Quotes about bead

A collection of quotes on the topic of bead, likeness, black, blackness.

Quotes about bead

Chinua Achebe photo
Wangari Maathai photo
Claude Monet photo
Cristoforo Colombo photo

“As I saw that they were very friendly to us, and perceived that they could be much more easily converted to our holy faith by gentle means than by force, I presented them with some red caps, and strings of beads to wear upon the neck, and many other trifles of small value, wherewith they were much delighted, and became wonderfully attached to us. Afterwards they came swimming to the boats, bringing parrots, balls of cotton thread, javelins, and many other things which they exchanged for articles we gave them, such as glass beads, and hawk's bells; which trade was carried on with the utmost good will. But they seemed on the whole to me, to be a very poor people. They all go completely naked, even the women, though I saw but one girl. All whom I saw were young, not above thirty years of age, well made, with fine shapes and faces; their hair short, and coarse like that of a horse's tail, combed toward the forehead, except a small portion which they suffer to hang down behind, and never cut. Some paint themselves with black, which makes them appear like those of the Canaries, neither black nor white; others with white, others with red, and others with such colors as they can find. Some paint the face, and some the whole body; others only the eyes, and others the nose. Weapons they have none, nor are acquainted with them, for I showed them swords which they grasped by the blades, and cut themselves through ignorance. They have no iron, their javelins being without it, and nothing more than sticks, though some have fish-bones or other things at the ends. They are all of a good size and stature, and handsomely formed. I saw some with scars of wounds upon their bodies, and demanded by signs the of them; they answered me in the same way, that there came people from the other islands in the neighborhood who endeavored to make prisoners of them, and they defended themselves. I thought then, and still believe, that these were from the continent. It appears to me, that the people are ingenious, and would be good servants and I am of opinion that they would very readily become Christians, as they appear to have no religion. They very quickly learn such words as are spoken to them. If it please our Lord, I intend at my return to carry home six of them to your Highnesses, that they may learn our language. I saw no beasts in the island, nor any sort of animals except parrots.”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

12 October 1492; This entire passage is directly quoted from Columbus in the summary by Bartolomé de Las Casas
Journal of the First Voyage

Holly Black photo
Edna St. Vincent Millay photo

“And her voice is a string of colored beads,
Or steps leading into the sea.”

Edna St. Vincent Millay (1892–1950) American poet

Source: Renascence and Other Poems

Ralph Waldo Emerson photo
Ian McEwan photo
Alain de Botton photo
Muhammad of Ghor photo

“There was a certain tribe in the neighbourhood of Kol which had' occasioned much trouble' 'Three bastions were raised as high as heaven with their beads, and their carcases became the food of beasts of prey. That tract was freed from idols and idol-worship and the foundations of infidelity were destroyed.”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Aligarh (Uttar Pradesh) . Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 224.

Robert Herrick photo

“I saw a flie within a beade
Of amber cleanly buried.”

"The Amber Bead" (published c. 1648). Compare: "Whence we see spiders, flies, or ants entombed and preserved forever in amber, a more than royal tomb", Francis Bacon, Historia Vitæ et Mortis; Sylva Sylvarum, Cent. i. Exper. 100.
Hesperides (1648)

Hilaire Belloc photo

“Gentlemen, I am a Catholic. As far as possible, I go to Mass every day. This [taking a rosary out of his pocket] is a rosary. As far as possible, I kneel down and tell these beads every day. If you reject me on account of my religion, I shall thank God that He has spared me the indignity of being your representative.”

Hilaire Belloc (1870–1953) writer

Speech to voters of South Salford (1906), quoted in Robert Speaight, The Life of Hilaire Belloc (London: Hollis & Carter, 1957), p. 204
Response to his Tory opponent's slogan, "Don't vote for a Frenchman and a Catholic". On polling day, 13 January 1906, Belloc, standing as a Liberal, overturned a Conservative majority to win by 852 votes, winning again four years later, though by an even slimmer margin.

“To hedge the bets he made every working day, Meriwether kept a set of rosary beads in his briefcase.”

William Poundstone (1955) American writer

Part Six, Blowing Up, Martingale Man, p. 278
Fortune's Formula (2005)

Orson Scott Card photo
Gillian Anderson photo

“If was a refugee forced to flee my home the most important thing I would take with me would be my brother's Buddhist prayer beads. He passed away a year and a half ago aged 30. Even in the darkest days before he died he never once complained. His faith and practice kept him in a state of grace until the end. May I never complain.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

United Nations Commission on Human Rights (UNCHR) "What Would You Take? #1family" https://www.pinterest.com/pin/210332245070050537 (June 30, 2013)
2010s

Samuel Butler (poet) photo

“With crosses, relics, crucifixes,
Beads, pictures, rosaries, and pixes,—
The tools of working our salvation
By mere mechanic operation.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto I, line 1495
Source: Hudibras, Part III (1678)

Ibrahim of Ghazna photo
Mata Amritanandamayi photo

“Love is our true essence. This love does not have any limitations of caste, creed, colour or religion. We are all beads strung on the same thread of love. Awaken that unity and spread the message of love and service.”

Mata Amritanandamayi (1953) Hindu spiritual leader and guru

http://www.amritavarsham.org/ Frontpage of an official website
Love
Variant: Love is our true essence. This love does not have any limitations of caste, creed, colour or religion. We are all beads strung on the same thread of love. Awaken that unity and spread the message of love and service.

Richard Wilbur photo
Terry Eagleton photo

“Reading a text is more like tracing this process of constant flickering than it is like counting the beads on a necklace.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 4, p. 111

Gloria Estefan photo

“My mother, my dad and I left Cuba when I was two [January, 1959]. Castro had taken control by then, and life for many ordinary people had become very difficult. My dad had worked [as a personal bodyguard for the wife of Cuban president Batista], so he was a marked man. We moved to Miami, which is about as close to Cuba as you can get without being there. It's a Cuba-centric society. I think a lot of Cubans moved to the US thinking everything would be perfect. Personally, I have to say that those early years were not particularly happy. A lot of people didn't want us around, and I can remember seeing signs that said: "No children. No pets. No Cubans." Things were not made easier by the fact that Dad had begun working for the US government. At the time he couldn't really tell us what he was doing, because it was some sort of top-secret operation. He just said he wanted to fight against what was happening back at home. [Estefan's father was one of the many Cuban exiles taking part in the ill-fated, anti-Castro Bay of Pigs invasion to overthrow dictator Fidel Castro. ] One night, Dad disappered. I think he was so worried about telling my mother he was going that he just left her a note. There were rumours something was happening back home, but we didn't really know where Dad had gone. It was a scary time for many Cubans. A lot of men were involved -- lots of families were left without sons and fathers. By the time we found out what my dad had been doing, the attempted coup had taken place, on April 17, 1961. Intitially he'd been training in Central America, but after the coup attempt he was captured and spent the next wo years as a political prisoner in Cuba. That was probably the worst time for my mother and me. Not knowing what was going to happen to Dad. I was only a kid, but I had worked out where my dad was. My mother was trying to keep it a secret, so she used to tell me Dad was on a farm. Of course, I thought that she didn't know what had really happened to him, so I used to keep up the pretence that Dad really was working on a farm. We used to do this whole pretending thing every day, trying to protect each other. Those two years had a terrible effect on my mother. She was very nervous, just going from church to church. Always carrying her rosary beads, praying her little heart out. She had her religion, and I had my music. Music was in our family. My mother was a singer, and on my father's side there was a violinist and a pianist. My grandmother was a poet.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

The [London] Sunday Times (November 17, 2006)
2007, 2008

Paul Davidson photo

“Then what you find out is, what humans then do is, they create institutions - that's where institutionalism has a tie with Post Keynesianism - they create institutions which limit outcomes, which permit you to control outcomes as long as the society agrees to live by the rules of the game, which are the rules of the institutions. Now, if society rejects those rules, then society breaks down. What are the rules of the game? Well, money is a rule of the economic game. There are lots of human economic arrangements which don't use money. The family unit solves its economic problems, of what and how to produce within the family, without the use of money and without the use of markets. All the 24 hours of the day are either employed or leisure. There's no involuntary unemployment in the family. So you can solve the problem, but it's a different economy. We are talking about a money-using economy, and money is a human institution. You have to ask yourself, why was it created? Why is it so strange? You see, in Lerner, in neoclassical economics, money is a commodity. It's peanuts, with a very high elasticity of production. If people want more money, that creates just as many jobs as if people want goods. Then you have to say to yourself - and this was the question that Milton Friedman asked me in the debate - he says, 'That's nonsense; Davidson says money is not producible. Why are there historical cases where Indians used beads as money? Aren't beads easily producible?”

Paul Davidson (1930) Post Keynesian economist

But not in the Indian economy. They didn't know how to produce them.
quoted in Conversations with Post Keynesians (1995) by J. E. King

Karen Blixen photo
V. P. Singh photo

“Their argument was that no one comes here to sit with prayer beads, they all have ambitions and if they are not fulfilled, they go away.”

V. P. Singh (1931–2008) Indian politician

On accommodating the needs of other politicians.
The Lonely Punter: V.P.Singh

Mata Amritanandamayi photo
Hakuin Ekaku photo

“Should you desire the great tranquility prepare to sweat white beads.”

Hakuin Ekaku (1686–1769) Japanese Zen Buddhist master

As quoted in Zen and the Art of Poker: Timeless Secrets to Transform Your Game by Larry W. Phillips

Hermann Hesse photo

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

The Glass Bead Game (1943)

Robert Southey photo
Muhammad of Ghor photo

“The fort of Kalinjar which was celebrated throughout the world for being as strong as the wall of Alexander was taken. 'The temples were converted into mosques and abodes of goodness and the ejaculations of the bead-counters and the voices of the summoners to prayer ascended to the highest heaven, and the very name of idolatry was annihilated.' 'Fifty thousand men came under the collar of slavery, and the plain became black as pitch with Hindus.”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Elephants and cattle, and countless arms also, became the spoil of the victors.
Kalinjar (Uttar Pradesh) . Hasan Nizami: Taju’l-Ma’sir in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 231 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Robert Newman photo
Peter Greenaway photo
Hermann Hesse photo

“We were picking apart a problem in linguistic history and, as it were, examining close up the peak period of glory in the history of a language; in minutes we had traced the path which had taken it several centuries. And I was powerfully gripped by the vision of transitoriness: the way before our eyes such a complex, ancient, venerable organism, slowly built up over many generations, reaches its highest point, which already contains the germ of decay, and the whole intelligently articulated structure begins to droop, to degenerate, to totter toward its doom. And at the same time the thought abruptly shot through me, with a joyful, startled amazement, that despite the decay and death of that language it had not been lost, that its youth, maturity, and downfall were preserved in our memory, in our knowledge of it and its history, and would survive and could at any time be reconstructed in the symbols and formulas of scholarship as well as in the recondite formulations of the Glass Bead Game. I suddenly realized that in the language, or at any rate in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.”

The Glass Bead Game (1943)

Jay Gould photo
Henry Wadsworth Longfellow photo

“The hooded clouds, like friars,
Tell their beads in drops of rain.”

Henry Wadsworth Longfellow (1807–1882) American poet

Midnight Mass, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

William Gibson photo
John Skelton photo

“PLA ce bo!
Who is there, who?
Di le xi!
Dame Margery,
Fa, re, my, my.
Wherefore and why, why?
For the soul of Philip Sparrow
That was late slain at Carrow,
Among the Nunnės Black.
For that sweet soulės sake,
And for all sparrows' souls,
Set in our bead-rolls,
Pater noster qui,
With an Ave Mari,
And with the corner of a Creed,
The more shall be your meed.”

John Skelton (1460–1529) English poet

Source: Jane Scroop (her lament for Philip Sparrow) (likely published c. 1509), Lines 1-16; the poem is about a girl who is distraught that her family's pet cat has killed her pet bird, a sparrow; the poem is the basis for the later nursery rhyme, Who Killed Cock Robin? The opening line, PLA ce bo, is from a canticle for the dead.

“Viewed unsympathetically, this is nothing, a chance association-by-knees; yet if we cherish life, and are not mere creatures of death and sepulcher, deluded by the notion that only our own experience is real and our demise the end of the world, we see in it a reminder that we are all beads on a string — separate yet part of a unity.”

A Voice from the Attic (1960)
Context: An old friend of mine who died recently at a great age was, in infancy, held on the knee of an elderly godmother who had been, in her infancy, held on the knee of yet another godmother who had been held on the knee of Queen Anne, who died in 1714. Viewed unsympathetically, this is nothing, a chance association-by-knees; yet if we cherish life, and are not mere creatures of death and sepulcher, deluded by the notion that only our own experience is real and our demise the end of the world, we see in it a reminder that we are all beads on a string — separate yet part of a unity.

Hermann Hesse photo

“The Glass Bead Game, formerly the specialized entertainment of mathematicians in one era, philologists or musicians in another era, now more and more cast its spell upon all true intellectuals.”

The Glass Bead Game (1943)
Context: The Glass Bead Game, formerly the specialized entertainment of mathematicians in one era, philologists or musicians in another era, now more and more cast its spell upon all true intellectuals. Many an old university, many a lodge, and especially the age-old League of Journeyers to the East, turned to it. Some of the Catholic Orders likewise scented a new intellectual atmosphere and yielded to its lure. At some Benedictine abbeys the monks devoted themselves to the Game so intensely that even in those early days the question was hotly debated — it was subsequently to crop up again now and then — whether this game ought to be tolerated, supported, or forbidden by Church and Curia.

“Our forebears are deserving of tribute for one indisputable reason, if for no other: without them we should not be here. Let us recognize that we are not the ultimate triumph but rather we are beads on a string.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"Haunted by Halloween", in the New York Times (31 October 1990).
Context: Our forebears are deserving of tribute for one indisputable reason, if for no other: without them we should not be here. Let us recognize that we are not the ultimate triumph but rather we are beads on a string. Let us behave with decency to the beads that were strung before us and hope modestly that the beads that come after us will not hold us of no account simply because we are dead.

Bhagawan Nityananda photo