Quotes about center
page 7

Camille Paglia photo
William Dalrymple photo
Paul Karl Feyerabend photo
John Updike photo

“We welcome folks in Cactus Center if they've got an honest lay;
If their game ain't too durn crooked, we never stop the play;
But a get-rich-quicker blew in, with a game we did n't like,
So we did n't waste the minutes in invitin' him to hike.”

Arthur Chapman (poet) (1873–1935) American poet and newspaper columnist

Discipline in Cactus Center http://www.cowboypoetry.com/ac.htm#Discipline, st. 1.
Cactus Center http://www.cowboypoetry.com/ac.htm#ccbk (1921)

Babe Ruth photo
John Updike photo
Alice Cooper photo
Immanuel Wallerstein photo
David Silverman photo

“The World Trade Center cross has become a Christian icon. It has been blessed by so-called holy men and presented as a reminder that their God, who couldn't be bothered to stop the terrorists or prevent 3,000 people from being killed in his name, cared only enough to bestow upon us some rubble that resembles a cross.”

David Silverman (1957) American animator and director

2011-08-04
Culture War Update - The Dividening of America - American Atheists vs. Ground Zero Cross
The Daily Show with Jon Stewart
Television
Comedy Central
Comedy Central
http://www.thedailyshow.com/watch/thu-august-4-2011/culture-war-update---the-dividening-of-america---american-atheists-vs--the-ground-zero-cross

Bhakti Tirtha Swami photo
Frances Kellor photo
Marcel Duchamp photo
Gloria Estefan photo
Charlton Heston photo

“NRA members are in city hall, Fort Carson, NORAD, the Air Force Academy and the Olympic Training Center. And yes, NRA members are surely among the police and fire and SWAT team heroes who risked their lives to rescue the students at Columbine. "Don't come here"? We're already here. This community is our home. Every community in America is our home.”

Charlton Heston (1923–2008) American actor

NRA annual meeting opening remarks http://www.nrawinningteam.com/meeting99/hestsp1.html, Denver, Colorado, 1999-05-01
Mayor Webb asked the NRA not to hold this meeting, which fell shortly after the Columbine High School massacre on 1999-04-20.
In

Douglas Coupland photo

“There's nothing at the center of what we do.”

Girlfriend in a Coma (1998)

Jeremy Rifkin photo
Sara Bareilles photo

“George Bush has turned into the playboy of the Western world. He shows up at Chinese restaurants, at movies, at the Kennedy Center. He seems to be a totally relaxed, enjoy-the-moment kind of individual. He has shown a sense of playfulness that is very appealing. It shows he isn't overwhelmed by the overwhelming responsibilities he is taking on.”

Robert Orben (1928) American magician and writer

Kevin Merida (January 15, 1989) "The Bush Inauguration - The 'real George Bush' -- exhibiting confidence and an unpretentious, fun-loving touch -- emerges from Reagan's shadow", The Dallas Morning News, p. 1M.

Rousas John Rushdoony photo

“The state is a bankrupt institution. The only alternative to this bankrupt 'humanistic' system is a God-centered government.”

Rousas John Rushdoony (1916–2001) American theologian

As quoted in David Cantor and Alan M. Schwartz (1995), Anti-Defamation League book -The Religious Right: The Assault on Tolerance and Pluralism In America

Vitruvius photo
Hồ Xuân Hương photo
Blackie Lawless photo

“F*ck political correctness, that went down with the World Trade Center.”

Blackie Lawless (1956) musician, songwriter and actor

In the liner notes of the album "Dying for the World"

Alice Walker photo
Robert Jordan photo
Frank Stella photo
Han-shan photo
Andrew Bacevich photo
Karl Wilhelm Friedrich Schlegel photo

“An artist is he for whom the goal and center of life is to form his mind.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Künstler ist ein jeder, dem es Ziel und Mitte des Daseyns ist, seinen Sinn zu bilden.
“Selected Ideas (1799-1800)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (Pennsylvania University Press:1968) # 20

Michelle Obama photo
Isaac H. Bromley photo
Piet Hein photo

“People are self-centered
to a nauseous degree.
They will keep on about themselves
while I'm explaining me.”

Piet Hein (1905–1996) Danish puzzle designer, mathematician, author, poet

The Egocentrics
Grooks

Joseph Joubert photo
Richard Evelyn Byrd photo

“If the expedition had failed, which it might well have done with all hope centered in just one plane, I should still be trying to pay back my obligations.”

Richard Evelyn Byrd (1888–1957) Medal of Honor recipient and United States Navy officer

On his expedition to fly over the North Pole. His claim to have done so is now widely disputed. Skyward (1928)

Franklin D. Roosevelt photo

“The real truth of the matter is, as you and I know, that a financial element in the larger centers has owned the Government ever since the days of Andrew Jackson — and I am not wholly excepting the Administration of W. W. The country is going through a repetition of Jackson's fight with the Bank of the United States — only on a far bigger and broader basis.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

Letter to Col. Edward Mandell House (21 November 1933); as quoted in F.D.R.: His Personal Letters, 1928-1945, edited by Elliott Roosevelt (New York: Duell, Sloan and Pearce, 1950), pg. 373
1930s

Georges Seurat photo

“.. the flag is green with a red spot in the center; above, the blue of the sky, the orange-tinted white of the walls, and the orange-grey of the clouds.”

Georges Seurat (1859–1891) French painter

short notation, 1881: from 'Notes inedites de Seurat sur Delacroix', in 'Bulletin de la Vie Artistique', April 1922; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 6 - note 9
Seurat studied carefully the paintings of Eugene Delacroix, and wrote in 1881 about Delacroix's painting 'The Fanatics of Tangier' https://upload.wikimedia.org/wikipedia/commons/a/a0/Eug%C3%A8ne_Delacroix_-_The_Fanatics_of_Tangier_-_WGA06195.jpg this notation
Quotes, 1881 - 1890

Judith Krug photo
Bill McKibben photo
Louis Brownlow photo
J. C. R. Licklider photo

“Though Lewis' views frequently are well left of center on the political spectrum, his writing is moderate. Lewis is at once passionate and logical - great to argue with in your head.”

Anthony Lewis (1927–2013) American journalist

[Richard H., Weiss, November 5, 1998, St. Louis Post-Dispatch, Times columnist likes to mine a vein of thought, G1]
About

Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

Marshall McLuhan photo

“Acoustic space is totally discontinuous, like touch. It is a sphere without centers or margins.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

Antonio Negri photo
George W. Bush photo
Edward O. Wilson photo
David Frawley photo
Anne Sexton photo
Jadunath Sarkar photo
Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Lawrence Lessig photo

“To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else.”

Lawrence Lessig (1961) American academic, political activist.

OSCON 2002
Context: Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?

John Muir photo
Abraham Joshua Heschel photo

“But just like voices, thoughts are underpinned by physical stuff. We know this because alterations to the brain change the kinds of thoughts we can think. In a state of deep sleep, there are no thoughts. When the brain transitions into dream sleep, there are unbidden, bizarre thoughts. During the day we enjoy our normal, well-accepted thoughts, which people enthusiastically modulate by spiking the chemical cocktails of the brain with alcohol, narcotics, cigarettes, coffee, or physical exercise. The state of the physical material determines the state of the thoughts. And the physical material is absolutely necessary for normal thinking to tick along. If you were to injure your pinkie in an accident you’d be distressed, but your conscious experience would be no different. By contrast, if you were to damage an equivalently sized piece of brain tissue, this might change your capacity to understand music, name animals, see colors, judge risk, make decisions, read signals from your body, or understand the concept of a mirror—thereby unmasking the strange, veiled workings of the machinery beneath. Our hopes, dreams, aspirations, fears, comic instincts, great ideas, fetishes, senses of humor, and desires all emerge from this strange organ—and when the brain changes, so do we. So although it’s easy to intuit that thoughts don’t have a physical basis, that they are something like feathers on the wind, they in fact depend directly on the integrity of the enigmatic, three-pound mission control center.”

David Eagleman (1971) neuroscientist and author

Incognito: The Secret Lives of The Brain

Ellen G. White photo

“Let Daniel speak, let the Revelation speak, and tell what is truth. But whatever phase of the subject is presented, uplift Jesus as the center of all hope.”

Ellen G. White (1827–1915) American author and founder/leader of the Seventh-Day Adventist Church

Vol. 6, p. 62
Testimonies for the Church (1855 - 1868)

Donald J. Trump photo

“David Brody: Radical Islam: to Evangelicals, this is a bread and butter issue. You said there's a Muslim problem in this country. What do you mean by that exactly?
Donald Trump: Bill O'Reilly asked me is there a Muslim problem? And I said absolutely, yes. In fact I went a step further. I said I didn't see Swedish people knocking down the World Trade Center. It was very interesting. I thought that was going to be a controversial statement and somebody, I think it was Dennis Miller introduced me, he was doing like an analysis of me, he said, I love it. The guy said what the truth is. He didn't mince his words. He didn't say, 'Oh, gee, no there's not a Muslim problem, everybody's wonderful.' And by the way, many, many, most Muslims are wonderful people, but is there a Muslim problem? Look what's happening. Look what happened right here in my city with the World Trade Center and lots of other places. So I said it and I thought it was going to be very controversial but actually it was very well received. I think people want the truth. I think they're tired of politicians. They're tired of politically correct stuff. I mean I could have said, 'Oh absolutely not Bill, there's no Muslim problem, everything is wonderful, just forget about the World Trade Center.' But you have to speak the truth. We're so politically correct that this country is falling apart.
Brody: With some evangelicals there are some problems with the teachings of the Koran. Do you have concerns about the Koran?
Trump: Well, I'll tell you what. The Koran is very interesting. A lot of people say it teaches love and there is a very big group of people who really understand the Koran far better than I do. I'm certainly not an expert, to put it mildly. But there's something there that teaches some very negative vibe. I mean things are happening, when you look at people blowing up all over the streets that are in some of the countries over in the Middle East, just blowing up a super market with not even soldiers, just people, when 250 people die in a super market that are shopping, where people die in a store or in a street. There's a lot of hatred there that's some place. Now I don't know if that's from the Koran. I don't know if that's from some place else. But there's tremendous hatred out there that I've never seen anything like it. So, you have two views. You have the view that the Koran is all about love and then you have the view that the Koran is, that there's a lot of hate in the Koran.”

Donald J. Trump (1946) 45th President of the United States of America

On CBN News' "The Brody File" (12 April 2011) ( video https://www.youtube.com/watch?v=fWzDAvemJG8) ( transcript http://blogs.cbn.com/thebrodyfile/archive/2011/04/12/brody-file-exclusive-donald-trump-says-something-in-koran-teaches.aspx)
2010s, 2011

Martin Luther King, Jr. photo

“She is not concerned about what I think about it or what Mrs. King thinks about it. She wants it. She’s a child and that’s very natural and normal for a child. She is inevitably self-centered because she’s a child. But when one matures, when one rises above the early years of childhood, he begins to love people for their own sake. He turns himself to higher loyalties. He gives himself to something outside of himself. He gives himself to causes that he lives for and sometimes will even die for. He comes to the point that now he can rise above his individualistic concerns”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Conquering Self-centeredness (1957)
Context: I look at my little daughter every day and she wants certain things and when she wants them, she wants them. And she almost cries out, “I want what I want when I want it.” She is not concerned about what I think about it or what Mrs. King thinks about it. She wants it. She’s a child and that’s very natural and normal for a child. She is inevitably self-centered because she’s a child. But when one matures, when one rises above the early years of childhood, he begins to love people for their own sake. He turns himself to higher loyalties. He gives himself to something outside of himself. He gives himself to causes that he lives for and sometimes will even die for. He comes to the point that now he can rise above his individualistic concerns, and he understands then what Jesus meant when he says, “He who finds his life shall lose it; he who loses his life for my sake, shall find it.”’ In other words, he who finds his ego shall lose his ego, but he who loseth his ego for my sake, shall find it. And so you see people who are apparently selfish; it isn’t merely an ethical issue but it is a psychological issue. They are the victims of arrested development, and they are still children. They haven’t grown up. And like a modern novelist says about one of his characters, “Edith is a little country, bounded on the east and the west, on the north and the south, by Edith.” And so many people are little countries, bounded all around by themselves and they never quite get out of themselves. And these are the persons who are victimized with arrested development.

Hillary Clinton photo
Heidi Klum photo
Ray Bradbury photo

“At the center of religion is love. I love you and I forgive you. I am like you and you are like me. I love all people. I love the world. I love creating. Everything in our life should be based on love.”

Ray Bradbury (1920–2012) American writer

As quoted in "Sci-fi legend "Ray Bradbury on God, 'monsters and angels'" by John Blake, CNN : Living (2 August 2010) http://articles.cnn.com/2010-08-02/living/Bradbury_1_ray-bradbury-dandelion-wine-sam-weller?_s=PM:LIVING, p. 1

Sarah Schulman photo
Umberto Boccioni photo

“.. the number of the engine [of the train], its profile shown in the upper part of the picture, its wind-cutting fore-part in the center, symbolical of parting, indicates the features of the scene that remain indelibly impressed upon the mind”

Umberto Boccioni (1882–1916) Italian painter and sculptor

of the viewer
Quote from Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 21
a note on his tryptich painting, he made late in 1911, containing the canvasses 'States of Mind II', 'The farewells', 'Those Who go Those who Stay'.
1911

Susan Faludi photo
Oswald Pohl photo
William Cowper photo

“I am monarch of all I survey,
My right there is none to dispute;
From the center all round to the sea
I am lord of the fowl and the brute.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 1.

Paul Tillich photo
Confucius photo

“In archery we have something like the way of the superior man. When the archer misses the center of the target, he turns round and seeks for the cause of his failure in himself.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

Source: The Doctrine of the Mean

Bernice King photo
John Constable photo
Tony Blair photo
William Gibson photo

“All any drug amounts to is tweaking the incoming data. You have to be incredibly self-centered or pathetic to be satisfied with simply tweaking the incoming data.”

William Gibson (1948) American-Canadian speculative fiction novelist and founder of the cyberpunk subgenre

No Maps for These Territories (2000)

Bawa Muhaiyaddeen photo
David C. McClelland photo

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? ­­What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Richard Holbrooke photo
C. Wright Mills photo
Alfred Milner, 1st Viscount Milner photo
Douglas MacArthur photo

“. The central theme of contemporary autonomist Marxism is a shift from giant organizations and insurrectional seizure to gradualism and Exodus. The rapid transformation of the working class, the blurring of the lines between work and the rest of life, and the shift in meeting a growing share of our needs into the informal and social economy, mean that the Old Left’s workerism (and like Harry Cleaver, I include syndicalism and council communism in the Old Left), its focus on the production process as the center of society, and its treatment of the industrial proletariat as the subject of history, have become obsolete. In this regard, read Toni Negri’s contrast of the Multitude to previous Old Left ideas of the proletariat. Mostly, I call it a heroic fantasy because any model that envisions a post-capitalist transition based on the universal adoption of any monolithic, schematized social model is as ridiculous as Socrates and Glaucon discussing what musical instruments and poetic metres will be permitted in the perfect state. The real world version of the post-capitalist transition — just as with the transition to capitalism five centuries earlier — isn’t a matter of any single cohesive social class, as the subject of history, systematically remaking the world guided by some single, comprehensive ideology, and organized around a uniform institutional model. It’s a matter of a wide variety of prefigurative institutions and technological building blocks that already exist in the present society, continuing to grow and coalesce together until they reach sufficient critical mass for a phase transition — a phase transition whose outlines can only be guessed at in the most general terms. This is the model advocated by Michel Bauwens, by Paul Mason, by John Holloway, by Peter Frase, and by a lot of other people who can hardly be fitted into any American individualist ghetto.”

Kevin Carson (1963) American academic

'In Which the Anarcho-Syndicalists Discover C4SS' (2016)
Other Writing

John James Ingalls photo

“Every man is the center of a circle, whose fatal circumference he can not pass.”

John James Ingalls (1833–1900) American politician

Eulogy on Benjamin Hill, United States Senate, Jan. 23, 1882.

Norman Mailer photo
Kurt Lewin photo
Norman Mailer photo

“Then vote for him the boss will if he must; he cannot be caught on the wrong side, but he does not feel the pleasure of a personal choice. Which is the center of the panic.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Rikki Rockett photo

“When I was in eighth grade there was a movie called Willard, about a rat, and I fell in love with rats. I wanted one … so one guy suggested that I call Hershey Medical Center … So I called and they said … "What experiment is it for?" I said, "I don't wanna experiment on it, I just want it for a pet!" And they said, "Well, we can't do that." … About two weeks later, I go out to the mailbox, and there's this thing from the [American Anti-Vivisection Society]. Lo and behold, I'm looking through all these different experiments and I see a rat there, spread wide open, and it said some of the experiments [were] done at Hershey med center. So boom! I put two and two together, and I decided to do a report in school about it. I took advanced bio and you had to dissect cats, and I started [asking] questions, "Where'd the cat come from?", and that really ruffled some feathers. "I'm not gonna do this, you know." So basically I got thrown out of advanced bio. From that point on I became an antivivisectionist. … [Things] are changing. When I went vegetarian it was really hard on the road, and that was just eight years ago. And I see people doing it twenty, twenty-five years, traveling, and it's like, wow! … I think on a very basic level people wanna do the right thing. And if we continue to focus on that part of them that wants to do the right thing, we can win maybe at the next generation or the one after that.”

Rikki Rockett (1961) American musician

"Something To Believe In" https://books.google.it/books?id=NWxF_V4r3PAC&pg=PA107, interview by Kirsten Rosenberg (July 1999), in Speaking Out for Animals, edited by Kim W. Stallwood, Lantern Books, 2001, pp. 107-112.

Karl Wilhelm Friedrich Schlegel photo

“Take playfulness seriously, and you will apprehend what is at the center and rediscover your revered art in a more sublime light.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Deute den lieblichen Schein und mache Ernst aus dem Spiel, so wirst du das Centrum fassen und die verehrte Kunst in höherm Lichte wieder finden.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 109

Fred Shero photo
Frederick Douglass photo