezifisch modernen Lebens nach ihrer Innerlichkeit gefragt werden, sozusagen der Körper der Kultur nach seiner Seele - wie mir dies heut gegenüber unseren Großstädten obliegt - wird die Antwort der Gleichung nachforschen müssen, die solche Gebilde zwischen den individuellen und den überindividuellen Inhalten des Lebens stiften, den Anpassungen der Persönlichkeit, durch die sie sich mit den ihr äußeren Mächten abfindet.
Source: The Metropolis and Mental Life (1903), p. 409

Georg Simmel photo

“The deepest problems of modern life derive from the claim of the individual to preserve the autonomy and individuality of his existence in the face of overwhelming social forces, of historical heritage, of external culture, and of the technique of life. The fight with nature which primitive man has to wage for his bodily existence attains in this modern form its latest transformation.”

Georg Simmel (1858–1918) German sociologist, philosopher, and critic

Original: (de) Die tiefsten Probleme des modernen Lebens quellen aus dem Anspruch des Individuums, die Selbständigkeit und Eigenart seines Daseins gegen die Übermächte der Gesellschaft, des geschichtlich Ererbten, der äußerlichen Kultur und Technik des Lebens zu bewahren - die letzterreichte Umgestaltung des Kampfes mit der Natur, den der primitive Mensch um seine leibliche Existenz zu führen hat.
Source: The Metropolis and Mental Life (1903), p. 409

Pat Condell photo

“Political Correctness is Cultural Marxism in action.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"The Curse Of Cultural Marxism" (7 July 2018) https://www.youtube.com/watch?v=trAyp5XXQgo#t=5m25s
2018

Christopher Hitchens photo

“Humor, if we are to be serious about it, arises from the ineluctable fact that we are all born into a losing struggle. Those who risk agony and death to bring children into this fiasco simply can’t afford to be too frivolous. (And there just aren’t that many episiotomy jokes, even in the male repertoire.) I am certain that this is also partly why, in all cultures, it is females who are the rank-and-file mainstay of religion, which in turn is the official enemy of all humor. One tiny snuffle that turns into a wheeze, one little cut that goes septic, one pathetically small coffin, and the woman’s universe is left in ashes and ruin. Try being funny about that, if you like. Oscar Wilde was the only person ever to make a decent joke about the death of an infant, and that infant was fictional, and Wilde was (although twice a father) a queer. And because fear is the mother of superstition, and because they are partly ruled in any case by the moon and the tides, women also fall more heavily for dreams, for supposedly significant dates like birthdays and anniversaries, for romantic love, crystals and stones, lockets and relics, and other things that men know are fit mainly for mockery and limericks. Good grief! Is there anything less funny than hearing a woman relate a dream she’s just had?”

Christopher Hitchens (1949–2011) British American author and journalist

“And then Quentin was there somehow. And so were you, in a strange sort of way. And it was all so peaceful.” Peaceful?
"Why Women Aren’t Funny" https://www.vanityfair.com/culture/2007/01/, Vanity Fair, (January 1, 2007).
2000s, 2007

Suniti Kumar Chatterji photo
Bipan Chandra photo

“Moreover, the British and communal historians attacked the notion of a composite culture in India.”

Bipan Chandra (1928–2014) Indian historian

Quoted from Arun Shourie (2014) Eminent Historians: Their Technology, Their Line, Their Fraud. HarperCollins.

Romila Thapar photo
Hu Shih photo

“India conquered and dominated China culturally for 20 centuries without ever having to send a single soldier across her border.”

Hu Shih (1891–1962) Chinese philosopher, essayist and diplomat

As quoted in Consolation of Mind (2004) by H. K. Suhas, p. 111

Hu Shih photo

“Anansi is the god of stories - I’m telling Anansi my story. I remember my aunt telling me some Anansi stories when I was 9 or 10, but I didn’t take them in. In my 20s, I bought loads of Anansi books. History, folklore, and culture gives you pride and happiness through a sense of connection.”

On giving his book That Reminds Me folkloric elements in “Derek Owusu: ‘Mental health issues that people find scary aren’t being talked about’” https://www.theguardian.com/books/2019/nov/02/derek-owusu-that-reminds-me-stormzy-mens-mental-health in The Guardian (2019 Nov 2)

Ellen Stewart photo

“Our mission was and is to develop, nurture, support, produce and present new and original performance work by artists of all nations and cultures.”

Ellen Stewart (1919–2011) American theater director and producer

Quoted in "Remembering Ellen Stewart, Founder of La MaMa Etc." By Ellis Nassour, Theaterlife.com http://theaterlife.com/remembering-ellen-stewart/.

Tatiana de la tierra photo

“I dreaded those public moments that highlighted the fact that I was a foreigner. Sometimes I sat at my desk, plotting my revenge. I would master the English language. I would infiltrate the gringo culture without letting on that I was a traitor. I would battle in their tongue and make them stumble. I would cut out their souls and leave them on the shore to be pecked on by vultures.”

Tatiana de la tierra (1961–2012) Latina writer and activist

On attending school after she immigrated with her family from Colombia to the United States in “tatiana de la tierra” ( Making Queer History https://www.makingqueerhistory.com/articles/2019/5/14/tatiana-de-la-tierra; 2019 May 14)

Ana Castillo photo
Luis J. Rodriguez photo
Natalie Wynn photo
Natalie Wynn photo

“So basically what I think is that in a free society, different people will have lots of different sexual lifestyles. Some people will want to settle down and get married, and that’s fine. Some people will wanna have a fucking baby, and that’s also fine—someone needs to have the fucking babies. But some people won’t want to do that: some people will wanna dip their balls in hot wax and pour wolf’s milk all over a stranger’s face, and that’s fine, too. Some people won’t want to have sex or romantic relationships. Point is, all these things carry emotional risks: you’ve got heartbreak, loneliness, excruciating boredom—this is just the human condition. And no matter what you do, you have to take emotional risks. But as a society, we could make sex less risky for women by ending rape culture and slut-shaming, and instituting all-you-can-eat birth control. Hence, you know, feminism. And there are also things that we can do as individuals to be safer, kinder, and more responsible. If you do choose to have casual sex, things are gonna go a lot better for you and your partners if you try to remain honest, open and communicative about what your intentions are. And for God’s sake, use a condom—do not get pregnant or get anyone else pregnant. That’s a real downer, this… echoing God’s act of creation by bringing new life into the world. It’s disgusting!”

ContraPoints, Feminism Did Not Destroy Atheism https://www.youtube.com/watch?v=klfH9QaEcqY (2016), Is Casual Sex Bad for Your Soul? https://www.youtube.com/watch?v=qKrbvLkbHu8 (2017)

Brian W. Aldiss photo

“I see their role as the same as ever; the artist is to give voice to the issues that are given to us in a confused manner, so that people can understand the role that they must play…I think the role of the cultural worker is to define those things we receive from those that are in power, and give it back to the community, presented it in a more clear way.”

Malaquías Montoya (1938) American artist

On how technological advancements have not diminished the cultural role of artists (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)

“It’s a 21st-century play…The overarching theme is, how do we find peace in the present? Through love, understanding and learning about our cultural and religious differences.”

On her play Paloma in “Playwright reaches into past for a better future” https://www.abqjournal.com/118454/playwright-reaches-into-past-for-a-better-future.html in the Albuquerque Journal (2012 Jul 15)

“It is far more important to establish a civil and orderly society than it is to pander to abusive cultural and religious artifacts.”

Sheri S. Tepper (1929–2016) American fiction writer

Source: The Fresco (2000), Chapter 41, p. 293

Elizabeth Acevedo photo
Saeed Jones photo
Juan Felipe Herrera photo

“Beauty, suffering, power and culture are all related. We cannot tear away from reality. It is better to live with all things, then to cut ourselves off and fester in a segmented mind.”

Juan Felipe Herrera (1948) American writer

On the role of beauty in poetry in “Poetry is Built for Compassion: An Interview with Juan Felipe Herrera” https://thi.ucsc.edu/poetry-built-compassion-interview-juan-felipe-herrera/ (Humanities Institute, UC Santa Cruz; 2019 Feb 27)

Philip Kan Gotanda photo
Tomi Adeyemi photo

“I saw the opportunity to show the beauty in the culture and show that these words sound magical. We’re so used to using Latin, but if J.K. Rowling saw magic in that, you can see magic in your own culture. And if you can see it, you can help other people to see it.”

Tomi Adeyemi (1993) American author

On showcasing the Yoruba culture in Children of Blood and Bone in “Meet Tomi Adeyemi: the politically-charged author you need to know about in 2019” https://www.harpersbazaar.com/uk/culture/culture-news/a26933188/tomi-adeyemi-interview/ in Harper’s Bazaar (2019 Mar 26)

Baruch Spinoza photo
Noah Levine photo
Alex Grey photo
Helena Roerich photo
John Pilger photo
Isabel Quintero photo
Carolina de Robertis photo
Bhimrao Ramji Ambedkar photo
Liu Cixin photo

“As a child, I witnessed a great deal of violence and persecution as well as social unrest during The Cultural Revolution...This experience has made me understand the complexity of human nature and society—I’ve realized that the future of human civilization is also full of danger and uncertainty. Such understanding is manifested in my science fiction novels…”

Liu Cixin (1963) Chinese science fiction writer

On how his childhood experiences shaped his writings in “In the Author’s Universe: Interview with Sci-Fi Author Cixin Liu” https://vocal.media/futurism/in-the-authors-universe-interview-with-sci-fi-author-cixin-liu in Vocal (2016)

Harry Hay photo
Harry Hay photo
David Zayas photo
Ernest Becker photo
Ernest Becker photo

“When we appreciate how natural it is for man to strive to be a hero, how deeply it goes in his evolutionary and organismic constitution, how openly he shows it as a child, then it is all the more curious how ignorant most of us are, consciously, of what we really want and need. In our culture anyway, especially in modern times, the heroic seems too big for us, or we too small for it. Tell a young man that he is entitled to be a hero and he will blush. We disguise our struggle by piling up figures in a bank book to reflect privately our sense of heroic worth. Or by having only a little better home in the neighborhood, a bigger car, brighter children. But underneath throbs the ache of cosmic specialness, no matter how we mask it in concerns of smaller scope. Occasionally someone admits that he takes his heroism seriously, which gives most of us a chill, as did U.S. Congressman Mendel Rivers, who fed appropriations to the military machine and said he was the most powerful man since Julius Caesar. We may shudder at the crassness of earthly heroism, of both Caesar and his imitators, but the fault is not theirs, it is in the way society sets up its hero system and in the people it allows to fill its roles. The urge to heroism is natural, and to admit it honest. For everyone to admit it would probably release such pent-up force as to be devastating to societies as they now are.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Carmen Lomas Garza photo
Morgan Parker (writer) photo
Diana Evans photo

“I feel it is something that I have to do for my children, to be able to give them a book that has kids like them in it, just incidentally. They are not the side character, they are not there as a novelty, they are just the characters. It shouldn’t be a big deal, but it is. People need to see themselves reflected in the culture around them.”

Diana Evans (1971) British novelist

On what she aims to convey in her writings in “Diana Evans: 'There's a ruthlessness in me towards writing'” https://www.theguardian.com/books/2018/mar/19/diana-evans-interview-ordinary-people in The Guardian (2018 Mar 19)

Iain Banks photo
Dennis Prager photo
Chris Martin photo
Algis Budrys photo
Karen Zacarias photo

“Coming to the theater humanizes people…Culture informs perspective, and the world is a complicated place. Telling the story on stage increases understanding…”

Karen Zacarias (1969) Mexican-American playwright

On how she views theater in “BWW Interview: A Date with DESTINY: Talking with Playwright Karen Zacarías” https://www.broadwayworld.com/washington-dc/article/BWW-Interview-A-Date-with-DESTINY-Talking-with-Playwright-Karen-Zacaras-20150914 in Broadway World (2015 Sep 14)

Nilaja Sun photo

“As an American, I always want to create work that reminds the world that people of colour have been great contributors to American history, culture, and tradition and that our stories exist and matter.”

On her aim in “Interview with Nilaja Sun” https://www.voicemag.uk/interview/2818/interview-with-nilaja-sun (2017 Aug 6)

Octavio Solis photo

“For someone born in the US but whose parents hail from Mexico, there is always a disconnect that happens between the present culture and the one before. Sometimes, it is a flimsy synapse, and sometimes the disconnect can be a chasm…”

Octavio Solis (1958)

On having Mexican-born parents in “An Interview with Octavio Solis” http://literaryashland.org/?p=10939 (Welcome to Literary Ashland; 2019 Jun 24)

Quiara Alegría Hudes photo
Luis Alfaro photo

“I call myself a citizen artist, because one of the things I do is try to get my playwrights — especially my graduate playwrights — interested in the world. It’s about how you connect art to culture and community here and now, and how we are vital to the expression of our community...”

Luis Alfaro (1963) Chicano performance artist, writer, theater director, and social activist

On calling himself a “citizen artist” in “The Artist as Leader: Luis Alfaro” https://www.uncsa.edu/kenan/artist-as-leader/luis-alfaro.aspx (Thomas S. Kenan Institute for the Arts)

Chris Hedges photo
P. L. Travers photo

“Expectations on the performance of race and gender are simultaneously high and low, depending on who is looking or asking. I prefer to keep all the options in the air, to try and better understand the conundrum that inequality creates---not just in culture, but internally.”

Kara Walker (1969) African American artist

On the expectations for an African American artist in “Art Talk with Kara Walker” https://www.arts.gov/art-works/2012/art-talk-kara-walker (National Endowment of the Arts; 2012 Feb 1)

Koenraad Elst photo
Koenraad Elst photo
Koenraad Elst photo
Augusta Savage photo
Robert Oppenheimer photo
Edmonia Lewis photo

“I was practically driven to Rome in order to obtain the opportunities for art-culture, and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.”

Edmonia Lewis (1844–1907) American sculptor

On studying in Europe (as quoted in the book Improper Bostonians: Lesbian and gay history from the Puritans to Playland https://www.google.com/books/edition/Improper_Bostonians/azaIecghLVgC?hl=en&gbpv=1&dq)

Coraline Ada Ehmke photo
Cory Booker photo

“We are a part of this take-down culture where people are trying to twist your words.”

Cory Booker (1969) 35th Class 2 senator for New Jersey in U.S. Congress

2019
Source: https://twitter.com/steinhauserNH1/status/1096852721800544256

Bhimrao Ramji Ambedkar photo