Quotes about closing
page 4
Letter to the Chancellors of the European Universities. Collected Works, vol. 1, pt. 2 (1956, trans. 1968).
Understanding Islam, "Morals and Ethics" http://vod.dmi.ae/media/96716/Ep_03_Morals_and_Ethics Dubai Media
Henry Agard Wallace (1973), Democracy reborn, p. 96; cited in: Gerard F. Vaaughn, " Benjamin H. Hibbard: Scholar for Policy Making http://ageconsearch.umn.edu/bitstream/132025/2/BenjaminHibbard.pdf," in Choices, First Quarter 1998, p. 38.
1860s, Allow the humblest man an equal chance (1860)
The remarks concerned the presidential election of 1880.
As quoted in The New York Times (12 February 1881).
1880s
1910s, The Problems of Philosophy (1912)
First post-engagement interview (2010)
Reverence for Life (1969)
Soren Kierkegaard, Three Discourses at the Communion on Fridays.1 John 3: From Cristian Discourses & The Lilies of the Field & The Birds of the Air, & Discourses at the Communion on Fridays 1848 Translated by Walter Lowrie 1940, 1961 Galaxy Books P. 298-299
1840s, Christian Discourses (1848)
§ 116
The Reasonableness of Christianity (1695)
Socrates, p. 35
L'Âme et la danse (1921)
Harpal Brar, Perestroika - The complete collapse of revisionism, pg. 274-75.
Letter to a round-robin letter-writing group called "the Coryciani" (14 July 1936), quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 339
Non-Fiction, Letters
Quote in My Galleries and Painters, Daniel-Henry Kahnweiler, New York Viking Press, 1971, p. 46
Picasso in a talk c. 1955, with Daniel-Henry Kahnweiler
Quotes, 1950's
About the Medal of Honor awardees. Quoted in "Rising Sons" - Page 260 - by Bill Yenne - History - 2007
Source: The Foundations of Leninism, Ch.8
Address to the International Committee for the Supreme Soviet of the U.S.S.R. (17 September 1990)
Post-presidency (1989–2004)
Journal of a Residence on a Georgian Plantation in 1838-1839, ch. 1 (1863).
Source: 1910s, Introduction to Mathematical Philosophy (1919), Ch. 18: Mathematics and Logic
<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)
<p>Sou um guardador de rebanhos.
O rebanho é os meus pensamentos
E os meus pensamentos são todos sensações.
Penso com os olhos e com os ouvidos
E com as mãos e os pés
E com o nariz e a boca.
Pensar uma flor é vê-la e cheirá-la
E comer um fruto é saber-lhe o sentido.</p><p>Por isso quando num dia de calor
Me sinto triste de gozá-lo tanto,
E me deito ao comprido na erva,
E fecho os olhos quentes,
Sinto todo o meu corpo deitado na realidade,
Sei a verdade e sou feliz.</p>
Alberto Caeiro (heteronym), O Guardador de Rebanhos ("The Keeper of Sheep"), IX — in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)
§ 56
2010s, 2015, Laudato si' : Care for Our Common Home
Interview with Paul Hill (March 1975), published in P. Hill & T.J. Cooper (1979), Dialogue with Photography
Source: Tortured For Christ (1967), p. 82.
Source: Crystallizing Public Opinion (1923), p. 168
Source: Russia Under The Bolshevik Regime (1994), p. 245
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), pp. 100-101
“I'll just close my eyes and whisper”
Music, Keep The Faith (1992)
Part I, Ch. 3: Lenin, Trotsky and Gorky
1920s, The Practice and Theory of Bolshevism (1920)
Source: The Subtle Art of Not Giving a F*ck (2016), Chapter 4, “The Value of Suffering” (p. 83)
Huey Long on African American Education (Williams p. 524)
On the end of the television program Friends – Susan Young (May 6, 2004) "Adios, amigos: ' Friends ' signs off after a decade of good times", Alameda Times-Star.
1910s, The Progressives, Past and Present (1910)
2014, Sixth State of the Union Address (January 2014)
This statement by an unknown author has also been wrongly attributed to Julius Caesar, as well as to Shakespeare's play on his assassination and its aftermath, but there are no records of it prior to late 2000. It has been debunked at Snopes.com http://www.snopes.com/quotes/caesar.htm
Misattributed
Reflections of a Non-Political Man http://germanhistorydocs.ghi-dc.org/sub_document.cfm?document_id=946 [Betrachtungen eines Unpolitischen] (1918)
The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter
The Rubaiyat (1120)
The Need for Transcendence in the Postmodern World (1994)
1910s, The World Movement (1910)
“Open eyes are of little use when the mind behind them is closed.”
Codex Alera, Princeps' Fury (2008)
as quoted in: Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. ed. Stiles, Kristine and Selz, Peter (LA: University of California Press, 1996), p. 405; Cited in: John D. Powell. Preserving the unpreservable: A study of destruction art in the contemporary museum. University of Leicester, 2007. p. 30
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
"Price Flexibility and Output Stability: An Old Keynesian View" (1993)
<p>Cet enlèvement, si brutalement exécuté, s'était accompli avec la rapidité de l'éclair... Un rapide frisson me glaça l'épiderme. A qui avions-nous affaire ? Sans doute à quelques pirates d'une nouvelle espèce qui exploitaient la mer à leur façon.</p><p>A peine l'étroit panneau fut-il refermé sur moi, qu'une obscurité profonde m'enveloppa.</p>
Part I, ch. VIII: Mobilis in Mobili
Twenty Thousand Leagues Under the Sea (1870)
“Jesus, give the weary
Calm and sweet repose.
With Thy tend'rest blessing
May our eyelids close.”
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 614.
“A good opening and a good ending make for a good film provided they come close together.”
"Recipe for a Good Film"
I'm a Born Liar (2003)
Sukirti Kandpal on her characters http://www.tellychakkar.com/tv/tv-news/every-character-i-have-played-close-my-heart-sukirti-kandpal/
Source: Introduction to The Closing of the American Mind (1988), p. 15
http://artdistricts.com/clandestine-culture-between-street-art-and-social-activism/
"Angelus", in Saint Peter's Square (14 December 2014) http://w2.vatican.va/content/francesco/en/angelus/2014/documents/papa-francesco_angelus_20141214.html
2010s, 2014
“Extraordinary creature! So close a friend, and yet so remote.”
Herr und Hund (A Man and his Dog) (1918)
“Let's close the place down and see if anybody notices.”
Comments made just before the United States federal government shutdowns of 1995 and 96, as quoted in and article by James C. Miller III, in The Wall Street Journal (18 October 1995), as discussed in Congress via the Congressional Record https://books.google.com/books?id=HH9KOKGZJJYC&pg=PA28413 by Phil Crane. p. 28413
Post-presidency (1989–2004)
"Eric Johnson's Guitar Gets to Austin's Roots" at NPR (13 August 2005) http://www.wbur.org/npr/4795689&ft=3&f=15403510
1950s, What Desires Are Politically Important? (1950)
At the end of the Civil War, asking that a military band play "Dixie" (10 April 1865) as quoted in Dan Emmett and the Rise of Early Negro Minstrelsy (1962) by Hans Nathan. Variant account: "I have always thought "Dixie" one of the best tunes I have ever heard. Our adversaries over the way attempted to appropriate it, but I insisted yesterday that we fairly captured it... I now request the band to favor me with its performance".
1860s
Source: What Got You Here Won't Get You There, 2008, p. 125 (in 2010 edition)
On planning her next album after 'A'; her thoughts on her 2013 solo album, 'A'
BBC interview (March 2013)
The Satanic Bible (1969)
Source: Discipleship (1937), The Disciple and Unbelievers, p. 184.
written after 1908
in The Mad Poet's Diary, T 2734
1896 - 1930
Was falsely attributed to Rutherford by Joni Eareckson-Tada in Heaven: Your Real Home http://books.google.com.mx/books?id=cQrPd8R0o0kC&printsec=frontcover#v=onepage&q&f=false (2010), p. 259 From Edward Payson in " Momentos of Rev. Edward Payson D.D., ed. Edwin L. Janes (New York: Nelson & Phillips, 1873), p. 87 https://archive.org/details/mementosofrevedw00pays/mode/2up.
The Original version reads: "... for if you should see a man shut up in a close room, idolizing a set of lamps, and rejoicing in their light, and you wished to make him truly happy, you would begin by blowing out all his lamps, and then throw open the shutters, to let in the light of heaven."
Ref: en.wikiquote.org - Samuel Rutherford / Misattributed
Bjarne Stroustrup's The C++ Programming Language (Third Edition and Special Edition) Notes to the Reader page 9, 2012-04-28, http://web.archive.org/web/20091128074415/http://www2.research.att.com/~bs/3rd_notes.pdf#page=7, 2009-11-28 http://www2.research.att.com/~bs/3rd_notes.pdf#page=7,
2009, A New Beginning (June 2009)
An obituary for Adolf Hitler, Aftenposten (7 May 1945)
The Notebooks of Leonardo Da Vinci (1938), I Philosophy
Response to observations made in In A Minor Key by Charles D. Isaacson, in The Conservative, Vol. I, No. 2, (1915), p. 4
Non-Fiction
“Good music is very close to primitive language.”
"Correspondence of Ideas with the Motion of Organs"
Elements of Physiology (1875)
Source: 1880s, Life and Times of Frederick Douglass (1881), p. 355.
Context: On this inauguration day, while waiting for the opening of the ceremonies, I made a discovery in regard to the vice president — Andrew Johnson. There are moments in the lives of most men, when the doors of their souls are open, and unconsciously to themselves, their true characters may be read by the observant eye. It was at such an instant I caught a glimpse of the real nature of this man, which all subsequent developments proved true. I was standing in the crowd by the side of Mrs. Thomas J. Dorsey, when Mr. Lincoln touched Mr. Johnson, and pointed me out to him. The first expression which came to his face, and which I think was the true index of his heart, was one of bitter contempt and aversion. Seeing that I observed him, he tried to assume a more friendly appearance; but it was too late; it was useless to close the door when all within had been seen. His first glance was the frown of the man, the second was the bland and sickly smile of the demagogue. I turned to Mrs. Dorsey and said, 'Whatever Andrew Johnson may be, he certainly is no friend of our race'.
Diary of an Unknown (1988)
As quoted in The Life and Public Service of Abraham Lincoln (1865) by Henry J. Raymond
Posthumous attributions
Context: If I were to try to read, much less answer, all the attacks made on me, this shop might as well be closed for any other business. I do the very best I know how — the very best I can; and I mean to keep doing so until the end. If the end brings me out all right, what's said against me won't amount to anything. If the end brings me out wrong, ten angels swearing I was right would make no difference.
Preface to ' (1859).
Context: In the social production of their life, men enter into definite relations that are indispensable and independent of their will; these relations of production correspond to a definite stage of development of their material forces of production. The sum total of these relations of production constitutes the economic structure of society — the real foundation, on which rises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life determines the social, political and intellectual life process in general. It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness. [Es ist nicht das Bewußtsein der Menschen, das ihr Sein, sondern umgekehrt ihr gesellschaftliches Sein, das ihr Bewusstsein bestimmt. ] At a certain stage of their development, the material productive forces in society come in conflict with the existing relations of production, or — what is but a legal expression for the same thing — with the property relations within which they have been at work before. From forms of development of the productive forces these relations turn into fetters. Then begins an epoch of social revolution. With the change of the economic foundation the entire immense superstructure is more or less rapidly transformed. In considering such transformations a distinction should always be made between the material transformation of the economic conditions of production, which can be determined with the precision of natural science, and the legal, political, religious, aesthetic or philosophic — in short, ideological forms in which men become conscious of this conflict and fight it out. Just as our opinion of an individual is not based on what he thinks of himself, so we can not judge of such a period of transformation by its own consciousness; on the contrary, this consciousness must be explained rather from the contradictions of material life, from the existing conflict between the social productive forces and the relations of production. No social order ever disappears before all the productive forces for which there is room in it have been developed; and new, higher relations of production never appear before the material conditions of their existence have matured in the womb of the old society itself. Therefore, mankind always sets itself only such tasks as it can solve; since, looking at the matter more closely, we will always find that the task itself arises only when the material conditions necessary for its solution already exist or are at least in the process of formation. In broad outlines we can designate the Asiatic, the ancient, the feudal, and the modern bourgeois modes of production as so many progressive epochs in the economic formation of society. The bourgeois relations of production are the last antagonistic form of the social process of production — antagonistic not in the sense of individual antagonism, but of one arising from the social conditions of life of the individuals; at the same time the productive forces developing in the womb of bourgeois society create the material conditions for the solution of that antagonism. This social formation constitutes, therefore, the closing chapter of the prehistoric stage of human society.
Source: The Birth of Tragedy (1872), p. 15
Context: Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life. It is not only pleasant and agreeable images that he experiences with such universal understanding: the serious, the gloomy, the sad and the profound, the sudden restraints, the mockeries of chance, fearful expectations, in short the whole 'divine comedy' of life, the Inferno included, passes before him, not only as a shadow-play — for he too lives and suffers through these scenes — and yet also not without that fleeting sense of illusion; and perhaps many, like myself, can remember calling out to themselves in encouragement, amid the perils and terrors of the dream, and with success: 'It is a dream! I want to dream on!' Just as I have often been told of people who have been able to continue one and the same dream over three and more successive nights: facts which clearly show that our innermost being, our common foundation, experiences dreams with profound pleasure and joyful necessity.