Quotes about character
page 24

“My art is going well. I have a feeling of satisfaction about it. Afternoons I stroll around the city [Paris] taking a good look at everything and trying to absorb it all... I went back to the Notre Dame again. Such wonderful Gothic detailing, those monstrous gargoyles, each one with its own character and face... Directly behind Notre Dame, almost encircled by the Seine, lies the morgue. Day after day they fish corpses from the river here, people who don't want to get on living.”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her sister Milly, from Paris, 29 February 1900; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 200
1900 - 1905

People, Art, Feeling, Fish

“But since it is better to have perception or to have omnipotence, to be pitiful or to be without passions, than not to have these attributes; how hast Thou perception, if Thou art not a body? or omnipotence, if Thou canst not do everything? or how art Thou at one and the same time pitiful and without passions? For if only bodily things have perception, since the senses with which we perceive belong and attach to the body; how canst Thou have perception, since Thou art not a body but the Supreme Spirit, which is higher than a body can be? But if perception is only knowledge or a means towards knowledge; since he who perceives, has knowledge thereby, according to the special character of the senses, by sight of colours, by taste of savours and so forth: then whatsoever has knowledge in whatsoever manner may be said without impropriety in some sense to perceive. Therefore, O Lord, although Thou art not a body, yet of a truth Thou hast in this sense perception in the highest degree, since Thou knowest all things in the highest degree; but not in the sense wherein an animal that has knowledge by means of bodily feeling is said to have perception.”

Anselm of Canterbury Proslogion

Proslogion, chapter 5 by Anselm of Canterbury, translated by Clement C. J. Webb (1903).

Truth, Art, Feeling, Knowledge

“As citizens of Cheon Il Guk, please have the wisdom to protect and love nature. Return to nature and enjoy a life of liberation and complete freedom. To love nature is to love God and humanity. When human life resonates with nature, human character can blossom in perfection. The flowers of a true culture of heart, a true artistic world, will bloom. It will be the Garden of Eden, the original ideal where human beings and all creation live in complete harmony and express their original nature.”

Sun Myung Moon (1920–2012) Korean religious leader

Cheon Il Guk is the Ideal Heavenly Kingdom of Eternal Peace http://www.unification.net/2006/20060613_1.html (2006-06-13)

Love, Life, Wisdom, God

“As author in control of the plot I can choose and dictate the fall-out of events from any number of infinite possibilities -- which is a very volatile state of affairs, suggesting the ephemerality of fictional narrative. I can choose to have seven characters and kill six of them off in the first five minutes. I can have seventy characters and squash them under a fallen rock, make them copulate with beasts, sit them on the moon or turn their hair white. This casual condition of authorship is irresponsible.”

Peter Greenaway (1942) British film director

Watching Water

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008) Reviews, Four star reviews

Life, People, Education, Food

“All persons known to be of good character and of sound mind and suitable age, who are connected with this organization, whether male or female, shall be encouraged to carry arms openly.”

John Brown (abolitionist) (1800–1859) American abolitionist

Article XLIII.
Provisional Constitution and Ordinances (1858)

Age, Personality

“Organizations are complex and paradoxical phenomena that can be understood in many different ways. Many of our taken-for-granted ideas about organizations are metaphorical, even though we may not recognize them as such. For example, we frequently talk about organizations as if they were machines designed to achieve predetermined goals and objectives, and which should operate smoothly and efficiently. And as a result of this kind of thinking, we often attempt to organize and manage them in a mechanistic way, forcing their human qualities into a background role. By using different metaphors to understand the complex and paradoxical character of organizational life, we are able to manage and design organizations in ways that we may not have thought possible before.”

Gareth Morgan book Images of Organization

Source: Images of Organization (1986), p. 13; Cited in: Morgen Witzel (2011) Fifty key figures management, p. 205

Life, Way, Idea, Understanding

“You feel chilled because you have no character. You’re a depressing assemblage of pop culture influences and cancelled emotions, driven by the sputtering engine of only the most banal form of capitalism. You spend your life feeling as if you’re perpetually on the brink of being obsolete — whether it’s labour market obsolescence or cultural unhipness. And it’s all catching up with you. You live and die by the development cycle. You’re glamorized drosophila flies, with the company regulating your life cycles at whim. If it isn’t a budget-driven eighteen-month game production schedule, it’s a five-year hardware obsolescence schedule. Every five years you have to throw away everything you know and learn a whole new set of hardware and software specs, relegating what was once critical to our lives to the cosmic slag heap.”

Douglas Coupland book JPod

JPod (2006)

Life, Feeling, Game, Learning

“I've gravitated towards independent cinema because you have to work harder in studio scripts to flesh out characters, particularly female ones. They are not as sharply edged, they tend to be quite watery. They are not renderings of women as I know them.”

Vera Farmiga (1973) American actress

As quoted in " Vera Farmiga: 'I demand a lot from myself' https://www.theguardian.com/film/2011/mar/27/vera-farmiga-film-interview" by Elizabeth Day at The Guardian (March 27, 2011)

Women

“He made the characters a lot more three-dimensional. It's still a 'B' movie and it's still kinda campy. Now it's these really well-developed characters, really three-dimensional.”

John Leguizamo (1964) Colombian and American actor, film producer, voice artist, and comedian

John Leguizamo Talks About "Assault on Precinct 13", January 16, 2005.

“Why there are so many great actresses, so few great woman writers? The erotic urge that lies at the bottom of all art has a feminine and a masculine character. Feminine is the urge to be; masculine the urge to do. Interpretative art always has more of the feminine about it”

Max Frisch (1911–1991) Swiss playwright and novelist

Sketchbook 1946-1949

Art

“Woman's faith and woman's trust,
Write the characters in dust.”

Walter Scott book The Betrothed

The Betrothed, Chap. xx.
Bartlett's Familiar Quotations, 10th ed. (1919)

Faith

“Individualism is the self-affirmation of the individual self as individual self without regard to its participation in its world. As such it is the opposite of collectivism, the self affirmation of the self as part of a larger whole without regard to its character as an individual self.”

Paul Tillich book The Courage to Be

Source: The Courage to Be (1952), p. 113

World, Parting

“Such was the character, such the inflexible rule of austere Cato – to observe moderation and hold fast to the limit, to follow nature, to give his life for his country, to believe that he was born to serve the whole world and not himself.”
Hi mores, haec duri inmota Catonis secta fuit, servare modum finemque tenere naturamque sequi patriaeque inpendere vitam nec sibi sed toti genitum se credere mundo.

Marcus Annaeus Lucanus book Pharsalia

Book II, line 380 (tr. J. D. Duff).
Pharsalia

Life, World, Nature, Country

“The power of the Latin classic is in character, that of the Greek is in beauty. Now character is capable of being taught, learnt, and assimilated: beauty hardly.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Schools and Universities on the Continent" (1868)

Beauty

“I read your letters with my sister, and they give us both abundance of delight. Especially they please us two, when you talk in a religious strain,—not but we are offended occasionally with a certain freedom of expression, a certain air of mysticism, more consonant to the conceits of pagan philosophy, than consistent with the humility of genuine piety. To instance now in your last letter—you say, “it is by the press [sic], that God hath given finite spirits both evil and good (I suppose you mean simply bad men and good men), a portion as it were of His Omnipresence!” Now, high as the human intellect comparatively will soar, and wide as its influence, malign or salutary, can extend, is there not, Coleridge, a distance between the Divine Mind and it, which makes such language blasphemy? Again, in your first fine consolatory epistle you say, “you are a temporary sharer in human misery, that you may be an eternal partaker of the Divine Nature.” What more than this do those men say, who are for exalting the man Christ Jesus into the second person of an unknown Trinity,—men, whom you or I scruple not to call idolaters? Man, full of imperfections, at best, and subject to wants which momentarily remind him of dependence; man, a weak and ignorant being, “servile” from his birth “to all the skiey influences,” with eyes sometimes open to discern the right path, but a head generally too dizzy to pursue it; man, in the pride of speculation, forgetting his nature, and hailing in himself the future God, must make the angels laugh. Be not angry with me, Coleridge; I wish not to cavil; I know I cannot instruct you; I only wish to remind you of that humility which best becometh the Christian character. God, in the New Testament (our best guide), is represented to us in the kind, condescending, amiable, familiar light of a parent: and in my poor mind ’tis best for us so to consider of Him, as our heavenly Father, and our best Friend, without indulging too bold conceptions of His nature. Let us learn to think humbly of ourselves, and rejoice in the appellation of “dear children,” “brethren,” and “co-heirs with Christ of the promises,” seeking to know no further… God love us all, and may He continue to be the father and the friend of the whole human race!”

Charles Lamb (1775–1834) English essayist

Lamb's letter to Coleridge in Oct. 24th, 1796. As quoted in Works of Charles and Mary Lamb (1905). Letter 11.

Love, Men, God, Children

“My mission is clear: to ensure that Singapore thrives and grows after Mr. Lee Kuan Yew; to find a new group of men and women to help me carry on where he and his colleagues left off; and to build a nation of character and grace where people can live lives of dignity and fulfillment, and care for one another.”

Goh Chok Tong (1941) Singaporean politician

Inaugural address, November 2004. — "PM Goh's address to the nation," Straits Times, 29 November 1990.

Women, Men, People, Help

“The best compliment I ever got in my life came from Chairman Mao of China. When I went there, at a time when nobody wanted to touch China with a 10-foot pole, Mao told me that I'm beautiful because I'm a natural, and he said natural is perfection. So, no character assassination can diminish me and my perfection.”

Imelda Marcos (1929) Former First Lady of the Philippines

"Her Greatest Admirer" in TIME (2004)

Life, Beauty, Nature, Time

“There is a scene in this film where a character is defecated on by several people at the same time, and I dunno … I didn't enjoy it.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Source: Review http://www.rogerebert.com/reviews/tim-and-erics-billion-dollar-movie-2012 of Tim and Eric's Billion Dollar Movie (29 February 2012)

People, Time

“Donkey Punch is a very extreme, real-world thriller – it’s about characters and events that are based in reality and it pushes them into very dark and extreme situations where they have to do things that they would never have imagined. The film shows all this quite realistically and doesn’t pull its punches.”

Olly Blackburn Film director and screenwriter

[Bloody Disgusting, Interview Donkey Punch: Writer/Directory Olly Blackburn, Mr. Disgusting, http://www.bloody-disgusting.com/interview/441, 23 February 2012, 2011, Bloody-Disgusting LLC]

World, Imagination, Reality

“Yes, I'm actually a fan of all things Disney, I utilize that in my craft, because I think Disney movies are crafted so well that they can be studied as well as film can be studied. What people do is they hear it in my voice, they can hear him in my voice, because he is me, he's not like a made-up character, he is me they can hear it in my voice, and when they hear that they ask "Are you the guy who played Sebastian the crab, because you look like him."”

Samuel E. Wright (1946) American actor

People, Guy, Thinking, Study

“It bears repetition that an argument against representation is not anti-scientific at all. It is merely an argument against a particular scientific strategy that assumes complexity can be reduced to specific features and then represented in a machine. Instead it is an argument for the appreciation of the nature of complexity, something that can perhaps be 'repeated' in a machine, should the machine itself be complex enough to cope with the distributed character of complexity.”

Paul Cilliers (1956–2011) South African philosopher

Source: Complexity and Postmodernism (1998), p. 86

Nature

“Because of his social position there are left no limits to the power lust of the modern capitalist. He can interfere with inconsiderate egoism in the lives of his fellowmen and play the part of Providence for others. Only when we take into consideration this passionate urge for political power over their own people as well as over foreign nations are we able really to understand the character of the typical representatives of modern capitalism. It is just this trait which makes them so dangerous to the social structure of the future.”

Rudolf Rocker book Nationalism and Culture

Source: Nationalism and Culture (1937), Ch. 1 "The Insufficiency of Economic Materialism"

People, Understanding, Passion, Future

“Man's chief difference from the brutes lies in the exuberant excess of his subjective propensities — his preeminence over them simply and solely in the number and in the fantastic and unnecessary character of his wants, physical, moral, aesthetic, and intellectual. Had his whole life not been a quest for the superfluous, he would never have established himself as inexpugnably as he has done in the necessary.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"Reflex Action and Theism"
1890s, The Will to Believe and Other Essays in Popular Philosophy (1897)

Life

“Tis sufficient to say, according to the proverb, that here is God's plenty. We have our fore-fathers and great-grandames all before us, as they were in Chaucer's days; their general characters are still remaining in mankind, and even in England, though they are call'd by other names than those of Monks and Friars, and Canons, and Lady Abbesses, and Nuns: for mankind is ever the same, and nothing lost out of nature, though everything is altered.”

John Dryden book Fables, Ancient and Modern

Preface to the Fables.
Fables, Ancient and Modern (1700)

God, Nature

“…I suppose that the image people have of me is one that's quite talkative, because in interviews and that you can sometimes get nervous, and the thing when you meet people… I tend to be quite chatty just because that's just something I do. But in terms of Maps' character, I'm like him in that I'm perfectly happy in my own company. And I'm probably happiest when I'm being quiet.”

Daniel Radcliffe (1989) English actor

During a December Boys Promotion in 2007 http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

People, Happiness

“I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then.”

Julia Stiles (1981) American actress

Daily News, April 12, 1999.

Thinking

“As far as talent goes, Marilyn Monroe was so minimally gifted as to be almost unemployable, and anyone who holds to the opinion that she was a great natural comic identifies himself immediately as a dunce…As a natural silent comedian Marilyn might possibly have qualified, with the proviso that she was not to be depended on to invent anything. But as a natural comedian in sound she had the conclusive disadvantage of not being able to speak. She was limited ineluctably to characters who rented language but could not possess it, and all her best roles fell into that category. She was good at being inarticulately abstracted for the same reason that midgets are good at being short.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Mailer's Marilyn
Essays and reviews, At the Pillars of Hercules (1979)

Nature, Dependency

“I was trying to write a book that simply would not come. I did my daily five hundred words, but the characters never began to live. So much in writing depends on the superficiality of one’s days. One may be preoccupied with shopping and income tax returns and change conversations, but the stream of the unconscious continues to flow undisturbed, solving problems, planning ahead: one sits down sterile and dispirited at the desk, and suddenly the words come as though from the air: the situations that seemed blocked in a hopeless impasse move forward: the work has been done while one slept or shopped or talked with friends. But this hate and suspicion, this passion to destroy went deeper than the book – the unconscious worked on it instead…”

Graham Greene book The End of the Affair

Bk. 1, ch. 2
The End of the Affair (1951)

Hate, Books, Problem, Passion

“It seems to me that people of talent and of genius serve better than average examples for making us understand the laws of character, because they present more extreme traits.”

Alfred Binet (1857–1911) French psychologist and inventor of the first usable intelligence test

Alfred Binet (1903). "La creation litteraire. Portrait psychologique de M. Paul Hervieu", L’Anne´e psychologique (10), p. 3; As cited in: Carson (1999, 361-2)

People, Law, Understanding

“If I had my choice to make again - and again and again - it would be Paris, and Paris, and still Paris. And not because I thought him 'the right man', but because I felt him to be my life's task - even if I knew beforehand that this task was doomed to failure. It isn't patience and sweetness of character that does it, but love, and obstinacy - not minding how it turns out. When a woman in love thinks a lot about her future happiness, you can be sure she's not very much in love.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Helen in A Trojan Ending (London: Constable, 1937)

Love, Life, Failure, Thinking

“The relevant fact about the history of the British Isles and above all of England is its separateness in a political sense from the history of continental Europe. The English have never belonged to it and have always known that they did not belong. The assertion contains no element of paradox. The Angevin Empire contradicts it as little as the English claim to the throne of France; neither the possession of Gascony nor the inheritance of Hanover made Edward I or George III anything but English sovereigns. When Henry VIII declared that 'this realm of England is an empire (imperium) of itself', he was making not a new claim but a very old one; but he was making it at a very significant point of time. He meant—as Edward I had meant, when he said the same over two hundred years before—that there is an imperium on the continent, but that England is another imperium outside its orbit and is endowed with the plenitude of its own sovereignty. The moment at which Henry VIII repeated this assertion was that of what is misleadingly called 'the reformation'—misleadingly, because it was, and is, essentially a political and not a religious event. The whole subsequent history of Britain and the political character of the British people have taken their colour and trace their unique quality from that moment and that assertion. It was the final decision that no authority, no law, no court outside the realm would be recognised within the realm. When Cardinal Wolsey fell, the last attempt had failed to bring or keep the English nation within the ambit of any external jurisdiction or political power: since then no law has been made for England outside England, and no taxation has been levied in England by or for an authority outside England—or not at least until the proposition that Britain should accede to the Common Market.”

Enoch Powell (1912–1998) British politician

Speech to The Lions' Club, Brussels (24 January 1972), from The Common Market: Renegotiate or Come Out (Elliot Right Way Books, 1973), pp. 49-50
1970s

People, Law, History, Decision

“Initially, I think it was a desperate need for validation. Once I became more comfortable in my own skin, I discovered I enjoyed performance for its own sake, and the challenges that come from creating characters and making them believable. Or at least memorable.”

Larry Brantley (1966) American stand-up comedian

Thinking

“A discipline, a region of the world of thought, should seek to know itself. Like an individual human being, it has received from its origins a stamp of character, a native mode of response to the situations confronting it. Right responses, 'responsibility', will require of the profession as of the individual an insight into the powers and defects of the tool which history has bequeathed to it.”

G. L. S. Shackle (1903–1992) British economist

Source: Epistemics and Economics. (1972), p. 24

World, History

“The world knows that last Monday a meeting assembled to discuss the question: "How Shall Slavery Be Abolished?" The world also knows that that meeting was invaded, insulted, captured by a mob of gentlemen, and thereafter broken up and dispersed by the order of the mayor, who refused to protect it, though called upon to do so. If this had been a mere outbreak of passion and prejudice among the baser sort, maddened by rum and hounded on by some wily politician to serve some immediate purpose, - a mere exceptional affair, - it might be allowed to rest with what has already been said. But the leaders of the mob were gentlemen. They were men who pride themselves upon their respect for law and order. These gentlemen brought their respect for the law with them and proclaimed it loudly while in the very act of breaking the law. Theirs was the law of slavery. The law of free speech and the law for the protection of public meetings they trampled under foot, while they greatly magnified the law of slavery. The scene was an instructive one. Men seldom see such a blending of the gentleman with the rowdy, as was shown on that occasion. It proved that human nature is very much the same, whether in tarpaulin or broadcloth. Nevertheless, when gentlemen approach us in the character of lawless and abandoned loafers, - assuming for the moment their manners and tempers, - they have themselves to blame if they are estimated below their quality.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, Plea for Free Speech in Boston (1880)

Men, World, Law, Question

“We must be careful to discriminate between our own incapacity to test truth and the necessary improbability of an event. It is plain that from our ignorance of the remote spheres of God's action we cannot judge of His works removed from our experience; but a fact is not necessarily doubtful because it cannot be reached by our ordinary senses. To recapitulate, we may lay down the following propositions:
1. That there is no real physical distinction between miracles and any other operations of the Divine energy : that we regard them differently is because we are familiar with one order of events and not the other.
2. There is nothing incredible in a miracle, and the credibility of a miraculous event is to be measured only by the evidence which sustains it. And although the extraordinary character of a phenomenon may render the event itself improbable, it does not, therefore, necessarily render it either incredible or untrue.”

Charles Babbage Passages from the life of a philosopher

"Passages from the life of a philosopher", Appendix, p. 489
Passages from the Life of a Philosopher (1864)

God, Truth, Sense

“I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted and he only gave some Master-touches to one or two of the Principal Parts or Characters; this I am apt to believe, because 'tis the most incorrect and indigested piece in all his Works, It seems rather a heap of Rubbish then a Structure.”

Edward Ravenscroft (1654–1707) English dramatist

Preface to Titus Andronicus, or the Rape of Lavinia (1686); quoted in The Shakespeare Allusion-Book: A Collection of Allusions to Shakespeare from 1591-1700, vol 2, ed. John Munro (1932).

Parting

“Violence shouldn't be presented as drama. I think people looking for an easy way out often write scenes where characters come into violent conflict as opposed to looking for the true drama in the situation. That's a shortcoming of a lot of films and television shows. I think certain presentations of violence are not immoral, but amoral.”

David Fincher (1962) American film director

Fightin Words (1999)

People, Way, Thinking

“I've always tried to write the kind of book I most loved to read: character-centered adventure.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"'A Conversation With Lois McMaster Bujold", p. 60
The Vorkosigan Companion (2008)

Love, Books, Reading

“What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit. I become very domesticated, it becomes riding my bike, and the music thing — the music thing doesn't leave but it's kind of less put upon me by other people as a musician.”

John Mayer (1977) guitarist and singer/songwriter

On whether or not he misses being home with friends and family when he is on tour. Savino, Jessi, et al (2007) "John Mayer talks life on the road, latest album" http://media.www.nu-news.com/media/storage/paper600/news/2007/02/14/TheInside/John-Mayer.Talks.Life.On.The.Road.Latest.Album-2718892.shtml NU-News.com (accessed February 14, 2007)

Life, People, Music, Guy

“It is not for nothing that Skaldin in one part of his book quotes Adam Smith: we have seen that both his views and the character of his arguments in many respects repeat the theses of that great ideologist of the progressive bourgeoisie.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Lenin᾿s Collected Works, Vol. 2, pp. 491–534
Collected Works

Books, Quotes, Parting

“The dynamic character of China's nonstatist economic transformation, including its social openness to the rest of the world, is not mutually compatible in the long run with a relatively closed and bureaucratically rigid Communist dictatorship.”

Zbigniew Brzeziński book The Grand Chessboard

Source: The Grand Chessboard (1997), Chapter 6, The Far Eastern Anchor, p. 161.

World

“(Sylvia to character in book she is reading, Death by) Get out of that tub! Get in your car and get out of there! (Character) Suddenly I felt compelled to get out of that tub and out of that motel. I dressed and hopped in my car. Later I stopped for gas, and met a great guy. We got married and raise cocker spaniels.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 119

Death, Books, Cars, Guy

“If the aim of life is to escape from life, the watchword of life must be Control. For if the wandering senses are allowed to dwell unchecked on objects of sense, attachment to those objects will arise and cause continual rebirth. The evil must be checked at its source; mind and sense must be restrained. Control, or balance of character, is called Yoga.”

W. Douglas P. Hill (1884–1962) British Indologist

Source: The Bhagavadgītā (1973), p. 52. (27. Yoga)

Life, Sense, Evil

“To see strong acting like this is exhilarating. In a time of flashy directors who slice and dice their films in a dizzy editing rhythm, it is important to remember that films can look and listen and attentively sympathize with their characters. Directors grow great by subtracting, not adding, and Eastwood does nothing for show, everything for effect.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Reviews, Four star reviews Source: Review http://www.rogerebert.com/reviews/mystic-river-2003 of Mystic River (8 October 2003)

Strong, Time

“[Gladstone] gave me a long memorandum, historical in character, on the past Irish story, which seemed to be somewhat one-sided, leaving out of view the important minority and the views and feelings of the Protestant and loyal portion of the people. He explained much of his policy as to a Dublin Parliament, and as to Land purchase. I objected to the Land policy as unnecessary—the Act of 1881 had done all that was reasonable for the tenants—why adopt the policy of the rebel party, and get rid of landholders, and thus evict the English garrison as the rebels call them? I denied the value of the security for repayment. Mr G. argued that his finance arrangements would be better than present system of purchase, and that we were bound in honour to succour the landlords, which I contested. Why not go to the help of other interests in Belfast and Dublin? As to Dublin Parliament, I argued that he was making a surrender all along the line—a Dublin Parliament would work with constant friction, and would press against any barrier he might create to keep up the unity of the three Kingdoms. What of a volunteer force, and what of import duties and protection as against British goods? … I thought he placed far too much confidence in the leaders of the rebel party. I could place none in them, and the general feeling was and is that any terms made with them would not be kept, and that through them I could not hope for reconciliation with discontented and disloyal Ireland.”

John Bright (1811–1889) British Radical and Liberal statesman

Bright's diary entry (20 March 1886), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 447.
1880s

People, Hope, Feeling, Confidence

“Business of a private and important character, which cannot be neglected without great pecuniary sacrifice, has induced me to make this the occasion of tendering my resignation.”

Daniel McCallum (1815–1878) Canadian engineer and early organizational theorist

Resignation letter, 1857

Business

“You may have heard of a character from the batman movies, called the Joker. The joker just lives a normal life like you or me, going to the grocery store, and the office or what have you. But WHen the joker puts his mask on, he becomes the joker, and he mercilessly goes out there and gets Paid. Thats what I try to do in my life and the way I live life, and I do do it every day, and it is the essence of understanding my pain.”

Dril Twitter user

[ "We Interviewed the Guy Behind @dril, the Undisputed King of Twitter", Caffier, Justin, August 24, 2018, Vice, August 25, 2018, http://archive.today/2018.08.26-011141/https://www.vice.com/en_us/article/3kymv8/we-interviewed-the-guy-behind-dril-the-undisputed-king-of-twitter, August 25, 2018, no https://www.vice.com/en_us/article/3kymv8/we-interviewed-the-guy-behind-dril-the-undisputed-king-of-twitter,] dril in interviews

Life, Pain, Way, Understanding

“Benjamin describes the revolutionary moment when the past suddenly bursts into the present, as if rising from the grave to rectify the wrongs it suffered at the hands of a banally triumphant progress. Thus Benjamin’s historical materialism implies a capacity to link otherwise separate and distant moments in time through a profound empathy. The empathy takes on a revolutionary character by disrupting the regularity of quotidian temporality. Without this sort of tie to the past, no critical stance in the present is possible.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 18.

Suffering, Distant, Time, Past

“Christianity is not so much the advent of a better doctrine as of a perfect character.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 132.

Perfection

“A Latino-American undergraduate who is a student of Shakespeare is not "culturally appropriating" anyone’s white-European legacy, but instead seeking transcendence of ideas and a common humanity. Asian-Americans are not “overrepresented” at premier campuses. Their high-profile presence should be praised as a model, not punished as aberrant by number-crunching bureaucrats. African-Americans who excel in physics and engineering are not “acting white” but finding the proper pathways for their natural talents. Being one-half Southeast Asian or three-quarters white is not the touchstone to one’s essence and is irrelevant to one’s character and conduct. No one is impinging on anyone’s culture when blacks dye their hair blond, or when blondes prefer to wear cornrow braids. Campuses desperately need unity czars, not diversity czars. Otherwise, we will end up as 50 separate and rival nations — just like other failed states in history whose diverse tribes and races destroyed themselves in a Hobbesian dog-eat-dog war with one another.”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, Diversity: History's Pathway to Chaos (2016)

War, Dogs, History, Idea

“If you can, and if you are a playgoer and a filmgoer, you should be able to find voices for all the characters in the books you read.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Books, Reading

“The Taste of Beauty, and the Relish of what is decent, just, and amiable, perfects the Character of the Gentleman, and the Philosopher. And the Study of such a Taste or Relish will, as we suppose, be ever the great Employment and Concern of him, who covets as well to be wise and good, as agreeable and polite.”

Anthony Ashley-Cooper, 3rd Earl of Shaftesbury (1671–1713) English politician and Earl

Vol. 2, p. 207; "Miscellany III".
Characteristicks of Men, Manners, Opinions, Times (1711)

Beauty, Study, Perfection

“You can tell the character of every man when you see how he gives and receives praise.”
qualis quisque sit scies, si quemadmodum laudet, quemadmodum laudetur aspexeris.

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Source: Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter LII: On choosing our teachers, Line 12.

“I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen: that I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach.”

Charlotte Brontë book Jane Eyre

Jane (Ch. 12)
Jane Eyre (1847)

Life, World, Business

“… in truth Publius Scipio was one, who was himself enthusiastic, and who inspired enthusiasm. He was not one of the few who by their energy and iron will constrain the world to adopt, and to move in, new paths for centuries, or who grasp the reins of destiny for years till its wheels roll over them…. a wide interval separates such a man from an Alexander or a Caesar. As an officer, he rendered at least no greater service to his country than Marcus Marcellus; and as a politician, although not perhaps himself fully conscious of the unpatriotic and personal character of his policy, he injured hi country at least as much, as he benefited it by his military skill.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History Of Rome, Volume 2. Chapter 6. Translated by W.P.Dickson
The History of Rome - Volume 2

Truth, World, Personality, Country

“[13 years old] After almost a month went by after getting World of Warcraft, I was finally able to play it. I made a WoW account with my father, and then I created my first character, a night elf druid. It really blew my mind. My first experience with WoW was like stepping into another world of excitement and adventure. It was a video game world, but they made it so realistic that it was like living another life, a more exciting life. My life was getting more and more depressing at that point, and WoW would fill in the void. It felt refreshing and relieving. I was only able to play it for a few hours for my first session. It was all I would think about when I wasn’t able to play it.”

Elliot Rodger (1991–2014) American spree killer

My Twisted World (2014), Pastimes

Life, World, Game, Thinking

“There are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.”

Samuel R. Delany book Nova

Source: Nova (1968), Chapter 6 (p. 166)

“The famous MacGuffin, the Hitchockian object, the pure pretext whose sole role is to set the story in motion but which is in itself nothing at all - the only significance of the MacGuffin lies in the fact that it has some significance for the characters - that it must seem to be of vital importance to them… - that's a MacGuffin, a pure nothing which is non the less efficient… what Lacan calls object petit a: a pure void which functions as the object cause of desire.”

Slavoj Žižek book The Sublime Object of Ideology

183
The Sublime Object of Ideology (1989)

“Destiny is not only a dramatist, it is also its own stage manager. That is, it sets the entrances of the characters on scene, gives them letters and other objects, and produces the off-stage noises to go with the dialogue: thunder, a carriage, a shot.”

Machado de Assis book Dom Casmurro

O destino não é só dramaturgo, é também o seu próprio contra-regra, isto é, designa a entrada dos personagens em cena, dá-lhes as cartas e outros objetos, e executa dentro os sinais correspondentes ao diálogo, uma trovoada, um carro, um tiro.
Source: Dom Casmurro (1899), Ch. 73, pp. 159-60.

“In 'pure' instrumental music, the strategies chosen by composers to create unity were responsive to the tenets of Romanticism…Even in the absence of an explicit program, motivic continuity created a kind of narrative coherence. Like the chief character in a novel, the 'fortunes' of the main motive--its development, variation, and encounters with other 'protagonists'--served as a source of constancy throughout the unfolding of the musical process.”

Leonard B. Meyer (1918–2007) American composer and philosopher

Style and Music: Theory, History, and Ideology (1989), ISBN 0226521524

Music, Motivation

“I have to find the right part of myself and put it into that character. I feel like everyone has a full deck of cards and I just have to pull the right card for that character. The more comedic roles come easier to me though because I see myself as a silly, easy-going person.”

Sara Paxton (1988) American actress, model and singer

Sara Paxton on The Innkeepers, Shark Night 3-D and Julia Roberts Marathons (June 23, 2011)

Feeling, Parting, Personality

“I can’t think why Delio [son] has not been told that I’m in prison, and why no one reflected that he might then find out about it indirectly, that is, in the most disagreeable way for a child, who then begins to doubt the truthfulness of those educating him, to think about it on his own account and draw apart. At least, that was my experience as a child: I remember it perfectly... I believe in treating children as rational creatures with whom it is possible to discuss even the most serious matters. This makes a very profound impression on them, it strengthens their character and above all it avoids leaving their development at the mercy of random environmental pressures and casual, impersonal encounters. It really is very strange how grown-ups forget they were children themselves, and make no use of their own experiences. For my part, I recall vividly how offended I was at every discovery of a subterfuge, even if it was meant to keep painful facts from me, and how this shut me up within myself and made me withdraw.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci cited in Fiori, 1970, pp. 22-23.

Pain, Children, Truth, Education

“I went to a school where it was pretty rough - I'd get my clothes stolen, my cash. And at home life was pretty hard too. I had a difficult childhood, and I'm not saying that that's why I do ultimate fighting, but it helped shape my character.”

Georges St. Pierre (1981) Canadian mixed martial artist

MMA

Life, School, Home, Help

“I prefer Mexican to Mayan sculpture. Mexican stone sculptures have largeness of scale & a grim, sublime, austerity, a real stoniness. They were the true sculptors in sympathy with their material & their sculpture has some of the character of mountains, of boulders, rocks & sea worn pebbles.”

Henry Moore (1898–1986) English artist

in 'Unpublished notes', c. 1925-1926, HMF archive; as quoted in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 97
1925 - 1940

Mountain, Sea

“What we do when defeat stares us in the face is the real touchstone of character. But the very fact that success has time and again proved the means of awakening people to the knowledge of greater ability than they ever before dreamed they possessed, ought to hearten and encourage us to keep on no matter how often we fail. If we brace ourselves and continue to push forward we will ultimately win out.”

Orison Swett Marden (1850–1924) American writer

Everybody Ahead (or, Getting the Most Out of Life) (1916).

People, Dreams, Knowledge, Time

“I think there should be no occasion on which it is absolutely, as a point or rule of law, impossible for a man to redeem his character.”

John Coleridge, 1st Baron Coleridge (1820–1894) British lawyer, judge and Liberal politician

In re Brandreth (1891), L. J. 60 Q. B. D. 504.

Law, Thinking

“Constant warfare, especially against the Muslims, gave rise to a new type of military man—one who combined the character and role of both monk and warrior. These knights, organized into military orders, served officially under the Pope but were essentially independent. Their grand master was both an abbot and a general. They lived under a modified Cistercian rule, and they took monastic vows of obedience, poverty, and chastity. As monks, in theory they owned nothing; for example, their horses and armor were loaned to them by the order. In practice they became a wealthy and often arrogant standing army. Having studied Byzantine and Muslim castles and warfare, they built huge castles that changed castle design in Europe.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 2 : The Castle as Fortress : The Castle and Siege Warfare

Study, Change, Horse

“Study carefully, the character of the one you recommend, lest their misconduct bring you shame.”

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

from Horace, Epistles I.xviii.76
Misattributed

Study

“It is true that biologists have, many of them, given up what they call "Darwinism"; they have surrendered Spencer's notion of the hereditary transmission of acquired characters, and they even use the word "evolution" timidly and with many reservations. But this does not mean that they have any doubts that mankind is a species of animal, sprung in some mysterious and as yet unexplained manner from extinct wild creatures of the forests and plains.”

James Harvey Robinson (1863–1936) American historian

Source: The Human Comedy : As Devised and Directed by Mankind Itself (1937), Ch. 2

Animals

“Therefore etching produces a different result from the ten drawings of the same character... [The etchings are] better, in that they are fresher, bolder, and freer..”

Emil Nolde (1867–1956) German artist

1900 - 1920

Drawing

“Looking around and sizing the situation, it seems to me that the real danger before our country is the crushing down of individual freedom and initiative by the steamroller of government authority. Already we see indications of this in the... legislative measures having an expropriatory [sic] character and the passage of taxation and other bills calculated to kill private enterprise in the field of industrial development... Democracy without freedom for the individual is a sham and a delusion.”

C. V. Raman (1888–1970) Indian physicist

In an interview with the Indian Express on 15 August 1954 http://books.google.com.kh/books?id=RbgXRdnHkiAC&pg=PA224&lpg=PA224&dq=cv+raman+looking+down+and+sizing+the+situation&source=bl&ots=preDjltao8&sig=J4b2YkQoKPAZiK9iofszC60u5Ss&hl=en&sa=X&ei=yrLtU_6mGsrn8AXfjYL4DA&redir_esc=y.

Democracy, Freedom, Country

“Speak to any small man of a high, majestic Reformation, of a high majestic Luther; and forthwith he sets about “accounting” for it; how the “circumstances of the time” called for such a character, and found him, we suppose, standing girt and road-ready, to do its errand; how the “circumstances of the time” created, fashioned, floated him quietly along into the result; how, in short, this small man, had he been there, could have per formed the like himself! For it is the “force of circumstances” that does everything; the force of one man can do nothing. Now all this is grounded on little more than a metaphor. We figure Society as a “Machine,” and that mind is opposed to mind, as body is to body; whereby two, or at most ten, little minds must be stronger than one great mind. Notable absurdity! For the plain truth, very plain, we think is, that minds are opposed to minds in quite a different way; and one man that has a higher Wisdom, a hitherto unknown spiritual Truth in him, is stronger, not than ten men that have it not, or than ten thousand, but than all men that have it not; and stands among them with a quite ethereal, angelic power, as with a sword out of Heaven's own armory, sky-tempered, which no buckler, and no tower of brass, will finally withstand.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Wisdom, Men, Truth, Angels

“But whatever its defects, the classification of Linnæus was the first attempt at grouping animals together according to certain common structural characters.”

Louis Agassiz (1807–1873) Swiss naturalist

Methods of Study in Natural History (1863), ch. 1, p. 7 https://babel.hathitrust.org/cgi/pt?id=mdp.39015065771407;view=1up;seq=21

Animals

“Looking for God—or Heaven—by exploring space is like reading or seeing all Shakespeare's plays in the hope that you will find Shakespeare as one of the characters or Stratford as one of the places. Shakespeare is in one sense present at every moment in every play.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

"The Seeing Eye", in Christian Reflections (1967), p. 167

God, Hope, Sense, Reading

“Look, I'm a person, an individual with a character and part of my character is about what I believe in and part of my beliefs obviously is a religious conviction. I simply hesitate whenever I get drawn into this territory because I have found, over time, that it either leads to people misunderstanding the basis upon which you are taking decisions or it leads to people trying to colonise God or religion for one particular political position. I make no claims to that at all.”

Tony Blair (1953) former Prime Minister of the United Kingdom

BBC Newsnight http://news.bbc.co.uk/1/hi/programmes/newsnight/1988874.stm Interview with Jeremy Paxman, 16 May 2002. 2000s

God, People, Religion, Decision

“The work of an enthusiast who has watched and enjoyed cricket with an eye for detail and for character, for adventure and the human reflection beyond the ropes. It will, I fancy, be read with the same pleasure as it was written.”

Margaret Hughes (1645–1719) British actress

John Arlott, review of All On A Summer's Day; quoted in Times obituary http://www.timesonline.co.uk/tol/comment/obituaries/article516103.ece About

Pleasure, Reading

“(About Joe Jackson) First of all, he's sitting there with the pimp hat, and the tattooed drag queen eyebrows. Like maybe this whole time, he just has a separate drag character that he does at night………named La Toya!”

Kathy Griffin (1960) American actress and comedian

Balls of Steel (2009)

Time, Tattoo, Night

“The position of England, gentlemen, is a peculiar position in the world. England has inherited from bygone ages more, perhaps, of what was most august and venerable in those ages than any other European country, and at the same time that her traditions of the past are so rich and fruitful that all our minds and all our characters have both within our knowledge and beyond our knowledge been largely moulded by them. … geographically she stands with Europe on one side of her and America on the other, so she stands between those feudal institutions in which European society was formed, and which have given her hierarchy of class, and on the other side those principles of equality forming the basis of society in America.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Speech to the Liverpool Liberal Association (6 April 1866), quoted in The Times (7 April 1866), p. 9.
1860s

Age, World, Knowledge, Time

“But if each day we gather some new truths, plant ourselves more firmly upon principles which are eternal, guard every thought and action, that it may be pure, and conform our lives more nearly to that Perfect Model, we shall form a character that will be a fit background on which to paint the noblest deeds and the grandest intellectual and moral achievements; a character that cannot be concealed, but which will bring success in this life and form the best preparation for that which is beyond.”

William Jennings Bryan (1860–1925) United States Secretary of State

Address at Illinois College (1881)

Life, Truth, Success, Painting

“Julio, in those libraries of death
study the bodies of those bones—an assured evil;
and learn from those characters
that they form the abecedary of death!”

Hernando Domínguez Camargo (1606–1659) Colombian poet

En tantas de la muerte liberias,
Los cuerpos de esos huesos mal seguro
Estudia Julio, y en su letra advierte,
que son abecedarios de la muerte!
San Ignacio de Loyola (1666), Poema heroyco ('Heroic Poem of Saint Ignatius of Loyola'), Book IV, Canto 6.
Quoted in Chambers Dictionary of Quotations (1997), p. 335

Death, Study, Learning, Evil

“In the true, original, catholic, evangelical religion of Jesus Christ, and in this alone, all the divided religions of Christendom find their union, their repose, their support. Find out His mind, His character, His will; and in His greatness we shall rise above our littlenesses; in His strength we shall lose our weakness; in His peace we. shall forget our discord.”

Arthur Penrhyn Stanley (1815–1881) English churchman, Dean of Westminster

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 149.

Peace, Religion, Support, Christ

“It is by character and not by intellect the world is won.”

Evelyn Beatrice Hall book The Friends of Voltaire

Source: The Friends of Voltaire (1906), Ch. 1 : D'Alembert: The Thinker, p. 31

World

“The character wasn't polite, so when I shook Grazer's hand and he said, 'Hi, I'm the producer,' I said, 'I'm sorry. You look like you're 12 years old. I like to work with men.”

Val Kilmer (1959) American actor

As quoted in Rebecca Ascher-Walsh, "Cool Hero: Val Kilmer". Entertainment Weekly (June 30, 1995).

Men

“In the first place, the meaning of the Constitution never varies. It means today exactly what it meant on the day of its adoption. To hold otherwise would destroy the judicial character of the Supreme Court, and make the continuance of our "unalienable" rights completely uncertain. This has been forcibly stated in South Carolina vs. United States, 199 U. S., at 448: "The Constitution is a written instrument. As such its meaning does not alter. That which it meant when adopted it means now. * * * Those things which are within its grants of power, when made, are still within them, and those things not within remain still excluded. * * * Any other rule of construction, would abrogate the judicial character of this Court, and make it the mere reflex of the popular opinion or passion of the day."”

George Howard Earle, Jr. (1856–1928) American lawyer

From Is Capital Income? (1921) by George H. Earle, Jr.

Passion

“A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.”

Albert Camus book The Rebel

Part 2: Metaphysical Rebellion; also quoted in Albert Camus : The Invincible Summer (1958) by Albert Maquet, p. 86; a remark made about the Marquis de Sade
The Rebel (1951)

“The collective name for the ripe fruits of religion in a character is Saintliness. The saintly character is the character for which spiritual emotions are the habitual centre of the personal energy; and there is a certain composite photograph of universal saintliness, the same in all religions, of which the features can easily be traced.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lectures XI, XII, and XIII, "Saintliness"
1900s, The Varieties of Religious Experience (1902)

Religion, Universe, Personality

“In every human being one or the other of these two instincts is predominant: the active or positive instinct to offer hospitality, the negative or passive instinct to accept it. And either of these instincts is so significant of character that one might as well say that mankind is divisible into two great classes: hosts and guests.”

Max Beerbohm (1872–1956) English writer

Hosts and Guests (1918), Harper's Monthly ( August 1919 http://books.google.com/books?id=H2Q2AQAAMAAJ&q=%22Mankind+is+divisible+into+two+great+classes+hosts+and+guests%22&pg=PA425#v=onepage) And Even Now http://www.gutenberg.org/dirs/etext99/evnow10.txt (1920)

“It all comes down to the great stories. The colorful and interesting characters that people can invest themselves in. The ones that they want to follow. That is the most critical thing for me. The second thing is, you have to have a filmmaker who gets it. Who has a passion for a character. Who has a vision for a character. Someone who really knows how to execute that vision. It's a hard thing to find. And its essential. The third thing is, and I have been in the trenches of Hollywood for thirty-five years, day by day, trying to make them understand this…Comic books and superheroes are not synonymous.”

Michael E. Uslan (1951) American film producer

Executive Producer Michael E. Uslan Talks The Dark Knight Rises! https://movieweb.com/exclusive-executive-producer-michael-e-uslan-talks-the-dark-knight-rises/ (September 19, 2011)

People, Books, Color, Understanding

“In the choice of a position, we must pay some regard to the enemy's collected force, and to our divided condition, in which the army must of necessity be cantoned. The enemy now appear to be putting their troops into winter-quarters; but it cannot be supposed they will remain inactive all winter, if we, by the manner of cantoning the army, open to them an opportunity of insulting us to advantage. The mischievous consequences of having our quarters beat up, in the dead of winter, cannot readily be foreseen. That it would be their duty and interest to lay hold of such an opportunity, nobody can deny; and that the character of the General, and many national circumstances, lead to the supposition, must be agreed to. It is necessary, therefore, to take a position which will secure us from a surprise, and have as much force together as possible, to free us from insult. The place where, and the force necessary, to these ends, are the two capital points to decide upon.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (November 1779)

Appearance, Winter, Dead

“It has been my most appreciated performance to date and though I have played myriad characters over the years, some how none was as complex or as passionate as Suadamini. The director later told me that the only reason he cast me was because I was a dancer and capable of delivering navarasas”

Hema Malini (1948) Indian actress, dancer and politician

nine forms
About her acting in Suadamini page=1977
MOTHER MAIDEN MISTRESS

Passion

“God is committed to developing a people who will reflect his character in this world, and his character always expresses concern and compassion for the afflicted.”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

God, People, World, Affliction

“Every man is a missionary, now and forever, for good or for evil, whether he intends or designs it or not. He may be a blot, radiating his dark influence outward to the very circumference of society; or he may be a blessing, spreading benediction over the length and breadth of the world: but a blank he cannot be. There are no moral blanks; there are no neutral characters. We are either the sower that sows and corrupts, or the light that splendidly illuminates, and the salt that silently operates; but being dead or alive, every man speaks.”

Thomas Chalmers (1780–1847) Scottish mathematician and a leader of the Free Church of Scotland

actually a quote from Voices of the Dead by John Cumming (1854) (p.8: The Speaking Dead)
Misattributed

World, Light, Evil, Dead

“I understand that people refer to me as an icon and that sort of thing because there are certain guys who play a certain role. And horror fans are very passionate people. They love their genre. And they love the Saw films. So the fact that I played a central role in those films, that puts you in a position where people… You know, the screen is sixty feet across, and people sometimes forget that you’re an actor and you play… Because you become established as a certain kind of character. But in fact, we continue to try and occupy the skins of different human beings. That’s what you get involved in being an actor for in the first place.”

Tobin Bell (1942) American actor

Interview: Tobin Bell Discusses His Career and His New Horror Film Dark House https://editorial.rottentomatoes.com/article/interview-tobin-bell-discusses-his-career-and-his-new-horror-film-dark-house/ (March 14, 2014)

Love, People, Guy, Understanding

“We send our [peacekeepers] off to some disputed zone, full of local intrigue and power blocs and uncertainty and danger, and they are supposed to save lives not with their weapons, but through their competence and their character. And they do it.”

Romeo LeBlanc (1927–2009) Canadian politician

Source: speech on the occasion of the presentation of the insignia of the Order of Military Merit, February 5, 1997