Quotes about booking

page 52

The Duty of Owning Books (1859)
Context: Give me a house furnished with books rather than furniture! Both, if you can, but books at any rate! To spend several days in a friend’s house and hunger for something to read, while you are treading on costly carpets, sitting upon luxurious chairs and sleeping upon down, is as if one were bribing your body for the sake of cheating your mind.

"A Welsh Testament"
Tares (1961)
Context: Even God had a Welsh name:
He spoke to him in the old language;
He was to have a peculiar care
For the Welsh people. History showed us
He was too big to be nailed to the wall
Of a stone chapel, yet still we crammed him
Between the boards of a black book.

Some Reasons Why (1881)
Context: Suppose then, that I do read this Bible honestly, fairly, and when I get through I am compelled to say, “The book is not true.” If this is the honest result, then you are compelled to say, either that God has made no revelation to me, or that the revelation that it is not true, is the revelation made to me, and by which I am bound. If the book and my brain are both the work of the same Infinite God, whose fault is it that the book and the brain do not agree? Either God should have written a book to fit my brain, or should have made my brain to fit his book.

Reported by Lionel Trilling in "On the Modern Element in Modern Literature", Partisan Review, January-February 1961, p. 15 (reprinted in Trilling's Beyond Culture, 1965): Trilling wrote: "taking the cue of W. H. Auden's remark that a real book reads us, I have been read by Eliot's poems...".
More commonly reported as "a real book is not one that we read but one that reads us". This paraphrase of Trilling's reported quotation first appeared in a review by Robie Macauley of Trilling's Beyond Culture in the New York Times Book Review, 14 November 1965, p. 38: "I must borrow a phrase from Mr. Trilling (who borrows it from W. H. Auden): a real book is not one that we read but one that reads us." The same version, attributed to Auden, appears in Evan Esar, 20,000 Quips & Quotes (1968), p. 87 (with a comma after "we read"). There is no evidence that Auden ever wrote or said this version of the phrase.
Other variations (e.g. "not one that's read" for "not one that we read") seem to be misrecollections of Robie Macaulay's paraphrase.
Reported quotations

As We May Think (1945)
Context: Consider a future device for individual use, which is a sort of mechanized private file and library. It needs a name, and to coin one at random, memex will do. A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility. It is an enlarged intimate supplement to his memory.
It consists of a desk, and while it can presumably be operated from a distance, it is primarily the piece of furniture at which he works. On the top are slanting translucent screens, on which material can be projected for convenient reading. There is a keyboard, and sets of buttons and levers. Otherwise it looks like an ordinary desk.

"A Note on Cabellian Harmonics" in Cabellian Harmonics (April 1928)
Context: A book, once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, — both grammatically and actually, — whatever meaning this or that reader gets out of it.

Ch 1 : Production
Elements of Political Economy (1821)

Preface to The Autumn in the Spring (May 1932) http://www.learn-chinese.org/modernprose1/bachun/chunt01.htm
Context: In the past several years, my hard work, my books which I wrote through blood and tears, and the purpose of my life all has been focused on: helping everyone to have a spring, so that everyone's heart will be bright, everyone will have a happy life, and everyone will have the freedom to develop in any way they want. I aroused people to have thirst for, thirst for brightness; I put a cause in front of people, a cause which is worthy of people's devotion. But all of my hard work was destroyed by another power. After arousing a young soul, it only made him or her suffer more unbearable trampling torment.

"Quotes", The Educated Imagination (1963), Talk 4: The Keys To Dreamland
Context: Finnegans Wake is not a book to read, but a book to decipher: as Joyce says, it's about a dreamer, but it's addressed to an ideal reader suffering from ideal insomnia.

The Place Of Dead Roads‎ (1983), p. 155
Context: Victimless crimes are the lifeline of the RIGHT virus. And there is a growing recognition, even in official quarters, that victimless crimes should be removed from the books or subject to minimal penalties. Those individuals who cannot or will not mind their business cling to the victimless-crime concept, equating drug use and private sexual behavior with robbery and murder. If the right to mind one's own business is recognized, the whole shit disposition is untenable and Hell hath no vociferous fury than an endangered parasite.

On the Social State of Marxism (1978)

Afterword to The Dud Avocado (2006)
Context: My success took another road. I complained to Rod Steiger, "The book’s hardly been out and everyone wants to know what I’m going to write next. I mean, don’t I get to rest on my laurels?" In fact I had no idea of writing a second novel. "No," said Rod, answering my question. "Succeeding only means you get another chance to try to do it again."
I thought about it, and then Ken said to me, "If you write another book, I’ll divorce you." I sat down and started my second novel and wondered that I knew its beginning and its end. I put it aside to write a play which went on in London.… I went back to my novel and finished it. It was published to good reviews but now there were a couple of stinkers. I tore them up and flushed them down the toilet. I’d become a writer.
In 1964 Ken and I got divorced. Well, we did bad things to each other. Now, some three decades later, I look back in gratitude at him: I look back in wonder.

Mathematical Methods in Science (1977)
Context: The volume of the cone was discovered by Democritus... He did not prove it, he guessed it... not a blind guess, rather it was reasoned conjecture. As Archimedes has remarked, great credit is due to Democritus for his conjecture since this made proof much easier. Eudoxes... a pupil of Plato, subsequently gave a rigorous proof. Surely the labor or writing limited his manuscript to a few copies; none has survived. In those days editions did not run to thousands or hundreds of thousands of copies as modern books—especially, bad books—do. However, the substance of what he wrote is nevertheless available to us.... Euclid's great achievement was the systematization of the works of his predecessors. The Elements preserve several of Eudoxes' proofs.

A letter to his wife Polly (October 1938) http://bernie.cncfamily.com/sc/excalibur.htm, quoted in Bare-faced Messiah: The True Story of L. Ron Hubbard (1987), p. 81 http://www.discord.org/~lippard/bfm/bfm05.htm#81.
Context: Living is a pretty grim joke, but a joke just the same. The entire function of man is to survive. The outermost limit of endeavour is creative work. Anything less is too close to simple survival until death happens along. So I am engaged in striving to maintain equilibrium sufficient to at least realize survival in a way to astound the gods. I turned the thing up so it's up to me to survive in a big way... Foolishly perhaps, but determined none the less, I have high hopes of smashing my name into history so violently that it will take a legendary form even if all books are destroyed.

Autobiography (1873)
Context: In these frequent talks about the books I read, he used, as opportunity offered, to give me explanations and ideas respecting civilization, government, morality, mental cultivation, which he required me afterwards to restate to him in my own words. He also made me read, and give him a verbal account of, many books which would not have interested me sufficiently to induce me to read them of myself: among others, Millar's Historical View of the English Government, a book of great merit for its time, and which he highly valued; Mosheim's Ecclesiastical History, McCrie's Life of John Knox, and even Sewel's and Rutty's Histories of the Quakers. He was fond of putting into my hands books which exhibited men of energy and resource in unusual circumstances, struggling against difficulties and overcoming them: of such works I remember Beaver's African Memoranda, and Collins's account of the first settlement of New South Wales.

chickfactor.com - Issue 16, 2005
Context: Well, Nabokov is definitely my favorite author, though I feel strange calling him an "influence," since I can't trace the ways in which his writing may or may not have seeped into my own. But I also love William Faulkner, Thomas Pynchon, Kenneth Patchen, Joyce Carol Oates, Philip Roth, Mark Helprin (who wrote a beautiful book called Winter's Tale), and Kurt Vonnegut. My favorite book of all time is The Last Unicorn by Peter S. Beagle.

Interview with Larry McCaffery in Storming the Reality Studio : A Casebook of Cyberpunk and Postmodern Science Fiction, Duke University Press (December 1991)
Context: On the most basic level, computers in my books are simply a metaphor for human memory: I'm interested in the hows and whys of memory, the ways it defines who and what we are, in how easily memory is subject to revision. When I was writing Neuromancer, it was wonderful to be able to tie a lot of these interests into the computer metaphor. It wasn't until I could finally afford a computer of my own that I found out there's a drive mechanism inside — this little thing that spins around. I'd been expecting an exotic crystalline thing, a cyberspace deck or something, and what I got was a little piece of a Victorian engine that made noises like a scratchy old record player. That noise took away some of the mystique for me; it made computers less sexy. My ignorance had allowed me to romanticize them.

Source: Christianity and the Social Crisis (1907), Introduction, p.xv
Context: I have written this book to discharge a debt. For eleven years I was pastor among the working people on the West Side of New York City.... I have never ceased to feel that I owe help to the plain people who were my friends. If this book in some far-off way helps to ease the pressure that bears them down and increases the forces that bear them up, I shall meet the Master of my life with better confidence.

A simple, mildly incredulous philippic http://nielsenhayden.com/makinglight/archives/012308.html#012308, in Making Light, April 7, 2010.
Context: Book publishing was never a heaven “run by editors”, and it is by no means today a hell “run by accountants.” If our “sole interest” was “instant profit,” not only would we never do any number of the things we actually do every day, we probably wouldn’t be in book publishing at all.

Nobel Lecture (12 December 1930)
Context: Fortune has dealt with me rather too well. I have known little struggle, not much poverty, many generosities. Now and then I have, for my books or myself, been somewhat warmly denounced — there was one good pastor in California who upon reading my Elmer Gantry desired to lead a mob and lynch me, while another holy man in the state of Maine wondered if there was no respectable and righteous way of putting me in jail. And, much harder to endure than any raging condemnation, a certain number of old acquaintances among journalists, what in the galloping American slang we call the "I Knew Him When Club", have scribbled that since they know me personally, therefore I must be a rather low sort of fellow and certainly no writer. But if I have now and then received such cheering brickbats, still I, who have heaved a good many bricks myself, would be fatuous not to expect a fair number in return.

The Common Law (1881), p. 1.
1880s

Heretics and Heresies (1874)
Context: Nature never prompted a loving mother to throw her child into the Ganges. Nature never prompted men to exterminate each other for a difference of opinion concerning the baptism of infants. These crimes have been produced by religions filled with all that is illogical, cruel and hideous. These religions were produced for the most part by ignorance, tyranny and hypocrisy. Under the impression that the infinite ruler and creator of the universe had commanded the destruction of heretics and infidels, the church perpetrated all these crimes:
Men and women have been burned for thinking there is but one God; that there was none; that the Holy Ghost is younger than God; that God was somewhat older than his son; for insisting that good works will save a man without faith; that faith will do without good works; for declaring that a sweet babe will not be burned eternally, because its parents failed to have its head wet by a priest; for speaking of God as though he had a nose; for denying that Christ was his own father; for contending that three persons, rightly added together, make more than one; for believing in purgatory; for denying the reality of hell; for pretending that priests can forgive sins; for preaching that God is an essence; for denying that witches rode through the air on sticks; for doubting the total depravity of the human heart; for laughing at irresistible grace, predestination and particular redemption; for denying that good bread could be made of the body of a dead man; for pretending that the pope was not managing this world for God, and in the place of God; for disputing the efficacy of a vicarious atonement; for thinking the Virgin Mary was born like other people; for thinking that a man's rib was hardly sufficient to make a good-sized woman; for denying that God used his finger for a pen; for asserting that prayers are not answered, that diseases are not sent to punish unbelief; for denying the authority of the Bible; for having a Bible in their possession; for attending mass, and for refusing to attend; for wearing a surplice; for carrying a cross, and for refusing; for being a Catholic, and for being a Protestant; for being an Episcopalian, a Presbyterian, a Baptist, and for being a Quaker. In short, every virtue has been a crime, and every crime a virtue. The church has burned honesty and rewarded hypocrisy. And all this, because it was commanded by a book — a book that men had been taught implicitly to believe, long before they knew one word that was in it. They had been taught that to doubt the truth of this book — to examine it, even — was a crime of such enormity that it could not be forgiven, either in this world or in the next.

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 40
Context: The book of Genesis is a male declaration of independence from the ancient mother-cults. Its challenge to nature, so sexist to modern ears, marks one of the crucial moments in western history. Mind can never be free of matter. Only by mind imagining itself free can culture advance. The mother-cults, by reconciling man to nature, entrapped him in matter. Everything great in western civilization has come from struggling against our origins. Genesis is rigid and unjust, but it gave man hope as a man. It remade the world by male dynasty, canceling the power of mothers.

Jo Cox: Opportunity must knock in a fairer society http://www.yorkshirepost.co.uk/news/opinion/jo-cox-opportunity-must-knock-in-a-fairer-society-1-6857022 (24 September 2014)
Context: The idea that a child living deep in poverty whose parents don’t have enough money for food or heating, books or basic things like school trips can ever have the same opportunities for development as a more fortunate child is patently absurd. But because it leads to some difficult choices many politicians choose to ignore it, essentially promising to make you an omelette without breaking any eggs.

Je veux qu'on me voit en ma façon simple, naturelle, et ordinaire, sans étude et artifice; car c'est moi que je peins...Je suis moi-même la matière de mon livre.
Book I (1580), To the Reader
Essais (1595), Book I

Introduction.
Magick Book IV : Liber ABA, Part III : Magick in Theory and Practice (1929)
Context: This book is for
ALL:
for every man, woman, and child.
My former work has been misunderstood, and its scope limited, by my use of technical terms. It has attracted only too many dilettanti and eccentrics, weaklings seeking in "Magic" an escape from reality. I myself was first consciously drawn to the subject in this way. And it has repelled only too many scientific and practical minds, such as I most designed to influence.
But
MAGICK
is for
ALL.

Source: The Demon-Haunted World : Science as a Candle in the Dark (1995), Ch. 21 : The Path to Freedom, p. 357
Context: Books, purchasable at low cost, permit us to interrogate the past with high accuracy; to tap the wisdom of our species; to understand the point of view of others, and not just those in power; to contemplate — with the best teachers — the insights, painfully extracted from Nature, of the greatest minds that ever were, drawn from the entire planet and from all of our history. They allow people long dead to talk inside our heads. Books can accompany us everywhere. Books are patient where we are slow to understand, allow us to go over the hard parts as many times as we wish, and are never critical of our lapses. Books are key to understanding the world and participating in a democratic society.

Introduction to The Annotated Alice (1960) // The Annotated Alice. The Definitive Edition (1999), by Lewis Carroll (Author, Christ Church College, Oxford), John Tenniel (Illustrated by), Martin Gardner (Editor, Introduction and notes by), page viii
Context: The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician. At the heart of things science finds only a mad, never-ending quadrille of Mock Turtle Waves and Gryphon Particles. For a moment the waves and particles dance in grotesque, inconceivably complex patterns capable of reflecting on their own absurdity.

The Life of Dryden
Lives of the English Poets (1779–81)
Context: It is not by comparing line with line, that the merit of great works is to be estimated, but by their general effects and ultimate result. It is easy to note a weak line, and write one more vigorous in its place; to find a happiness of expression in the original, and transplant it by force into the version: but what is given to the parts may be subducted from the whole, and the reader may be weary, though the critick may commend. Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain, which the reader throws away. He only is the master, who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.

The Last Temptation of Christ (1951)

Afterword to The Dud Avocado (2006)
Context: The Big Personalities weighed in. Soon after its publication Irwin Shaw wrote to me praising it. Terry Southern, calling me "Miss Smarts," said I was "a perfect darling." Gore Vidal phoned one morning saying, "You’ve got the one thing a writer needs: You’ve got your own voice. Now go." Ernest Hemingway said to me, "I liked your book. I liked the way your characters all speak differently." And then added, "My characters all sound the same because I never listen." All this, and heaven too. Laurence Olivier told me that now that my book was making a lot of money we could elope and I could support us. The Financial Times ran an item which read, "Such and such stock: No dud avocado." Groucho Marx wrote me, "I had to tell someone how much I enjoyed The Dud Avocado.… If this was actually your life, I don’t know how the hell you got through it." When people ask me how autobiographical the book is I say, all the impulsive, outrageous things my heroine does, I did. All the sensible things she did, I made up.

Nobel Prize autobiography (1998)
Context: Real understanding of a thing comes from taking it apart oneself, not reading about it in a book or hearing about it in a classroom. To this day I always insist on working out a problem from the beginning without reading up on it first, a habit that sometimes gets me into trouble but just as often helps me see things my predecessors have missed.

Lecture III: Of the more Important Divisions and Essential Parts of Knowledge
A Course of Popular Lectures (1829)
Context: I must intreat your patience — your gentle hearing. I am not going to question your opinions. I am not going to meddle with your belief. I am not going to dictate to you mine. All that I say is, examine; enquire. Look into the nature of things. Search out the ground of your opinions, the for and the against. Know why you believe, understand what you believe, and possess a reason for the faith that is in you…
But your spiritual teachers caution you against enquiry — tell you not to read certain books; not to listen to certain people; to beware of profane learning; to submit your reason, and to receive their doctrines for truths. Such advice renders them suspicious counsellors. By their own creed, you hold your reason from their God. Go! ask them why he gave it.

Phlogiston interview (1995)
Context: When I started writing my first novel,... And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

Saraïde, in Book Seven : What Saraïde Wanted, Ch. XLVII : Economics of Saraïde
The Silver Stallion (1926)
Context: Life is a pageant that passes very quickly, going hastily from one darkness to another darkness with only ignes fatui to guide; and there is no sense in it. I learned that, Kerin, without moiling over books. But life is a fine ardent spectacle; and I have loved the actors in it: and I have loved their youth and high-heartedness, and their ungrounded faiths, and their queer dreams, my Kerin, about their own importance and about the greatness of the destiny that awaited them, — while you were piddling after, of all things, the truth!

Detached Thoughts on Books and Reading; reported in Bartlett's Familiar Quotations, 10th ed. (1919)..
Last Essays of Elia (1833)

Lecture notes of 1858, quoted in The Life and Letters of Faraday (1870) by Bence Jones, Vol. 2, p. 403
Context: We learn by such results as these, what is the kind of education that science offers to man. It teaches us to be neglectful of nothing, not to despise the small beginnings — they precede of necessity all great things. Vesicles make clouds; they are trifles light as air, but then they make drops, and drops make showers, rain makes torrents and rivers, and these can alter the face of a country, and even keep the ocean to its proper fulness and use. It teaches a continual comparison of the small and great, and that under differences almost approaching the infinite, for the small as often contains the great in principle, as the great does the small; and thus the mind becomes comprehensive. It teaches to deduce principles carefully, to hold them firmly, or to suspend the judgment, to discover and obey law, and by it to be bold in applying to the greatest what we know of the smallest. It teaches us first by tutors and books, to learn that which is already known to others, and then by the light and methods which belong to science to learn for ourselves and for others; so making a fruitful return to man in the future for that which we have obtained from the men of the past.

Unpacking my Library: A Talk About Book Collecting (1931)
Context: Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. … Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.

Founding Address (1876), Life and Destiny (1913)
Context: To those who are longing for a higher life, who deeply feel the need of religious satisfactions, we suggest that there is a way in which the demands of the head and the heart may be reconciled. Religion is not necessarily allied with dogma, a new kind of faith is possible, based not upon legend and tradition, not upon the authority of any book, but upon the moral nature of man.

The last sentence is a quotation of Nathaniel Hawthorne
Hawthorne and His Mosses (1850)
Context: Would that all excellent books were foundlings, without father or mother, that so it might be, we could glorify them, without including their ostensible authors. Nor would any true man take exception to this; — least of all, he who writes, — "When the Artist rises high enough to achieve the Beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality."

1960s, How Long, Not Long (1965)
Context: Our whole campaign in Alabama has been centered around the right to vote. In focusing the attention of the nation and the world today on the flagrant denial of the right to vote, we are exposing the very origin, the root cause, of racial segregation in the Southland. Racial segregation as a way of life did not come about as a natural result of hatred between the races immediately after the Civil War. There were no laws segregating the races then. And as the noted historian, C. Vann Woodward, in his book, The Strange Career of Jim Crow, clearly points out, the segregation of the races was really a political stratagem employed by the emerging Bourbon interests in the South to keep the southern masses divided and southern labor the cheapest in the land. You see, it was a simple thing to keep the poor white masses working for near-starvation wages in the years that followed the Civil War. Why, if the poor white plantation or mill worker became dissatisfied with his low wages, the plantation or mill owner would merely threaten to fire him and hire former Negro slaves and pay him even less. Thus, the southern wage level was kept almost unbearably low. Toward the end of the Reconstruction era, something very significant happened. That is what was known as the Populist Movement. The leaders of this movement began awakening the poor white masses and the former Negro slaves to the fact that they were being fleeced by the emerging Bourbon interests. Not only that, but they began uniting the Negro and white masses into a voting bloc that threatened to drive the Bourbon interests from the command posts of political power in the South. To meet this threat, the southern aristocracy began immediately to engineer this development of a segregated society. I want you to follow me through here because this is very important to see the roots of racism and the denial of the right to vote. Through their control of mass media, they revised the doctrine of white supremacy. They saturated the thinking of the poor white masses with it, thus clouding their minds to the real issue involved in the Populist Movement. They then directed the placement on the books of the South of laws that made it a crime for Negroes and whites to come together as equals at any level. And that did it. That crippled and eventually destroyed the Populist Movement of the nineteenth century.

pg. xxxiv
Native Son (1940)

Of Courage, Chap. xxix.
Bartlett's Familiar Quotations, 10th ed. (1919)

1780s, Letter to Peter Carr (1787)
Context: You will naturally examine first, the religion of your own country. Read the Bible, then as you would read Livy or Tacitus. The facts which are within the ordinary course of nature, you will believe on the authority of the writer, as you do those of the same kind in Livy and Tacitus. The testimony of the writer weighs in their favor, in one scale, and their not being against the laws of nature, does not weigh against them. But those facts in the Bible which contradict the laws of nature, must be examined with more care, and under a variety of faces. Here you must recur to the pretensions of the writer to inspiration from God. Examine upon what evidence his pretensions are founded, and whether that evidence is so strong, as that its falsehood would be more improbable than a change in the laws of nature, in the case he relates. For example in the book of Joshua we are told the sun stood still several hours. Were we to read that fact in Livy or Tacitus we should class it with their showers of blood, speaking of statues, beasts, etc. But it is said that the writer of that book was inspired. Examine therefore candidly what evidence there is of his having been inspired. The pretension is entitled to your inquiry, because millions believe it. On the other hand you are astronomer enough to know how contrary it is to the law of nature that a body revolving on its axis as the earth does, should have stopped, should not by that sudden stoppage have prostrated animals, trees, buildings, and should after a certain time have resumed its revolution, & that without a second general prostration. Is this arrest of the earth's motion, or the evidence which affirms it, most within the law of probabilities?

A Narrative of Some of the Lord's Dealings with George Müller Written by Himself, First Part.
First Part of Narrative

De Abaitua interview (1998)
Context: To me, when we talk about the world, we are talking about our ideas of the world. Our ideas of organisation, our different religions, our different economic systems, our ideas about it are the world. We are heading for a radical revision where you could say we are heading towards the end of the world, but more in the R. E. M. sense than the Revelation sense. That is what apocalypse means – revelation. I could square that with the end of the world, a revelation, a new way of looking at things, something that completely radicalises our notions of the where we were, when we were, what we were, something like that would constitute an end to the world in the kind of abstract – yet very real sense – that I am talking about. A change in the language, a change in the thinking, a change in the music. It wouldn’t take much – one big scientific idea, or artistic idea, one good book, one good painting – who knows – we are at a critical point where the ideas are coming thicker and faster and stranger and stranger than they ever were before. They are realised at a greater speed, everything has become very fluid.

On Moby-Dick, in a letter to Richard Henry Dana, Jr. (1 May 1850)
Context: It will be a strange sort of book, tho', I fear; blubber is blubber you know; tho' you may get oil out of it, the poetry runs as hard as sap from a frozen maple tree; — & to cook the thing up, one must needs throw in a little fancy, which from the nature of the thing, must be ungainly as the gambols of the whales themselves. Yet I mean to give the truth of the thing, spite of this.

"Self-Culture", an address in Boston (September 1838) http://www.americanunitarian.org/selfculture.htm
Context: I have insisted on our own activity as essential to our progress; but we were not made to live or advance alone. Society is as needful to us as air or food. A child doomed to utter loneliness, growing up without sight or sound of human beings, would not put forth equal power with many brutes; and a man, never brought into contact with minds superior to his own, will probably run one and the same dull round of thought and action to the end of llfe.
It is chiefly through books that we enjoy intercourse with superior minds, and these invaluable means of communication are in the reach of all. In the best books great men talk to us, give us their most precious thoughts, and pour their souls into ours. God be thanked for books. They are the voices of the distant and the dead, and make us heirs of the spiritual life of past ages. Books are true levelers. They give to all, who will faithfully use them, the society, the spiritual presence, of the best and greatest of our race.

On the creation of the character John Constantine in Swamp Thing, as quoted in "The Unexplored Medium" in Wizard Magazine (November 1993) http://www.qusoor.com/hellblazer/Sting.htm; the character he created later appeared in other works, including Books of Magic by Neil Gaiman, and his own series Hellblazer.

Chips from a German Workshop (1866)

As quoted in The Winning Investment Habits of Warren Buffett & George Soros (2006) by Mark Tier, p. 219
Context: I wish I could write a book that will be read for as long as our civilization lasts... I would value it much more highly than any business success if I could contribute to an understanding of the world in which we live or, better yet, if I could help to preserve the economic and political system that has allowed me to flourish as a participant.

Black Boy (1945)

Source: Bernard Shaw in Twilight (1943), IV
Context: He never invested his whole moral capital in a man, a book, or a cause, but treasured up wisdom wherever it could be picked up, always with scrupulous acknowledgment … His eclecticism saving him from the cycle of hope-disillusion-despair, his highest effectiveness was as a skirmisher in the daily battle for light and justice, as a critic of new doctrine and a refurbisher of old, as a voice of warning and encouragement. That his action has not been in vain, we can measure by how little Shaw's iconoclasm stirs our blood; we no longer remember what he destroyed that was blocking our view.

On his motivations to write Lord of the Flies, from his essay "Fable", p. 85
The Hot Gates (1965)
Context: The overall intention may be stated simply enough. Before the Second World War I believed in the perfectibility of social man; that a correct structure of society would produce goodwill; and that therefore you could remove all social ills by a reorganisation of society..... but after the war I did not because I was unable to. I had discovered what one man could do to another... I must say that anyone who moved through those years without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head... I am thinking of the vileness beyond all words that went on, year after year, in the totalitarian states. It is bad enough to say that so many Jews were exterminated in this way and that, so many people liquidated — lovely, elegant word — but there were things done during that period from which I still have to avert my mind less I should be physically sick. They were not done by the headhunters of New Guinea or by some primitive tribe in the Amazon. They were done, skillfully, coldly, by educated men, doctors, lawyers, by men with a tradition of civilization behind them, to beings of their own kind.
My own conviction grew that what had happened was that men were putting the cart before the horse. They were looking at the system rather than the people. It seemed to me that man’s capacity for greed, his innate cruelty and selfishness, was being hidden behind a kind of pair of political pants. I believed then, that man was sick — not exceptional man, but average man. I believed that the condition of man was to be a morally diseased creation and that the best job I could do at the time was to trace the connection between his diseased nature and the international mess he gets himself into. To many of you, this will seem trite, obvious, and familiar in theological terms. Man is a fallen being. He is gripped by original sin. His nature is sinful and his state is perilous. I accept the theology and admit the triteness; but what is trite is true; and a truism can become more than a truism when it is a belief passionately held....
I can say in America what I should not like to say at home; which is that I condemn and detest my country's faults precisely because I am so proud of her many virtues. One of our faults is to believe that evil is somewhere else and inherent in another nation. My book was to say you think that now the war is over and an evil thing destroyed, you are safe because you are naturally kind and decent. But I know why the thing rose in Germany. I know it could it could happen in any country. It could happen here.

Letter to Nicolas Gouin Dufief, Philadelphia bookseller (1814) who had been prosecuted for selling the book Sur la Création du Monde, un Systême d'Organisation Primitive by M. de Becourt, which Jefferson himself had purchased.
1810s
Context: I am really mortified to be told that, in the United States of America, a fact like this can become a subject of inquiry, and of criminal inquiry too, as an offence against religion; that a question about the sale of a book can be carried before the civil magistrate. Is this then our freedom of religion? and are we to have a censor whose imprimatur shall say what books may be sold, and what we may buy? And who is thus to dogmatize religious opinions for our citizens? Whose foot is to be the measure to which ours are all to be cut or stretched? Is a priest to be our inquisitor, or shall a layman, simple as ourselves, set up his reason as the rule for what we are to read, and what we must believe? It is an insult to our citizens to question whether they are rational beings or not, and blasphemy against religion to suppose it cannot stand the test of truth and reason.

A Short History of Chemistry (1937)
Context: In Alexandria two streams of knowledge met and fused together... The ancient Egyptian industrial arts of metallurgy, dyeing and glass-making... and... the philosophical speculations of ancient Greece, now tinged with ancient mysticism, and partly transformed into that curious fruit of the tree of knowledge which we call Gnosticism.... the result was the "divine" or "sacred" art (... also means sulphur) of making gold of silver.... during the first four centuries a considerable body of knowledge came into existence. The treatises written in Greek... in Alexandria, are the earliest known books on chemistry.... The treatises also contain much of an allegorical nature... sometimes described as "obscure mysticism."... the Neoplatonism which was especially studied in Alexandria... is not so negligible as has sometimes been supposed.... The study of astrology was connected with that of chemistry in the form of an association of the metals with the planets on a supposed basis of "sympathy". This goes back to early Chaldean sources but was developed by the Neoplatonists.

The Paris Review interview (1994)
Context: Kerouac had lots of class — stumbling drunk in the end, but read those last books. He never blames anybody else; he always blames himself. If there is a bad guy, it’s poor old drunk Jack, stumbling around. You never hear him railing at the government or railing at this or that. He likes trains, people, bums, cars. He just paints a wonderful picture of Norman Rockwell’s world. Of course it’s Norman Rockwell on a lot of dope.
Jack London had class. He wasn’t a very good writer, but he had tremendous class. And nobody had more class than Melville. To do what he did in Moby-Dick, to tell a story and to risk putting so much material into it. If you could weigh a book, I don’t know any book that would be more full. It’s more full than War and Peace or The Brothers Karamazov. It has Saint Elmo’s fire, and great whales, and grand arguments between heroes, and secret passions. It risks wandering far, far out into the globe. Melville took on the whole world, saw it all in a vision, and risked everything in prose that sings. You have a sense from the very beginning that Melville had a vision in his mind of what this book was going to look like, and he trusted himself to follow it through all the way.

Brown : The Last Discovery of America (2003)
Context: It is one thing to know your author-man or woman or gay or black or paraplegic or president. It is another thing to choose only man or woman or et cetera, as the only quality of voice empowered to address you, as the only class of sensibility or experience able to understand you, or that you are able to understand.
How a society orders its bookshelves is as telling as the books a society writes and reads. American bookshelves of the twenty-first century describe fractiousness, reduction, hurt. Books are isolated from one another, like gardenias or peaches, lest they bruise or become bruised, or, worse, consort, confuse. If a man in a wheelchair writes his life, his book will be parked in a blue-crossed zone: "Self-Help" or "Health." There is no shelf for bitterness. No shelf for redemption. The professor of Romance languages at Dresden, a convert to Protestantism, was tortured by the Nazis as a Jew — only that — a Jew. His book, published sixty years after the events it recounts, is shelved in my neighborhood bookstore as "Judaica." There is no shelf for irony.

From a letter to Harold Preece (c. December 1928)
Letters
Context: I could name all day, those women I deem great in Greece alone and the records would scarcely be complete. And what of Joan of Arc and Emma Goldman? Kate Richards O’Hare and Sarah Bernhardt? Katherine the Great and Elizabeth Barrett Browning? H. D. and Sara Teasdale? Isibella of Spain who pawned her gems that Columbus might sail, and Edna St. Vincent Millay? And that queen, Marie, I think her name was, of some small province - Hungary I believe - who fought Prussia and Russia so long and so bitterly. And Rome – oh, the list is endless there, also - most of them were glorified harlots but better be a glorified harlot than a drab and moral drone, such as the text books teach us woman should be. Woman have always been the inspiration of men, and just as there are thousands of unknown great ones among men, there have been countless women whose names have never been blazoned across the stars, but who have inspired men on to glory. And as for their fickleness – as long as men write the literature of the world, they will rant about the unfaithfulness of the fair sex, forgetting their own infidelities. Men are as fickle as women. Women have been kept in servitude so long that if they lack in discernment and intellect it is scarcely their fault.

Address given in towns of Ontario county, prior to her trial, quoted in "An account of the proceedings on the trial of Susan B. Anthony, on the charge of illegal voting, at the presidential election in Nov. 1872, and on the trial of Beverly W. Jones, Edwin T. Marsh and William B. Hall, the inspectors of election by whom her vote was received." (1873) http://memory.loc.gov/cgi-bin/query/r?ammem/naw:@field(DOCID+@lit(rbnawsan2152div13)); also quoted in Great American Trials: 201 Compelling Courtroom Dramas (1994) by Edward W. Knappman, p. 167
Context: We no longer petition legislature or Congress to give of the right to vote, but appeal to women everywhere to exercise their too long neglected "citizen's right" … We assert the province of government to be to secure the people in the enjoyment of their unalienable rights. We throw to the winds the old dogma that governments can give rights. The Declaration of Independence, the United States Constitution the constitutions of the several states … propose to protect the people in the exercise of their God-given rights. Not one of them pretends to bestow rights. … One half of the people of this Nation today are utterly powerless to blot from the statute books an unjust law, or to write a new and just one. The women, dissatisfied as they are with this form of government, that enforces taxation without representation — that compels them to obey laws to which they have never given their consent — that imprisons and hangs them without a trial by a jury of their peers — that robs them, in marriage of the custody of their own persons, wages, and children—are this half of the people left wholly at the mercy of the other half.

The Paris Review interview
Context: I think it’s the shock of every writer’s life when their first book is published. The shock of their lives. One has somehow to adjust from being anonymous, a figure in ambush, working from concealment, to being and working in full public view. It had an enormous effect on me. My impression was that I had suddenly walked into a wall of heavy hostile fire. <!-- That first year I wrote verses with three magical assonances to the line with the intention of abolishing certain critics! Now I read those reviews and they seem quite good. So it was writer’s paranoia. The shock to a person who’s never been named in public of being mentioned in newspapers can be absolutely traumatic. To everybody else it looks fairly harmless, even enviable. What I can see was that it enormously accelerated my determination to bring my whole operation into my own terms, to make my own form of writing and to abandon a lot of more casual paths that I might have followed. If I’d remained completely unknown, a writer not commented on, I think I might have gone off in all kinds of other directions. One can never be sure, of course.

Vol. IV, p. 172
Posthumous publications, The Collected Works
Context: Questioner: Can one love truth without loving man? Can one love man without loving truth? What comes first?
Krishnamurti: Love comes first. To love truth, you must know truth. To know truth is to deny truth. What is known is not truth. What is known is already encased in time and ceases to be truth. Truth is an eternal movement, and so cannot be measured in words or in time. It cannot be held in the fist. You cannot love something which you do not know. But truth is not to be found in books, in images, in temples. It is to be found in action, in living. The very search for the unknown is love itself, and you cannot search for the unknowable away from relationship. You cannot search for reality, or for what you will, in isolation. It comes into being only in relationship, only when there is right relationship between man and man. So the love of man is the search for reality.

All the Trouble in the World (1994)

Playboy interview (1996)
Context: I foresaw political correctness 43 years ago. … whereas back then I wrote about the tyranny of the majority, today I'd combine that with the tyranny of the minorities. These days, you have to be careful of both. They both want to control you. … I say to both bunches, Whether you're a majority or minority, bug off! To hell with anybody who wants to tell me what to write. Their society breaks down into subsections of minorities who then, in effect, burn books by banning them. All this political correctness that's rampant on campuses is B. S. You can't fool around with the dangerous notion of telling a university what to teach and what not to.

Hello Out There (1941)
Context: I have read books about the behavior of mobs — The Mob by Le Bon, if I remember rightly, was one — about the crime in children, and the genius in them, about the greatest bodies of things, and about the littlest of them. I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.

"A note about this book, February 12, 2004"
Down and Out in the Magic Kingdom (2003)
Context: I released this book a little over a year ago under the terms of a Creative Commons license that allowed my readers to freely redistribute the text without needing any further permission from me. In this fashion, I enlisted my readers in the service of a grand experiment, to see how my book could find its way into cultural relevance and commercial success. The experiment worked out very satisfactorily.
When I originally licensed the book under the terms set out in the next section, I did so in the most conservative fashion possible, using CC's most restrictive license. I wanted to dip my toe in before taking a plunge. I wanted to see if the sky would fall: you see writers are routinely schooled by their peers that maximal copyright is the only thing that stands between us and penury, and so ingrained was this lesson in me that even though I had the intellectual intuition that a "some rights reserved" regime would serve me well, I still couldn't shake the atavistic fear that I was about to do something very foolish indeed.
It wasn't foolish.

The Duty of Owning Books (1859)
Context: Men are not accustomed to buy books unless they want them. If, on visiting the dwelling of a man of slender means, I find the reason why he has cheap carpets and very plain furniture to be that he may purchase books, he rises at once in my esteem. Books are not made for furniture but there is nothing else that so beautifully furnishes a house.

Teaching as a Subversive Activity (1969)
Context: Print, in even more revolutionary ways than writing, changed the very form of civilization.... the Protestant Revolution was contemporaneous with the invention of moving type.... the printing and distribution of millions of Bibles made possible a more personal religion, as the Word of God rested on each man's kitchen table. The book, by isolating the reader and his responses, tended to separate him from the powerful oral influences of his family, teacher, and priest. Print thus created a new conception of self as well as of self-interest. At the same time, the printing press provided the wide circulation necessary to create national literatures and intense pride in one's native language. Print thus promoted individualism on one hand and nationalism on the other.

2011, Interview with C. S. S. Latha, 2011
Context: I have been an early riser since the beginning. My initial life demanded labour and effort for survival, so I am very hard working by nature. I would toil more than my peers. Be it sports, theatre activities or even reading a book, I would feel I should read faster and more books than the others. Lazing around is not in my nature. Even today, I don't avail a Sunday. I remember when I was a child, during the India–China war, 50 kilometres from my village; there was a railway junction from where the army was dispersing aid to the war field. I accompanied some young men who went there to serve tea and snacks and give a pep talk to boost the soldiers' spirits. I didn't know what exactly this whole act was about, but I was there[. ]

My Reviewers Reviewed (lecture from June 27, 1877, San Francisco, CA)
Context: And thereupon the Lord gave Satan the power to destroy the property and children of Job. In a little while these high contracting parties met again; and the Lord seemed somewhat elated with his success, and called again the attention of Satan to the sinlessness of Job. Satan then told him to touch his body and he would curse him. And thereupon power was given to Satan over the body of Job, and he covered his body with boils. Yet in all this, Job did not sin with his lips. This book seems to have been written to show the excellence of patience, and to prove that at last God will reward all who will bear the afflictions of heaven with fortitude and without complaint. The sons and daughters of Job had been slain, and then the Lord, in order to reward Job, gave him other children, other sons and other daughters—not the same ones he had lost; but others. And this, according to the writer, made ample amends. Is that the idea we now have of love? If I have a child, no matter how deformed that child may be, and if it dies, nobody can make the loss to me good by bringing a more beautiful child. I want the one I loved and the one I lost.

On Publishing
Writers at Work (1977)
Context: A book is like a man — clever and dull, brave and cowardly, beautiful and ugly. For every flowering thought there will be a page like a wet and mangy mongrel, and for every looping flight a tap on the wing and a reminder that wax cannot hold the feathers firm too near the sun.

Source: Poverty (1912), p. 16-17
Context: Charles B. Spahr, Walter A. Wyckoff, Mrs. John Van Vorst and Miss Marie Van Vorst, I. K. Friedman and A. M. Simons have given us some idea of the conditions among the poorest class of laborers in various industrial centers over the country. Jacob A. Riis, Ernest Poole, and Mrs. Lillian Betts have given us most sympathetic descriptions of poverty among the people of the tenements. Flynt and others have given us impressionistic stories of tramps, vagrants, and mendicants. They bring before our very eyes, through books and magazines, stories of needless deaths from insanitary conditions, of long hours of work, of low pay, of overcrowded sweatshops, of child labor, of street waifs, of vile tenements, of the hungry and the wretched. All these books and articles are extremely valuable and useful, but if anything is to be done about the matter, we should begin as soon as possible to know the extent of these conditions and the causes which bring such terribly serious misery and wretchedness into the world.

"Robert Anton Wilson on Wilhelm Reich" (March 1995)
Context: He {Wilhelm Reich} had a great capacity to arouse irrational hatred obviously, and that's because his ideas were radical in the most extreme sense of the word "radical." His ideas have something to offend everybody, and he ended up becoming the only heretic in American history whose books were literally burned by the government.
Timothy Leary spent five years in prison for unorthodox scientific ideas. Ezra Pound spent 13 years in a nuthouse for unorthodox political and economic ideas. Their books were not burned.
Reich was not only thrown in prison, but they chopped up all the scientific equipment in his laboratory with axes and burned all of his books in an incinerator. Now that interests me as a civil liberties issue.
When I started studying Reich's works, I went through a period of enthusiasm, followed by a period of skepticism, followed by a period of just continued interest, but I think a lot of his ideas probably were sound. A lot probably were unsound. And, I'm not a Reichian in the sense of somebody who thinks he was the greatest scientist who ever lived and discovered the basic secrets of psychology, physics and everything else, all in one lifetime. But I think he has enough sound ideas that his unpopular ideas deserve further investigation.

"God Part II"
Lyrics, Rattle And Hum(1988)
Context: I don't believe the Devil, I don't believe his book, but the truth is not the same without the lies he made up.

The Paris Review interview (1982)
Context: I’ve always been interested in the Mother Goddess. Not long ago, a young person, whom I don’t know very well, sent a message to a mutual friend that said: “I’m an addict of Mary Poppins, and I want you to ask P. L. Travers if Mary Poppins is not really the Mother Goddess.” So, I sent back a message: “Well, I’ve only recently come to see that. She is either the Mother Goddess or one of her creatures — that is, if we’re going to look for mythological or fairy-tale origins of Mary Poppins.”
I’ve spent years thinking about it because the questions I’ve been asked, very perceptive questions by readers, have led me to examine what I wrote. The book was entirely spontaneous and not invented, not thought out. I never said, “Well, I’ll write a story about Mother Goddess and call it Mary Poppins.” It didn’t happen like that. I cannot summon up inspiration; I myself am summoned.
Once, when I was in the United States, I went to see a psychologist. It was during the war when I was feeling very cut off. I thought, Well, these people in psychology always want to see the kinds of things you’ve done, so I took as many of my books as were then written. I went and met the man, and he gave me another appointment. And at the next appointment the books were handed back to me with the words: “You know, you don’t really need me. All you need to do is read your own books.”
That was so interesting to me. I began to see, thinking about it, that people who write spontaneously as I do, not with invention, never really read their own books to learn from them. And I set myself to reading them. Every now and then I found myself saying, “But this is true. How did she know?” And then I realized that she is me. Now I can say much more about Mary Poppins because what was known to me in my blood and instincts has now come up to the surface in my head.

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. I : Apprentice, The Twelve-Inch Rule and Common Gavel, p. 1
Context: The Bible is an indispensable part of the furniture of a Christian Lodge, only because it is the sacred book of the Christian religion. The Hebrew Pentateuch in a Hebrew Lodge, and the Koran in a Mohammedan one, belong on the Altar; and one of these, and the Square and Compass, properly understood, are the Great Lights by which a Mason must walk and work.
The obligation of the candidate is always to be taken on the sacred book or books of his religion, that he may deem it more solemn and binding; and therefore it was that you were asked of what religion you were. We have no other concern with your religious creed.

The Dilbert Principle (1995)
Context: These days it seems like any idiot with a laptop computer can churn out a business book and make a few bucks. That's certainly what I'm hoping. It would be a real letdown if the trend changed before this masterpiece goes to print.

With Open Hands (1972)
Context: Only within this kind of life does a spoken prayer make sense. A prayer in church, at table or in school is only a witness to what we want to make of our entire lives. Such a prayer reminds us that praying is living and it invites us to make this an ever-greater reality. Thus, there are as many ways to pray as there are moments in life. Sometimes we seek out a quiet spot and want to be alone, sometimes we look for a friend and want to be together. Sometimes we like a book, sometimes we prefer music. Sometimes we want to sing out with hundreds, sometimes only whisper with a few. Sometimes we want to say it with words, sometimes with a deep silence.

The Expanding Universe (1963)
Context: I heard a famous author say once that the hardest part of writing a book was making yourself sit down at the typewriter. I know what he meant. Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others.
A writer of fantasy, fairly tale, or myth must inevitably discover that he is not writing out of his own knowledge or experience, but out of something both deeper and wider. I think that fantasy must possess the author and simply use him. I know that this is true of A Wrinkle in Time. I can’t possibly tell you how I came to write it. It was simply a book I had to write. I had no choice. And it was only after it was written that I realized what some of it meant.
Very few children have any problem with the world of the imagination; it’s their own world, the world of their daily life, and it’s our loss that so many of us grow out of it.

<!-- [http://www.elainedundy.com/stranger.html DEAD LINK --> "A Stranger Comes to Town" (c. 2001)
Context: I'd always prided myself on how unlike my books were from each other in settings and subject matter. But not until late in my career did I realize that a single thread ran through them, that I'd used the same strategy to catch the reader's attention. It is the old Western movie gimmick: A Stranger Comes to Town. I am that Stranger. Together with the reader I will discover what's going on in that town whether it be Paris, London, New York, Sydney, Tupelo, Ferriday — or in a women's federal prison. And eventually we will make sense of it.

"The Gods" (1876) as published in The Gods and Other Lectures (1879).
Context: Day by day, religious conceptions grow less and less intense. Day by day, the old spirit dies out of book and creed. The burning enthusiasm, the quenchless zeal of the early church have gone, never, never to return. The ceremonies remain, but the ancient faith is fading out of the human heart. The worn-out arguments fail to convince, and denunciations that once blanched the faces of a race, excite in us only derision and disgust. As time rolls on, the miracles grow mean and small, and the evidences our fathers thought conclusive utterly fail to satisfy us.

Preface (1 February 1834)
A Narrative of the Life of David Crockett (1834)
Context: I don't know of any thing in my book to be criticised on by honourable men. Is it on my spelling? — that's not my trade. Is it on my grammar? — I hadn't time to learn it, and make no pretensions to it. Is it on the order and arrangement of my book? — I never wrote one before, and never read very many; and, of course, know mighty little about that. Will it be on the authorship of the book? — this I claim, and I hang on to it, like a wax plaster. The whole book is my own, and every sentiment and sentence in it. I would not be such a fool, or knave either, as to deny that I have had it hastily run over by a friend or so, and that some little alterations have been made in the spelling and grammar; and I am not so sure that it is not the worse of even that, for I despise this way of spelling contrary to nature. And as for grammar, it's pretty much a thing of nothing at last, after all the fuss that's made about it. In some places, I wouldn't suffer either the spelling, or grammar, or any thing else to be touch'd; and therefore it will be found in my own way.
But if any body complains that I have had it looked over, I can only say to him, her, or them — as the case may he — that while critics were learning grammar, and learning to spell, I, and "Doctor Jackson, L. L. D." were fighting in the wars; and if our hooks, and messages, and proclamations, and cabinet writings, and so forth, and so on, should need a little looking over, and a little correcting of the spelling and the grammar to make them fit for use, its just nobody's business. Big men have more important matters to attend to than crossing their ts—, and dotting their is—, and such like small things.

Free Culture (2004)
Context: A free culture has been our past, but it will only be our future if we change the path we are on right now. Like Stallman's arguments for free software, an argument for free culture stumbles on a confusion that is hard to avoid, and even harder to understand. A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control. A free culture, like a free market, is filled with property. It is filled with rules of property and contract that get enforced by the state. But just as a free market is perverted if its property becomes feudal, so too can a free culture be queered by extremism in the property rights that define it. That is what I fear about our culture today. It is against that extremism that this book is written.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 14

Source: The Philosophical and Mathematical Commentaries of Proclus on the First Book of Euclid's Elements Vol. 1 (1788), Ch. IV.

"The Larger College".
In Classic Shades, and Other Poems (1890)
Context: p>Behold this sea, that sapphire sky!
Where nature does so much for man,
Shall man not set his standard high,
And hold some higher, holier plan?
Some loftier plan than ever planned
By outworn book of outworn land?Where God has done so much for man,
Shall man for God do aught at all?
The soul that feeds on books alone —
I count that soul exceeding small
That lives alone by book and creed,—
A soul that has not learned to read.</p

The Paris Review interview
Context: From the age of about eight or nine I read just about every comic book available in England. At that time my parents owned a newsagent’s shop. I took the comics from the shop, read them, and put them back. That went on until I was twelve or thirteen. Then my mother brought in a sort of children’s encyclopedia that included sections of folklore. Little folktales. I remember the shock of reading those stories. I could not believe that such wonderful things existed. … throughout your life you have certain literary shocks, and the folktales were my first. From then on I began to collect folklore, folk stories, and mythology. That became my craze.

Speech on Religious Intolerance as presented at the Pittsburgh Opera House (14 October 1879).
Context: They say the religion of your fathers is good enough. Why should a father object to your inventing a better plow than he had? They say to me, do you know more than all the theologians dead? Being a perfectly modest man I say I think I do. Now we have come to the conclusion that every man has a right to think. Would God give a bird wings and make it a crime to fly? Would he give me brains and make it a crime to think? Any God that would damn one of his children for the expression of his honest thought wouldn't make a decent thief. When I read a book and don't believe it, I ought to say so. I will do so and take the consequences like a man.

Black Boy (1945)

Preface
The Substitution of Similars, The True Principles of Reasoning (1869)
Context: The new and wonderful results of the late Dr. Boole's mathematical system of Logic appear to develop themselves as most plain and evident consequences of the self-same process of substitution, when applied to the Primary Laws of Thought. Should my notion be true, a vast mass of technicalities may be swept from our logical text-books, and yet the small remaining part of logical doctrine will prove far more useful than all the learning of the Schoolmen.

The Paris Review interview (1994)
Context: Kerouac had lots of class — stumbling drunk in the end, but read those last books. He never blames anybody else; he always blames himself. If there is a bad guy, it’s poor old drunk Jack, stumbling around. You never hear him railing at the government or railing at this or that. He likes trains, people, bums, cars. He just paints a wonderful picture of Norman Rockwell’s world. Of course it’s Norman Rockwell on a lot of dope.
Jack London had class. He wasn’t a very good writer, but he had tremendous class. And nobody had more class than Melville. To do what he did in Moby-Dick, to tell a story and to risk putting so much material into it. If you could weigh a book, I don’t know any book that would be more full. It’s more full than War and Peace or The Brothers Karamazov. It has Saint Elmo’s fire, and great whales, and grand arguments between heroes, and secret passions. It risks wandering far, far out into the globe. Melville took on the whole world, saw it all in a vision, and risked everything in prose that sings. You have a sense from the very beginning that Melville had a vision in his mind of what this book was going to look like, and he trusted himself to follow it through all the way.

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXXII : Sublime Prince of the Royal Secret
Context: Science has its nights and its dawns, because it gives the intellectual world a life which has its regulated movements and its progressive phases. It is with Truths, as with the luminous rays: nothing of what is concealed is lost; but also, nothing of what is discovered is absolutely new. God has been pleased to give to Science, which is the reflection of His Glory, the Seal of His Eternity.
It is not in the books of the Philosophers, but in the religious symbolism of the Ancients, that we must look for the footprints of Science, and re-discover the Mysteries of Knowledge.

Yoga For People Who Can't Be Bothered To Do It (1993)
Context: This book is a ripped, by no mean reliable map of some of the landscapes that make up a particular phase of my life. It’s about places where things happened or didn’t happen, places where I stayed and things that have stayed with me, places I’d wanted to see or places I passed through or just ended up. In a way they’re all the same place—the same landscape—because the person these things happened to was the same person who in turn is the sum of all things that happened or didn’t happen in these and other places. Everything in this book really happened, but some of the things that happened only happened in my head; by that same token, all the things that didn’t happen didn’t happen there too. (p. 1).

Letter to Thomas Jefferson (23 January 1825), published in Letters: The Complete Correspondence Between Thomas Jefferson and Abigail and John Adams (UNC Press, 1988), p. 607
1820s
Context: We think ourselves possessed, or, at least, we boast that we are so, of liberty of conscience on all subjects, and of the right of free inquiry and private judgment in all cases, and yet how far are we from these exalted privileges in fact! There exists, I believe, throughout the whole Christian world, a law which makes it blasphemy to deny or doubt the divine inspiration of all the books of the Old and New Testaments, from Genesis to Revelations. In most countries of Europe it is punished by fire at the stake, or the rack, or the wheel. In England itself it is punished by boring through the tongue with a poker. In America it is not better; even in our own Massachusetts, which I believe, upon the whole, is as temperate and moderate in religious zeal as most of the States, a law was made in the latter end of the last century, repealing the cruel punishments of the former laws, but substituting fine and imprisonment upon all those blasphemers upon any book of the Old Testament or New. Now, what free inquiry, when a writer must surely encounter the risk of fine or imprisonment for adducing any argument for investigating into the divine authority of those books? Who would run the risk of translating Dupuis? But I cannot enlarge upon this subject, though I have it much at heart. I think such laws a great embarrassment, great obstructions to the improvement of the human mind. Books that cannot bear examination, certainly ought not to be established as divine inspiration by penal laws. It is true, few persons appear desirous to put such laws in execution, and it is also true that some few persons are hardy enough to venture to depart from them. But as long as they continue in force as laws, the human mind must make an awkward and clumsy progress in its investigations. I wish they were repealed. The substance and essence of Christianity, as I understand it, is eternal and unchangeable, and will bear examination forever, but it has been mixed with extraneous ingredients, which I think will not bear examination, and they ought to be separated.

Defiant Helen Thomas defends remarks that led to exit
Niraj Warikoo
Free Press
2010-12-02
http://www.freep.com/article/20101202/NEWS02/101202052/Defiant-Helen-Thomas-defends-remarks-that-led-to-exit
2010-12-02

Source: Mary Poppins (1934), Ch. 1 "East-Wind"
Context: If you want to find Cherry-Tree Lane all you have to do is ask the Policeman at the cross-roads. He will push his helmet slightly to one side, scratch his head thoughtfully, and then he will point his huge white-gloved finger and say: "First to your right, second to your left, sharp right again, and you're there. Good-morning."
And sure enough, if you follow his directions exactly, you will be there — right in the middle of Cherry-Tree Lane, where the houses run down one side and the Park runs down the other and the cherry-trees go dancing right down the middle.
If you are looking for Number Seventeen — and it is more than likely that you will be, for this book is all about that particular house — you will very soon find it.

O, The Oprah Magazine (November 2003) http://www.oprah.com/omagazine/200311/omag_200311_toni_b.jhtml
Context: The idea of a wanton woman is something I have inserted into almost all of my books. An outlaw figure who is disallowed in the community because of her imagination or activity or status — that kind of anarchic figure has always fascinated me. And the benefits they bring with them, in spite of the fact that they are either dismissed or upbraided — something about their presence is constructive in the long run.

Zen and the Art of Motorcycle Maintenance (1974), Afterword (1984)
Context: Uncle Tom's Cabin was no literary masterpiece but it was a culture-bearing book. It came at a time when the entire culture was about to reject slavery. People seized upon it as a portrayal of their own new values and it became an overwhelming success.
The success of Zen and the Art of Motorcycle Maintenance seems the result of this culture-bearing phenomenon. The involuntary shock treatment described here is against the law today. It is a violation of human liberty. The culture has changed.

"The Art of Fiction No. 11" (1955)
Context: I don't know many writers. [... ] Well, I dunno, but I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write. I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live, he observes.