Quotes about ankle

A collection of quotes on the topic of ankle, likeness, herring, hand.

Quotes about ankle

George Orwell photo
Stephen King photo
Drake photo

“Last name Ever/ First name Greatest/ Like a sprained ankle boy, I aint nothing to play with”

Drake (1986) Canadian rapper, singer, songwriter, record producer, and actor

"Forever" featuring Kanye West, Lil Wayne and Eminem
2000s

Peter Cook photo
Neal Shusterman photo
Cassandra Clare photo
Libba Bray photo

“How can my ankles and arms be obscene?”

Source: A Great and Terrible Beauty

Frederick Douglass photo

“No man can put a chain about the ankle of his fellow man without at last finding the other end fastened about his own neck.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech at Civil Rights Mass Meeting, Washington, D.C. (22 October 1883).
1880s, Speech at the Civil Rights Mass Meeting (1883)
Variant: No man can put a chain about the ankle of his fellow man without at last finding the other end fastened about his own neck.

Shannon Hale photo
Rick Riordan photo
Sylvia Day photo
Michelle Tea photo
James Patterson photo
Stephen King photo
Mark Strand photo
Jean Rhys photo
Stella Gibbons photo
Johnny Depp photo
Robert E. Howard photo
John Fante photo
William Shockley photo
Bryan Alvarez photo

“They (fans) respond mostly to what WWE trains them to respond to. An ankle lock gets over because Kurt Angle does the ankle lock and everyone submits to it. A triangle by Undertaker doesn't get over because WWE has never trained the fans to accept that as a finish because no one ever taps to it. And it was the same thing when Shamrock was in WWE.”

Bryan Alvarez (1975) Professional wrestler, editor and publisher

Quoted by Corey David LaCroix, " The Fight Network bridging MMA/wrestling gap http://web.archive.org/web/20060113150444/http://slam.canoe.ca/Slam/Wrestling/2005/11/24/1321324.html", SLAM! Wrestling, (2005-11-24)

Robert Jordan photo
Anthony Bourdain photo
Fred Astaire photo

“The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us…Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals…I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Gene Kelly interviewed in Hirschhorn, Clive. Gene Kelly, A Biography. W.H Allen, London, 1984. p. 117. ISBN 0491031823.

Gloria Estefan photo
Amit Chaudhuri photo
Ken Wilber photo
J.M. Coetzee photo
Theodore Dalrymple photo

“14:06> …Of course I made it quite clear to the women that I thought that that the way that they had been abused was terrible and completely unjustifiable. However, I thought that it was very important that they should understand their own complicity in it; so that, for example, they understood that the way they chose men, and their refusal to see signs (which they were capable of seeing) resulted in their misery… <14:40> To give you a concrete example, I would say to them, ‘This man of yours, who’s very nasty to you, and drags you across the floor, and puts your head through the window, and sometimes even hangs you out of the window by your ankles: How long do you think it would take me to realise he was no good, as he came through the door? Would it take me a second, or half a second, or an eighth of a second, or would I not notice that there was anything wrong with him at all?’ And they’d say, ‘Oh, an eighth of a second, you’d know immediately.’ And I would say to them, ‘Well, if you know that I would know immediately, then you knew immediately as well.’ It’s a logical consequence, really. And they would accept that. ‘And yet, you chose to associate with him, knowing full well that he was no good; and I tell you this, because it’s very necessary you should understand your own part in the predicament you now find yourself in, because if you don’t understand it, or don’t think about it, you’re just going to repeat it.’ which is of course, a very, very common pattern.”

Theodore Dalrymple (1949) English doctor and writer

Daniels http://en.wikipedia.org/wiki/Anthony_Daniels_(psychiatrist) on helping victims of abuse understand how they can help to break the cycle.
CBC Ideas Interview (podcast) (September 25, 2006)

Alexander McCall Smith photo
Gloria Estefan photo
David Baboulene photo
Plutarch photo
Michael Jordan photo
Michael Chabon photo
Charles Krauthammer photo
Amit Chaudhuri photo
Andrew Marvell photo
Statius photo

“Atlas' grandson obeys his sire's words and hastily thereupon binds the winged sandals on to his ankles and with his wide hat covers his locks and tempers the stars. Then he thrusts the wand in his right hand; with this he was wont to banish sweet slumber or recall it, with this to enter black Tartarus and give life to bloodless phantoms. Down he leapt and shivered as the thin air received him. No pause; he takes swift and lofty flight through the void and traces a vast arc across the clouds.”
Paret Atlantiades dictis genitoris et inde summa pedum propere plantaribus inligat alis obnubitque comas et temperat astra galero. tum dextrae uirgam inseruit, qua pellere dulces aut suadere iterum somnos, qua nigra subire Tartara et exangues animare adsueuerat umbras. desiluit, tenuique exceptus inhorruit aura. nec mora, sublimes raptim per inane volatus carpit et ingenti designat nubila gyro.

Source: Thebaid, Book I, Line 303

Hugh Laurie photo
William Morris photo
Lily Allen photo
Daniel Handler photo
David Foster Wallace photo
P. J. O'Rourke photo
Alfred, Lord Tennyson photo
Tony Kushner photo
Debbie Reynolds photo

“Old age is a wonderful time of life…At least, that’s what everyone tells you. But let me tell you: it is not true. What’s true is that your hips, knees and ankles gradually give up on you – everything is quite dreadful, really. And it was a terrible thing to have told us…because we believed it.”

Debbie Reynolds (1932–2016) American actress, singer, and dancer

On the lie of growing old gracefully in “Debbie Reynolds interview: movies, failed marriages, and why a woman should be 'like a treasure chest'” https://www.telegraph.co.uk/films/0/debbie-reynolds-interview-movies-failed-marriages-woman-should/ in The Telegraph (2016 Dec 29)

J. Howard Moore photo
Jussi Halla-aho photo

“Amount of rapes are increasing. Because therefore more and more women will be raped, my earnest wish is that right women will be raped by predators choosing their victims randomly. Green-left-winger reformers and their voters. Rather them than others. Nothing else will work for them, but multiculture that hits their own ankle.”

Jussi Halla-aho (1971) Finnish Slavic linguist, blogger and a politician

Jussi Halla-aho (2006), published in the blog Scripta [original finnish text] in http://www.halla-aho.com/scripta/monikulttuurisuus_ja_nainen.html, December 20, 2006
2005-09

G. K. Chesterton photo