Quotes about actor
page 3

“It's hard to be creative and it's also hard not to think what you do is creative or hard not to be called creative because everybody is always talking about that and individuality. Everybody's always creative. And it is so funny when you say things aren't, like the shoe I would draw for an advertisement was called a 'creation', but the drawing of it was not... There are millions of actors. They're all pretty good. And how many painters are there? Millions of painters and all pretty good. How can you say one style is better then another. You ought to be able to be an Abstract-expressionist next week, or a Pop artist, or a realist, without feeling you're given up something.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Shoe, Feeling, Thinking, Drawing

“"So, Alec Baldwin; great actor or greatest actor?" I'm gonna say "greatest actor"; Greatest… living… American… actor… in… the Baldwin family… by a mile.”

Tina Fey (1970) American comedian, writer, producer and actress

"Ask Tina" segment from NBC's 30 Rock website

Family

“Desperation is the perfume of the young actor. It's so satisfying to have gotten rid of it. If you keep smelling it, it can drive you crazy. In this business a lot of people go nuts, go eccentric, even end up dead from it. Not my plan.”

Uma Thurman (1970) American actress and model

Interview with Laura Yorke. Reader's Digest. July 2006

People, Business, Dead

“There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.”

Nathan Lane (1956) American actor

Betsy Pickle (December 17, 1999) "If there's a mouse, call Lane - Actor didn't 'paws' before taking on film", The Knoxville News-Sentinel, p. 4.

Love, Understanding, Freedom

“I suspect it is this Camelot view that leads Miss Croce to be rather unfair to Gene Kelly…I should say the difference starts with their bodies. If you compare Kelly to Astaire, accepting Astaire's debonair style as perfection then, of course, Kelly looks bad. But in popular dance forms, in which movement is not rigidly codified, as it is in ballet, perfection is a romantic myth or a figure of speech, nothing more. Kelly isn't a winged dancer; he's a hoofer and more earthbound. But he has warmth and range as an actor…Astaire's grasshopper lightness was his limitation as an actor - confining him to perennial gosh-oh-gee adolescence;; he was always and only a light comedian and could function only in fairytale vehicles.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Pauline Kael, responding to Croce in her review of Croce's The Fred Astaire and Ginger Rogers Book, writing in The New Yorker, November 25, 1972, as reproduced in Kael, Pauline. Reeling: Film Writings 1972-1975, Marion Boyars, London - New York, pp. 58-59. ISBN 0-7145-2582-0.

Fairytale, Light, Dance, Perfection

“There isn't anyone else like Nathan. He is able to express more in a look or a word than most actors I've ever worked with.”

Nathan Lane (1956) American actor

Victor Garber — reported in Maureen Dezell (October 19, 2003) "Nathan Lane Goes Beyond Broadway", The Boston Globe, p. N1.
About

“People love actors. They love reading about them and thinking about their lives. But they also secretly hate them. They think their lives are frivolous and all they do is go to parties, and they don't know real problems… There's something at the root of our love-hate relationship with celebrity that I think has the makings, if you could do it in a really substantive way, of a great modern American novel.”

Ethan Hawke (1970) American actor and writer

The Observer http://www.guardian.co.uk/film/2002/sep/08/fiction.features (2002-09-08) 2000&ndash;2004

Love, Hate, People, Way

“The public want actresses, because they think all actresses bad. They don't want music or poetry because they know that both are good. So actors and actresses thrive and poets and composers starve.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Music, Thinking

“I think of my pictures as dramas; the shapes in the pictures are the performers. They have been created from the need for a group of actors who are able to move dramatically without embarrassment and execute gestures without shame. Neither the action nor the actors can be anticipated, or described in advance. They begin a an unknown adventure in an unknown space... Ideas and plans that existed in the mind at the start were simply the doorway through which one left the world in which they occur. The great cubist pictures thus transcend and belie the implications of the cubist program.”

Mark Rothko (1903–1970) American painter

Source: after 1970, posthumous, Abstract Expressionism, Creators and Critics', 1990, pp. 167-168

World, Idea, Thinking

“There you are', said Efros [Granovsky, director of the State Jewish Chamber Theater, in 1920], leading me into a dark room, 'These walls are all yours, you can do what you like with them'. It was a completely demolished apartment that had been abandoned by bourgeois refugees. 'You see', he continued, 'the benches for the audience will be here; the stage there'. To tell the truth, all I could see there was the remains of a kitchen… And I flung myself at the walls. The canvases were stretched out on the floor. Workmen, actors walked over them. The rooms and corridors were in the process of being repaired; piles of shavings lay among my tubes of paint, my sketches. At every step one dislodged cigarette-ends, crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 38
1920's, My life (1922)

Truth, Painting

“All those [events in history] were such dramas as we see now, only with different actors.”

Marcus Aurelius book Meditations

X, 27
Meditations (c. 121–180 AD), Book X

History

“I think what I meant, particularly as a young actor, is that you really struggle with the sense of being undeserving of the attention. And you're right. It happens all the time, there's some new young actor who people are gonna put on the cover of magazines and will talk about, and all you did is say 15 lines in a movie. You know, it's not like you started Greenpeace or something. They don't even put the guys who started Greenpeace on the cover of a magazine… So you understand the sense of fraudulence, and it's attached to yourself, you know? And that's what I was struggling with.”

Ethan Hawke (1970) American actor and writer

The Observer http://www.guardian.co.uk/film/2002/sep/08/fiction.features (2002-09-08) 2000&ndash;2004

People, Guy, Understanding, Thinking

“I had no natural gift to be anything — not an athlete, not an actor, not a writer, not a director, a painter of garden porches — not anything. So I've worked really hard, because nothing ever came easily to me.”

Paul Newman (1925–2008) American actor and film director

Quoted in The Daily News (1991-06-10)

Nature

“(Richard Harrison) is one of the nicest American actors I have worked with.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

“Actor-oriented, dynamic systems theories. This family of theories -- inspired to a great extent by Buckley -- is largely non-functionalist. It includes Buckley’s (1967, 1998) “modern systems theory,” Archer’s (1995) “morphogenetic” theory, Burns’ “actor-system-dynamics” (also ASD; Burns et al. 1985; Burns and Flam 1987), and the “” of Geyer and van der Zouwen (1978). Complex, dynamic social systems are analysed in terms of stabilizing and destabilizing mechanisms, with human agents playing strategic roles in these processes. Institutions and cultural formations of society are carried by, transmitted, and reformed through individual and collective actions and interactions.”

Tom R. Burns (1937) American sociologist

Source: Systems theories (2006), p. 3.

Family

“The world’s a theatre, the earth a stage
Which God and Nature do with actors fill.”

Thomas Heywood (1574–1641) English playwright, actor, and author

Apology for Actors, (1612). Compare: "The world's a stage on which all parts are played", Thomas Middleton, A Game of Chess (1624), Act v. Sc. 1.; "All the world ’s a stage, And all the men and women merely players", Shakespeare, As You Like It, Act ii. Sc. 7.

God, World, Nature

“The potential evidenced by [director James] Cameron in The Terminator — the ability to sustain suspense, meld action with story, and provide compelling characters despite the limitations of the actors portraying them — would be fully realized in two future features, Aliens and Terminator 2. This movie, however, is in some ways more impressive than either of those because of what the filmmaker was capable of achieving with a limited budget and without significant studio backing. The themes and ideas presented in The Terminator hold up well today, even though we have moved into the post-Cold War era and only the most nihilistic individuals could see 2029 in such bleak terms. It's a rousing science fiction story that proves an on-screen adrenaline rush need not short-circuit the brain.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1618 of The Terminator (1984). Three-and-a-half star reviews

War, Way, Idea, Science

“The art of the theater is action. It is the study of commitment. The word is an act. To SAY the word in such a way as to make it heard and understood by all in the theater is a commitment — it is the highest art to see a human being out on a stage speaking to a thousand of his or her peers saying, 'These words which I am speaking are the TRUTH — they are not an approximation of any kind. They are the God's truth, and I support them with my life,' which is what the actor does on stage.”

David Mamet (1947) American playwright, essayist, screenwriter, and film director

Writing in Restaurants (1987)

Life, God, Truth, Art

“Social, political and economic institutions have become larger, considerably more complex and resourceful, and prima facie more important to collective life. Many of the major actors in modern economic and political systems are formal organizations, and the institutions of law and bureaucracy occupy a dominant role in contemporary life.”

James G. March (1928–2018) American sociologist

Source: Rediscovering institutions, 1989, p. 1-2

Life, Law

“I speak of my own feelings—I can judge
Of others but by outward show, and that
Is falser than the actor's studied part.
We dress our words and looks in borrow'd robes:
The mind is as the face—for who goes forth
In public walks without a veil at least?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A History of the Lyre
The Venetian Bracelet (1829)

Feeling, Study, Parting

“Out of the seventy movies I’ve written some ten of them were not entirely waste product. These were Underworld, The Scoundrel, Wuthering Heights, Viva Villa, Scarface, Specter of the Rose, Actors and Sin, Roman Holiday, Spellbound, Nothing Sacred.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

Holiday

“It’s not just how they feel about it, but what it feels like to wear. It’s not a comfortable process to go through, on a daily basis, and actors will often complain about how I torture them and stuff. I don’t want to torture them - though in some cases I do [laughs] - but I also want to know if they’re just being a baby or if they’re being realistic about it. So I’ll try it on to see which is the most uncomfortable, or what might become annoying after a number of days. So at least I know what it’s like on the other side, so I can sympathise with them, or tell them they’re full of crap, or whatever. Because I’ve worn it, and I know it’s not that bad.”

Rick Baker (1950) American special makeup effects artist

Rick Baker interview: Men In Black 3, werewolves and Videodrome http://www.denofgeek.com/movies/23258/rick-baker-interview-men-in-black-3-werewolves-and-videodrome (November 5, 2012)

Feeling, Baby

“I live in a world of actors where everyone is a little crazy to begin with, but it was interesting that he said all these elements to this disorder. I was like, “Oh my gosh!” I feel like this will be a great challenge to play the role, but I can tap into that because I feel like I know someone with that disorder.”

Danielle Savre (1988) actress

Danielle Savre – The Perfect Stalker http://starrymag.com/danielle-savre-the-perfect-stalker/ (December 30, 2016)

World, Feeling

“There’s an interesting debate that circulates so often, with one side arguing that actors are not activists, Hollywood does not get to be the arbiter of what is right and wrong. And the other side, which is if you have a platform and you don’t use it for good, then what is the point?. No, I’m not a politician, and no, I’m not a news source, but yes, I have people that are following me and I have a voice, and as long as I am doing my best to speak the truth, I’m fine with being on the right side of history! What I’m saying is, you are a part of history; you matter.”

Zoey Deutch (1994) American actress

Interview with Tidal Magazine, Issue 7 http://www.tidal-mag.com/magazine/girl-on-the-verge

People, Truth, History, Parting

“He hit it in the entire performance [in Batman]. It's so difficult to do that in a huge movie like this and much easier to do in the tiny movies. That's why those are always the people who win Academy Awards. Heath was [amazing]; it's so unusual, and it happens really rarely even for the best actors, that you just hit this stride in a role and you're totally free.”

Maggie Gyllenhaal (1977) American actress

On The Dark Knight, 2008-07-06, Oneindia

People

“Hopefully, some of it has to do with us being good actors, too. There's some of it where you get lucky. You come on the job and there are people with you where there's a chemistry there.”

Jim Gaffigan (1966) comedian, actor, author

On the chemistry between the cast members of My Boys — interview in David Kronke, Los Angeles Daily News (June 12, 2008) "Baseball, Beer, and, of Course, The Boys - Actress Jordana Spiro Takes a Run at a Man's World and Delivers a Small Hit for TBS", South Florida Sun-Sentinel, Sun-Sentinel Company, p. 12E.

People

“Life to each individual is a scene of continued feasting in a region of plenty; and when unexpected death arrests its course, it repays with small interest the large debt which it has contracted to the common fund of animal nutrition, from whence the materials of its body have been derived. Thus the great drama of universal life is perpetually sustained; and though the individual actors undergo continual change, the same parts are filled by another and another generation; renewing the face of the earth and the bosom of the deep with endless successions of life and happiness.”

William Buckland (1784–1856) English clergyman, geologist and palaeontologist

Geology and Mineralogy Considered with Reference to Natural Theology (1841), p. 109

Life, Death, Happiness, Universe

“An audience is not so much a complement to an actor's ego, as a challenge to his capacities.”

Orson Welles (1915–1985) American actor, director, writer and producer

Welles, speaking in an episode of Orson Welles Sketch-book

“I made a serial called Nupur in which I danced for one particular shloka of Soundarya Lahari. The show was mostly about dance. It is then that I started learning to chant Soundarya Lahari. …People only know me as an actor and a dancer but recently I thought about doing this album.”

Hema Malini (1948) Indian actress, dancer and politician

On the release of her first singing album “Soundarya Lahairi” Hema Malini goes spiritual with first music album, 2 November 2013, 6 December 2013, The Hindu http://www.thehindu.com/todays-paper/tp-miscellaneous/tp-others/hema-malini-goes-spiritual-with-first-music-album/article5307409.ece, MOTHER MAIDEN MISTRESS

People, Learning, Dance

“Anymore, no one's mind is their own. You can't concentrate. You can't think. There's always some noise worming in. Singers shouting. Dead people laughing. Actors crying. All these little doses of emotion. Someone's always spraying the air with their mood.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 3

People, Mood, Thinking, Cry

“Jean-Eugène Robert-Houdin, the extraordinary father of modern conjuring, made the salient point that ‘a magician is an actor playing the part of a magician’. This is a very good description. However, an actor takes for granted how to create drama in every word, movement and look. The average magician is barely aware of its existence.”

Derren Brown (1971) British illusionist

Books, Confessions of a Conjuror (2010)

Parting

“Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.”

Indro Montanelli (1909–2001) Italian journalist

Preface to Il Pollaio delle Libertà by Marco Travaglio, Vallecchi, 1995.
1950s - 1990s

Life, Star, Support, Change

“The actors can make up their dialogue. I'm bushed, and they're all funny, and the hell with it. Maybe I'll give them a premise to work off of, like "You're all in trouble" or "Wash has a thing."”

Joss Whedon (1964) American director, writer, and producer for television and film

They could maybe light it too. "This explains Joss perfectly." at Whedonesque.com (15 February 2006) http://whedonesque.com/comments/9548

Hell, Light

“The close-up says everything, it's then that an actor's learned, rehearsed behavior becomes most obvious to an audience and chips away, unconsciously, at its experience of reality. In a close-up, the audience is only inches away, and your face becomes the stage.”

Marlon Brando (1924–2004) American screen and stage actor

New York Times (July 2, 2004)

Behavior, Reality, Learning

“The rule systems governing transactions among agents in a defined sphere specify, to a greater or lesser extent, who participates (and who is excluded), who does what, when, where and how, and in relation to whom. ln particular, they define possible rights and obligations, including rules of command and obedience, governing specified categories of actors or roles vis a vis one another. The theory deals with the properties of social rule systems, their role in patterning social life, and the social and political processes whereby such systems are produced, maintained, and transformed as well as implemented in social action and interaction.”

Tom R. Burns (1937) American sociologist

Source: The shaping of social organization (1987), p. 8; Cited in: Carola Aili, Pamela Denicolo, Lars-Erik Nilsson (2008) In Tension Between Organization and Profession. p. 228.

Life

“My ears open nasals! beware! such joy is yours o my people to sense see ear scent drink everything everything everything taratatatatata the machineguns shouting twisting under a thousand bites slaps traaktraak cudgellings whippings pic pac POUMTOUMB juggling clowns’ jump in full sky height 200 meters it's the gunshooting Downwards guffaws of swamps laughter buffalos chariots stings prancing of horses ammunition-wagons flue flac zang chaak chaak rearings pirouettes patatraak bespatterings manesneighings i i i i i i i medley tinklings three bulgarian batallions on the move crook- craak (double bar slowly) Choumi Maritza o Karvavena officers' shouts copper plates knocking against each other pam ici (vite) pac over there BOUM-pam-pam-pam here there there farther all around very high look-out goddamnit on the head chaak marvelous! flames flames flames flames flames flames flames crawl from forts over there Choukri Pacha telephone orders to 27 forts in turkish German hello Ibrahim! Rudolf hello! hello! actors roles blowing-echoes odor-hay-mud-manure I can't feel my frozen feet stale odor rotting gongs flutes clarinets pipes everywhere up down birds twitter beatitude shade greenness cipcip ip-zzip herds pastures dong-dong-dong-ding-bééé Orchestra”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 8

People, Feeling, Drink, Bird

“I'm empowered to stand here thanks to the ensemble of actors, men and women, who I shared the screen with and who in ways they will never understand made me a better actor.”

Tom Hanks (1956) American actor

67th Academy Award Speech (1995)

Women, Men, Way, Understanding

“A market is not politically neutral; its existence creates economic power which one actor can use against another.”

Robert Gilpin (1930–2018) Political scientist

Source: The Political Economy of International Relations (1987), Chapter One, Nature of Political Economy, p. 23

“I think that's why I gravitated toward slightly broader… ummm, more conceptual kinds of movies, Underworld and Van Helsing. That was as much as I could actually give. But you're actually more of an animated figure. It does go against the grain, as an actor.”

Kate Beckinsale (1973) English actress

On the effect the arrival of her daughter had on her acting work. Allure magazine, March 2008.

Thinking, Animals

“It seems like a cliche, but you do grow up a lot faster when you travel a lot, go through things like this interview, spend time away from home and hang around with other actors. It's inevitable that you're not going to have a so-called normal childhood.”

Matt Dillon (1964) American actor

Michael Blowen (November 3, 1983) "Matt Dillon Meets Fame ....Diffidently", The Boston Globe.

Travel, Home, Time, Childhood

“I did not come to know part II of 'Faust' until long after I made my illustrations, and even then only very superficially. It struck me as an ill-digested work, of little interest from the literary standpoint, but among those most calculated to inspire a painter owing to the mixture of characters and styles it contains... You asked what gave me the first idea of the Faust lithographs. I remember that about 1821 I saw the designs made by Retch [ Retzsch] and found them rather striking; but it was above all the performance of a dramatic opera on Faust that I saw in London in 1825 which stirred me to do something on the subject. The actor.... was a perfect Mephistopheles; he was fat, but that in no way diminished his nimbleness and his Satanic character.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix' letter to Philippe Burty, 1 March 1862; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 76
Delacroix describes the source of his series Faust lithographs
1831 - 1863

Way, Idea, Parting, Perfection

“In Paris, everybody wants to be an actor; nobody is content to be a spectator.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Le Coq et l’Arlequin (1918)

“I started watching reality shows and being horrified at people signing up to be humiliated in front of the entire country. … I saw one show, The Amazing Race, in which people were eating spicy soup and vomiting and crying. Why would you do that? Also, I was fascinated by these actors and actresses who would sign up to be followed around by cameras in their life. You become a celebrity, not because of your work or what you do, but because you have no privacy. I've been careful to keep my life separate because it's important to me to have privacy and for my life not to be a marketing device for a movie or a TV show. It's worth more than that. I'm worth more than that.”

Lisa Kudrow (1963) American actress

Guardian interview (2006)

Life, People, Reality, Cry

“It's important to me that I don't get trapped in the whole teen scene because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes. So I just try to choose the scripts that have the best characters for myself, or would be the most challenging, or fun.”

Kirsten Dunst (1982) American actress

Interview in The Guardian (14 October 2000) http://film.guardian.co.uk/interview/interviewpages/0,6737,382311,00.html

Money, Feeling

“Actors are a troupe that makes a living pretending to be something they're not. Professional poseurs, if you like. Granted, they're not parasites, like the politicians with whom they cavort. But Tinseltown is a left-liberal ideological collective. They march in thematic unison. That their cultural products have become artistically worthless could well be because activism has replaced acting, and sermons have supplanted stories and good scripts. Hollywood is a pretty, pea-brained community.”

Ilana Mercer South African writer

"Thanks, POTUS, For Breaking-Up The Annual Correspondents’ Circle Jerk." http://dailycaller.com/2017/05/08/thanks-potus-for-breaking-up-the-annual-correspondents-circle-jerk/ The Daily Caller, May 8, 2017 2010s, 2017

Communication

“We are in the world and, before we know where we are, we are on one of the paths which we must traverse in our few score years between birth and death. Moreover, each man's path leads up to the theatre on the one side and down from it on the other. The inexorable manager, Fate, requires that each should go through with his comedy or his drama, if he be judged worthy of a leading part, with his scene or his act in another man's piece, if he be fit only to play the walking gentleman, the dumb footman, or the mechanically trained supernumerary who does duty by turns as soldier, sailor, courtier, husbandman, conspirator or red-capped patriot. A few play well, many play badly, all must appear and the majority are feebly applauded and loudly hissed. He counts himself great who is received with such an uproar of clapping and shout of approval as may drown the voice of the discontented; he is called fortunate who, having missed his cue and broken down in his words, makes his exit in the triumphant train of the greater actor upon whom all eyes are turned; he is deemed happy who, having offended no man, is allowed to depart in peace upon his downward road.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

A Cigarette-Maker's Romance (1894)

Death, Fate, Happiness, World

“The best way, of course, to understand the animator is to see that he parallels the actor. He has the same responsibility a fine actor has. […] Even the people who write about animation just don't seem to understand that when you have a drawing, you don't have a character. […] "This is the first Bugs Bunny" has no meaning. It's how Bugs came to stand and move and act, and what his feelings were, and his thoughts, and what kind of personality he was. That developed over a period of time. And you need fine animators to do that.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Adamson, "Witty Birds and Well-Drawn Cats", 61.

People, Way, Feeling, Understanding

“The actors are, it seems, the usual three:
Husband and wife and lover.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

St. 25. Modern Love http://www.ev90481.dial.pipex.com/Meredith/modern_love.htm (1862)

Lovers

“As an actor, you can't be off the market for too long.”

Matt Dillon (1964) American actor

Justine Elias (April 26, 2003) "A seldom used welcome Matt", The Gold Coast Bulletin, p. 076.

“People do what they do by choice, so I don’t really know it’s a matter of people being comfortable in front of the camera. I think it’s a matter of doing the work that’s available to you and then striving in it. If you realized how hard it is to get a job in the entertainment industry, and you were working prolifically in voice over and you can work doing on camera stuff here and there, it has nothing to do with being worried about how you look on camera. It’s about the work and you do the work that is available to you. These actors are that good that they’re able to do the voiceover stuff. It’s hard. A lot of people think that it’s easy to just go and talk in front of a microphone and that’s not the case. You’re not just talking, you’re acting. You’re acting in front of a microphone as opposed to a camera. It’s a lot more specific of a technique than most people think. It’s not, “Oh, do a silly voice!” Try doing a silly voice for four hours, then take a lunch break, and then do another silly voice for four hours. It’s not easy, especially because it’s about the acting. So I think that mindset is a little off.”

John DiMaggio (1968) American voice actor and comedian

Exclusive Interview: John DiMaggio & Lawrence Shapiro https://diaboliquemagazine.com/exclusive-interview-john-dimaggio-lawrence-shapiro/ (September 6, 2013)

People, Thinking

“Actors work and slave — and it is the color of your hair that can determine your fate in the end.”

Helen Hayes (1900–1993) actress

Source: On Reflection (1968), Ch. 4

Fate, Color

“In his 1975 book, The Limits of Liberty, Buchanan returned to the study of constitutions, but now approached them with a somewhat more cynical (realistic?) Hobbesian perspective. His later books with Geoffrey Brennan (1980,1985) also emphasized the importance of constitutional rules as constraints on the selfish pursuits of individual actors, and as means for controlling that public sector beast—Leviathan. This concern with constitutional decision making and constitutional rules can be regarded as one of the salient characteristics of James Buchanan’s research throughout his career.”

Dennis Mueller (1940) American economist

James Buchanan, Gordon Tullock, and The Calculus (2012)

Books, Decision, Study, Selfishness

“This is a business that’s heavily promulgated by people who have a politically liberal bent. I don’t begrudge them that. I’m a libertarian; frankly, I think my liberalness goes far beyond theirs in a lot of ways. But yeah, we think differently, and maybe that’s cut me out of some things. I don’t care. People know I get along great with all kinds of directors, all kinds of actors. And I tell you, you hire me, I will show up, 24/7, and I will give you 100%. I will help you fix whatever problems come up. You hire me, I’m your boy. It’s just, it’s all about the work. And when that’s done, I am done.”

Kurt Russell (1951) American actor

Kurt Russell on 'Deepwater Horizon,' Hollywood and more http://www.nj.com/entertainment/index.ssf/2016/09/kurt_russell_on_deepwater_horizon_hollywood_and_mo.html (September 23, 2016)

People, Way, Boy, Business

“A social system consists in a plurality of individual actors interacting with each other in a situation which has at least a physical or environmental aspect, actors who are motivated in terms of a tendency to the "optimization of gratification" and whose relation to their situations, including each other, is defined and mediated in terms of a system of culturally structured and shared symbols.”

Talcott Parsons (1902–1979) American sociologist

Source: The social system (1951), p. 5-6

Motivation, Optimism

“I think what Kazan is saying is that the Method isn't a thing. It's an action, a process, a skillful or effective way of achieving a specific artistic task. It's not a pair of shoes. It's discovering how to walk. I did an affective memory at the Actors Studio years ago, after which Lee Strasberg said, "Now that's an affective memory. Darling, tell them how you did it." When I explained my process, Strasberg replied, "That's not how you do an affective memory! But that's what the Method is all about. It's a way of work!" You find your own way of carrying out your own and your character's internal truth—within your body, mind, and soul.”

Sandra Seacat (1936) American acting teacher and actress

As quoted in "The Method and the Myth" http://www.backstage.com/advice-for-actors/acting-teachers/the-method-and-the-myth/ by Robert Walden, in Backstage (April 21, 2009)

Truth, Shoe, Way, Soul

“Men whose only concern is other people's opinion of them are like actors who put on a poor performance to win the applause of people of poor taste; some of them would be capable of good acting in front of a good audience. A decent man plays his part to the best of his ability, regardless of the taste of the gallery.”

Nicolas Chamfort (1741–1794) French writer

Reflections

Men, People, Parting

“Audiences and critics acknowledge that a play or concerto gains force in great rendition. A good play may overcome bad staging. A great concerto may survive a poor soloist. But it is naturally assumed that a more accomplished performance intensifies the impact of the work. The play's text or concerto's score does not change, but the right actors and musicians help realize its full potential. Among contemporary literary critics, however, one never encounters this notion in regard to books and printing. To recognize the sensual contributions of the physical elements of a book is somehow assumed to demean the spiritual purity of the text. To notice the book itself smacks of philistinism, and to make distinctions based on paper, binding, and typography brings accusations of elitism or decadence.”

Dana Gioia (1950) American writer

"Designing Literature: Creative Collaboration" http://www.danagioia.net/essays/ecreative.htm (1992) Essays

Books, Nature, Change, Help

“During my early years as an actor, Bond was never a desire, but when Cassie was playing in For Your Eyes Only, then, of course, it became a joke. I would do my own impersonations of James Bond. Just for fun. Just driving her home from work, or going out, or talking about her experience on it. But even so, it was not an ambition to play James Bond. I had my sights set on other aspects of the work.”

Pierce Brosnan (1953) Irish-American actor, film producer, and environmentalist

Brosnan. Pierce Brosnan. http://www.cigaraficionado.com/webfeatures/show/id/Brosnan-Pierce-Brosnan_6003/p/2 (November 1997)

Home

“We shouldn't see ourselves as ‘controllers' of the world, but as ‘actors' in the world.”

Carlos Gershenson (1978) Mexican researcher

Zire Notes (May 2004 - December 2006)

World

“How do things stand, now, if the subject contains a large element of pathos?... Consider such an interesting subject as the scene taking place around the bed of a dying woman, for example; seize and render that ensemble by photography, if that is possible [photography was a very recent invention in Paris ca. 1853, a. o. by the photographer Nadar ]: it will be falsified in a thousand ways. The reason is that, according to the degree of your imagination, the subject will appear to you more or less beautiful, you will be more or less the poet in that scene in which you are an actor; you see only what is interesting, whereas the instrument puts in everything.”

Eugène Delacroix (1798–1863) French painter

In Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 233
quote circa 1853, in which Delacroix relates painting to theater from the view of the visitor / spectator
1831 - 1863

Beauty, Way, Imagination, Appearance

“I love people and people watching. I love music. I am intrigued by musicians more than I am actors. I have a bigger respect for them.”

Maia Mitchell (1993) Australian actress

As quoted in "Maia Mitchell: My Audition For ‘The Fosters’ Was ‘Crap’" by Sean Daly at The TV Page (20 January 2014) I'm sexy.

Love, People, Music

“I’ve never, ever, in my entire life, been upset at a casting choice. I started taping my dad’s auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn’t just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you’re not right, you’re not right, but that’s okay.”

Bryce Dallas Howard (1981) American actress

Bryce Dallas Howard https://www.interviewmagazine.com/film/bryce-dallas-howard (February 10, 2017)

Life, People, Personality

“God is the poet, men are only the actors.”

Jean-Louis Guez de Balzac (1597–1654) French author, best known for his epistolary essays

Dieu est le poète et les hommes ne sont que les acteurs.
Socrate Chrétien, Discours VIII.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 42.
Socrate Chrétien (1662)

Men, God

“I was so lucky to have been surrounded by really great actors. Everybody in that movie was a real actor: Warren Oates, Ben Johnson, Cloris Leachman, Richard Dreyfuss, Harry Dean Stanton. It was just a wonderful, wonderful experience for me and I had so much support and so much help and so much encouragement.”

Michelle Phillips (1944) Singer, actress

On her first acting role in Dillinger (1973), The Huffington Post http://www.huffingtonpost.com/entry/chats-with-esperanza-spalding-michelle-phillips-lee_us_57b32bc0e4b0567d4f130aab (August 25, 2016)

Support, Help

“I've repeatedly said that for people as little in common as Joanne and myself, we have an uncommonly good marriage. We are actors, we make pictures — and that's about all we have in common. Maybe that's enough. Wives shouldn't feel obligated to accompany their husbands to a ball game, husbands do look a bit silly attending morning coffee breaks with the neighbourhood wives when most men are out at work. Husbands and wives should have separate interests, cultivate different sets of friends — and not impose one upon the other.”

Paul Newman (1925–2008) American actor and film director

Quoted in Paul Newman (1975) by Charles Hamblett ISBN 0-491-01761-8, p. 176

Men, Marriage, People, Feeling

“In order to feel safer on his private jet, actor John Travolta has purchased a bomb-sniffing dog. Unfortunately for the actor, the dog came six movies too late.”

Tina Fey (1970) American comedian, writer, producer and actress

http://snltranscripts.jt.org/01/01dupdate.phtml

Dogs, Feeling

“[on being LGBT in show business] People in the business are equally as terrified now -- but I really find it a personal thing. And maybe I’m at the end of that era. I wouldn’t even want to stereotype today’s generation. But the majority of the casting departments are gay, and a lot of the executives are. I think it’s a matter of your abilities and how you carry yourself -- I don’t behave any differently toward you right now than when I am with David [Burtka, his boyfriend] in our apartment, watching "American Idol." OK, "So You Think You Can Dance." [Laughs] I can see why an agent wouldn’t want to sign on a real overtly effeminate male actor -- not because I have an aversion to them but because agents might know it limits their job opportunities.”

Neil Patrick Harris (1973) American actor and host

Out Magazine; September 2008.

People, Business, Thinking, Dance

“Both the old and new approaches share a scepticism toward rational-actor models of organisation, and each views institutionalisation as a state-dependent process that makes organisations less instrumentally rational by limiting the options they can pursue. Both emphasise the relationship between organisations and their environments, and both promise to reveal aspects of reality that are inconsistent with organisations’ formal accounts. Each approach stresses the role of culture in shaping organisational reality.”

Paul DiMaggio (1951) American sociologist

Source: Introduction to The New Institutionalism and Organizational Analysis, 1991, p. 12

Reality, Dependency

“"You can say the Jesus Prayer from now till doomsday, but if you don't realize that the only thing that counts in the religious life is detachment, I don't see how you'll ever even move an inch. Detachment, buddy, and only detachment. Desirelessness. 'Cessation from all hankerings.' It's this business of desiring, if you want to know the goddam truth, that makes an actor in the first place. Why're you making me tell you things you already know? Somewhere along the line — in one damn incarnation or another, if you like — you not only had a hankering to be an actor or an actress but to be a good one. You're stuck with it now. You can't just walk out on the results of your own hankerings. Cause and effect, buddy, cause and effect. The only thing you can do now, the only religious thing you can do, is act. Act for God, if you want to — be God's actress, if you want to. What could be prettier? You can at least try to, if you want to — there's nothing wrong in trying." There was a slight pause. "You'd better get busy, though, buddy. The goddam sands run out on you every time you turn around. I know what I'm talking about. You're lucky if you get time to sneeze in this goddam phenomenal world."”

Jerome David Salinger book Franny and Zooey

Franny and Zooey (1961), Zooey (1957)

Life, God, Truth, World

“As an actor in Iceland, I found good training and colleagues in the National Theatre, and none of us could have predicted the kind of fame that LazyTown found globally. When you are an actor or do anything in the arts for a career, your life will take many unexpected twists and turns.Robbie was a product of many years of thinking and doing. What you see in the TV show is different from his first personality. One of the big challenges playing a part like Robbie is bringing the right kind of energy. You don't want to scare the littlest viewers but you have to bring a certain villain personality with humor.As many actors have said before me, being famous or well known can be nice or it can be a burden, it all depends on how you look at it. I love my fans - they have come along on this ride with me and have said too many nice things for me to ever count. I am grateful.There is no difference in preparing for Robbie Rotten or any classical serious role…. Every part you prepare for you have to be honest and truthful and wholly believe that the character exists – otherwise no one will accept your acting. Kids are a demanding audience and they KNOW when something is untruthful.”

Stefán Karl Stefánsson (1975–2018) Icelandic actor

Reddit AMA https://www.reddit.com/r/IAmA/comments/57bkxj/i_am_stefan_karl_robbie_rotten_from_lazytown_and/ (13 October 2016)

Love, Life, Truth, Art

“I worked so hard to be so versatile in so many different things. There’s just not a lot of girls who can do ballet and flips and break dance and crazy hip-hop moves. So I would really encourage young dancers and actors to work to be as versatile as possible.”

Rachele Brooke Smith (1987) American actress

Exclusive Interview with Center Stage: On Pointe’s Rachele Brooke Smith http://talknerdywithus.com/2016/06/14/exclusive-interview-with-center-stage-on-pointes-rachele-brooke-smith/ (June 14, 2016)

Girl, Dance

“The whole intention was to act. There were rough times, but I had landed up with my driver's license and thought to myself that if I didn't make it as an actor, I would ply taxis.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Time

“She may have been right. Looking back, I suppose I was expecting, as a young actor, to discuss Stanislavski or 'Acting as an art.' Instead, I palled around with the crew—the grips, the stagehands—and the conversation centered around the two B's—broads and booze.”

Robert Mitchum (1917–1997) American film actor, author, composer and singer

Recalling Katharine Hepburn's assertion that he couldn't act and owed his success solely to his good looks; as quoted in "Kate and Deborah Disagree" https://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=SBS19821031.1.97&srpos=1&e=31-10-1982-31-10-1982--en--20--1--txt-txIN-%22she+may+have+been+right%22+%22looking+back%22-------1, in The San Bernardino Sun (October 31, 1982)

Art

“In sum, social actors knowledgeably and actively use, interpret and implement rule systems. They also creatively reform and transform them. In such ways they bring about institutional innovation and transformation and shape the ‘deep structures’ of human history.”

Tom R. Burns (1937) American sociologist

Source: The shaping of social organization (1987), p. ix; as cited in: Simon Guy and John Henneberry (2000) " Understanding Urban Development Processes: Integrating the Economic and the Social in Property Research http://bentboolean.com/people/mm/private/SOA/548_DS/StrataProposal/research%20doct's/world_urban/UrbanDevtProperty.pdf," Urban Studies, Vol. 37, No. 13, 2399–2416, 2000.

Way, History, Knowledge

“Classical Sanskrit theatre flourished during the first nine centuries CE. Aphorisms on acting appear in the writings of Panini, the Sanskrit grammarian of the 5th century BCE, and references to actors, dancers, mummers, theatrical companies, and academies are found in Kautilya’s book on statesmanship, the Artha-shastra (4th century BCE).”

Pāṇini ancient Sanskrit grammarian

A.K. Ramanujan in: South Asian arts http://www.britannica.com/EBchecked/topic/556016/South-Asian-arts/65258/Modern-Indian-dance#ref532709, britannica.com, 17 March 2014

Books, Appearance

“Puppetry's a lot harder than people realize, and it's particularly difficult doing a movie. You have this scene with all these puppets, and when something goes wrong, you've got to set the whole thing up to do it again. With people, you ask an actor to walk across the room a second or third time, and he does it. That's it.”

Jim Henson (1936–1990) American puppeteer

Interview with Associated Press (1984)

People, Time

“He was an actor of genius. There was no more overwhelming actor on the stage, in the motion pictures, nor even in the pulpit. He would whirl arms, bang tables, glare from mad eyes, vomit Biblical wrath from a gaping mouth; but he would also coo like a nursing mother, beseech like an aching lover, and in between tricks would coldly and almost contemptuously jab his crowds with figures and facts—figures and facts that were inescapable even when, as often happened, they were entirely incorrect.”

Sinclair Lewis book It Can't Happen Here

It Can't Happen Here (1935)

Lovers, Madness

“It's difficult for me to know where to start with rugby. I come from a fanatically rugby-conscious Welsh miner's family, know so much about it, have read so much about it, have heard with delight so many massive lies and stupendous exaggerations about it and have contributed my own fair share, and five of my six brothers played it, one with some distinction… it's difficu1t for me to know where to start so I’ll begin with the end. The last shall be first, as it is said, so I'll tell you about the last match I ever played in…I had played the game representatively from the age of ten until those who employed me in my profession, which is that of actor, insisted that I was a bad insurance risk against certain dread teams in dead-end valleys who would have little respect, no respect, or outright disrespect for what I was pleased to call my face. What if I were unfortunate enough to be on the deck in the middle of a loose maul…they murmured in dollar accents?”

Richard Burton (1925–1984) Welsh actor

In Richard Burton’s Last Match From Take the Ball and Run – A Rugby Anthology by Godfrey Smith http://wesclark.com/rrr/burton.html, Wesclark, 1953.

Age, Family, Game, Reading

“This was in Milwaukee when I was eleven years old. I went to see my sister give a dramatic reading. She'd been taking drama lessons. I walked into the hall, and there was a little stage at the other end, and maybe 150 people, parents mostly, or children like myself. The lights went down slowly, very slowly. Then it was dark. Spotlights hit the stage, and there was my sister, standing there in the. At that moment I thought, that must be the most beautiful thing in the world, to be able to arrange things so that people have to listen to you. "So, that's why I became an actor. Well, anyway, my analyst says it's better than running naked in Central Park…”

Gene Wilder (1933–2016) American actor

Interview with Roger Ebert (July 11, 1971) INTERVIEW WITH GENE WILDER http://www.rogerebert.com/interviews/interview-with-gene-wilder

Children, People, World, Beauty

“I work on a TV show I love, I have the opportunity to do movies with actors I respect, and I’m in love with the man I want to spend the rest of my life with, who pushes me and excites me…There’s this fighter in me that kind of needs to be put to rest a little bit. I don’t need to be so tough to protect myself.”

Ali Larter (1976) American actress

[Fahner, Molly, Fun Fearless Female of the Year: Ali Larter, Cosmopolitan, 2007, http://www.cosmopolitan.com/celebrity/exclusive/ali-larter-cover-interview, 2010-06-27]

Love, Life

“Reciting a poem aloud, you are not like an actor, rather you come to understand, then to be, the voice of the poem itself.”

John Hollander (1929–2013) American poet

Understanding

“If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being blown to bits with bazookas and automatic assault rifles with no gory detail left unexploited, if they are going to encourage anxious, ambitious actors, directors, writers and producers to continue their assault on the English language by reducing the vocabularies of their characters to half a dozen words, with one colorful but overused Anglo-Saxon verb and one unbeautiful Anglo-Saxon noun covering just about every situation, then I would like to suggest that they stop and think about this: making millions is not the whole ball game, fellows. Pride of workmanship is worth more. Artistry is worth more.”

Gregory Peck (1916–2003) American actor

Acceptance speech on receiving the American Film Institute's Life Achievement Award in 1989, as quoted in "Gregory Peck, a Star of Quiet Dignity, Dies at 87" by William Grimes in The New York Times (13 June 2003)

People, World, Color, Game

“I have twice seen Macready act; once in Macbeth and once in Othello. I astounded a dinner-party by honestly saying I did not like him. It is the fashion to rave about his splendid acting; anything more false and artificial, less genuinely impressive than his whole style, I could scarcely have imagined. The fact is, the stage-system altogether is hollow nonsense. They act farces well enough; the actors comprehend their parts and do them justice. They comprehend nothing about tragedy or Shakespeare, and it is a failure. I said so, and by so saying produced a blank silence, a mute consternation.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on William Macready. Charlotte Brontë and Her Circle, (by Clement King Shorter) (1896)

Justice, Imagination, Fashion, Failure

“A lot of the old movie stars couldn't act their way out of a box of wet tissue paper, but they were successful because they had distinctive personalities. They were predictable brands of breakfast cereal: on Wednesdays we had Quaker Oats and Gary Cooper; on Fridays we had Wheaties and Clark Gable. They were off-the-shelf products you expected always to be the same, actors and actresses with likable personalities who played themselves more or less the same role the same way every time out.”

Marlon Brando (1924–2004) American screen and stage actor

Way, Star, Time, Success

“If you're a bad actor, you don't get hired. But if you're a bad doctor, you can still practice medicine.”

Richard Burton (1925–1984) Welsh actor

In Richard Burton and Elizabeth Taylor: The Love Letters. How drinking cocooned them from pressure of fame. Without it, they couldn't even make love http://www.dailymail.co.uk/tvshowbiz/article-1284504/Richard-Burton-Elizabeth-Taylor-The-Love-Letters-How-drinking-cocooned-pressure-fame-Without-make-love.html, Mail Online, 7 June 2010

“I use the metaphor "markets as politics" to create a sociological view of action in markets. I develop a conceptual view of the social institutions that comprise markets, discuss a sociological model of action in which market participants try to create stable worlds and find social solutions to competition, and discuss how markets and states are intimately linked. From these foundations, I generate propositions about how politics in markets work during various stages of market development-- formation, stability, and transformation. At the formation of markets, when actors in firms are trying to create a status hierarchy that enforces noncompetitive forms of competition, political action resembles social movements. In stable markets, incumbent firms defend their positions against challengers and invaders. During periods of market transformation, invaders can reintroduce more fluid social-movement-like conditions.”

Neil Fligstein (1951) American sociologist

Source: Markets as politics: A political-cultural approach to market institutions, 1996, p. 656; Abstract

World

“I have never had great expectations of my performance or of a film. I try not to think about the outcome. If you look that far ahead, it sort of taints your choices as an actor. I try as hard as I can to believe that no one is ever going to see it and that it's not even a movie. Then you can allow yourself to bare more. Then, once a project is done, I tend to forget about it until it comes out.”

Heath Ledger (1979–2008) Australian actor

Interview remarks quoted by Honie Stevens, "Squaring the Ledger" https://archive.is/20121206021747/www.news.com.au/dailytelegraph/story/0,22049,22763328-5006011,00.html, The Daily Telegraph, November 18, 2007.

Thinking, Forgetting

“Of all the actors and actresses I've ever worked with, the hardest worker is Fred Astaire. He behaved like he was a young man whose whole destiny depended on being successful in his first film. He rehearses between takes, after takes - there's no limit to his professionalism.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Rouben Mamoulian in Lecture and discussion at University of Southern California, December 7, 1975. Tape recording, Special Collections, University of Southern California. (M).

Success, Dependency

“The theatre is not the place for the musician. When the curtain is up the music interrupts the actor, and when it is down the music interrupts the audience.”

Arthur Sullivan (1842–1900) English composer of the Gilbert & Sullivan duo

Quoted in The Musical Times, February 1909; cited from Percy A. Scholes The Mirror of Music, 1844-1944 (London: Novello, 1947) vol. 1, p. 267.

Music

“The authors analyze the nation-state as a worldwide institution constructed by worldwide cultural and associational processes, developing four main topics:
(1) properties of nation-states that result from their exogenously driven construction, including isomorphism, decoupling, and expansive structuration;
(2) processes by which rationalistic world culture affects national states;
(3) characteristics of world society that enhance the impact of world culture on national states and societies, including conditions favoring the diffusion of world models, expansion of world-level associations, and rationalized scientific and professional authority;
(4) dynamic features of world culture and society that generate expansion, conflict, and change, especially the statelessness of world society, legitimation of multiple levels of rationalized actors, and internal inconsistencies and contradictions”

John W. Meyer (1935) Sociologist and professor at Stanford University

John W. Meyer, et al. "World society and the nation‐state." American Journal of sociology 103.1 (1997): 144-181.

World, Change

“I treat all film roles one way: very seriously," exclaims Pleasence. "I never play anything tongue-in-cheek, though at times it might appear that way. I'm a professional actor who has no particular approach to acting. I get the part, I read the script. If I decide to do it, I learn the lines. People expecting a longwinded explanation on my approach will be disappointed. I have no theory about acting. There is no method, there is no way. I just do it.”

Donald Pleasence (1919–1995) British actor

INTERVIEW BY MARC SHAPIRO https://www.pleasence.com/articles/MADMAN.HTML (February 1989)

People, Disappointment, Way, Learning

“I truly wanted to be a character actor. People ask me, ‘When are you going to get the lead?’ and I say, ‘I don’t want the lead.’ I always use John Carradine – I don’t know why – but John Carradine to me was more of the classic character actor who would literally show up and do three lines in a big Hollywood movie and then have a bigger part in the sequel to The Invisible Man. That career is so great. That is part of my… I don’t know if it’s a set plan, but I always seem to follow that course.”

Kevin J. O'Connor (actor) (1963) American actor

Exclusive Interview: Kevin J O'Connor http://www.chud.com/14305/exclusive-interview-kevin-j-oconnor-there-will-be-blood-dvd/ (April 8, 2008)

People, Parting

“Trump owes less to Willkie’s tradition than to Benito Mussolini’s, and not only because of the superficial: Trump’s chin-out toughness, sweeping right-hand gestures and talk of his “huge” successes and his “stupid” opponents all evoke the Italian dictator’s style. Monday’s breathtaking announcement that he would block all Muslims from entering the United States has many pointing out the obvious fascist overtones… Trump uses many of the fascist’s tools: a contempt for facts, spreading a pervasive sense of fear and overwhelming crisis, portraying his backers as victims, assigning blame to foreign or alien actors and suggesting only his powerful personality can transcend the crisis. He endorsed the violence done to a dissenter at one of his rallies, and he now floats the idea of making entry to the United States contingent on religion.”

Dana Milbank (1968) American journalist

Donald Trump, America’s modern Mussolini https://www.washingtonpost.com/opinions/donald-trump-isnt-todays-wendell-willkie-hes-todays-benito-mussolini/2015/12/08/77c81b0c-9ddc-11e5-a3c5-c77f2cc5a43c_story.html, The Washington Post. (8 December 2015)

Stupidity, Fear, Religion, Idea

“Rational actors are significantly constrained by limitations of information and calculation.”

Richard Cyert (1921–1998) American economist

Source: A behavioral theory of the firm, 1959, p. 214

“I might like to be an actor, but there are loads of other things I'm interested in as well, like music and writing and sports. I want to keep my options open.”

Daniel Radcliffe (1989) English actor

about acting http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

Music, Sport

“In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers — that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks … Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.”

Paul Robeson book Here I Stand

Paul Robeson : Here I Stand (1958), p. 124

People, Understanding

“The development of economics as a science which is always based on human beings, the creative actors and protagonists in all social processes and events (the subjectivist conception), is undoubtedly the most significant and characteristic contribution made by the Austrian School of economics, founded by Carl Menger. In fact Menger felt it vital to abandon the sterile objectivism of the classical (Anglo-Saxon) school whose members were obsessed with the supposed existence of external objective entities (social classes, aggregates, material factors of production, etc.). Menger held that economists should instead always adopt the subjectivist view of human beings who act, and that this perspective should invariably exert a decisive influence on the way all economic theories are formulated, in terms of their scientific content and their practical conclusions and results.”

Jesús Huerta de Soto (1956) professor of political economy and author

Jesús Huerta de Soto (2006), Money, Bank Credit, and Economic Cycles, p. 267, Note 3,

School, Way, Decision, Science

“Truth be told, I don’t really prepare much. I’m not a very serious actor in those regards. I learn my lines, I show up, I take direction.”

Jason Biggs (1978) American actor

Interview with Larry Smith, basis for Bigg's character on the show Orange Is the New Black, interview excerpted in: — [December 4, 2014, http://popwatch.ew.com/2014/07/16/larry-smith-jason-biggs-orange-is-the-new-black/, Jason Biggs talks 'Orange is the New Black' with real-life Larry, Ariana Bacle, July 16, 2014, Entertainment Weekly]

Truth, Learning

“Americans are well aware that there has been a revolution. In morals. In manners. In speech. In crime rates. In riots. In violence. In drugs. In sex. In pornography. In politics. In movies. In education. In music. What most of us failed to realize at the moment was how important the music revolution would become. It turned out to be the catalyst for all the rest. It became the prod to promote drugs, the advertiser of sex in the hedonism manner, the mind-conditioner for four-letter gutter speech, and eventually the blatant propaganda funnel for political subversion. It also became the seductive Jezebel for a modern philosophy of no God, of Man as merely a graduate beast of the jungle, of Jesus Christ as a phoney actor--a superstar, of peace and prosperity being possible only under communism, of America as the enemy of the world, of Russia as the hope of the world.”

W. Cleon Skousen (1913–2006) ex FBI agent, conservative United States author and faith-based political theorist

Preface to Rock 'N' Reality: Mirrors of Rock Music--Its Relationship to Sex, Drugs, Family and Religion (1971)

God, World, Education, Peace

“In all professions we affect a part and an appearance to seem what we wish to be. Thus the world is merely composed of actors.”

François de La Rochefoucauld book Reflections; or Sentences and Moral Maxims

Dans toutes les professions chacun affecte une mine et un extérieur pour paraître ce qu'il veut qu'on le croie. Ainsi on peut dire que le monde n'est composé que de mines.
Variant translation: In all professions, each affects a part and an appearance to make him seem as he would wish to be believed. And so it is that one can say that the world is made only of appearances.
Maxim 256.
Reflections; or Sentences and Moral Maxims (1665–1678)

World, Appearance, Parting

Quotes about actor page 3

Quotes about actor
page 3