Quotes about course
page 29

George Long photo
Adam Roberts photo
Flavor Flav photo
Henry Adams photo
T. E. Lawrence photo
Anthony Burgess photo
Ai Weiwei photo

“Consider why the quality of school dinners is declining, even as more and more golf courses are opened.”

Ai Weiwei (1957) Chinese concept artist

“ Gold Is Not the Real Measure of a Nation http://www.guardian.co.uk/commentisfree/2008/aug/25/olympics2008.china,” Guardian, August 25, 2008.
2000-09, 2008

Franco Modigliani photo
Ha-Joon Chang photo
William Winter photo
Michel Seuphor photo
Anthony Burgess photo

“…of course, keep-fit people are no good in bed…”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Ludwig Feuerbach photo
Maharishi Mahesh Yogi photo

“And because the nature of inner being is bliss, infinite happiness, therefore the mind during TM takes that inward course in a most spontaneous manner.”

Maharishi Mahesh Yogi (1917–2008) Inventor of Transcendental Meditation, musician

Quoted from: Maharishi Mahesh Yogi - Lake Louise, Canada (1968) - MaharishiUniversity http://www.bienfaits-meditation.com/en/maharishi/videos/mechanics-of-the-technique

Robert Benchley photo
Angela Davis photo
Mao Zedong photo
Wolfgang Pauli photo
Warren Farrell photo
Marshall McLuhan photo

“I heard what you were saying. You - you know nothing of my work. You mean my whole fallacy is wrong. How you ever got to teach a course in anything is totally amazing.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Cameo appearance as himself in Woody Allen's 1977 film Annie Hall
1970s

John F. Kennedy photo
Nick Griffin photo
Tom Regan photo
Edmund Burke photo
Basil Rathbone photo

“I don’t know the why of anything, even when I pretend most diligently I do. The truth is the last time I had any idea why or what I was supposed to do I was lying in a shell hole, looking up at the sky. My mind was filled with a Bach keyboard sonata, which was one of the last I’d learned, I forget which one now. I absolutely knew I was about to die and I was completely happy and at peace, in a way I never was before or since, not even with you, in our best moments. It was so easy, you see, a kind of absolute joy and peace, because I knew it was all done and I was all square with life. Nothing left to do but let things take their course. And when I didn’t die, I didn’t know what to do. So I thought, I’ll take my revolver, go out and blow a hole through my head. Only I knew it wouldn’t work. I knew, I just knew you couldn’t do it that way. You couldn’t make it happen, not if you wanted to find peace. So, I thought, then, a sniper can do it for me. But no matter how I tried to let them no sniper ever found me. And all the other times I went out and lay in shell holes in No Man’s Land it wasn’t the same, and I knew I wouldn’t die this time, and of course I never did. I had this mad feeling I’d become some sort of Wandering Jew. And everything for so long afterwards was about dragging this living corpse of myself around, giving it things to do, because here it was, alive. And nothing made any sense and I didn’t even hope it would. I followed paths that were there to be followed, I did what others said to do.”

Basil Rathbone (1892–1967) British actor

Letter https://thegreatbaz.wordpress.com/2013/03/18/fuller-text-of-letter-quoted-in-a-life-divided/

Neville Chamberlain photo
Hannah Arendt photo
Ralph Vary Chamberlin photo
Vitruvius photo
Hans Freudenthal photo

“No statistician present at this moment will have been in doubt about the meaning of my words when I mentioned the common statistical model. It must be a stochastic device producing random results. Tossing coins or a dice or playing at cards are not flexible enough. The most general chance instrument is the urn filled with balls of different colours or with tickets bearing some ciphers or letters. This model is continuously used in our courses as a didactic tool, and in our statistical analyses as a means of translating realistic problems into mathematical ones. In statistical language " urn model " is a standard expression.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: The Concept and the Role of the Model in Mathematics and Natural and Social Sciences (1961), p. 79; Partly cited in: Norman L. Johnson and Samuel Kotz (1977) Urn Models and Their Application: an. Approach to Modern Discrete Probability Theory http://dis.unal.edu.co/~gjhernandezp/sim/hide/Urn%20Models%20and%20Their%20Application%20-%20An%20approach%20to%20modern%20discrete%20probability%20theory_Norman%20L.Johnson(Wiley%201977%20413s).pdf, John Wiley & Sons.

Noam Chomsky photo
Suze Robertson photo

“No, absolutely not, I have never been what one calls a gifted child, never a dreamer. I didn't think of making fantasies with the pencil on the paper, although at school we learned to draw and play music of course. But in those days the piano was actually what I preferred most... But until my eighteenth year I have been hesitating long between both [painting and playing piano]..”

Suze Robertson (1855–1922) Dutch painter

version in original Dutch / origineel citaat van Suze Robertson: Nee, ik ben volstrekt nooit wat men noemt een begaafd kind geweest, nooit een droomster. Aan fantasie met 't potlood op 't papier dacht ik niet, al leerden we op school natuurlijk ook teekenen en muziek. Maar in dien tijd was de piano eigenlijk meer mijn fort.. .Toch heb ik tot mijn achttiende jaar tussen die beide lang gewankeld.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 30

Thomas Carlyle photo

“The Working Man as yet sought only to know his craft; and educated himself sufficiently by ploughing and hammering, under the conditions given, and in fit relation to the persons given: a course of education, then as now and ever, really opulent in manful culture and instruction to him; teaching him many solid virtues, and most indubitably useful knowledges; developing in him valuable faculties not a few both to do and to endure,—among which the faculty of elaborate grammatical utterance, seeing he had so little of extraordinary to utter, or to learn from spoken or written utterances, was not bargained for; the grammar of Nature, which he learned from his mother, being still amply sufficient for him. This was, as it still is, the grand education of the Working Man. As for the Priest, though his trade was clearly of a reading and speaking nature, he knew also in those veracious times that grammar, if needful, was by no means the one thing needful, or the chief thing. By far the chief thing needful, and indeed the one thing then as now, was, That there should be in him the feeling and the practice of reverence to God and to men; that in his life's core there should dwell, spoken or silent, a ray of pious wisdom fit for illuminating dark human destinies;—not so much that he should possess the art of speech, as that he should have something to speak!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Franz Marc photo
Eiji Aonuma photo
Kim Il-sung photo
Noam Cohen photo
Calvin Coolidge photo
Winston S. Churchill photo
John A. Macdonald photo

“As for myself, my course is clear. A British subject I was born — a British subject I will die. With my utmost effort, with my latest breath, will I oppose the ‘veiled treason’ which attempts by sordid means and mercenary proffers to lure our people from their allegiance.”

John A. Macdonald (1815–1891) 1st Prime Minister of Canada

February 3, 1891 as the 1891 election was called, fought largely over the issue of free trade with the United States; reported at Historic Canada http://www.histori.ca/prodev/article.do;jsessionid=8D3831D48EE489EBCF46813C8427E685.tomcat1?id=15356.
Dated

Mark Rowlands photo

“Even if vegetarian dishes are less palatable than meat-based dishes, and it is not clear that they are, we have to weigh up humans' loss of certain pleasures of the palate against what the animals we eat have to give up because of our predilection for meat. Most obviously, of course, they have to give up their lives, and all the opportunities for the pursuing of interests and satisfaction of preferences that go with this. For most of the animals we eat, in fact, death may not be the greatest of evils. They are forced to live their short lives in appalling and barbaric conditions, and undergo atrocious treatment. Death for many of these animals is a welcome release. When you compare what human beings would have to 'suffer' should vegetarianism become a widespread practice with what the animals we eat have to suffer given that it is not, then if one were to make a rational and self-interested choice in the original position, it is clear what this choice would be. If one did not know whether one was going to be a human or an animal preyed on by humans, the rational choice would surely be to opt for a world where vegetarianism was a widespread human practice and where, therefore, there was no animal husbandry industry. What one stands to lose as a human is surely inconsequential compared to what one stands to lose as a cow, or pig, or lamb.”

Mark Rowlands (1962) British philosopher

Animal Rights: Moral Theory and Practice https://books.google.it/books?id=bFYYDAAAQBAJ&pg=PA0 (Palgrave Macmillan, 2nd ed. 2009), pp. 164-165.

Drashti Dhami photo
Nikolai Gogol photo
Jane Roberts photo

“One dream can change the development of a personality, and change his physical course.”

Jane Roberts (1929–1984) American Writer

Session 47
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 2

Ariel Sharon photo
Erving Goffman photo

“When an individual appears before others, he wittingly and unwittingly projects a definition of the situation, of which a conception of himself is an important part. When an event occurs which is expressively incompatible with this fostered impression, significant consequences are simultaneously felt in three levels of social reality, each of which involves a different point of reference and a different order of fact.
First, the social interaction, treated here as a dialogue between two teams, may come to an embarrassed and confused halt; the situation may cease to be defined, previous positions may become no longer tenable, and participants may find themselves without a charted course of action…
Secondly, in addition to these disorganizing consequences for action at the moment, performance disruptions may have consequences of a more far-reaching kind. Audiences tend to accept the self projected by the individual performer during any current performance as a responsible representative of his colleague-grouping, of his team, and of his social establishment…
Finally, we often find that the individual may deeply involve his ego in his identification with a particular role, establishment, and group and in his self-conception as someone who does not disrupt social interaction or let down the social units which depend upon that interaction.”

Source: 1950s-1960s, The Presentation of Self in Everyday Life, 1959, p. 155-6

Nancy Peters photo

“The tempest unleashes an alphabet
letters fall through the apertures of crazy angles
to spell out the future
uprooting the course of invention
and enslaving the masters”

Nancy Peters (1936) American writer and publisher

It's In the Wind (1977) "Ceremonies In A Polar Garden"
1970s

Paul Blobel photo
Margaret Thatcher photo
Taliesin photo
Michel De Montaigne photo
Jacoba van Heemskerck photo

“I got the idea to paint people, in the way I see them. From one face I take to my own idea some very characteristic features of it and then I make of the whole a picture in colors and lines, in the way how I meet that person. The whole thing becomes not at all a portrait in the usual sense... I have tried to make types, but will built in more and more personal qualities and all that kind of things... Everything will be figured out fully abstract of course, it is just a personal feeling and no system at all.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Meine Idee ist es die Menschen zu malen, wie ich sie sehe. Ich nehme aus einem Gesicht einige meiner Ansicht nach am meisten sprechende Züge und ich mache dann vom ganzen ein Bild in den Farben und Linien, wie die Person mir entgegentritt. Das Ganze ist gar kein Porträt im gewöhnlichen Sinne.. .Ich habe mich bemüht, jetz noch Typen zu machen und werde mehr und mehr persönliche Eigenschaften und alle mögliche hereinbringen.. .Alles muss man sich natürlich ganz abstrakt denken, es ist ein persönliches Gefühl und gar kein System.
in a letter to Herwarth Walden, 6 Feb. 1918; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 20
1910's

Ernst Ludwig Kirchner photo

“After lengthy struggles I now find myself here [Dr Kohnstamm's sanatorium in Königstein, in Taunus] for a time to put my mind into some kind of order. It is a terribly difficult thing, of course, to be among strangers so much of the day. But perhaps I'll be able to see and create something new. For the time being, I would like more peace and absolute seclusion. Of course, I long more and more for my work and my studio. Theories may be all very well for keeping a spiritual balance, but they are grey and shadowy compared with work and life.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter from Königstein, Taunus to Dr. Karl Hagemann, January 1916 (friend and patron in Leverkusen and collector of his art); as quoted in the biography-pdf http://www.kirchnermuseum.ch/data/media/downloads/Biography.pdf of the Kirchner museum, Davos
Kirchner suffered then a serious mental breakdown and was also afraid for being drafted once more in the German army, so back in the war
1916 - 1919

Gertrude Stein photo

“And identity is funny being yourself is funny as you are never yourself to yourself except as you remember yourself and then of course you do not believe yourself.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Source: Everybody’s Autobiography (1937), Ch. 2

R. Venkataraman photo
Michele Bachmann photo
Doris Lessing photo
Norbert Wiener photo

“The odors perceived by the ant seem to lead to a highly standardized course of conduct; but the value of a simple stimulus, such as an odor, for conveying information depends not only on the information conveyed by the stimulus itself but on the whole nervous constitution of the sender and receiver of the stimulus as well. Suppose I find myself in the woods with an intelligent savage who cannot speak my language and whose language I cannot speak. Even without any code of sign language common to the two of us, I can learn a great deal from him. All I need to do is to be alert to those moments when he shows the signs of emotion or interest. I then cast my eyes around, perhaps paying special attention to the direction of his glance, and fix in my memory what I see or hear. It will not be long before I discover the things which seem important to him, not because he has communicated them to me by language, but because I myself have observed them. In other words, a signal without an intrinsic content may acquire meaning in his mind by what he observes at the time, and may acquire meaning in my mind by what I observed at the time. The ability that he has to pick out the moments of my special, active attention is in itself a language as varied in possibilities as the range of impressions that the two of us are able to encompass. Thus social animals may have an active, intelligent, flexible means of communication long before the development of language.”

VIII. Information, Language, and Society. p. 157.
Cybernetics: Or Control and Communication in the Animal and the Machine (1948)

Larry Wall photo

“Of course, I reserve the right to make wholly stupid changes to Perl if I think they improve the language.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199704251604.JAA27300@wall.org, 1997]
Usenet postings, 1997

Joseph Chamberlain photo
Euripidés photo

“Events will take their course, it is no good of being angry at them; he is happiest who wisely turns them to the best account.”

Bellerophon, Fragment 298; quoted in Plutarch's Morals : Ethical Essays (1888) edited and translated by Arthur Richard Shilleto, p. 293

Charles Krauthammer photo

“The author took the only course in cartography available to him in 1937; it must have been fairly typical of the few being offered in America: lectures based largely on personal experiences were supplemented by a relatively few assigned readings, and by Deetz and Adam’s Elements of Map Projection.”

Arthur H. Robinson (1915–2004) American geographer

No textbook was used because there was none in English.
Robinson (1970, p. 189) referring to himself in the third person; As cited in: Jake Coolidge (2009) " Arthur H. Robinson: A Look at a Career http://jakecoolidge.wordpress.com/2009/10/15/arthur-h-robinson-a-look-at-a-career/". Oct 15, 2009

Gloria Estefan photo
Agatha Christie photo
Tomislav Sunić photo
Robert Sheckley photo

““It is the principle of Business, which is more fundamental than the law of gravity. Wherever you go in the galaxy, you can find a food business, a housebuilding business, a war business, a peace business, a governing business, and so forth. And, of course, a God business, which is called ‘religion,’ and which is a particularly reprehensible line of endeavor. I could talk for a year on the perverse and nasty notions that the religions sell, but I’m sure you’ve heard it all before. But I’ll just mention one matter, which seems to underlie everything the religions preach, and which seems to me almost exquisitely perverse.”
“What’s that?” Carmody asked.
“It’s the deep, fundamental bedrock of hypocrisy upon which religion is founded. Consider: no creature can be said to worship if it does not possess free will. Free will, however, is free. And just by virtue of being free, is intractable and incalculable, a truly Godlike gift, the faculty that makes a state of freedom possible. To exist in a state of freedom is a wild, strange thing, and was clearly intended as such. But what do the religions do with this? They say, ‘Very well, you possess free will; but now you must use your free will to enslave yourself to God and to us.’ The effrontery of it! God, who would not coerce a fly, is painted as a supreme slavemaster! In the face of this, any creature with spirit must rebel, must serve God entirely of his own will and volition, or must not serve him at all, thus remaining true to himself and to the faculties God has given him.”
“I think I see what you mean,” Carmody said.
“I’ve made it too complicated,” Maudsley said. “There’s a much simpler reason for avoiding religion.”
“What’s that?”
“Just consider its style—bombastic, hortatory, sickly-sweet, patronizing, artificial, inapropos, boring, filled with dreary images or peppy slogans—fit subject matter for senile old women and unweaned babies, but for no one else. I cannot believe that the God I met here would ever enter a church; he had too much taste and ferocity, too much anger and pride. I can’t believe it, and for me that ends the matter. Why should I go to a place that a God would not enter?””

Source: Dimension of Miracles (1968), Chapter 13 (pp. 88-89)

Warren Farrell photo
Carl Sagan photo
Homér photo
Charles Krauthammer photo
Phil Brown (footballer) photo

“The fans were asking me "was I watching?". Of course I was watching.”

Phil Brown (footballer) (1959) English association football player and manager

14-Jan-2006, DCFC website
Phil displays a poor understanding of rhetoric.

Aron Ra photo
Michel De Montaigne photo
Henry Adams photo
Eric Blom photo

“In future editions many of those who may die in the meantime will, of course, be added. All the same, it is hoped that this announcement will not start an immediate wave of suicide among singers and players.”

Eric Blom (1888–1959) Swiss-born British-naturalised music lexicographer, musicologist, music critic, music biographer and transl…

Explaining that he has excluded living performers. Preface, p. vi.
Everyman's Dictionary of Music (London: J. M Dent & Sons; 3rd ed. 1958)

Arthur Cecil Pigou photo
Paul Klee photo
Hermann von Helmholtz photo
John Muir photo
Edward Hall Alderson photo
Robert Charles Wilson photo

“Ziegler said, “You know the story in the Bible, the story of Abraham and Isaac?”
“Of course.”
“God instructs Abraham to offer his son as a sacrifice. Isaac makes it as far as the chopping block before God changes his mind.”
Yes. Jacob had always imagined God a little appalled at Abraham’s willingness to cooperate.
Ziegler said, “What’s the moral of the story?”
“Faith.”
“Hardly,” Ziegler said. “Faith has nothing to do with it. Abraham never doubted the existence of God—how could he? The evidence was ample. His virtue wasn’t faith, it was fealty. He was so simplemindedly loyal that he would commit even this awful, terrible act. He was the perfect foot soldier. The ideal pawn. Abraham’s lesson: fealty is rewarded. Not morality. The fable makes morality contingent. Don’t go around killing innocent people, that is, unless you're absolutely certain God want you to. It’s a lunatic’s credo.
“Isaac, on the other hand, learns something much more interesting. He learns that neither God nor his own father can be trusted. Maybe it makes him a better man than Abraham. Suppose Isaac grows up and fathers a child of his own, and God approaches him and makes the same demand. One imagines Isaac saying, ’No. You can take him if you must, but I won’t slaughter my son for you.’ He’s not the good and faithful servant his father was. But he is, perhaps, a more wholesome human being.””

Robert Charles Wilson (1953) author

The Fields of Abraham (pp. 21-22)
The Perseids and Other Stories (2000)

Dylan Moran photo
Bhakti Tirtha Swami photo
Francis Bacon photo
Thanissaro Bhikkhu photo