Quotes about back
page 73

Antonie Pannekoek photo
Mary Wollstonecraft photo

“It is the event that is the immediate entity of perception; Nature is the sum-total of events, and every instrument of thought that our minds employ can be traced back to its ultimate origin in events.”

Herbert Dingle (1890–1978) British astronomer

pages 12–13 https://books.google.com/books?id=hwpKAAAAIAAJ&pg=PA12
Relativity for All, London, 1922

Niall Ferguson photo
David Lyon photo
Gillian Flynn photo
Apuleius photo
Apuleius photo
Arun Shourie photo
Alvin C. York photo

“I see their role as the same as ever; the artist is to give voice to the issues that are given to us in a confused manner, so that people can understand the role that they must play…I think the role of the cultural worker is to define those things we receive from those that are in power, and give it back to the community, presented it in a more clear way.”

Malaquías Montoya (1938) American artist

On how technological advancements have not diminished the cultural role of artists (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)

Benjamin Bratt photo
Jamaica Kincaid photo

“Everything I do is because of writing. If I go for a walk, it’s because I’m thinking of writing. I go look at flowers, I go look at the garden, I go look at a museum, but it’s all coming back to writing. I don’t really do anything that isn’t about writing, and I don’t really know who I am if I’m not thinking about writing.”

Jamaica Kincaid (1949) Antiguan-American novelist, essayist, gardener, and gardening writer

On her obsession with writing in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)

Lorna Dee Cervantes photo

“I intended all of that. And this is what I like about this, and drawings like draw, like the gunman. I call this the shoot out, the high noon draw. That was also my intent as well as drawings; draw a bucket back to the cables and the whole idea about drawings…”

Lorna Dee Cervantes (1954) American writer

On how drawings are used in all of its forms as a recurrent theme in From the Cables of Genocide in “Poetry Saved My Life: An Interview with Lorna Dee Cervantes” https://opencourses.uoa.gr/modules/document/file.php/ENL9/Instructional%20Package/Texts//Readings/Chicana%20Movement-%20Further%20Reading/An%20Interview%20with%20Lorna%20Dee%20Cervantes.pdf (Spring 2007)

Elizabeth Acevedo photo
Susan Rice photo
David Henry Hwang photo

“It seems to me that the biggest challenge for Chinese theater is to cultivate an audience, which would make possible long-running shows. A show that only runs for a few months, tops, fails to generate enough revenue to pay back the investment required to create it. A Chinese Broadway or West End may help to build an audience, but more theaters alone probably will not achieve this goal.”

David Henry Hwang (1957) Playwright

On how to cultivate Chinese theater in the United States in “DAVID HENRY HWANG ON THEATRE, TRUMP, AND ASIAN-AMERICAN IDENTITY” https://thetheatretimes.com/david-henry-hwang-on-theatre-trump-and-asian-american-identity/ in Theatre World (2019 Mar 15)

Saeed Jones photo

“I’m obsessed with manhood as a brutal and artful performance. My mind always finds its way back to the crossroad where sex, race, and power collide. Journeys, transformation, as well as dashed attempts to transform, fascinate me as well.”

Saeed Jones (1985) American poet

On masculinity as a performance (as quoted in “Saeed Jones” https://www.poetryfoundation.org/poets/saeed-jones in Poets.org)

Peter Matthiessen photo
Taisen Deshimaru photo
Esmé Weijun Wang photo

“I have been taking these photographs as I am dead, and then I look back at these photographs to re-experience what it was like, as someone who experienced themselves as a dead person. And they’re the same. It’s very much the same experience, just one is visual and one is more verbal. Both are ways to get through a very difficult experience, and they’re also ways to remember it.”

Esmé Weijun Wang American writer

On using various mediums to highlight an experience in “Schizophrenia Terrifies: An Interview with Esmé Weijun Wang” https://www.theparisreview.org/blog/2019/02/04/schizophrenia-terrifies-an-interview-with-esme-weijun-wang/ in The Paris Review (2019 Feb 4)

Ian Urbina photo
Laila Lalami photo

“They’re supposed to be the people who support you, who love you no matter what, and the reality is they’re the first people who teach you to cast doubt on yourself, they’re the first people who sometimes don’t have your back…”

Laila Lalami (1968) American writer

On families not always being a bedrock of support in “Migrant State of Mind: A Q&A With Novelist Laila Lalami” https://www.thenation.com/article/laila-lalami-interview-the-other-americans/ in The Nation (2019 Apr 23)

Fidel Castro photo
Arundhati Roy photo

“A train full of pilgrims coming back from the destruction of this Ayodhya mosque which was disputed. The train caught fire; nobody knows who set fire to the train and 57 pilgrims were burnt…”

Arundhati Roy (1961) Indian novelist, essayist

Arundhati Roy commenting on the Godhra train attack The God of false things : How Arundhati Roy creates fake news and gets away with it https://www.opindia.com/2017/05/the-god-of-false-things-how-arundhati-roy-creates-fake-news-and-gets-away-with-it/ also https://www.opindia.com/2019/04/urban-naxals-congress-hacks-and-eminent-historians-what-media-wont-tell-you-about-writers-who-signed-the-anti-modi-statement/ (Her statement was criticized as being counter-factual.)

Ho Chi Minh photo
Robert Sheckley photo

“My dear Dahl, the first, the primary, task is to bring the earth back into ecological balance. That’s your task, you and the Bahamas Corporation. Ours is to give people something exciting to do other than war while that is going on. Without us and our Hunt, you and your high-minded scientists will just be another group of dreamers living in an imaginary kingdom of sweet reason while the madness of real politics rages all around you. Be practical, Dahl, let’s do something together.”

“There is something in what you say,” Dahl admitted. “I’ve been aware for some time of the shortcomings inherent in the sane, dispassionate thinking that we scientists advocate. People don’t pay any attention. Unless there’s an emergency like Love Canal or Chernobyl, the idea of maintaining and upgrading the earth and its ecosystems is not exactly box-office.”
Source: Hunter/Victim (1988), Chapter 65 (p. 259)

Robert Sheckley photo
Robert Sheckley photo
Newton Lee photo
Ivan Krylov photo
Vinayak Damodar Savarkar photo
Vinayak Damodar Savarkar photo

“Hindutva was a political argument made in a poetic register. It was an argument with and against an unnamed Gandhi at an opportune moment when he seemed finished with politics. Hindutva was also a political cry from behind prison walls, reminding the larger world outside that even if Gandhi was no longer on the political scene, Savarkar was back. He was still a leader, a politician capable of pulling together a nationalist community. But unlike Gandhi, he was offering a sense of Hindu-ness that could be the basis for a more genuine and, in the end, more effective nationalism than that of the Mahatma. The startling change for its time was Savarkar’s assertion that it was not religion that made Hindus Hindu. If Gandhi had officiated at the marriage of religion and politics, and Khilafat leaders were using the symbols of religion to forge a community, Savarkar argued that name and place were what bound the Hindu community, not religion . . . The fundamental (negative) contribution of Hindutva was to install a new term for nationalist discourse, one that was both modern and secular, if open to a secular understanding of religious identity. In place of religion qua religion, he secularized a plethora of Hindu religious leaders. In so doing, he did not create a sterilely secular nationalism. He did quite the opposite. He enchanted a secular nationalism by placing a mythic community into a magical land .”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

Janaki Bakhle quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

Harold Macmillan photo
Ernest Becker photo

“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Ernest Becker photo
Adolf Hitler photo

“Late you come, yet you do come!... You should have recognized the beneficial power of criticism when we were in the opposition. Back then, you had not yet been confronted with these words; back then our press was verboten and verboten and again verboten; our assemblies were banned; we were not allowed to speak, and I was not allowed to speak -- and that went on for years! And now you say criticism is beneficial!”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Speech in the Reichstag (23 March 1933) on the passing of the Enabling Act of 1933. Hitler is responding to Otto Wels, leader of the Social Democrats, who had made a speech in favour of "criticism", i.e. freedom of political opposition.
Hitler opens his response with a quotation from Schiller, "Spät kommt ihr, doch ihr kommt!"
1930s
Source: http://www.worldfuturefund.org/Reports2013/hitlerenablingact.htm
Source: https://www.zum.de/psm/ns/hitler11_macht.php

Alessandro Cagliostro photo
Ketanji Brown Jackson photo
Yasha Levine photo

“After coming back to America, it was really a no-brainer. When we saw the Tea Party come from out of nowhere...we had the Russian perspective coming into it...It was very obvious. When we started connecting all the dots, it went right to Charles and David Koch.”

Yasha Levine journalist

Yasha Levine: using the web to fight 'journalistic malpractice', June 14, 2012 https://www.theverge.com/2012/6/14/3076664/yasha-levine-the-exiled-journalism-interview

Fiona Hill (presidential advisor) photo
Maximilien Robespierre photo
Maximilien Robespierre photo

“Peoples do not judge in the same way as courts of law; they do not hand down sentences, they throw thunderbolts; they do not condemn kings, they drop them back into the void; and this justice is worth just as much as that of the courts. If it is for their salvation that they take arms against their oppressors, how can they be made to adopt a way of punishing them that would pose a new danger to themselves?”

Maximilien Robespierre (1758–1794) French revolutionary lawyer and politician

Speech on the Trial of Louis XVI (Dec. 3, 1792)
Original: (fr) Les peuples ne jugent pas comme les cours judiciaires ; ils ne rendent point de sentences, ils lancent la foudre ; ils ne condamnent pas les rois, ils les replongent dans le néant : et cette justice vaut bien celle des tribunaux. Si c’est pour leur salut qu’ils s’arment contre leurs oppresseurs, comment seraient-ils tenus d’adopter un mode de les punir qui serait pour eux-mêmes un nouveau danger?

Charles Stross photo

“There is no point in prioritizing doing your job when your organization faces being defunded in less than three months’ time if you don’t do something else: you do what’s necessary in order to ensure your organization survives, then you get back to work.”

This is how the iron law of bureaucracy installs itself at the heart of an institution. Most of the activities of any bureaucracy are devoted not to the organization’s ostensible goals, but to ensuring that the organization survives: because if they aren’t, the bureaucracy has a life expectancy measured in days before some idiot decision maker decides that if it’s no use to them they can make political hay by destroying it. It’s no consolation that some time later someone will realize that an organization was needed to carry out the original organization’s task, so a replacement is created: you still lost your job and the task went undone. The only sure way forward is to build an agency that looks to its own survival before it looks to its mission statement. Just another example of evolution in action.
Source: The Laundry Files, The Annihilation Score (2015), Chapter 16, “Democracy in Action” (pp. 311-312)

“I bring everything I know to whatever I write, and I believe the same of other writers. A person’s complete life experience forms the basis of authorial voice, in my opinion. To hold back any part makes a narrative feel contrived.”

Tade Thompson British science fiction writer

On incorporating his medicine background into his writings in “Interview: Tade Thompson” http://www.lightspeedmagazine.com/nonfiction/interview-tade-thompson/ in Lightspeed Magazine (October 2017)

“It’s what I know best. It’s roots. It’s Dazed And Confused and Friday Night Lights. It’s border life and El Pato and Whataburger and getting drunk in a back of a pickup. It’s dancing every weekend to country music, or Tejano music, or club music. It’s the beach. It’s, for better or worse, home.”

On how Texas influences his writings in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

“Chicago for me means life. I have lived in Chicago all my life. It keeps calling me back even though I have tried to escape. Chicago is a city filled with some of the most corruption and also some of the most courageous and successful organizing resistance overall. Chicago will always affect how I represent myself when I travel. It is home…”

Kristiana Rae Colón (1986) American poet and playwright

On her relationship to the city of Chicago in “Aprils Fools and Their Universe: Kristiana Rae Colón and #LetUsBreathe Collective” http://sixtyinchesfromcenter.org/aprils-fools-and-their-universe-kristiana-rae-colon-and-letusbreathe-collective/ in Sixty (2018 Oct 30)

Vivek Agnihotri photo
Patrick Henry photo
Franz Bardon photo
Alvin C. York photo
Daniel Abraham photo
Daniel Abraham photo
Jami photo
Hans Arp photo
Wifredo Lam photo
Koenraad Elst photo
Koenraad Elst photo
Augusta Savage photo
Nao Bustamante photo

“Every Mexican family has a member that fought in the Revolution…There are stories in my family of two great uncles who fought on different sides and they would meet at my uncle’s land to share a meal and then they’d go back to the fight…The Revolution…it divided families.”

Nao Bustamante (1969) American artist

On the familial toll of the Mexican Revolution in “Femininity in Kevlar: Nao Bustamante’s women of the Mexican Revolution” https://www.latimes.com/entertainment/arts/miranda/la-et-cam-artist-nao-bustamante-women-of-the-mexican-revolution-20150513-column.html in Los Angeles Times (2015 May 14)

Coraline Ada Ehmke photo
Bhimrao Ramji Ambedkar photo
Bhimrao Ramji Ambedkar photo

“There can thus be no manner of doubt that the Muslim Society in India is afflicted by the same social evils as afflict the Hindu Society. Indeed, the Muslims have all the social evils of the Hindus and something more. That something more is the compulsory system of purdah for Muslim women. As a consequence of the purdah system, a segregation of the Muslim women is brought about. The ladies are not expected to visit the outer rooms, verandahs, or gardens; their quarters are in the back-yard. All of them, young and old, are confined in the same room. …She cannot go even to the mosque to pray, and must wear burka (veil) whenever she has to go out. These burka women walking in the streets is one of the most hideous sights one can witness in India. Such seclusion cannot but have its deteriorating effects upon the physical constitution of Muslim women. They are usually victims to anaemia, tuberculosis, and pyorrhoea. Their bodies are deformed, with their backs bent, bones protruded, hands and feet crooked. Ribs, joints and nearly all their bones ache. Heart palpitation is very often present in them. The result of this pelvic deformity is untimely death at the time of delivery. Purdah deprives Muslim women of mental and moral nourishment. Being deprived of healthy social life, the process of moral degeneration must and does set in. Being completely secluded from the outer world, they engage their minds in petty family quarrels, with the result that they become narrow and restricted in their outlook. They lag behind their sisters from other communities, cannot take part in any outdoor activity and are weighed down by a slavish mentality and an inferiority complex. They have no desire for knowledge, because they are taught not to be interested in anything outside the four walls of the house. Purdah women in particular become helpless, timid, and unfit for any fight in life. … Not that purdah and the evils consequent thereon are not to be found among certain sections of the Hindus in certain parts of the country. But the point of distinction is that among the Muslims, purdah has a religious sanctity which it has not with the Hindus. Purdah has deeper roots among the Muslims than it has among the Hindus, and can only be removed by facing the inevitable conflict between religious injunctions and social needs. The problem of purdah is a real problem with the Muslims—apart from its origin—which it is not with the Hindus. Of any attempt by the Muslims to do away with it, there is no evidence.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Pakistan or The Partition of India (1946)

Eric Rücker Eddison photo
Chris Martin photo
Roberto Clemente photo

“Everybody pick us for sixth place this year. The best way to prove to yourself this wrong is for Pirates to bounce back—to fight hard. I know something inside me explode when things are tough so I can do better.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Speaking with reporters on April 9, 1962 at F.O.E.'s Welcome Home Dinner; as quoted in "Sidelights on Sports" by Al Abrams, in The Pittsburgh Post-Gazette (Wednesday, April 11, 1962), p. 24
Baseball-related, <big><big>1960s</big></big>

“The border is a notion too. It’s a mood. It’s a culture…after living seven years on the border, and I really was speaking in two tongues—I was dual person back then…”

Tanya Saracho Mexican-American actress, playwright and showrunner

On living on the border and how it affected her life in “An Interview with Tanya Saracho” https://www.theintervalny.com/interviews/2014/10/an-interview-with-tanya-saracho/ in The Interval (2014 Oct 29)

Toni Morrison photo
P. V. Narasimha Rao photo
P. V. Narasimha Rao photo
P. V. Narasimha Rao photo

“He surely failed as prime minister to prevent the tragedy at Ayodhya. But his rivals in the Congress did their own party such disservice by spreading the canard that his (and their) government was responsible for that crime. This, more than anything else, lost them the Muslim vote in Uttar Pradesh and Bihar… any dispassionate reading of recent political history will tell you that this is a self-inflicted injury. The Congress has itself built a mythology whereby the Muslims have come to hold their party as responsible for Babri as the BJP … If you take Justice Liberhan’s indictment of so many in the BJP seriously, you cannot at the same time dismiss his exoneration of Rao, and the government, and the Congress Party under him. You surely cannot put the clock back on so much injustice done to him, like not even allowing his body to be taken inside the AICC building. But the least you can do now is to give him a memorial spot too along the Yamuna as one of our more significant (and secular) prime ministers who led us creditably through five difficult years, crafted our post-Cold War diplomacy, launched economic reform and, most significantly, discovered the political talent and promise of a quiet economist called Manmohan Singh.”

P. V. Narasimha Rao (1921–2004) Indian politician

Shekhar Gupta in Tearing down Narasimha Rao http://archive.indianexpress.com/news/tearingdownnarasimharao/547260/1, The Indian Express, 7 September 2011.

P. V. Narasimha Rao photo
George Curzon, 1st Marquess Curzon of Kedleston photo
Matthew Lopez (playwright) photo
George C. Wolfe photo
Dick Cheney photo

“Dick Cheney: I don’t know, Hugh. I vacillate between the various theories I’ve heard, but you know, if you had somebody as president who wanted to take America down, who wanted to fundamentally weaken our position in the world and reduce our capacity to influence events, turn our back on our allies and encourage our adversaries, it would look exactly like what Barack Obama’s doing. I think his actions are constituted in my mind those of the worst president we’ve ever had.”

Dick Cheney (1941) American politician and businessman

https://www.youtube.com/watch?v=UzmYQFaGEKU
Hugh Hewitt Radio
2015-04-08, quoted in [Cheney: If You Wanted a President 'To Take America Down … It Would Look Exactly Like What Barack Obama’s Doing, DANIEL HALPER, The Weekly Standard, http://www.weeklystandard.com/blogs/cheney-if-you-wanted-president-take-america-down-it-would-look-exactly-what-barack-obama-s-doing_912837.html, 2015-04-17]
Hewitt and Cheney discuss Obama's ongoing nuclear talks with Iran.
2010s, 2015

Margaret Thatcher photo

“I believe in the British lion and I believe that the British character is lion-hearted, and I believe that it has not been lion-hearted in some of the post-War period, and I want it to get back to being lion hearted.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Second term as Prime Minister
Source: Radio Interview for BBC Radio 3 (17 December 1985) http://www.margaretthatcher.org/document/105934

Michael Foot photo
Charles Stross photo

“Like I said: the only god I believe in is coming back. And when he arrives, I’ll be waiting with a shotgun.”

Epilogue, “On the Beach” (p. 301)
The Laundry Files, The Fuller Memorandum (2010)

Charles Stross photo
Michelle Alexander photo
Tsitsi Dangarembga photo
John Updike photo
Vladimir Lenin photo
Don Cherry photo

“Watch John Blue give Rob Pearson a cross-check like you can’t believe. Watch this. He gets up, Pearson goes back, WHAM! Well what can you expect from a guy named Blue?”

Don Cherry (1934) ice hockey coach, television commentator

In the "Crease Crashers" segment of the <i>Rock'Em Sock'Em Six</i> hockey highlights video.

Hillary Clinton photo
Mary McCarthy photo
Mary McCarthy photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo