Quotes about artifact

A collection of quotes on the topic of artifact, use, system, world.

Quotes about artifact

“It is one of those lessons that every child should learn: Don't play with fire, sharp objects, or ancient artifacts.”

Patricia Briggs (1965) American writer

“Only a little while ago the oceans seemed unassailable—too big and stable to be hurt by man, too teeming with life to let him ever go hungry. But now we know better. Suddenly, even the myriad creatures of the sea are suffering from human intemperance. The offal of cities circles the world in global currents; beaches are strewn with the cast-off artifacts of men two thousand miles away.”

Archie Carr (1909–1987) American university professor, zoologist, herpetologist, conservationist

[Great reptiles, great enigmas, March 1972, 24–34, http://www.seaturtle.org/PDF/CarrA_1972_Audubon.pdf] (quote from p. 24)

Life, Men, World, Suffering

“Wilderness is the raw material out of which man has hammered the artifact called civilization.”

Aldo Leopold book A Sand County Almanac

Source: A Sand County Almanac, 1949, "Wilderness", p. 188.

“Oh, for heaven's sake, she thought with droll exasperation, this certainly explains a lot. It's no wonder I haven't been able to keep my hands off the blasted man since the day I met him. He's an artifact! A Celtic one at that!”

Karen Marie Moning (1964) author

Source: The Dark Highlander

“Of all the priceless objects left behind, this is what we rescue. These artifacts. Memory cues. Useless souvenirs. Nothing you could auction. The scars left from happiness.”

Chuck Palahniuk book Diary

Source: Diary

Memory, Happiness

“Time moves in one direction, memory another. We are that strange species that constructs artifacts intended to counter the natural flow of forgetting.”

William Gibson book Distrust That Particular Flavor

"Dead Man Sings," published in Forbes ASAP, November 30, 1998.
Source: Distrust That Particular Flavor

Forgetting, Time, Nature, Memory

“In a sense, my grandmother was living in the Iron Age. There was no system of writing among the nomads. Metal artifacts were rare and precious. … The first time she saw a white person my grandmother was in her thirties: she thought this person's skin had burned off.”

Ayaan Hirsi Ali book Infidel

Source: Infidel (2007), Chapter 1: Bloodlines

Age, Sense, Time, Personality

“The Unified Modeling Language (UML) is a general-purpose visual modeling language that is used to specify, visualize, construct, and document the artifacts of a software system. It captures decisions and understanding about systems that must be constructed. It is used to understand, design, browse, conﬁgure, maintain, and control information about such systems. It is intended for use with all development methods, lifecycle stages, application domains, and media. The modeling language is intended to unify past experience about modeling techniques and to incorporate current software best practices into a standard approach. UML includes semantic concepts, notation, and guidelines. It has static, dynamic, environmental, and organizational parts. It is intended to be supported by interactive visual modeling tools that have code generators and report writers. The UML speciﬁcation does not deﬁne a standard process but is intended to be useful with an iterative development process. It is intended to support most existing object-oriented development processes.”

James Rumbaugh (1947) Computer scientist, software engineer

James Rumbaugh, Ivar Jacobson & Grady Booch (1998) The Unified Modeling Language Reference Manual. p. 1

Understanding, Support, Decision, Past

“I admired and felt the anonymous structure of the work of Brancusi, Vantongerloo, Arp, and Taeuber-Arp [the wife of Hans Arp] whose studios I visited. [Kelly frequently visited Hans Arp and his wife in Paris and discussed his fresh-made art with them intensively]. Their work reinforced my own ideas for the creation of a Pré-Renaissance, European type art: its anonymous stone work, the object quality of the artifacts, the fact that the work was more important than the artist’s personality. Of the Europeans, I mostly admired the way Picasso, Klee and Brancusi 'made' their art. Contrary to what has been said about me, Mondrian and Matisse did not interest me when I was in Paris. Mondrian’s [paintings] could not be seen in Paris and when I did see them in Holland in 1953, I thought their structure too rigid and intellectual.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

Art, Way, Idea, Painting

“God made Homo sapiens a problem-solving creature. The trouble is that He gave us too many resources: too many languages, too many phases of life, too many levels of complexity, too many ways to solve problems, too many contexts in which to solve them, and too many values to balance.
First came the law, accounting, and history which looks backward in time for their values and decision-making criteria, but their paradigm (casuistry) cannot look forward to predict future consequences. Casuistry is overly rigid and does not account for statistical phenomena. To look forward man used two thousand years to evolve scientific method - which can predict the future when it discovers the laws of nature. In parallel, man evolved engineering, and later, systems engineering, which also anticipates future conditions. It took man to the moon, but it often did, and does, a poor job of understanding social systems, and also often ignores the secondary effects of its artifacts on the environment.
Environmental impact analysis was promoted by governments to patch over the weakness of engineering - with modest success - and it does not ignore history; but by not integrating with system design, it is also an incomplete philosophy. System design and architecture, or simply design, like science and engineering is forward-looking, and provides man with comforts and conveniences - if someone will tell them what problems to solve, and which requirements to meet. It rarely collects wisdom from the backward-looking methodologies, often overlooks ordinary operating problems in designing its artifacts, whether autos or buildings, and often ignores the principles of good teamwork.”

Arthur D. Hall (1925–2006) American electrical engineer

Source: Metasystems Methodology, (1989), p.xi cited in Philip McShane (2004) Cantower VII http://www.philipmcshane.ca/cantower7.pdf

Life, Wisdom, God, Law

“Man's urge for change and his need for stability have always balanced and checked each other, and our current vocabulary, which distinguishes between two factions, the progressives and the conservatives, indicates a state of affairs in which this balance has been thrown out of order. No civilization — the man-made artifact to house successive generations — would ever have been possible without a framework of stability, to provide the wherein for the flux of change. Foremost among the stabilizing factors, more enduring than customs, manners and traditions, are the legal systems that regulate our life in the world and our daily affairs with each other.”

Hannah Arendt (1906–1975) Jewish-American political theorist

"Civil Disobedience".
Crises of the Republic (1969)

Life, World, Change, Success

“Many children who grow up in our cities are surrounded by the artifacts of science but have good reason to see them as belonging to "the others"; in many cases they are perceived as belonging to the social enemy.”

Seymour Papert book Mindstorms: Children, Computers, and Powerful Ideas

Introduction
Mindstorms: Children, Computers, and Powerful Ideas (1980)

Children, Science

“Yeah but everyone was a saint years ago, that seemed to be thrown about back then. Who's a saint now, in this year, who's a saint? And yet this guy, lived in a hut in the woods, 'oh yeah that's Saint John or whatever.' He wasn't a saint, he did nothin [Karl arguing with Steve and Ricky about Russian artifacts containing a portrait of a Russian Saint]”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 5
On Life

Guy

“[R]adical Islam is heir, above all, to Nazism. The destruction of the World Trade Center was meant not only to wreak terror. Like the smashing of the Bamiyan Buddhas, it was meant to obliterate greatness and beauty, elegance and grace. These artifacts represented civilization embodied in stone or steel. They had to be destroyed. This worship of death and destruction is a nihilism of a ferocity unlike any since the Nazis burned books, then art, then whole peoples. Goebbels would have marvelled at the recruitment tape for al Qaeda, a two-hour orgy of blood and death: image after image of brutalized Muslims shown in various poses of victimization, followed by glorious images of desecration of the infidel-mutilated American soldiers in Somalia, the destruction of the USS Cole, mangled bodies at the American embassies in Kenya and Tanzania.”

Charles Krauthammer (1950–2018) American journalist

2000s, 2001, The Enemy is not Islam. It is Nihilism (2001)

Death, People, Books, World

“The older disciplines of Architecture and Manufacturing have accumulated considerable bodies of product knowledge through disciplined management of the "product definition" design artifacts. This has enabled enormous increases in product sophistication and the ability to manage high rates of product change over time. Similarly, disciplined production and management of "Enterprise definition" (i. e. the set of models identified in the Framework for Enterprise Architecture) should provide for an accumulation of a body of Enterprise knowledge to facilitate enormous increases in Enterprise sophistication and accommodation of high rates of Enterprise change over time.”

John Zachman (1934) American computer scientist

Source: Concepts of the Framework for Enterprise Architecture, 1993, p. 3

Knowledge, Change, Time

“Cultures and religions do not exist apart from the individual minds that constitute them and the environments that constrain them, any more than biological species and varieties exist independently of the individual organisms that compose them and the environments that conform them. They are not well-bounded systems or definite clusters of beliefs, practices, and artifacts, but more or less regular distributions of causally connected thoughts, behaviors, material products, and environmental objects. To naturalistically understand what "cultures" are is to describe and explain the material causes responsible for reliable differences in these distributions.”

Scott Atran (1952) Anthropologist

Introduction: an evolutionary riddle, p. 10
In Gods We Trust: The Evolutionary Landscape of Religion (2002)

Religion, Behavior, Understanding

“This is an artifact and that was a relic. This is alive in the now, whereas that merely remained.”

Philip K. Dick book The Man in the High Castle

The Man in the High Castle (1962)

“Human artifacts are not stains imposed on nature. Such a view drives a wedge between humanity and the rest of the community of life. A golf ball is the manifestation of the mind of a clever, playful African primate. This primate loves to invent games to test its physical and mental skill. Generally, these games are played on carefully reconstructed replicas of the savanna from which the ape came and for which its subconscious still hankers. The clever primate belongs in this world. … To love nature and to hate humanity is illogical.”

David G. Haskell (1950) writer, Biologist

"August 8th — Earthstar," pages 157-158 <br class="br"> The Forest Unseen: A Year's Watch in Nature http://theforestunseen.com/ (2012)

Love, Life, Hate, World

“Musical instruments are among the oldest human-made artifacts we have found. …Music predates agriculture in the history of our species.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Music, History

“It seems to me that the notion of machine that was current in the course of the Industrial Revolution – and which we might have inherited – is a notion, essentially, of a machine without goal, it had no goal ‘of’, it had a goal ‘for’. And this gradually developed into the notion of machines with goals ‘of’, like thermostats, which I might begin to object to because they might compete with me. Now we’ve got the notion of a machine with an underspecified goal, the system that evolves. This is a new notion, nothing like the notion of machines that was current in the Industrial Revolution, absolutely nothing like it. It is, if you like, a much more biological notion, maybe I’m wrong to call such a thing a machine; I gave that label to it because I like to realise things as artifacts, but you might not call the system a machine, you might call it something else.”

Gordon Pask (1928–1996) British psychologist

Pask (1972) in: Mary Catherine Bateson Our Own Metaphor: A Personal Account of a Conference on the Effects of Conscious Purpose on Human Adaptation. New York : Alfred A Knopf. Quotes in: Usman Haque (2007) " The Architectural Relevance of Gordon Pask http://www.haque.co.uk/papers/architectural_relevance_of_gordon_pask.pdf" in: Architectural Design. Vol 77, Issue 4, p. 54.

“Computer games are embedded in the cultural framework of technological developments. In the study of technological development and creativity, focusing attention on the failure, the error, the breakdown, the malfunction means opening the black box of technology. Studies have convincingly demonstrated that the widespread inability to understand technological artifacts as fabricated entities, as social and cultural phenomena, derives from the fact that in retrospect only those technologies that prove functional for a culture and can be integrated into everyday life are "left over." However, the perception of what is functional, successful and useful is itself the product of social and cultural--and last but not least--political and economic processes. Selection processes and abandoned products and product forms are usually not discussed. According to Langdon Winner, there is a sense in which all technical activity contains an inherent tendency toward forgetfulness.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

Life, Error, Game, Failure

“I think the history of humanity is the history of our co-evolution with devices and artifacts that make our lives easier. And I think it's now a question from moral philosophy — not for science — to decide how we use them and what it would mean to be enslaved by them, whether we do so willingly or reluctantly and genuinely.”

David Krakauer (1967) scientist

App Intelligence, NPR’s To the Best of Our Knowledge, November 27, 2015 https://www.ttbook.org/interview/app-intelligence

History, Question, Thinking, Science

“With the development of the human race (and perhaps a little earlier), a new structure emerges, which we can call know-what. This consists of the structures in the nervous system which presumably map into some kind of images in the of the 'mind', which also map into structure in the 'real world', whatever that is. Know-what is very different from know-how. The fertilized egg certainly has the know-how to make whatever organism it knows how to make, but it is very doubtful that it knows what it is doing. The remarkable thing about know-what is that it creates know-how, as we see with the fantastic burgeoning of human artifacts under the influence of a science-based technology. Science, fundamentally, deals with know-what and this enormously increases know-how.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1984) In: Meheroo Jussawalla, Helene Ebenfield eds. Communication and information economics: new perspectives. p. vii as cited in: John Laurent (2003) Evolutionary Economics and Human Nature. p. 177
1980s

World, Science

“I do believe that encyclopedias are dead as dodos in the old fashioned way. Let me just go back, because earlier around I was interviewed and I said: The book will always be with us. Books - we used to read in scrolls and then they got invented the codex which is basically the form of the book. It has not been improved on. It's like scissors, like a spoon, and like a hammer. It's technology that's perfect in itself and will remain very good. But: What about the content inside of it? Now, there are books that you read for information. And there what you want to do is how to get the information. And it is infinitely more efficient, of higher quality, to use digital sources rather than the published sources for references. So dictionaries and encyclopedias are not going to be done in this very ponderous way of having old books that by the time they come out the information in them is obsolete. Second, you have to search in all of these and open the pages and then you go to an index and come back whereas you can type to search in. […] But if you want to hold in your hand a slim volume, nicely bound, of the love sonnets of Shakespeare or historical romans, that's a different story. There is the book as artifact, there is the joy in holding the book. And there is an efficiency in the book that you can carry with you in different ways. But I think that the encyclopedias and the dictionaries really are providing a service. And that service can be provided so much more efficiently online that they are bound to change. And if they don't change themselves and go online themselves … I mean, the old providers, like Britannica, will go online, will provide it, and will try to, in fact, compete with the model that Wikipedia pioneered.”

Ismail Serageldin (1944) egyptian academic

Wikimania 2008 press conference 0'33 (August 2008).

Love, Books, Way, Search

“The growing complexity of software is the motivation behind work on industrializing software development. In particular, current research in the area of model driven engineering (MDE) is primarily concerned with reducing the gap between problem and software implementation domains through the use of technologies that support systematic transformation of problem-level abstractions to software implementations. The complexity of bridging the gap is tackled through the use of models that describe complex systems at multiple levels of abstraction and from a variety of perspectives, and through automated support for transforming and analyzing models. In the MDE vision of software development, models are the primary artifacts of development and developers rely on computer-based technologies to transform models to running systems.”

Bernhard Rumpe (1967) German computer scientist

Source: Model-driven development of complex software: A research roadmap (2007), p. 37

Motivation, Support, Problem

“Human artifacts not only include material structures and objects, such as buildings, machines, and automobiles, but they also include organizations, organizational structures like extended families... tribes, nations, corporations, churches, political parties, governments, and so on. Some of these may grow unconsciously, but they all originate and are sustained by the images in the human mind.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 121

Family

“I really hate it when I think I’m on the precipice of saying something deep and empowering when it’s actually more or less a quote from Rocky IV (“If I can change and you can change, everybody can change”) or a lyric from an M People song (“search for the hero inside yourself”) but I’ve really got very little to add to these scattered and perennial pop cultural artifacts.”

Russell Brand book Revolution

Revolution (2014)

Hate, People, Quotes, Search

“Definition of design = Everyone designs who devise courses of action aimed at changing existing situations into preferred ones. The intellectual activity that produces material artifacts is no different fundamentally from the one that prescribes remedies for a sick patient or the one that devises a new sales plan for a company or a social welfare policy for a state.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1960s-1970s, The Sciences of the Artificial, 1969, p. 130.

Change

“Rather than positing design and use as disconnected moments or stages in a technology's lifecycle, the structurational model of technology posits artifacts as potentially modifiable throughout their existence. In attempting to understand technology as continually socially and physically constructed, it is useful to discriminate analytically between human action which affects technology and that which is affected by technology. I suggest that we recognize human interaction with technology as having two iterative modes: the design mode and the use mode. I emphasize that this distinction is an analytical convenience only, and that in reality these modes of interaction are tightly coupled.”

Wanda Orlikowski American computer scientist

Source: "The duality of technology" 1992, p. 408

Understanding, Reality

“What should be most significant to us are not physical artifacts, but the meaning they embody. …whenever we create paintings, songs, poems, books, computer programs—or ideas in the minds of children—we do something of this sort.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Children, Books, Idea, Painting

“The Macedonian language is actually an artifact produced for primarily political reasons.”

Vittore Pisani (1899–1990) Italian linguist

Il Macedonico, Paideia, Rivista Letteraria di informazione bibliografica, vol. 12, p. 250 (1957)

“The Uniﬁed Modeling Language (UML) is a general-purpose visual modeling language that is used to specify, visualize, construct, and document the artifacts of a software system. It captures decisions and understanding about systems that must be constructed. It is used to understand, design, browse, conﬁgure, maintain, and control information about such systems. It is intended for use with all development methods, lifecycle stages, application domains, and media. The modeling language is intended to unify past experience about modeling techniques and to incorporate current software best practices into a standard approach. UML includes semantic concepts, notation, and guidelines. It has static, dynamic, environmental, and organizational parts. It is intended to be supported by interactive visual modeling tools that have code generators and report writers. The UML speciﬁcation does not deﬁne a standard process but is intended to be useful with an iterative development process. It is intended to support most existing object-oriented development processes.”

Ivar Jacobson (1939) Swedish computer scientist

James Rumbaugh, Ivar Jacobson, & Grady Booch (1999) The Unified Modeling Language Reference Manual. p. 1.

Understanding, Support, Decision, Past

“If cognitive processes can be realized in a general machine then it is possible to execute mental operations in artifacts that are not necessarily subject to the embarrassing spatio-temporal limitations and structural frailties of a biological processor.”

Gordon Pask (1928–1996) British psychologist

Source: Conversation, Cognition and Learning (1975), p. 2.

“One of the satisfactions of fiction, or drama, or poetry from the perpetrator’s point of view is the selective order it imposes upon the confusion of a lived life; out of the daily welter of sensation and impression these few verbal artifacts, these narratives or poems, are salvaged and carefully presented.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Writers on Themselves (1986)

Life

Grady Booch (1955) American software engineer

James Rumbaugh, Ivar Jacobson, & Booch (1999) The Unified Modeling Language Reference Manual. p. 1

Understanding, Support, Decision, Past

“The increase in brain size and refinement of stone artifacts point to an unbroken advance in mental ability over the last two or three million years. …No organ in the history of life has grown faster.”

Edward O. Wilson book On Human Nature

On Human Nature (1978), Ch.4 Emergence

Life, History

“Fondness for stories is just one of many artifacts, side effects of the way our brains work.”

Daniel Levitin book The Organized Mind

The Organized Mind (2014)

Way

“Our society has so cluttered our lives with artifacts [man-made things]… and organizational structures that [our] moment to moment relationships with nature are almost impossible.”

Carroll Quigley (1910–1977) American historian

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

Nature

“However, Man as the appearance of utmost internality, of spirit, does not possess any point in front, at the side or the back, no fixed point at all towards which he could define a dimension. This explains why in expressing the spiritual, in making spirit an artifact, he will be forced to a moto-stereometric form of expression. This moto-stereometric form of expression represents the appearance of a 4-n dimensional world in a world of three dimensions.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

quote by Van Doesburg, as cited in 'Great Masters of Art' in Eenheid no 392, 8 December 1917
1912 – 1919

World, Appearance

“If we can recover the naturalistic ambitions of Marx, Nietzsche, and Freud, … philosophy becomes relevant because the world—riven as it is with hypocrisy and concealment—desperately needs a hermeneutics of suspicion to unmask it. And by taking these three seminal figures of the Continental traditions as philosophical naturalists we show their work to be continuous with the naturalistic turn that has swept Anglophone philosophy over the past several decades. … The antipathy to naturalism often thought to be constitutive of “the Continental tradition” is simply an artifact of cutting the joints of that tradition in certain places.”

Brian Leiter (1963) American philosopher and legal scholar

"The Hermeneutics of Suspicion: Recovering Marx, Nietzsche, and Freud"

World, Nature, Past

“Cybernetics is a young discipline which, like applied mathematics, cuts across the entrenched departments of natural science; the sky, the earth, the animals and the plants. Its interdisciplinary character emerges when it considers economy not as an economist, biology not as a biologist, engines not as an engineer. In each case its theme remains the same, namely, how systems regulate themselves, reproduce themselves, evolve and learn. Its high spot is the question of how they organize themselves.
A cybernetic laboratory has a varied worksheet - concept formation in organized groups, teaching machines, brain models, and chemical computers for use in a cybernetic factory. As pure scientists we are concerned with brain-like artifacts, with evolution, growth and development; with the process of thinking and getting to know about the world. Wearing the hat of applied science, we aim to create what Boulanger,' in his presidential address to the International Association of Cybernetics, called the instruments of a new industrial revolution - control mechanisms that lay their own plans.”

Gordon Pask (1928–1996) British psychologist

Source: An Approach to Cybernetics (1961), p. 11. Partly cited in: A.M.E. Salazar, A. Espinosa, J. Walker (2011) A Complexity Approach to Sustainability: Theory and Application. p. 11.

World, Mathematics, Question, Nature

“It’s hard to stand behind a people and culture in revolutionary transition when you are constantly worried about their irreplaceable and breakable artifacts.”

Grace Paley (1922–2007) American writer and activist

"The Expensive Moment"

People

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Art, Silence, Time, Waiting

“The imagination of teenagers is often -- I'm tempted to say always -- the only sure capital they possess apart from the love of their parents, which is a force far beyond their capacity to comprehend or control.During my own adolescence, my imagination, the kingdom inside my own skull, was my sole source of refuge, my fortress of solitude, at times my prison. Like all teenagers, I provisioned my garrison with art: books, movies, music, comic books, television, role-playing games. Given their nature as human creations, as artifacts and devices of human nature, some of the provisions I consumed were bound to be of a dark, violent, even bloody and horrifying nature; otherwise I would not have cared for them.”

Michael Chabon (1963) Novelist, short story writer, essayist

Nanny Nation http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/04/15/EDG8D64JFR1.DTL, San Francisco Chronicle (April 15, 2004)

Love, Books, Art, Music

“The widespread inability to understand technological artifacts as fabricated entities, as social and cultural phenomena, derives from the fact that in retrospect only those technologies that prove functional for a culture and can be integrated into everyday life are 'left over.' However, the perception of what is functional, successful and useful is itself the product of social and cultural--and last but not least--political and economic processes. Selection processes and abandoned products and product forms are usually not discussed.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview with Furtherfield http://www.furtherfield.org/displayreview.php?review_id=408

Life, Understanding, Success

“It may be that the Greeks had it easy, with their light and their mountains and their plains and their islands waiting around for tourists. It was easy for them to believe that man fit in rather well. This fittingness may have given them the idea that we are seemlier than other evidence suggests. The heads of Rameses II at Abu Simbel and, for that matter, the skyscrapers of New York, have another idea of man. So do the artifacts of Albert Speer. It is depressing to wonder whether the Greeks just happened to be lucky, and the dream they left us is a lie about ourselves.”

John Leonard (1939–2008) American critic, writer, and commentator

"The Caryatid" (p. 208)
Private Lives in the Imperial City (1979)

Lie, Dreams, Mountain, Idea

“Organizational culture consists of four distinguishable but interrelated components. They include shared basic values, behavioral norms, different types of artifacts, and behaviors… Values can be defined as "a conception, explicit or implicit, distinctive of an individual or characteristic of a group, of the desirable which influences the selection from available modes, means, and ends of action." Norms differ from values by a higher degree of specificity and a higher relevance for actual behaviors (Katz and Kahn 1978, p. 43). The shared values within an organization form the basis for the development of these norms, which legitimate specific behaviors. More specifically, we define norms as expectations about behavior or its results that are at least partially shared by a social group (O'Reilly 1989; Thibaut and Kelley 1959). Artifacts include stories, arrangements, rituals, and language that are created by an organization and have a strong symbolic meaning (Schein 1992; Trice and Beyer 1993). The symbolic meaning of artifacts is more important than any instrumental function (Hatch 1993). In contrast, behaviors refer to organizational behavioral patterns with an instrumental function.”

Christian Homburg (1962) German academic

Source: "A multiple-layer model of market-oriented organizational culture", 2000, p. 450

Behavior, Strong

“To talk about sensemaking is to talk about reality as an ongoing accomplishment that takes form when people make retrospective sense of the situations in which they find themselves and their creations. There is a strong reflexive quality to this process. People make sense of things by seeing a world on which they already imposed what they believe. In other words, people discover their own inventions. This is why sensemaking can be understood as invention and interpretations understood as discovery. These are complementary ideas. If sensemaking is viewed as an act of invention, then it is also possible to argue that the artifacts it produces include language games and texts.”

Karl E. Weick (1936) Organisational psychologist

Source: 1980s-1990s, Sensemaking in Organizations, 1995, p. 15

People, World, Game, Idea

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times. <br class="br">As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

Love, People, Books, Way

“Belief in God is apparently a psychological artifact of mammalian reproduction.”

Arthur C. Clarke book The Fountains of Paradise

Source: The Fountains of Paradise (1979), Chapter 35 “Starglider Plus Eighty” (p. 190)

God

“Readers of histories and novels can hardly fail to be struck by their similarities. There are many histories that could pass for novels, and many novels that could pass for histories, considered in purely formal (or, I should say, formalist) terms. Viewed simply as verbal artifacts histories and novels are indistinguishable from one another. We cannot easily distinguish between them on formal grounds unless we approach them with specific preconceptions about the kinds of truths that each is supposed to deal in. But the aim of the writer of a novel must be the same as that of the writer of a history.”

Hayden White (1928–2018) American historian

"The fictions of factual representation"

Truth, History

“Institutions are social structures that have attained a high degree of resilience. [They] are composed of cultural-cognitive, normative, and regulative elements that, together with associated activities and resources, provide stability and meaning to social life. Institutions are transmitted by various types of carriers, including symbolic systems, relational systems, routines, and artifacts. Institutions operate at different levels of jurisdiction, from the world system to localized interpersonal relationships. Institutions by definition connote stability but are subject to change processes, both incremental and discontinuous.”

W. Richard Scott (1932) American sociologist

Source: Institutions and Organizations., 1995, p. 33 (2001:48)

Life, World, Change

“Increasingly people live in an artifact and become artifacts themselves, feel satisfied, feel fit for that artifact insofar as they themselves have been manipulated.”

Ivan Illich (1926–2002) austrian philosopher and theologist

We the People interview (1996)

People, Feeling

“In this book we turn to the study of new patterns of energy arising from man’s physical and psychic artifacts and social organizations. The only method for perceiving process and pattern is by inventory of effects obtained by the comparison and contrast of developing situations.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 8

Books, Study

“Museums are my cathedrals. Artifacts in glass cases are my sacred relics. I truly believe I have felt something close to religious fervor inside some of these buildings. I even feel that I have experienced the occasional transcendent moment inside a museum.”

Guy P. Harrison book 50 reasons people give for believing in a god

50 reasons people give for believing in a god (2008)

Feeling

“All true poets are, of course, primarily concerned with artifact, the making of a verbal construct, a durable work of art.”

Vernon Scannell (1922–2007) British boxer and poet

Not Without Glory, 1976

Art

“The dilemma of traditional sex research lay in the unconscious, but unquestioningly assumed division into opposing drives and hereditary factors… The division into heterosexuality and homosexuality, into heterosexuals and homosexuals, is also an artifact that rests on a grave error, namely, on the assumption that a fundamentally different model is necessary to explain heterosexual and homosexual behavior. The entire investigation of etiology was ideologically loaded beforehand because it separated a segment of the sexual continuum and attempted to make analyses with the help of fundamentally different concepts.”

Rolf Gindorf (1939–2016) German sexologist

"Scientific ideologies in change: Fear of Homosexuality as an Intellectual Event," from The repressed sexes: Historical texts and commentaries on homosexuality, ed. J.S. Hohmann (Lollar: Achenbach, 1977), pp. 129-44

Sex, Behavior, Error, Help

“The Bible was very definitely written by men, and not superior men either; far from it! This is why so much of it can be shown to be historically and scientifically dead wrong about damned-near everything back-to-front. We’re talking about people who believe snakes and donkeys can talk, who believe in incantations, blood sacrifice, ritual spells, enchanted artifacts, pyrotechnic potions, astrology, and the five elements of witchcraft. They thought that if you use a magic wand to sprinkle blood all over someone, it will cure them of leprosy. We’re talking about people who think that rabbits chew cud, and that bats are birds, and whales are fish, and that π is a round number. These folks believed that if you display striped patterns to a pregnant cow, it would bare striped calves. How could anyone say that who knows anything about genetics? Obviously the authors of this book didn’t.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"2nd Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=ZFrkjEgUDZA&list=PL126AFB53A6F002CC&index=2, Youtube (November 24, 2007) <br class="br">Youtube, Foundational Falsehoods of Creationism

Men, People, Books, Bird

“We often attribute "understanding" and other cognitive predicates by metaphor and analogy to cars, adding machines, and other artifacts, but nothing is proved by such attributions.”

John Rogers Searle (1932) American philosopher

Minds, Brains and Programs (1980)

Cars, Understanding

“Previous research addressing market orientation from a cultural perspective typically has used behavioral measures of this construct. Drawing on literature in the fields of organizational theory and marketing, the authors develop a multilayer model of market-oriented organizational culture. They draw an explicit distinction among values that support market orientation, norms for market orientation, artifacts indicating high and low market orientation, and market-oriented behaviors. On the basis Of qualitative research and a subsequent survey, the authors develop scales for measuring the different layers of market-oriented culture and analyze relationships among the different components of market-oriented culture. Findings indicate that artifacts play a crucial role in determining behavior within organizations. Results also indicate that a market-oriented culture influences financial performance indirectly through market performance and that this relationship is stronger in highly dynamic markets.”

Christian Homburg (1962) German academic

Source: "A multiple-layer model of market-oriented organizational culture", 2000, p. 449 ; Abstract

Behavior, Literature, Support, Drawing

“There is in the lovely Martian landscape not a footprint, not an artifact, not even an old beer can, not a blade of grass, not a kangaroo rat, not even, so far as we can tell, a microbe. Mars and the Moon and Venus… the only planets that we've landed on—are utterly lifeless. …in our solar system we may discover that there is life only on this world. This says that life is not guaranteed, that life requires something special, something improbable.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

Love, Life, World, Beer

“The Hebrew Bible, as a document, displays an astonishing lack of textual self-consciousness. It alleges to know what God thinks, but it does not know itself. It is not aware that it is called the Hebrew Bible. … Jews and Christians have venerated an unself-conscious artifact, one whose embarrassing gaps in self-knowledge have always had to be filled in by later interpreters.”

Jacques Berlinerblau (1966) Associate Professor, Director of the Program for Jewish Civilization, Edmund A. Walsh School of Foreign Service,…

Source: The Secular Bible: Why Nonbelievers Must Take Religion Seriously (2005), p. 28

God, Knowledge, Thinking

“Goethe wondered at what point our instruments might be creating what we think we see out there in the world. …his question is still a good one. Every science of observation must take care not to get lost among its own artifacts.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.11 Only Connect

World, Question, Thinking, Science

“Seurat and Signac mixed paintings with the dry and abstract laws of science. This approach, in my opinion, usually strays from the purpose of art in general. Because it means that one cannot expect from an artifact, that is created with mathematical laws, to establish an improbable and irrational relationship between the work and the viewer.”

Guity Novin (1944) artist

Source: Negin (1971), p. 57

Law, Art, Mathematics, Science

“Millions of dollars have been expended to excavate and transport to museums the tools, weapons, and other artifacts of Indians—but scarcely a penny has been spent to save the living descendents of those who made them.”

Peter Farb (1929–1980) American academic and writer

Man's Rise to Civilization (1968)
Context: Millions of dollars have been expended to excavate and transport to museums the tools, weapons, and other artifacts of Indians—but scarcely a penny has been spent to save the living descendents of those who made them. Modern man is prompt to prevent cruelty to animals, and sometimes even to humans, but no counterpart of the Humane Society or the Sierra Club exists to prevent cruelty to entire cultures.<!-- p. 275

“One might almost make a rule of it: "Whoever declares another heretic is himself a devil. Whoever places a relic or artifact above justice, kindness, mercy, or truth is himself a devil and the thing elevated is a work of evil magic."”

Sheri S. Tepper (1929–2016) American fiction writer

Arnole, in Ch. 45 : not in conclusion
The Visitor (2002)
Context: Ignorance perpetuates itself just as knowledge does. Men write false documents, they preach false doctrine, and those beliefs survive to inspire wickedness in later generations.... Conversely, some men write and teach about the truth, only to be declared heretic by the wicked. In such cases evil has the advantage, for it will do anything to suppress truth, but the good man limits what he will do to suppress falsehood.
One might almost make a rule of it: "Whoever declares another heretic is himself a devil. Whoever places a relic or artifact above justice, kindness, mercy, or truth is himself a devil and the thing elevated is a work of evil magic."

Truth, Justice, Evil

“It is far more important to establish a civil and orderly society than it is to pander to abusive cultural and religious artifacts.”

Sheri S. Tepper (1929–2016) American fiction writer

Source: The Fresco (2000), Chapter 41, p. 293