Quotes about artifact

A collection of quotes on the topic of artifact, use, system, world.

Quotes about artifact

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“Wilderness is the raw material out of which man has hammered the artifact called civilization.”

Source: A Sand County Almanac, 1949, "Wilderness", p. 188.

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“God made Homo sapiens a problem-solving creature. The trouble is that He gave us too many resources: too many languages, too many phases of life, too many levels of complexity, too many ways to solve problems, too many contexts in which to solve them, and too many values to balance.
First came the law, accounting, and history which looks backward in time for their values and decision-making criteria, but their paradigm (casuistry) cannot look forward to predict future consequences. Casuistry is overly rigid and does not account for statistical phenomena. To look forward man used two thousand years to evolve scientific method - which can predict the future when it discovers the laws of nature. In parallel, man evolved engineering, and later, systems engineering, which also anticipates future conditions. It took man to the moon, but it often did, and does, a poor job of understanding social systems, and also often ignores the secondary effects of its artifacts on the environment.
Environmental impact analysis was promoted by governments to patch over the weakness of engineering - with modest success - and it does not ignore history; but by not integrating with system design, it is also an incomplete philosophy. System design and architecture, or simply design, like science and engineering is forward-looking, and provides man with comforts and conveniences - if someone will tell them what problems to solve, and which requirements to meet. It rarely collects wisdom from the backward-looking methodologies, often overlooks ordinary operating problems in designing its artifacts, whether autos or buildings, and often ignores the principles of good teamwork.”

Arthur D. Hall (1925–2006) American electrical engineer

Source: Metasystems Methodology, (1989), p.xi cited in Philip McShane (2004) Cantower VII http://www.philipmcshane.ca/cantower7.pdf

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“I do believe that encyclopedias are dead as dodos in the old fashioned way. Let me just go back, because earlier around I was interviewed and I said: The book will always be with us. Books - we used to read in scrolls and then they got invented the codex which is basically the form of the book. It has not been improved on. It's like scissors, like a spoon, and like a hammer. It's technology that's perfect in itself and will remain very good. But: What about the content inside of it? Now, there are books that you read for information. And there what you want to do is how to get the information. And it is infinitely more efficient, of higher quality, to use digital sources rather than the published sources for references. So dictionaries and encyclopedias are not going to be done in this very ponderous way of having old books that by the time they come out the information in them is obsolete. Second, you have to search in all of these and open the pages and then you go to an index and come back whereas you can type to search in. […] But if you want to hold in your hand a slim volume, nicely bound, of the love sonnets of Shakespeare or historical romans, that's a different story. There is the book as artifact, there is the joy in holding the book. And there is an efficiency in the book that you can carry with you in different ways. But I think that the encyclopedias and the dictionaries really are providing a service. And that service can be provided so much more efficiently online that they are bound to change. And if they don't change themselves and go online themselves … I mean, the old providers, like Britannica, will go online, will provide it, and will try to, in fact, compete with the model that Wikipedia pioneered.”

Ismail Serageldin (1944) egyptian academic

Wikimania 2008 press conference 0'33 (August 2008).

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Frank Wilczek photo

“The Macedonian language is actually an artifact produced for primarily political reasons.”

Vittore Pisani (1899–1990) Italian linguist

Il Macedonico, Paideia, Rivista Letteraria di informazione bibliografica, vol. 12, p. 250 (1957)

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“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
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Malcolm McDowell photo

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

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“Belief in God is apparently a psychological artifact of mammalian reproduction.”

Source: The Fountains of Paradise (1979), Chapter 35 “Starglider Plus Eighty” (p. 190)

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“In this book we turn to the study of new patterns of energy arising from man’s physical and psychic artifacts and social organizations. The only method for perceiving process and pattern is by inventory of effects obtained by the comparison and contrast of developing situations.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 8

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“Goethe wondered at what point our instruments might be creating what we think we see out there in the world. …his question is still a good one. Every science of observation must take care not to get lost among its own artifacts.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.11 Only Connect

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“Millions of dollars have been expended to excavate and transport to museums the tools, weapons, and other artifacts of Indians—but scarcely a penny has been spent to save the living descendents of those who made them.”

Peter Farb (1929–1980) American academic and writer

Man's Rise to Civilization (1968)
Context: Millions of dollars have been expended to excavate and transport to museums the tools, weapons, and other artifacts of Indians—but scarcely a penny has been spent to save the living descendents of those who made them. Modern man is prompt to prevent cruelty to animals, and sometimes even to humans, but no counterpart of the Humane Society or the Sierra Club exists to prevent cruelty to entire cultures.<!-- p. 275

“One might almost make a rule of it: "Whoever declares another heretic is himself a devil. Whoever places a relic or artifact above justice, kindness, mercy, or truth is himself a devil and the thing elevated is a work of evil magic."”

Sheri S. Tepper (1929–2016) American fiction writer

Arnole, in Ch. 45 : not in conclusion
The Visitor (2002)
Context: Ignorance perpetuates itself just as knowledge does. Men write false documents, they preach false doctrine, and those beliefs survive to inspire wickedness in later generations.... Conversely, some men write and teach about the truth, only to be declared heretic by the wicked. In such cases evil has the advantage, for it will do anything to suppress truth, but the good man limits what he will do to suppress falsehood.
One might almost make a rule of it: "Whoever declares another heretic is himself a devil. Whoever places a relic or artifact above justice, kindness, mercy, or truth is himself a devil and the thing elevated is a work of evil magic."

“It is far more important to establish a civil and orderly society than it is to pander to abusive cultural and religious artifacts.”

Sheri S. Tepper (1929–2016) American fiction writer

Source: The Fresco (2000), Chapter 41, p. 293

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“Everything was an artifact of its function. That’s what made evolution so gorgeous.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Cibola Burn (2014), Chapter 6 (p. 64)

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