“The concept of 'tonality' signifies the unified relationship of chords to a central tonic and hence comprises two different assumptions: first, the existence of unifying factors, and second, the existence of, or at least the hypothetical ability to reconstruct, a tonal center.”

—  Ernst Kurth

Romantische Harmonik und ihre Krise in Wagners Tristan (1920), p. 273.

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“In the passage quoted here from Monteverdi's madrigal [Cruda amarilli, mm.9-19 and 24-30], one sees a tonality determined by the characteristic of the accord parfait on the tonic, by the sixth chord assigned to the third and seventh degrees, by the optional choice of the accord parfait or the sixth chord on the sixth degree, and finally, by the accord parfait, and above all, by the unprepared seventh chord (with major third) on the dominant.”

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Context: Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.

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Context: Three conceptions are perpetually turning up at every point in every theory of logic, and in the most rounded systems they occur in connection with one another. They are conceptions so very broad and consequently indefinite that they are hard to seize and may be easily overlooked. I call them the conceptions of First, Second, Third. First is the conception of being or existing independent of anything else. Second is the conception of being relative to, the conception of reaction with, something else. Third is the conception of mediation, whereby a first and second are brought into relation.

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“Relativity and… quantum… remain incomplete…. the main reason each is incomplete is the existence of the other. The mind calls for a third theory to unify all of physics, and for a simple reason. Nature is… "unified." …interconnected, in that everything interacts with everything else.”

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“First you must have faith in an eternal world independent of you; then you must have faith in your ability to perceive it, and finally you must try to explain it by means of concepts or mathematical constructions. But don't always accept traditional concepts without reexamining them. Even overthrow my relativity theory, if you find a better one.... You must believe that the world was created as a unified whole which is comprehensible to man. Of course, it's going to take an infinitely long time to investigate this unified creation. But to me that is the highest and most sacred duty—unifying physics. Simplicity is the criterion of the universe.”

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