Quotes about back
page 65

Joel Chandler Harris photo
Cormac McCarthy photo
Heather Langenkamp photo
Mickey Spillane photo
Dogen photo
Glen Cook photo
Cesare Pavese photo

“There is nothing fine about being a child: it is fine, when we are old, too look back to when we were children.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Bernard Cornwell photo
Frederick Douglass photo
Herman Cain photo

“I don't have the facts to back this up, but I happen to believe that these demonstrations are planned and orchestrated to distract from the failed policies of the Obama Administration. Don't blame Wall Street. Don't blame the big banks. If you don't have a job and you're not rich, blame yourself!”

Herman Cain (1945) American writer, businessman and activist

Herman Cain: I’m More Than the ‘Anti-Romney’
2011-10-05
Wall Street Journal
http://blogs.wsj.com/washwire/2011/10/05/herman-cain-im-more-than-the-anti-romney/
2011-10-07
Regarding the 2011 Occupy Wall Street demonstrations.

Mary Pickford photo

“Make them laugh, make them cry, and back to laughter. What do people go to the theater for? An emotional exercise. And no preachment.”

Mary Pickford (1892–1979) Canadian-American actress

Kevin Brownlow, The Parade's Gone By ... (1968), p. 134

Arthur Seyss-Inquart photo
Anne Bancroft photo

“To this day, when men meet me, there's always that movie in the back of their mind.”

Anne Bancroft (1931–2005) American actress

On The Graduate, " Anne Bancroft Finds Her Own Way Back http://www.nytimes.com/2002/02/17/theater/theater-anne-bancroft-finds-her-own-way-back.html?pagewanted=2", interview with Peter Marks in the New York Times (17 February 2002).

Alfred George Gardiner photo
Nicholas Murray Butler photo

“Man's conception of what is most worth knowing and reflecting upon, of what may best compel his scholarly energies, has changed greatly with the years. His earliest impressions were of his own insignificance and of the stupendous powers and forces by which he was surrounded and ruled. The heavenly fires, the storm-cloud and the thunderbolt, the rush of waters and the change of seasons, all filled him with an awe which straightway saw in them manifestations of the superhuman and the divine. Man was absorbed in nature, a mythical and legendary nature to be sure, but still the nature out of which science was one day to arise. Then, at the call of Socrates, he turned his back on nature and sought to know himself; to learn the secrets of those mysterious and hidden processes by which he felt and thought and acted. The intellectual centre of gravity had passed from nature to man. From that day to this the goal of scholarship has been the understanding of both nature and man, the uniting of them in one scheme or plan of knowledge, and the explaining of them as the offspring of the omnipotent activity of a Creative Spirit, the Christian God. Slow and painful have been the steps toward the goal which to St. Augustine seemed so near at hand, but which has receded through the intervening centuries as the problems grew more complex and as the processes of inquiry became so refined that whole worlds of new and unsuspected facts revealed themselves. Scholars divided into two camps. The one would have ultimate and complete explanations at any cost; the other, overcome by the greatness of the undertaking, held that no explanation in a large or general way was possible. The one camp bred sciolism; the other narrow and helpless specialization.
At this point the modern university problem took its rise; and for over four hundred years the university has been striving to adjust its organization so that it may most effectively bend its energies to the solution of the problem as it is. For this purpose the university's scholars have unconsciously divided themselves into three types or classes: those who investigate and break new ground; those who explain, apply, and make understandable the fruits of new investigation; and those philosophically minded teachers who relate the new to the old, and, without dogma or intolerance, point to the lessons taught by the developing human spirit from its first blind gropings toward the light on the uplands of Asia or by the shores of the Mediterranean, through the insights of the world's great poets, artists, scientists, philosophers, statesmen, and priests, to its highly organized institutional and intellectual life of to-day. The purpose of scholarly activity requires for its accomplishment men of each of these three types. They are allies, not enemies; and happy the age, the people, or the university in which all three are well represented. It is for this reason that the university which does not strive to widen the boundaries of human knowledge, to tell the story of the new in terms that those familiar with the old can understand, and to put before its students a philosophical interpretation of historic civilization, is, I think, falling short of the demands which both society and university ideals themselves may fairly make.
A group of distinguished scholars in separate and narrow fields can no more constitute a university than a bundle of admirably developed nerves, without a brain and spinal cord, can produce all the activities of the human organism.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Scholarship and service : the policies of a national university in a modern democracy https://archive.org/details/scholarshipservi00butluoft (1921)

Jonathan Safran Foer photo
Roberto Clemente photo

“We don't have that kind of a club. We've been a relaxed team all season and I expect us to be the same in the Series. Pressure didn't get us down during the National League race. We fought off Milwaukee, St. Louis and Los Angeles without cracking. Now that we have come this far, we aren't going to look back now. As a team I would have to rate the Braves over the Yankees. If the Braves had won the pennant, I believe they would have been good enough to beat the Yankees, too. We have a better field club and better pitching than they do. We'll get our share of runs, too.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "World Series Prediction: 'Pirates in Six Games,' Says Clemente" by Bill Nunn, Jr. in The New Pittsburgh Courier (October 8, 1960), p. 25
Baseball-related, <big><big>1960s</big></big>, <big>1960</big>
Context: "The Yankees aren't going to frighten this club. Except for power, we are a better all-round club than the Yankees and this is going to pay off in a world championship for Pittsburgh in six games." Clemente [... ] isn't worried about the Pirates being affected by Series jitters. "We don't have that kind of a club. We've been a relaxed team all season and I expect us to be the same in the Series. Pressure didn't get us down during the National League race. We fought off Milwaukee, St. Louis and Los Angeles without cracking. Now that we have come this far, we aren't going to look back now. As a team I would have to rate the Braves over the Yankees. If the Braves had won the pennant, I believe they would have been good enough to beat the Yankees, too. We have a better field club and better pitching than they do. We'll get our share of runs, too." Clemente, who played in Yankee Stadium during the All-Star Game, admitted the late afternoon shadows in the New York park could be a disadvantage to the Pirates outfielders. "The ball is hard to follow and it may give us some trouble. I really don't think it will make a difference in the outcome of the Series though."

Margaret Mead photo
Helen Hayes photo

“Egocentrics are attracted to the inept. It gives them one more excuse for patting themselves on the back.”

Helen Hayes (1900–1993) actress

Source: On Reflection (1968), Ch. 10

Jesse Ventura photo
Halldór Laxness photo
William Lisle Bowles photo

“Back o'er the deep I turn my longing eyes,
And chide the wayward passions that rebel:
Yet boots it not to think, or to complain,
Musing sad ditties to the reckless main.
To dreams like these, adieu! the pealing bell
Speaks of the hour that stays not—and the day
To life's sad turmoil calls my heart away.”

William Lisle Bowles (1762–1850) English priest, poet and critic

On Landing at Ostend, from The Poetical Works of William Lisle Bowles, Vol. 1 - With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan (1855).

Robert Rauschenberg photo
Ambrose Bierce photo

“Age, with his eyes in the back of his head, thinks it wisdom to see the bogs through which he has floundered.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, pp. 372-373

Mahendra Chaudhry photo
Aron Ra photo

“Remember, [in the Bible] it's adultery only if the woman is already married. It doesn't matter if the man is married. If he is, she may just become another one of his wives, and a man can have sex with other women who aren't his wives, and that's not cheating either, as long as they live with him, because a man is also allowed to have concubines, and a concubine is a sort of sexual servant who serves no other purpose and has no claim to your estate. Your wife may not have a claim to your estate either, because when you die your wife may become your brother's sexual property. That's how the Bible defines marriage! The Bible does not prohibit multiple wives or incest either. In fact, both are promoted. However, when your father dies, your mother does not become your wife, and you can't inherit any of his other wives either, and the reason that the Bible gives for that is because that would be like looking up your father's skirt… So, a man can have multiple wives and a collection of personal harlots, but he can also have sex with his slaves, and that's not cheating either. You've heard of friends with benefits? You can call this your property rights. That's the only way that makes sense, because according to the Bible all women are property, and property doesn't have rights. Now, some people equate having sex with slaves to rape, because the slave doesn't have any choice. But, according to the Bible, women don't have any choice anyway, and rape can be a prelude to matrimony; if you're a Bronze Age Israelite and you see some young cutie walking unescorted, if you like her, you want her, you can have her, even if she doesn't want you. Now, if you rape a married woman, that's a death sentence for both of you (because the Bible is stupid like that). But if she's not promised to someone else, and you rape her and you get caught, you have to pay her father fifty shekels of silver and she's yours. He may not want her back after that, even his own child, because an unmarried woman who wasn't a virgin was considered damaged goods back then, so they had this rule that "if you pop it, you buy it." So your victim becomes your bride and you're stuck together forever, and can never get divorced (so be careful who you rape). There's actually a cheaper [and] easier way to get a bride; if a man takes a wife and decides he doesn't like her, if he can prove she wasn't a virgin (or if he can convince other people that was probably not a virgin), she she will be murdered on her father's doorstep because, according to the god of infinite mercy, that's the moral thing to do. But if she can prove that she was a virgin, then she must remain married forever to the man who hates her, because that's divine wisdom too. That unpleasant arrangement for both of you will also cost you a hundred shekels, whereas you can marry your rape victim for half the price. So, if you're a complete loser, and you can't get any woman who appeals to you by the normal way, just rape whoever you like and she's yours forever.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Biblical Family Values https://www.youtube.com/watch?v=bldw8X5apnY (July 11, 2015)

George Villiers, 2nd Duke of Buckingham photo

“Methinks, I see the wanton houres flee,
And as they passe, turne back and laugh at me.”

George Villiers, 2nd Duke of Buckingham (1628–1687) English statesman and poet

As quoted in The Encyclopædia Britannica (1910)

Barry Boehm photo
Harriet Beecher Stowe photo
Bill Maher photo
Don DeLillo photo
Richard Matheson photo

“My wife and child and I were on a camping trip and we stopped in Virginia City. In the Opera House, I saw a photograph of Maude Adams, the famous American actress. It was such a great photograph that creatively I fell in love with her. What if some guy did the same thing and could go back in time?”

Richard Matheson (1926–2013) American fiction writer

On his initial inspiration for the novel Bid Time Return (1975), as quoted in Behind the Scenes of Somewhere in Time (1980) http://erasofelegance.com/OldFiles/Movies/sitmovie.html"

Osama bin Laden photo
Benjamin N. Cardozo photo
Orson Scott Card photo
Kailash Satyarthi photo
Jon Stewart photo

“They said I wasn't being funny. And I said to them, "I know that, but tomorrow I will go back to being funny, and your show will still blow."”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

Your Show Blows http://www.thedailyshow.com/video/index.jhtml?videoId=120614&title=Your-Show-Blows/, October 18, 2004
Crossfire Appearance (2004)

Roberto Clemente photo

“I have made a great study of the spine ever since I had my spine trouble, and now I know what to do and it doesn’t involve doctors, operations or anything like that. Why, in Puerto Rico last winter I helped 29 people who had back trouble and one of them was a doctor who couldn’t get medical relief. Ask Willie (Stargell), ask Danny Murtaugh what I did for them. They had back trouble and I fixed them, not by any tricks or anything, but because I know how to manipulate and bring relief. A lot of people think if you have a pain or tightness here, it can be worked out by rubbing that area. It can’t. The way to do it is to know the trigger points. Sometimes you have to manipulate a few inches from the spot that’s hurting because that's maybe where the muscle that controls the soreness is. It’s all very complicated, but believe me, it works.

I was suffering so bad I could hardly walk [in 1957]. All the x-rays and medical doctors couldn’t find out what was wrong. Then a man in St. Louis, a chiropractor, called me and offered to help. The ballclub was against it and said they wouldn’t be responsible, but I was desperate and the pain was driving me crazy. But the man, who told me I had a curvature of the spine, was able to fix me up. It was after that I became interested in studying the human back and ever since I’ve never had trouble I couldn't take care of. Back trouble is a painful thing and people who don’t have the problem don’t know how lucky they are.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Clemente a Doc" by Red Foley, in The New York Daily News (October 10, 1971), pp. 69, 75
Other, <big><big>1970s</big></big>, <big>1971</big>

Rasmus Lerdorf photo

“Back when PHP had less than 100 functions and the function hashing mechanism was strlen()”

Rasmus Lerdorf (1968) Danish programmer and creator of PHP

http://news.php.net/php.internals/70691

Tom Stoppard photo

“When Harold Pinter was lobbying to have London's Comedy Theatre renamed the Pinter Theatre, Stoppard wrote back: "Have you thought, instead, of changing your name to Harold Comedy?"”

Tom Stoppard (1937) British playwright

Interviews and profiles
Source: William Langley, "Profile: Sir Tom Stoppard," The Telegraph (2006-11-06) http://www.telegraph.co.uk/opinion/main.jhtml;jsessionid=W4GGMOS2UYBMJQFIQMFSFFWAVCBQ0IV0?xml=/opinion/2006/06/11/do1107.xml

Józef Piłsudski photo
Gore Vidal photo

“[The Taoist priest] said to Chia Jui, "This mirror was made by the Goddess of Disillusionment and is designed to cure diseases resulting from impure thoughts and self-destructive habits. It is intended for youths such as you. But do not look into the right side. Use only the reverse side of the mirror. I shall be back for it in three days and congratulate you on your recovery." He went away, refusing to accept any money.
Chia Jui took the mirror and looked into the reverse side as the Taoist had directed. He threw it down in horror, for he saw a gruesome skeleton staring at him through its hollow eyes. He cursed the Taoist for playing such a crude joke upon him. Then he thought he would see what was on the right side. When he did so, he saw Phoenix standing there and beckoning to him. Chia Jui felt himself wafted into a mirror world, wherein he fulfilled his desire. He woke up from his trance and found the mirror lying wrong side up, revealing the horrible skeleton. He felt exhausted from the experience that the more deceptive side of the mirror gave him, but it was so delicious that he could not resist the temptation of looking into the right side again. Again he saw Phoenix beckoning to him and again he yielded to the temptation. This happened three or four times. When he was about to leave the mirror on his last visit, he was seized by two men and put in chains.
"Just a moment, officers," Chia Jui pleaded. "Let me take my mirror with me."”

Wang Chi-chen (1899–2001)

These were his last words.
Source: Dream of the Red Chamber (1958), pp. 89–90

Peter Greenaway photo
Steve Jobs photo
Orson Scott Card photo
Roger Manganelli photo
John Anderson (Australian politician) photo

“Yes, the words, the land of my birth, they console me and compensate, but they would not bring me my mother back.”

Albert Cohen (1895–1981) Swiss writer

Le livre de ma mère [The Book of My Mother] (1954)

Isaac Asimov photo
Jack Buck photo
Martin Luther King, Jr. photo
Anna Akhmatova photo

“And the just man trailed God's shining agent,
over a black mountain, in his giant track,
while a restless voice kept harrying his woman:
"It's not too late, you can still look back
at the red towers of your native Sodom,
the square where once you sang, the spinning-shed,
at the empty windows set in the tall house
where sons and daughters blessed your marriage-bed."”

Anna Akhmatova (1889–1966) Russian modernist poet

The just man followed then his angel guide
Where he strode on the black highway, hulking and bright;
But a wild grief in his wife's bosom cried,
Look back, it is not too late for a last sight
Of the red towers of your native Sodom, the square
Where once you sang, the gardens you shall mourn,
And the tall house with empty windows where
You loved your husband and your babes were born.
Translator unknown
Lot's Wife

Ta-Nehisi Coates photo
Eugéne Ionesco photo
Donald J. Trump photo
Francis Turner Palgrave photo
Arlo Guthrie photo
Jean-François Millet photo

“I work like a gang of slaves; the day seems five months long. My wish to make a winter landscape has become a fixed idea. I want to do a sheep picture and have all sorts of projects in my head. If you could see how beautiful the forest is! I rush there at the end of the day, after my work, and I come back every time crushed. It is so calm, such a terrible grandeur, that I find myself really frightened. I don't know what those fellows, the trees, are saying to each other.... we don't know their language, that is all; but I am quite sure of this - they do not make puns!.... Send [me] 3 burnt sienna, 2 raw ditto, 3 Naples's yellow, 1 burnt Italian earth, 2 yellow ocher, 2 burnt umber, 1 bottle of raw oil.”

Jean-François Millet (1814–1875) French painter

Quote of Millet, in his letter from Barbizon, c. 1850 to fr:Alfred_Sensier in Paris; as cited by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty https://ia902205.us.archive.org/30/items/barbizonpainters00hoeb/barbizonpainters00hoeb.pdf – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 38
In 1850 Millet entered into an arrangement with Alfred Sensier, who provided him with materials and money in return for drawings and paintings (source: Murphy, Alexandra R. Jean-François Millet. Museum of Fine Arts, Boston, 1984, p. xix), see: Wikipedia, Millet
1835 - 1850

John Byrne photo

“I’d go back to 1975. I commented elsewhere, recently, that pressing the “rewind” button would be a good idea, as long as it was done across the board, and not piecemeal or in stealth mode, a la “Birthright.” Take all the characters back to their status quo circa 1975, but set the stories now. Since the most anal-retentive fanboys need “explanations” for everything, have the Shaper of Worlds do it at M*****. Not sure who’d be up for the job at DC.”

John Byrne (1950) American author and artist of comic books

2004
https://web.archive.org/web/20090207020226/http://www.network54.com/Forum/248951/thread/1082467515/last-1082574445/Complete+DCU+And+M%2A%2A%2A%2A%2A++Universe++Overhauls.
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo

Jack Vance photo
Ken Ham photo

“Sadly, many Christians openly embrace big bang cosmology (that the universe essentially created itself) but argue that God is the one who started the process. But this means that God really didn’t do much and was distant from His creation, which is not the way the God of the Bible says He created (this idea also has many other problems as mentioned earlier). But what many of these Christians don’t realize is that the big bang is not just a story about the past—it’s also a story about the future. As this news article reminds us, when scientists start with the presupposition that nature is all that there is and time will eventually take its course on the universe, they are left with bleak predictions. And the prediction of those who believe in the big bang is that the universe will slowly run out of energy and, eventually, became “cold, dark, and desolate.” This does not match with the future described in God’s Word! So what do Christians who have accepted the big bang do? If they (as many do) embrace the secular scientists’ ideas about the past (i. e., the big bang cosmology), then will they also embrace the rest of the secularist belief concerning the heat death in the future? The Christians I’ve met who have compromised God’s Word with the big bang concerning origins don’t accept the rest of the big bang idea concerning the future. Frankly, they are so inconsistent! This highlights why Christians shouldn’t pick and choose which parts of the Bible they want to accept and which ones we will reinterpret to fit fallible man’s ideas. If so, then man is really being an authority over God! This is back-to-front! We need to believe all of God’s Word from the very beginning.”

Ken Ham (1951) Australian young Earth creationist

The Universe Is “Dying” and It’s Because of Sin https://answersingenesis.org/blogs/ken-ham/2015/08/20/universe-dying-and-its-because-sin/, Around the World with Ken Ham (August 20, 2015)
Around the World with Ken Ham (May 2005 - Ongoing)

Stephen Colbert photo

“At Pottery Barn, if you knock over a lamp, you have to glue it back together, even if when you're done it looks terrible and it doesn't work. Oh, and you have to stay in the store forever. Oh, and it's an exploding lamp.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

On the "Pottery Barn Rule," The Colbert Report (16 May 2007)

Robin Lane Fox photo
Roy Jenkins photo
Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

Tanith Lee photo
Poul Anderson photo
Martin Luther King, Jr. photo
Mo Brooks photo
Kent Hovind photo
Mickey Spillane photo
Camille Paglia photo
Joseph Conrad photo
Immortal Technique photo
Zooey Deschanel photo

“Take it back
Oh, take it back
I don't want your lovin', anymore
Let me live
Oh, let me live
It's not you who I sing for”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Take It Back".
She & Him : Volume One (2008)

Ricky Hatton photo

“I've got a lot to prove because of the criticism over my weight and moving back down a division.”

Ricky Hatton (1978) English former professional boxer

Ricky Hatton on the criticism which hes been receiving http://news2.thdo.bbc.co.uk/sport1/hi/boxing/6272581.stm

William Golding photo
Gerard Manley Hopkins photo

“How to keep—is there any any, is there none such, nowhere known some, bow or brooch or braid or brace, lace, latch or catch or key to keep
Back beauty, keep it, beauty, beauty, beauty, … from vanishing away?”

Gerard Manley Hopkins (1844–1889) English poet

" The Leaden Echo and the Golden Echo http://www.bartleby.com/122/36.html: The Leaden Echo, lines 1-2
Wessex Poems and Other Verses (1918)

Alfred Denning, Baron Denning photo
Victor Davis Hanson photo

“It is time to step back from the apartheid brink…”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, Diversity: History's Pathway to Chaos (2016)

David Wright photo
Jean Chrétien photo
Hillary Clinton photo

“But if everybody's watching, you know, all of the back room discussions and the deals, you know, then people get a little nervous, to say the least. So, you need both a public and a private position.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Clinton Speech For National Multi-Housing Council https://wikileaks.org/podesta-emails/emailid/927 (24 April 2013), WikiLeaks.
Attributed

Orson Scott Card photo
Clifford D. Simak photo
David Cameron photo

“We can’t stand neutral in this battle of ideas. We have to back those who share our values.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2015, Speech on (20 July 2015)

Chuck Palahniuk photo
Emo Philips photo

“You know what I hate? Indian givers… no, I take that back.”

Emo Philips (1956) American comedian

E=MO² (1985)

Jack White photo
George Pólya photo
Maia Mitchell photo
John Updike photo