Quotes about concept
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Phillip Guston photo
James Braid photo
Brian W. Aldiss photo

“They enjoy their show of might,” Adam said. “These people have to express their unhappiness by using ugly things like guns and ill-fitting uniforms, and the whole conception of the camp.”

Brian W. Aldiss (1925–2017) British science fiction author

“Man on Bridge” p. 89
Short fiction, Who Can Replace a Man? (1965)

Steve Jobs photo

“Jobs: Most people have no concept of how an automatic transmission works, yet they know how to drive a car. You don't have to study physics to understand the laws of motion to drive a car. You don't have to understand any of this stuff to use Macintosh.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Steve Jobs, Playboy, Feb 1985, by Philip Elmer-Dewitt, “Steve-Jobs The Playboy Interview” http://fortune.com/2010/11/20/steve-jobs-the-playboy-interview/, Fortune.com, November 20, 2010.
1980s

Manfred F.R. Kets de Vries photo
Poul Anderson photo
Ko Wen-je photo
Heinz von Foerster photo
Maxwell D. Taylor photo
Jane Roberts photo
Paulo Freire photo

“It is not suprising that the banking concept of education regards men as adaptable, manageable beings.”

Paulo Freire (1921–1997) educator and philosopher

Source: Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970), Chapter 2

Werner Herzog photo

“No conception of democracy as geared toward reducing domination can ignore the relations between the political system and the distribution of income and wealth.”

Ian Shapiro (1956) American political theorist

The State of Democratic Theory (2003), Chapter 5. Democracy and Distribution.

Carl Gustav Jacob Jacobi photo

“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

Jean Tinguely photo

“Everything moves continuously. Immobility does not exist. Don't be subject to the influence of out-of-date concepts. Forget hours, seconds and minutes. Accept instability. Live in Time. Be static - with movement. For a static of the present movement. Resist the anxious wish to fix the instantaneous, to kill that which is living.
Stop insisting on 'values' which can only break down. Be free, live. Stop painting time. Stop evoking movements and gestures. You are movement and gesture. Stop building cathedrals and pyramids which are doomed to fall into ruin. Live in the present, live once more in Time and by Time - for a wonderful and absolute reality”

Jean Tinguely (1925–1991) Swiss painter and sculptor

Original text in German:
Es bewegt sich alles, Stillstand gibt es nicht. Lasst Euch nicht von überlebten Zeitbegriffen beherrschen. Fort mit den Stunden, Sekunden und Minuten. Hört auf, der Veränderlichkeit zu widerstehen. SEID IN DER ZEIT – SEID STATISCH, SEID STATISCH – MIT DER BEWEGUNG. Fur Statik. Im Jetzt stattfindenden JETZT... Lasst es sein, Kathedralen und Pyramiden zu bauen, die zerbröckeln wie Zuckerwerk. Atmet tief, lebt Jetzt, lebt auf und in der Zeit. Für eine schöne und absolute Wirklichkeit!
In For Statics (original title: Für Statik), 1958 programmatic text for the 'Concert for Seven Pictures' in Düsseldorf: as quoted in: Arts/Canada. Vol. 25. (1968) p. 4.
Quotes, 1950's

Angelique Rockas photo
Edmund Burke photo
Fortunato Depero photo

“The Futurists were the first painters, poets, and architects who exalted modern work with their art—
they painted speeding automobiles—
they painted lamps bursting with light—
they painted steaming locomotives and swift bicyclists—
the Futurists stylized their compositions, adopting a violently colored look; with synoptic and geometric shapes they multiplied and decomposed the rhythms of objects and landscapes in order to increase their dynamic qualities and to give an effective rendering of their swift ideas, the states of mind, their conceptions.”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

Depero (1931) "Futurism and Adverticing Art"; Republished in: Futurism : an anthology http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf. edited by Lawrence Rainey, Christine Poggi, and Laura Wittman, (2011), p. 290

R. G. Collingwood photo
Richard Bertrand Spencer photo
Jesús Huerta de Soto photo
Gloria Estefan photo
N. R. Narayana Murthy photo

“Perhaps the biggest problem before Indian Corporates is that of the concept of ‘corporate throne’. If the company is not doing well, the old guard must make way for new.”

N. R. Narayana Murthy (1946) Indian businessman

Source: Entrepreneur of the New Millenium: N.R. Narayana Murthy : Life & Times of N.R. Narayana Murthy, p. 29

Michael E. Porter photo
Koenraad Elst photo
George Holmes Howison photo

“Mathematics is that form of intelligence in which we bring the objects of the phenomenal world under the control of the conception of quantity. [Provisional definition. ]”

George Holmes Howison (1834–1916) American philosopher

"The Departments of Mathematics, and their Mutual Relations," Journal of Speculative Philosophy, Vol. 5, p. 164. Reported in Moritz (1914)
Journals

Paul Cézanne photo
Roger Ebert photo
Thomas Szasz photo
Randolph Bourne photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Emil M. Cioran photo
Barney Frank photo

“… [they] believe that life begins at conception and ends at birth…”

Barney Frank (1940) American politician, former member of the House of Representatives for Massachusetts

Speaking of anti-abortion legislators
[Charles P., Pierce, http://www.boston.com/news/globe/magazine/articles/2005/10/02/to_be_frank/?page=4, To Be Frank, The Boston Globe, p. 4, October 2, 2005, 2008-03-05]

Indro Montanelli photo
Harold Pinter photo
Slavoj Žižek photo
John Burroughs photo
Erving Goffman photo
Richard Strauss photo

“I hope, most revered Maestro, that these metronome markings, in my opinion wholly unneeded by you, are specific enough. Where they do not fit with your conception, I implore you urgently just to ignore them.”

Richard Strauss (1864–1949) German composer and orchestra director

Letter to Hans Von Bulow, 15th January 1890, in Schuh and Trenner, Hans von Bulow and Richard Strauss: Correspondence, in English Boosey and Hawkes 1955. Von Bulow had asked for metronome markings from Strauss for Don Juan. [Italics Strauss]
Other sources

“What agents would choose in certain well- defined conditions of ignorance (in the “original position”) is, for Rawls, an important criterion for determining which conception of “justice” is normatively acceptable. Why should we agree that choice under conditions of ignorance is a good criterion for deciding what kind of society we would wish to have? William Morris in the late nineteenth century claimed to prefer a society of more or less equal grinding poverty for all (e. g., the society he directly experienced in Iceland) to Britain with its extreme discrepancies of wealth and welfare, even though the least well-off in Britain were in absolute terms better off than the peasants and fishermen of Iceland.” This choice seems to have been based not on any absolute preference for equality (or on a commitment to any conception of fairness), but on a belief about the specific social (and other) evils that flowed from the ways in which extreme wealth could be used in an industrial capitalist society.” Would no one in the original position entertain views like these? Is Morris’s vote simply to be discounted? On what grounds? The “veil of ignorance” is artificially defined so as to allow certain bits of knowledge “in” and to exclude other bits. No doubt it would be possible to rig the veil of ignorance so that it blanks out knowledge of the particular experiences Morris had and the theories he developed, and renders them inaccessible in the original position, but one would then have to be convinced that this was not simply a case of modifying the conditions of the thought experiment and the procedure until one got the result one antecedently wanted.”

Source: Philosophy and Real Politics (2008), pp. 87-88.

Richard Whately photo
Paul Ryan photo
E. W. Hobson photo
Paul Signac photo
Albert Einstein photo

“How can this cosmic religious experience be communicated from man to man, if it cannot lead to a definite conception of God or to a theology? It seems to me that the most important function of art and of science is to arouse and keep alive this feeling in those who are receptive.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Wording in Ideas and Opinions: How can cosmic religious feeling be communicated from one person to another, if it can give rise to no definite notion of a God and no theology? In my view, it is the most important function of art and science to awaken this feeling and keep it alive in those who are receptive to it.
1930s, Religion and Science (1930)

Alan Moore photo
Buckminster Fuller photo

“There is an inherently minimum set of essential concepts and current information, cognizance of which could lead to our operating our planet Earth to the lasting satisfaction and health of all humanity.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

1970s, Synergetics: Explorations in the Geometry of Thinking (1975), The Wellspring of Reality

Jonah Goldberg photo
Grady Booch photo
Ursula Goodenough photo
Amir Taheri photo

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Christine O'Donnell photo
Phillip Guston photo
Kazimierz Ajdukiewicz photo
Amir Taheri photo
Mahela Jayawardene photo
Frank Wilczek photo
Arshile Gorky photo
Sally Shlaer photo
Ervin László photo
Bernhard Riemann photo
Jacques Ellul photo
Henri of Luxembourg photo

“Long has reality belied ethnicity-oriented conceptions of the Nation. In a country where resident foreigners make up almost half of the population, and where foreigners constitute two thirds of the working population, it no longer makes any sense. Wider conceptions of the Nation have come into being.”

Henri of Luxembourg (1955) Grand Duke (head of state) of the Grand Duchy of Luxembourg

Déi éischter ethnesch orientéiert Konzeptioun vun der Natioun ass zanter laangem vun de Realitéiten dementéiert ginn. An engem Land ewéi äist, wou praktesch d’Halschent Net-Lëtzebuerger wunnen a wou se zwee Drëttel vun der aktiver Populatioun ausmaachen, ergëtt dat kee Sënn méi. Aplaz hu sech vill méi offe Konzeptiounen vun der Natioun imposéiert.
Speech on National Day, http://www.monarchie.lu/fr/actualites/discours/2014/06/23062014-fetnat/index.html (23 June 2014)
Luxembourg, Immigration

Alfred North Whitehead photo
Manuel Rivera-Ortiz photo
Neville Chamberlain photo

“Thus to say that God is ineffable is to say that no concepts apply to Him, and that He is without qualities.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

p. 33.

Rex Stout photo
Venus Williams photo
Bernhard Riemann photo
Johann Gottlieb Fichte photo
William O. Douglas photo

“The conception of political equality from the Declaration of Independence, to Lincoln's Gettysburg Address, to the Fifteenth, Seventeenth, and Nineteenth Amendments could mean only one thing — one person, one vote.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Writing for the court, Gray v. Sanders, 372 U.S. 368, 381 (1963)
Judicial opinions

Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Ryū Murakami photo
Leo Tolstoy photo
Hugh Macmillan, Baron Macmillan photo
Edward O. Wilson photo
Rebecca West photo
Werner Heisenberg photo

“Modern positivism…expresses criticism against the naïve use of certain terms… by the general postulate that the question whether a given sentence has any meaning… should always be thoroughly and critically examined. This… is derived from mathematical logic. The procedure of natural science is pictured as an attachment of symbols to the phenomena. The symbols can, as in mathematics, be combined according to certain rules… However, a combination of symbols that does not comply with the rules is not wrong but conveys no meaning.
The obvious difficulty in this argument is the lack of any general criterion as to when a sentence should be considered meaningless. A definite decision is possible only when the sentence belongs to a closed system of concepts and axioms, which in the development of natural science will be rather the exception than the rule. In some case the conjecture that a certain sentence is meaningless has historically led to important progress… new connections which would have been impossible if the sentence had a meaning. An example… sentence: "In which orbit does the electron move around the nucleus?"”

Werner Heisenberg (1901–1976) German theoretical physicist

But generally the positivistic scheme taken from mathematical logic is too narrow in a description of nature which necessarily uses words and concepts that are only vaguely defined.
Physics and Philosophy (1958)

Thomas Szasz photo
Genco Gulan photo

“I love colors…as much as I love concepts.”

Genco Gulan (1969) contemporary artist

Graf, Marcus. Concepual Colors of Genco Gulan, Revolver Publishing http://www.revolver-books.de/, 2012. ISBN-13: 978-3868952049.

Karl Wilhelm Friedrich Schlegel photo

“The Kantians’ conception of duty relates to the commandment of honor, the voice of God and one’s calling in us, as the dried plant to the fresh flower on the living stem.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Die Pflicht der Kantianer verhält sich zu dem Gebot der Ehre, der Stimme des Berufs und der Gottheit in uns, wie die getrocknete Pflanze zur frischen Blume am lebenden Stamme.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 39

Stephen Corry photo
Derren Brown photo