Quotes about acquaintance
page 3

David Brewster photo
Diodorus Siculus photo
Henry Thomas Buckle photo

“Our knowledge is composed not of facts, but of the relations which facts and ideas bear to themselves and to each other; and real knowledge consists not in an acquaintance with facts, which only makes a pedant, but in the use of facts, which makes a philosopher.”

Henry Thomas Buckle (1821–1862) English historian

" The Influence Of Women On The Progress Of Knowledge http://www.public.coe.edu/~theller/soj/u-rel/buckle.html". Lecture given at the Royal Institution 19 March 1858. In: The Miscellaneous and Posthumous Works of Henry Thomas Buckle (1872)

Sinclair Lewis photo
Antoine François Prévost photo

“Nothing is more wonderful, or honours virtue more, than the confidence with which we turn to people whose probity we have long been acquainted with.”

Antoine François Prévost (1697–1763) French novelist

Rien n'est plus admirable et ne fait plus d'honneur à la vertu, que la confiance avec laquelle on s'adresse aux personnes dont on connaît parfaitement la probité.
Part 1, p. 86; translation p. 40.
L'Histoire du chevalier des Grieux et de Manon Lescaut (1731)

Warren Zevon photo
Chester W. Wright photo
Frances Burney photo
Sören Kierkegaard photo

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1830s, The Journals of Søren Kierkegaard, 1830s

Muhammad photo
Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Bernard Mandeville photo
Alexej von Jawlensky photo

“This acquaintance [with Marianne Werefkin ] would change my life. I became a friend of hers, of this clever woman gifted with genius.”

Alexej von Jawlensky (1864–1941) Russian painter

from his memoirs, 1936/41: in Lebenserinnerungen (Memories), Alexej Jawlensky - Köpfe-GesichteMeditationen (Heads-Faces-Meditations), ed. Clemens Weiler (Hanau: H. Peters, 1970), p. 106
1936 - 1941

Lydia Maria Child photo
Nathanael Greene photo
Ragnar Frisch photo
Anton Chekhov photo

“Country acquaintances are charming only in the country and only in the summer. In the city in winter they lose half of their appeal.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

The Story of Mme. NN or Lady N—'s Story or A Lady's Story (1887)

Jean Henri Fabre photo
Andrei Sakharov photo
Edgar Rice Burroughs photo
John Muir photo
John Stuart Mill photo
Brian W. Aldiss photo
John Stuart Mill photo

“He soon found out that I was not "another mystic," and when for the sake of my own integrity I wrote to him a distinct profession of all those of my opinions which I knew he most disliked, he replied that the chief difference between us was that I "was as yet consciously nothing of a mystic." I do not know at what period he gave up the expectation that I was destined to become one; but though both his and my opinions underwent in subsequent years considerable changes, we never approached much nearer to each other's modes of thought than we were in the first years of our acquaintance. I did not, however, deem myself a competent judge of Carlyle. I felt that he was a poet, and that I was not; that he was a man of intuition, which I was not; and that as such, he not only saw many things long before me, which I could only when they were pointed out to me, hobble after and prove, but that it was highly probable he could see many things which were not visible to me even after they were pointed out.”

Autobiography (1873)
Context: I have already mentioned Carlyle's earlier writings as one of the channels through which I received the influences which enlarged my early narrow creed; but I do not think that those writings, by themselves, would ever have had any effect on my opinions. What truths they contained, though of the very kind which I was already receiving from other quarters, were presented in a form and vesture less suited than any other to give them access to a mind trained as mine had been. They seemed a haze of poetry and German metaphysics, in which almost the only clear thing was a strong animosity to most of the opinions which were the basis of my mode of thought; religious scepticism, utilitarianism, the doctrine of circumstances, and the attaching any importance to democracy, logic, or political economy. Instead of my having been taught anything, in the first instance, by Carlyle, it was only in proportion as I came to see the same truths through media more suited to my mental constitution, that I recognized them in his writings. Then, indeed, the wonderful power with which he put them forth made a deep impression upon me, and I was during a long period one of his most fervent admirers; but the good his writings did me, was not as philosophy to instruct, but as poetry to animate. Even at the time when out acquaintance commenced, I was not sufficiently advanced in my new modes of thought, to appreciate him fully; a proof of which is, that on his showing me the manuscript of Sartor Resartus, his best and greatest work, which he had just then finished, I made little of it; though when it came out about two years afterwards in Fraser's Magazine I read it with enthusiastic admiration and the keenest delight. I did not seek and cultivate Carlyle less on account of the fundamental differences in our philosophy. He soon found out that I was not "another mystic," and when for the sake of my own integrity I wrote to him a distinct profession of all those of my opinions which I knew he most disliked, he replied that the chief difference between us was that I "was as yet consciously nothing of a mystic." I do not know at what period he gave up the expectation that I was destined to become one; but though both his and my opinions underwent in subsequent years considerable changes, we never approached much nearer to each other's modes of thought than we were in the first years of our acquaintance. I did not, however, deem myself a competent judge of Carlyle. I felt that he was a poet, and that I was not; that he was a man of intuition, which I was not; and that as such, he not only saw many things long before me, which I could only when they were pointed out to me, hobble after and prove, but that it was highly probable he could see many things which were not visible to me even after they were pointed out. I knew that I could not see round him, and could never be certain that I saw over him; and I never presumed to judge him with any definiteness, until he was interpreted to me by one greatly the superior of us both -- who was more a poet than he, and more a thinker than I -- whose own mind and nature included his, and infinitely more.

Jack Vance photo
Frederick Douglass photo
Ned Kelly photo

“I wish to acquaint you with some of the occurrences of the present past and future.”

Ned Kelly (1855–1880) Australian bushranger

Jerilderie Letter (1879)

John Wallis photo
Thomas Little Heath photo
Nicholas of Cusa photo
Georg Christoph Lichtenberg photo
Jane Roberts photo
Kunti photo
William James photo

“An unlearned carpenter of my acquaintance once said in my hearing: "There is very little difference between one man and another; but what little there is, is very important." This distinction seems to me to go to the root of the matter.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"The Importance of Individuals"
1890s, The Will to Believe and Other Essays in Popular Philosophy (1897)

Isocrates photo
Emma Thompson photo

“Four a. m., having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. There was Lindsay Doran of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly appeared to understand me better than I understand myself. Mr. James Shamis, a most copiously erudite person and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behaviour one has learned to expect from that race. Mr. Mark Kenton, an energetic person with a ready smile who, as I understand it, owes me a great deal of money. [Breaks character, smiles. ] TRUE!! [Back in character. ] Miss Lisa Henson of Columbia, a lovely girl and Mr. Garrett Wiggin, a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing, that it proved impossible to get within ten feet of him. The room was full of interesting activity until 11 p. m. when it emptied rather suddenly. The lateness of the hour is due, therefore, not to the dance, but to the waiting in a long line for a horseless carriage of unconscionable size. The modern world has clearly done nothing for transport.”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Charles Rollin photo

“It is not reasonable they should be solely employed in the study of the Greek and Latin authors, and having no curiosity to become acquainted with the writers of their own nation, remain always strangers in their own country.”

Charles Rollin (1661–1741) French historian

The Method of Teaching and Studying the Belles Lettres, Vol. I, The Third Edition (1742), Book II, Ch. 2, Article 3: 'Of the different sorts of poems', p. 278

Friedrich Albert Fallou photo

“There is no more important object in nature, no object more worthy of contemplation, and if a famous philosopher and statesman of the past declares agriculture to be the worthy business of a free citizen (Cic. de off. I. 42.) it would also be an equally worthy business for him to get acquainted with the soil, without which agriculture is not conceivable.”

Friedrich Albert Fallou (1794–1877) German jurist and lawyer

Es giebt ja in der ganzen Natur keinen wichtigeren, keinen der Betrachtung würdigeren Gegenstand und wenn ein berühmter Philosoph und Staatsmann der Vorzeit (Cic. de off. I. 42.) den Ackerbau für das würdigste Geschäft eines freien Bürgers erklärt, so muß es auch ein ebenso würdiges Geschäft für ihn sein, sich mit dem Boden bekannt zu machen, ohne welchen kein Ackerbau denkbar.
in Pedology or General and Special Soil Science Prospectus, Dresden 1862. http://books.google.com/books?id=ng8-AAAAcAAJ&pg=PP5. Translation by Google Translate
Omnium autem rerum, ex quibus aliquid adquiritur, nihil est agri cultura melius, nihil uberius, nihil dulcius, nihil homine libero dignius.
'For of all gainful professions, nothing is better, nothing more pleasing, nothing more delightful, nothing better becomes a well-bred man than agriculture'
Cicero De officiis (On Dutiable Action). Book I, Section 42. Translation by Cyrus R. Edmonds (1873), p. 73

Benjamin Franklin photo
A.E. Housman photo

“Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.”

A.E. Housman (1859–1936) English classical scholar and poet

No. 40, st. 1.
Last Poems http://www.gutenberg.org/dirs/etext05/8lspm10.txt (1922)

George Boole photo

“Probability is expectation founded upon partial knowledge. A perfect acquaintance with all the circumstances affecting the occurrence of an event would change expectation into certainty, and leave neither room nor demand for a theory of probabilities.”

George Boole (1815–1864) English mathematician, philosopher and logician

Source: 1850s, An Investigation of the Laws of Thought (1854), p. 244; Cited in: Michael J. Katz (1986) Templets and the Explanation of Complex Patterns, p. 123

Anthony Trollope photo
Robert Maynard Hutchins photo
William Cowper photo
William Herschel photo
Edward Grey, 1st Viscount Grey of Fallodon photo
Giovanni della Casa photo
Cees Nooteboom photo
Anthony Trollope photo
George Boole photo
Hans von Bülow photo

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

Frederick II of Prussia photo
Amit Chaudhuri photo
Theodor Mommsen photo

“But while at the bottom of the national life the slime was thus constantly accumulating more and more deleteriously and deeply, so much the more smooth and glittering was the surface, overlaid with the varnish of polished manners and universal friendship. All the world interchanged visits; so that in the houses of quality it was necessary to admit the persons presenting themselves every morning for the levee in a certain order fixed by the master or occasionally by the attendant in waiting, and to give audience only to the more notable one by one, while the rest were more summarily admitted partly in groups, partly en masse at the close—a distinction which Gaius Gracchus, in this too paving the way for the new monarchy, is said to have introduced. The interchange of letters of courtesy was carried to as great an extent as the visits of courtesy; "friendly" letters flew over land and sea between persons who had neither personal relations nor business with each other, whereas proper and formal business-letters scarcely occur except where the letter is addressed to a corporation. In like manner invitations to dinner, the customary new year's presents, the domestic festivals, were divested of their proper character and converted almost into public ceremonials; even death itself did not release the Roman from these attentions to his countless "neighbours," but in order to die with due respectability he had to provide each of them at any rate with a keepsake. Just as in certain circles of our mercantile world, the genuine intimacy of family ties and family friendships had so totally vanished from the Rome of that day that the whole intercourse of business and acquaintance could be garnished with forms and flourishes which had lost all meaning, and thus by degrees the reality came to be superseded by that spectral shadow of "friendship," which holds by no means the least place among the various evil spirits brooding over the proscriptions and civil wars of this age.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 2, Translated by W.P. Dickson.
On Roman Friendship in the last ages of the Republic.
The History of Rome - Volume 4: Part 2

Emil M. Cioran photo
Daniel Dennett photo
Hans Ruesch photo

“The desire to protect animals derives inevitably from better acquaintance with them, from the realization that they are sensitive and intelligent creatures, affectionate and seeking affection, powerless in a cruel and incomprehensible world, exposed to all the whims of the master species. According to the animal haters, those who are fond of animals are sick people. To me it seems just the other way around, that the love for animals is something more, not something less. As a rule, those who protect animals have for them the same feeling as for all the other defenseless or abused creatures: the battered or abandoned children, the sick, the inmates of penal or mental institutions, who are so often maltreated without a way of redress. And those who are fond of animals don't love them for their "animality" but for their "humanity" — their "human" qualities. By which I mean the qualities humans display when at their best, not at their worst. Man's love for the animal is, at any rate, always inferior in intensity and completeness to the love the animal has for the human being that has won its love. The human being is the elder brother, who has countless different preoccupations, activities and interests. But to the animal that loves a human being, this being is everything. That applies not only to the generous, impetuous dog, but also to the more reserved species, with which it is more difficult to establish a relationship without personal effort and plenty of patience.”

Hans Ruesch (1913–2007) Swiss racing driver

Source: Slaughter of the Innocent (1978), pp. 45-46

James Joyce photo
Mary Robinette Kowal photo
Herman Cain photo

“No honest historian should seek to hide, and no Musalman acquainted with his faith will try to justify, the wanton destruction of temples that followed in the wake of the Ghaznavid army. Contemporary as well as later historians do not attempt to veil the nefarious acts but relate them with pride.”

Mohammad Habib (1895–1971) Indian historian

Politics and Society During the Early Medieval Period: Collected Works of Professor Mohammad Habib, Volume 2; p. 78
Mohammed Habib, quoted in Elst, K. 2002, Ayodhya: the case against the temple. Ch.10.

Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Yoshida Shoin photo
William Herschel photo
Seneca the Younger photo

“Who is everywhere is nowhere. When a person spends all his time in foreign travel, he ends by having many acquaintances, but no friends.”
Nusquam est qui ubique est. Vitam in peregrinatione exigentibus hoc evenit, ut multa hospitia habeant, nullas amicitias.

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Source: Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter II: On discursiveness in reading, Line 2.

Koenraad Elst photo
George Eliot photo
Orson Pratt photo

“We planted our crops in the spring, and they came up, and were looking nicely, and we were cheered with the hopes of having a very abundant harvest. But alas! it very soon appeared as if our crops were going to be swallowed up by a vast horde of crickets, that came down from these mountains-crickets very different to what I used to be acquainted with in the State of New York. They were crickets nearly as large as a man's thumb. They came in immense droves, so that men and women with brush could make no headway against them; but we cried unto the Lord in our afflictions, and the Lord heard us, and sent thousands and tens of thousands of a small white bird. I have not seen any of them lately. Many called them gulls, although they were different from the seagulls that live on the Atlantic coast. And what did they do for us? They went to work, and by thousands and tens of thousands, began to devour them up, and still we thought that even they could not prevail against so large and mighty an army. But we noticed, that when they had apparently filled themselves with these crickets, they would go and vomit them up, and again go to work and fill themselves, and so they continued to do, until the land was cleared of crickets, and our crops were saved. There are those who will say that this was one of the natural courses of events, that there was no miracle in it. Let that be as it may, we esteemed it as a blessing from the hand of God; miracle or no miracle, we believe that God had a hand in it, and it does not matter particularly whether strangers believe or not.”

Orson Pratt (1811–1881) Apostle of the LDS Church

Journal of Discourses 21:276-277 (June 20,1880)
Pratt describes the event in which seagulls disposed of swarms of crickets that were destroying their crops.
Miracle of the seagulls and crickets

John Wallis photo
Flower A. Newhouse photo
Calvin Coolidge photo
Henry Fielding photo
Adolphe Quetelet photo
William H. McNeill photo
James Bradley photo
Robert G. Ingersoll photo
Lloyd Kenyon, 1st Baron Kenyon photo
John Calvin photo
Honoré de Balzac photo

“The life of a man who deliberately runs through his fortune often becomes a business speculation; his friends, his pleasures, patrons, and acquaintances are his capital.”

Honoré de Balzac (1799–1850) French writer

La vie d'un homme occupé à manger sa fortune devient souvent une spéculation; il place ses capitaux en amis, en plaisirs, en protecteurs, en connaissances.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart

Lydia Maria Child photo

“I was gravely warned by some of my female acquaintances that no woman could expect to be regarded as a lady after she had written a book.”

Lydia Maria Child (1802–1880) American abolitionist, author and women's rights activist

"Concerning Women", Independent, 21 Oct 1869, as quoted in "Extracts from 'Concerning Women'" in A Lydia Maria Child Reader (1997), edited by Carolyn L. Karcher, p 403 https://books.google.com/books?id=l1lv2eDR-ocC&pg=PA403&lpg=PA403&dq=%22no+woman+could+expect+to+be+regarded+as+a+lady+after+she+had+written+a+book%22&source=bl&ots=m4wJPHeLvD&sig=tyepgWWYYRTodRbMJwCW5wZOwvs&hl=en&sa=X&ved=0ahUKEwi4jdDQ4ojSAhWKSiYKHZl_AnUQ6AEIKzAD#v=onepage&q=%22no%20woman%20could%20expect%20to%20be%20regarded%20as%20a%20lady%20after%20she%20had%20written%20a%20book%22&f=false.

Vātsyāyana photo
Vitruvius photo
John Davies (poet) photo
Suze Robertson photo

“Acquaintances, family, posing for me? - Oh no, please no acquaintances, no nephews or nieces… If I need them, I take models; am I searching for myself, tripping through the neighborhoods..”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) Kennissen, familie voor mij poseeren? – O nee, alstublieft geen bekenden, geen neefjes of nichtjes.. .Als ik ze nodig heb, neem ik modellen; ga ik zelf zoeken, de buurtjes [buurten] afloopen..
p. 34
1900 - 1922, Onder de Menschen: Suze Robertson' (1912)

A.E. Housman photo
Richard Blackmore photo

“The Inclinations of Men, in this their degenerate State, carry them with great Force to those voluptuous Objects, that please their Appetites and gratify their Senses; and which not only by their early Acquaintance and Familiarity, but as they are adapted to the prevailing Instincts of Nature, are more esteem'd and pursu'd than all other Satisfactions. As those inferior Enjoyments, that only affect the Organs of the Body are chiefly coveted, so next to these, that light and facetious Qualification of the Mind, that diverts the Hearers and is proper to produce Mirth and Alacrity, has, in all Ages, by the greatest Part of Mankind, been admir'd and applauded. No Productions of Human Understanding are receiv'd with such a general Pleasure and Approbation, as those that abound with Wit and Humour, on which the People set a greater Value, than on the wisest and most instructive Discourses. Hence a pleasant Man is always caress'd above a wise one, and Ridicule and Satyr, that entertain the Laughers, often put solid Reason and useful Science out of Countenance. The wanton Temper of the Nation has been gratify'd so long with the high Seasonings of Wit and Raillery in Writing and Conversation, that now almost all Things that are not accommodated to their Relish by a strong Infusion of those Ingredients, are rejected as the heavy and insipid Performances of Men of a plain Understanding and meer Masters of Sense.”

Richard Blackmore (1654–1729) English poet and physician

Essay upon Wit http://www.gutenberg.org/files/13484/13484-8.txt (1711)

Mahmud of Ghazni photo

“The king, in his zeal to propagate the faith, now marched against the Hindoos of Nagrakote [Nagarkot Kangra], breaking down their idols and razing their temples. The fort, at that time denominated the Fort of Bheem, was closely invested by the Mahomedans, who had first laid waste the country around it with fire and sword.'…'In the year AH 402 (AD 1011), Mahmood resolved on the conquest of Tahnesur [Thanesar (Haryana)], in the kingdom of Hindoostan. It had reached the ears of the king that Tahnesur was held in the same veneration by idolaters, as Mecca by the faithful; that they had there set up a number of idols, the principal of which they called Jugsom, pretending that it had existed ever since the creation. Mahmood having reached Punjab, required, according to the subsisting treaty with Anundpal, that his army should not be molested on its march through his country…'The Raja's brother, with two thousand horse was also sent to meet the army, and to deliver the following message:- "My brother is the subject and tributary of the King, but he begs permission to acquaint his Majesty, that Tahnesur is the principal place of worship of the inhabitants of the country: that if it is required by the religion of Mahmood to subvert the religion of others, he has already acquitted himself of that duty, in the destruction of the temple of Nagrakote. But if he should be pleased to alter his resolution regarding Tahnesur, Anundpal promises that the amount of the revenues of that country shall be annually paid to Mahmood; that a sum shall also be paid to reimburse him for the expense of his expedition, besides which, on his own part he will present him with fifty elephants, and jewels to a considerable amount." Mahmood replied, "The religion of the faithful inculcates the following tenet: That in proportion as the tenets of the prophet are diffused, and his followers exert themselves in the subversion of idolatry, so shall be their reward in heaven; that, therefore, it behoved him, with the assistance of God, to root out the worship of idols from the face of all India. How then should he spare Tahnesur?"… This answer was communicated to the Raja of Dehly, who, resolving to oppose the invaders, sent messengers throughout Hindoostan to acquaint the other rajas that Mahmood, without provocation, was marching with a vast army to destroy Tahnesur, now under his immediate protection. He observed, that if a barrier was not expeditiously raised against this roaring torrent, the country of Hindoostan would be soon overwhelmed, and that it behoved them to unite their forces at Tahnesur, to avert the impending calamity….”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

John Constable photo
André Maurois photo

“Almost all men improve on acquaintance.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship