Quotes about cast
page 9

Antonio Negri photo
Thomas Jefferson photo
Noam Chomsky photo
Bernard Lewis photo
Calvin Coolidge photo
Letitia Elizabeth Landon photo

“Few are the beliefs, still fewer the superstitions of to-day. We pretend to account for everything, till we do not believe enough for that humility so essential to moral discipline. But the dark creed of the fatalist still holds its ground — there is that within us, which dares not deny what, in the still depths of the soul, we feel to have a mysterious predominance. To a certain degree we controul our own actions — we have the choice of right or wrong; but the consequences, the fearful consequences, lie not with us. Let any one look upon the most important epochs of his life; how little have they been of his own making — how one slight thing has led on to another, till the result has been the very reverse of our calculations. Our emotions, how little are they under our own controul! how often has the blanched lip, or the flushed cheek, betrayed what the will was strong to conceal! Of all our sensations, love is the one which has most the stamp of Fate. What a mere chance usually leads to our meeting the person destined to alter the whole current of our life. What a mystery even to ourselves the influence which they exercise over us. Why should we feel so differently towards them, to what we ever felt before? An attachment is an epoch in existence — it leads to casting off old ties, that, till then, had seemed our dearest; it begins new duties; often, in a woman especially, changes the whole character; and yet, whether in its beginning, its continuance or its end, love is as little within our power as the wind that passes, of which no man knows whither it goeth or whence it comes.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.14. The Bride of Lammermuir — LUCY ASHTON.
Literary Remains

John Updike photo
William Herschel photo
Brad Paisley photo
James Hudson Taylor photo

“It needs the presence of special difficulties to manifest to all the workings of God’s mighty power, and for such difficulties we may and should be grateful, and not cast down.”

James Hudson Taylor (1832–1905) Missionary in China

(Hudson Taylor’s Choice Sayings: A Compilation from His Writings and Addresses. London: China Inland Mission, n.d., 49).

William Ellery Channing photo
Ferdinand Foch photo

“In a time such as ours when people believe they can do without an ideal, cast away what they call abstract ideas, live on realism, rationalism, positivism, reduce everything to knowledge or to the use of more or less ingenious and casual devices — let us acknowledge it here — in such a time there is only one means of avoiding error, crime, disaster, of determining the conduct to be followed on a given occasion — but a safe means it is, and a fruitful one; this is the exclusive devotion to two abstract notions in the field of ethics: duty and discipline; such a devotion, if it is to lead to happy results, further implies besides… knowledge and reasoning.”

Ferdinand Foch (1851–1929) French soldier and military theorist

Variant translation: In our time, which thinks it can do without ideals, that it can reject what it calls abstractions, and nourish itself on realism, rationalism and positivism; which thinks it can reduce all questions to matters of science or to the employing of more or less ingenious expedients; at such a time, I say, there is but one resource if you are to avoid disaster, and only one which will make you certain of what course to hold upon a given day. It is the worship — to the exclusion of all others — of two Ideas in the field of morals: duty and discipline. And that worship further needs, if it is to bear fruit and produce results, knowledge and reason.
As quoted in "A Sketch of the Military Career of Marshal Foch" by Major A. Grasset
Source: Precepts and Judgments (1919), p. 150

Gloria Steinem photo
Edgar Cayce photo
B.K.S. Iyengar photo
Frank Lautenberg photo
Rajiv Gandhi photo
Roger Bacon photo

“One man I know, and one only, who can be praised for his achievements in this science. Of discourses and battles of words he takes no heed: he follows the works of wisdom, and in these finds rest. What others strive to see dimly and blindly, like bats in twilight, he gazes at in the full light of day, because he is a master of experiment. Through experiment he gains knowledge of natural things, medical, chemical, indeed of everything in the heavens or earth. He is ashamed that things should be known to laymen, old women, soldiers, ploughmen, of which he is ignorant. Therefore he has looked closely into the doings of those who work in metals and minerals of all kinds; he knows everything relating to the art of war, the making of weapons, and the chase; he has looked closely into agriculture, mensuration, and farming work; he has even taken note of the remedies, lot casting, and charms used by old women and by wizards and magicians, and of the deceptions and devices of conjurors, so that nothing which deserves inquiry should escape him, and that he may be able to expose the falsehoods of magicians. If philosophy is to be carried to its perfection and is to be handled with utility and certainty, his aid is indispensable. As for reward, he neither receives nor seeks it. If he frequented kings and princes, he would easily find those who would bestow on him honours and wealth. Or, if in Paris he would display the results of his researches, the whole world would follow him. But since either of these courses would hinder him from pursuing the great experiments in which he delights, he puts honour and wealth aside, knowing well that his wisdom would secure him wealth whenever he chose. For the last three years he has been working at the production of a mirror that shall produce combustion at a fixed distance; a problem which the Latins have neither solved nor attempted, though books have been written upon the subject.”

Bridges assumes that Bacon refers here to Peter Peregrinus of Maricourt.
Source: Opus Tertium, c. 1267, Ch. 13 as quoted in J. H. Bridges, The 'Opus Majus' of Roger Bacon (1900) Vol.1 http://books.google.com/books?id=6F0XAQAAMAAJ Preface p.xxv

Syama Prasad Mookerjee photo
Pauline Kael photo
Fritz Leiber photo
Thomas Carew photo
Michel De Montaigne photo

“Arts and sciences are not cast in a mould, but are formed and perfected by degrees, by often handling and polishing, as bears leisurely lick their cubs into form.”

Book II, Ch. 12. Apology for Raimond Sebond
Essais (1595), Bartlett's Familiar Quotations, 10th ed. (1919)

Jayapala photo
David Hunter photo

“If you live out of a negative identity, … others will always be cast in the mold of the enemy against whom you must struggle.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 79

Joseph Strutt photo
John Calvin photo

“We must know and be out of all doubt, that the Pope hath but a devilish Synagogue, and that all his Clergy is but filth & stench, all these varlets that have cast aside the Church of God, are but vermin. Although the Pope, who is Antichrist, be set in God’s sanctuary, (as we have seen before [2 Thes. 2.4]) yet notwithstanding, he is not worthy to be taken and accounted for a minister of the Church, nor all his mates.”

John Calvin (1509–1564) French Protestant reformer

Sermon on 1 Timothy, ch. 3. The 22 Sermon upon the second Chapter http://www.truecovenanter.com/calvin/calvin_22_on_Timothy.html Sermons on Timothy and Titus (16th-17th century facsimile editions), p. 265. pdf images http://www.puritansermons.com/pdf/calvin05.pdf

Neal Stephenson photo
Thomas Gainsborough photo

“It is my strict charge that after my decease no plaster cast, model, or likeness whatever be permitted to be taken.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

'Tho. Gainsborough'.
In a note of 15 June, 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 305
1770 - 1788

Hartley Coleridge photo
John Milton photo
Robert Fisk photo
Bertolt Brecht photo

“Events cast long shadows before.
One such event would be a war.
But how are shadows to be seen
When total darkness fills the screen?”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"Alphabet" [Alfabet] from "Five Children's Songs" (1934), trans. John Willett in Poems, 1913-1956, p. 239
Poems, 1913-1956 (1976)

Agatha Christie photo

“And if you cast down an idol, there's nothing left.”

Agatha Christie (1890–1976) English mystery and detective writer

Henrietta Savernake
The Hollow (1946)

Oswald Pohl photo
Firuz Shah Tughlaq photo

“A report was brought to the Sultan that there was in Delhi an old Brahman (zunar dar) who persisted in publicly performing the worship of idols in his house; and that people of the city, both Musulmans and Hindus, used to resort to his house to worship the idol. The Brahman had constructed a wooden tablet (muhrak), which was covered within and without with paintings of demons and other objects. On days appointed, the infidels went to his house and worshipped the idol, without the fact becoming known to the public officers. The Sultan was informed that this Brahman had perverted Muhammadan women, and had led them to become infidels. An order was accordingly given that the Brahman, with his tablet, should be brought into the presence of the Sultan at Firozabad. The judges and doctors and elders and lawyers were summoned, and the case of the Brahman was submitted for their opinion. Their reply was that the provisions of the Law were clear: the Brahman must either become a Musulman or be burned. The true faith was declared to the Brahman, and the right course pointed out, but he refused to accept it. Orders were given for raising a pile of faggots before the door of the darbar. The Brahman was tied hand and foot and cast into it; the tablet was thrown on top and the pile was lighted. The writer of this book was present at the darbar and witnessed the execution. The tablet of the Brahman was lighted in two places, at his head and at his feet; the wood was dry, and the fire first reached his feet, and drew from him a cry, but the flames quickly enveloped his head and consumed him. Behold the Sultans strict adherence to law and rectitude, how he would not deviate in the least from its decrees!”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Delhi. Tarikh-i-Firuz Shahi, Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. Elliot and Dowson. Vol. III, p. 365 ff https://archive.org/stream/cu31924073036737#page/n379/mode/2up Quoted in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.

“The deep spaces between stars,
Fathomless as the cold shadow
His mind cast.”

R.S. Thomas (1913–2000) Welsh poet

"Wallace Stevens", p. 25
The Bread of Truth (1963)

William Herschel photo

“Here [in Slough], soon after my arrival, I began to lay the foundation upon which by degrees the whole structure was raised as it now stands, and the speculum being highly polished and put into the tube, I had the first view through it on February 19, 1787. …the first speculum, by a mismanagement of the person who cast it, came out thinner on the centre of the back than was intended, and on account of its weakness would not permit a good figure to be given to it. …A second mirror was cast January 26, 1788, but it cracked in cooling. February 16 we recast it, and it proved to be of a proper degree of strength. October 24 it was brought to a pretty good figure and polish, and I observed the planet Saturn with it. But not being satisfied, I continued to work upon it till August 27, 1789, when it was tried upon the fixed stars, and I found it to give a pretty sharp image. Large stars were a little affected with scattered light, owing to many remaining scratches on the mirror. August the 28th, 1789, having brought the telescope to the parallel of Saturn, I discovered a sixth satellite of that planet, and also saw the spots upon Saturn better than I had ever seen them before, so that I may date the finishing of the forty-foot telescope from that time.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works".

George William Curtis photo

“But when we freed the slaves we did not say to them, 'Caste shall not grind you with the right hand, but it shall with the left'. We said, 'Caste shall not grind you at all, and you shall have the same guarantees of freedom that we have'. President Johnson defines the liberty springing from the Emancipation amendment as the right to labor and enjoy the fruit of labor to its fullest extent. It is easy to quarrel with this as with every definition. But it is good enough, and it is as true of Connecticut as of Missouri that no man fully enjoys the fruit of his labor who does not have an equality of right before the law and a voice in making the law. That is the final security of the commonwealth, and we are bound to help every citizen attain it, whether it be the foreigner who comes ignorant and wretched to our shores or the native whom a cruel prejudice opposes. Do you tell me that we have nothing to do with the State laws of Alabama? I answer that the people of the United States are the sole and final judges of the measures necessary to the full enjoyment of the freedom which they have anywhere bestowed. If we choose, we may trust a certain class in the unorganized States to secure this liberty, just as we might have chosen to trust Mister Vallandigham, Mister Horatio Seymour, and Mister Fernando Wood to carry on the war. But as we wanted honor and not dishonor, as we wanted victory and not surrender, we chose to trust it to Farragut and Sherman, to Sheridan and Grant. If you don't want a thing done, says the old proverb, send; if you do, go yourself. When Grant started. Uncle Sam went himself. So, if we don't care whether we keep our word to those whom we have freed, we may send, by leaving them to the tender mercies of those who despise and distrust them. But if we do care for our own honor and the national welfare, we shall go ourselves, and through a national bureau and voluntary associations of education and aid, or in some better way if it can be devised, keep fast hold of the hands of those whom the President calls our wards, and not relinquish those hands until we leave in them every guarantee of freedom that we ourselves enjoy.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Dwight L. Moody photo
Barbara Hepworth photo
Philo photo
Manmohan Singh photo

“His vision was to industrialize India, to urbanize India, and in the process he hoped that we would create a new society -- more rational, more humane, less ridden by caste and religious sentiments. That was the grand vision that Nehru had.”

Manmohan Singh (1932) 13th Prime Minister of India

On Jawaharlal Nehru, as quoted in "Commanding Heights: Manmohan Singh" http://www.pbs.org/wgbh/commandingheights/shared/minitextlo/int_manmohansingh.html, PBS (6 February 2001)
2001-2005

Jack McDevitt photo
Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Julius Evola photo
Benito Mussolini photo

“[Provincial Fascism is] “no longer liberation, but tyranny; no longer protector of the nation, but defense of private interests and of the dullest, deafest, most miserable cast that exists in Italy."”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

Quoted in The Making of Fascism: Class, State, and Counter-Revolution, Italy 1919-1922, Dahlia S. Elazar, Westport, CT, Praeger, 2001, p. 141 and in Fascism in Ferrara, 1915-1925, Paul Corner, New York, NY, London: UK, Oxford Univ. Press, 1975, p. 193, n.5, Pact of Pacification, 1921
1920s

Roger Ebert photo

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008)
Reviews, Four star reviews

Arun Shourie photo
Percy Bysshe Shelley photo

“Beware! By Allah the son of Abu Quhafah (Abu Bakr) dressed himself with it (the caliphate) and he certainly knew that my position in relation to it was the same as the position of the axis in relation to the hand-mill. The flood water flows down from me and the bird cannot fly upto me. I put a curtain against the caliphate and kept myself detached from it.
Then I began to think whether I should assault or endure calmly the blinding darkness of tribulations wherein the grown up are made feeble and the young grow old and the true believer acts under strain till he meets Allah (on his death). I found that endurance thereon was wiser. So I adopted patience although there was pricking in the eye and suffocation (of mortification) in the throat. I watched the plundering of my inheritance till the first one went his way but handed over the Caliphate to Ibn al-Khattab after himself.
(Then he quoted al-A`sha's verse):
My days are now passed on the camel's back (in difficulty) while there were days (of ease) when I enjoyed the company of Jabir's brother Hayyan.
It is strange that during his lifetime he wished to be released from the caliphate but he confirmed it for the other one after his death. No doubt these two shared its udders strictly among themselves. This one put the Caliphate in a tough enclosure where the utterance was haughty and the touch was rough. Mistakes were in plenty and so also the excuses therefore. One in contact with it was like the rider of an unruly camel. If he pulled up its rein the very nostril would be slit, but if he let it loose he would be thrown. Consequently, by Allah people got involved in recklessness, wickedness, unsteadiness and deviation.
Nevertheless, I remained patient despite length of period and stiffness of trial, till when he went his way (of death) he put the matter (of Caliphate) in a group and regarded me to be one of them. But good Heavens! what had I to do with this "consultation"? Where was any doubt about me with regard to the first of them that I was now considered akin to these ones? But I remained low when they were low and flew high when they flew high. One of them turned against me because of his hatred and the other got inclined the other way due to his in-law relationship and this thing and that thing, till the third man of these people stood up with heaving breasts between his dung and fodder. With him his children of his grand-father, (Umayyah) also stood up swallowing up Allah's wealth like a camel devouring the foliage of spring, till his rope broke down, his actions finished him and his gluttony brought him down prostrate.
At that moment, nothing took me by surprise, but the crowd of people rushing to me. It advanced towards me from every side like the mane of the hyena so much so that Hasan and Husayn were getting crushed and both the ends of my shoulder garment were torn. They collected around me like the herd of sheep and goats. When I took up the reins of government one party broke away and another turned disobedient while the rest began acting wrongfully as if they had not heard the word of Allah saying:
That abode in the hereafter, We assign it for those who intend not to exult themselves in the earth, nor (to make) mischief (therein); and the end is (best) for the pious ones. (Qur'an, 28:83)
Yes, by Allah, they had heard it and understood it but the world appeared glittering in their eyes and its embellishments seduced them. Behold, by Him who split the grain (to grow) and created living beings, if people had not come to me and supporters had not exhausted the argument and if there had been no pledge of Allah with the learned to the effect that they should not acquiesce in the gluttony of the oppressor and the hunger of the oppressed I would have cast the rope of Caliphate on its own shoulders, and would have given the last one the same treatment as to the first one. Then you would have seen that in my view this world of yours is no better than the sneezing of a goat.”

Known as the Sermon of ash-Shiqshiqiyyah (roar of the camel), It is said that when Amir al-mu'minin reached here in his sermon a man of Iraq stood up and handed him over a writing. Amir al-mu'minin began looking at it, when Ibn `Abbas said, "O' Amir al-mu'minin, I wish you resumed your Sermon from where you broke it." Thereupon he replied, "O' Ibn `Abbas it was like the foam of a Camel which gushed out but subsided." Ibn `Abbas says that he never grieved over any utterance as he did over this one because Amir al-mu'minin could not finish it as he wished to.
Nahj al-Balagha

Karl Wilhelm Friedrich Schlegel photo

“The life of the artist should be distinguished from that of all other people, even in external habits. They are Brahmins, a higher caste, not ennobled by birth, however, but through deliberate self-initiation.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Selbst in den äusserlichen Gebräuchen sollte sich die Lebensart der Künstler von der Lebensart der übrigen Menschen durchaus unterscheiden. Sie sind Braminen, eine höhere Kaste, aber nicht durch Geburt sondern durch freye Selbsteinweihung geadelt.
“Selected Ideas (1799-1800)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (Pennsylvania University Press:1968) # 146
Variant translation: Even in their outward behavior, the lives of artists should differ completely from the lives of other men. They are Brahmins, a higher caste: ennobled not by birth, but by free self-consecration.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 146

E. M. S. Namboodiripad photo
Thomas Szasz photo
Thomas Gainsborough photo
Empress Dowager Cixi photo

“Perhaps their magic is not to be relied upon; but can we not rely on the hearts and minds of the people? Today China is extremely weak. We have only the people's hearts and minds to depend upon. If we cast them aside and lose the people's hearts, what can we use to sustain the country?”

Empress Dowager Cixi (1835–1908) Chinese empress

The origins of the Boxer Uprising, Joseph Esherick, 1988, University of California Press, 289, 0520064593, 2010-6-28 http://books.google.com/books?id=jVESdBSMasMC&pg=PA289&dq=Perhaps+their+magic+is+not+to+be+relied+upon:+but+can+we+not+rely+on+the+hearts+and+minds+of+the+people%3F+Today+China+is+extremely+weak.+We+have+only+the+people's+hearts+and+minds+to+depend+upon.+If+we+cast+them+aside+and+lose+the+people's+hearts,+what+can+we&hl=en&ei=sRa2TOuXDsG88gaL9azjCw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCUQ6AEwAA#v=onepage&q=Perhaps%20their%20magic%20is%20not%20to%20be%20relied%20upon%3A%20but%20can%20we%20not%20rely%20on%20the%20hearts%20and%20minds%20of%20the%20people%3F%20Today%20China%20is%20extremely%20weak.%20We%20have%20only%20the%20people's%20hearts%20and%20minds%20to%20depend%20upon.%20If%20we%20cast%20them%20aside%20and%20lose%20the%20people's%20hearts%2C%20what%20can%20we&f=false,
[The Last Empress: The She-Dragon of China, Keith Laidler, 2003, John Wiley & Sons, 221, http://books.google.com/books?id=QLPZ7294oSIC&pg=PA221&dq=have+started+the+aggression,+and+the+extinction+of+our+nation+is+imminent++no+face+ancestors+death&hl=en&sa=X&ei=oGsLT5rpEqHu0gGY29nuBQ&ved=0CDAQ6AEwAA#v=onepage&q=rely%20on%20supernatural%20formulas%20heart%20people&f=false, 1-9-2011, 0470864265, Yehonala interrupted from her dominant position on the dais. 'If we cannot rely on the supternatural formulas, can we not rely upon the heart of the people? China is weak: the only thing we can depend upon is the heart of the people. If we lose that, how an we maintain our country?']
[Victor Purcell, The Boxer Uprising: A Background Study, https://books.google.com/books?id=2MeUoD9G9xAC&pg=PA250&dq=cannot+rely+charms+heart+people+lose&hl=en&sa=X&ved=0ahUKEwjH5tD7vvjLAhVFGx4KHR_SDiYQ6AEIHDAA#v=onepage&q=cannot%20rely%20charms%20heart%20people%20lose&f=false, 3 June 2010, Cambridge University Press, 978-0-521-14812-2, 250–]

Jon Stewart photo
Vyjayanthimala photo
James Bryce, 1st Viscount Bryce photo
Merce Cunningham photo
Yogi Adityanath photo

“Sun has never deprived anyone of its light and energy irrespective of their caste and religion. Despite this, if it is being linked to communalism then I request such people to stay in their rooms during the day without sunlight.”

Yogi Adityanath (1972) Indian politician

On religious groups claiming that Surya Namaskar would cause communal disharmony, as quoted in "People opposed to 'Surya Namaskar' should lock themselves in 'dark room': Yogi Adityanath" http://zeenews.india.com/news/india/people-opposed-to-surya-namaskar-should-lock-themselves-in-dark-room-yogi-adityanath_1610111.html, Zee News (9 June 2015).

Letitia Elizabeth Landon photo

“The field is fought—who walketh there?—
The shadow victory casts—Despair!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Charlotte Perkins Gilman photo

“For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887.
I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.
Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power.
Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html

Wesley Clark photo
Tanith Lee photo
Tim Powers photo
Alexandre Dumas, fils photo

“In the interest of the dictionaries of the future let me lay down the principle that the Demi-Monde, contrary to the common belief and in spite of what is printed, does not represent the ruck of courtesans, but the class of women that have lost caste.”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Établissons donc ici, pour les dictionnaires à venir, que le Demi-Monde ne représente pas, comme on le croit, comme on l'imprime, la cohue des courtisanes, mais la classe des déclassées.
Preface to Le Demi-Monde (1855), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 2, p. 9; translation from Albert D. Vandam Undercurrents of the Second Empire (London: William Heinemann, 1897) p. 246.

Angelique Rockas photo
John Knox photo
Ted Hughes photo

“Stilled legendary depth:
It was as deep as England. It held
Pike too immense to stir, so immense and old
That past nightfall I dared not cast.”

Ted Hughes (1930–1998) English poet and children's writer

"Pike", line 33
Lupercal (1960)

Francisco De Goya photo

“What a scandal to hear nature deprecated in comparison to Greek statues by one who knows neither one nor the other without acknowledging that the smallest part of Nature confounds and amazes those who know most. What statue or cast of it might there be that is not copied from divine nature?”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

In a report in 1792 - Goya wrote to the Academy of San Fernando, on 'teaching art'; as quoted in Francisco Goya y Licientis, Janis Tomlinson, Phaodon 1999, p. 70
1790s

“There are then, at least two dialectical truths. The first is that you and I are reasonable creatures; the second that you and I ought to be reasonable. Because of the second, we can say not merely that we cannot reasonably deny the first, but also that we ought not to deny it. If these dialectical propositions are errors, they are irrefutable errors: there is no way for men qua rational creatures to find out what is wrong with them, just as there is no way for men qua rational creatures to cast doubt on their truth.”

Frank Van Dun (1947) Belgian law philosopher

"The Logic of Common Morality" http://web.archive.org/web/20060616233942/http://www.stephankinsella.com/texts/vandun_philosophy_argument.pdf, from E.M. Barth and J.L. Martens, eds., Argumentation Approaches to Theory Formation: Containing the contributions to the Groningen Conference on the Theory of Argumentation, October 1978 (Benjamins, 1982; original from the University of Michigan, digitized Mar 12, 2007. ISBN 9-027-23007-2, 333 pages).

Clive Staples Lewis photo

“To understand how caste works concretely, one must, however, look beyond kinship organization and ritual idiom to the political economy of caste.”

Eric Wolf (1923–1999) American anthropologist

Source: Europe and the People Without History, 1982, Chapter 2, The World in 1400, p. 46.

Kristin Kreuk photo

“When I filmed the pilot, I thought it was a quality show with a good cast, but I had no expectations. I just hoped people would connect with it because there's a lot of heart.”

Kristin Kreuk (1982) Canadian actress

Teen People's "25 Hottest Stars Under 25" in 2002 http://web.archive.org/web/20060324131358/http://www.teenpeople.com/teenpeople/2002/25hottest/profile/profile_kreuk.html

Thomas Goodwin photo
Robert Southey photo

“My days among the Dead are past;
Around me I behold,
Where'er these casual eyes are cast,
The mighty minds of old;
My never-failing friends are they,
With whom I converse day by day.”

Robert Southey (1774–1843) British poet

My Days Among the Dead Are Past http://rpo.library.utoronto.ca/poem/1957.html, st. 1 (1818).

Bruno Schulz photo
Merce Cunningham photo
Jean-Paul Marat photo
Robert G. Ingersoll photo
Sarojini Naidu photo
Hema Malini photo
Oliver Wendell Holmes photo

“The freeman casting with unpurchased hand
The vote that shakes the turrets of the land.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Poetry, a Metrical Essay; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Fyodor Tyutchev photo
Periyar E. V. Ramasamy photo